Hatchie

album is titled Keepsake out 21 June

Boo! Still not playable in EST.

Oh, well here it is

https://www.youtube.com/watch?v=3ELnVRJMFhw

God, she's so goooooood at this

Another great song! This is one of my most anticipated albums of the year.

she was pretty good just now! played two other new songs from the album: "unwanted guest" which was similar in style to "without a blush" with a darker, almost nine inch nails-ish verse and then a huge shoegaze-pop chorus, and "her own heart" which was a ballad in 6/8 that made me think 'shoegaze taylor swift'

also charles from babaganouj was her lead guitarist and he was comically dramatic at that

Loving the new single. I think it's my favorite so far! That guitar in the verse is fierce! Also love the bass.

"Without a blush" = sunshine Curve! this is glorious

the first song in the op sounds like sixpence none the richer...but better.

touring all over the country with Girlpool - that's a can't miss

Agreed. Looking to see that show in Asbury Park in order to make a fun little weekend out of it.

Another solid track from her upcoming debut album! I'm getting some Liz Fraser vibes here.

https://www.youtube.com/watch?v=xwdXi0I8vsQ

her best song yet

I'm getting some School Of Seven Bells vibes from the new single. Really wish the album wasn't still so far away.

This is the first one, besides the Adult Swim one, that I'm strictly "meh" about.

I felt the same way after the first couple of listens but now I really like it!

Just saw her live. Unreleased tracks from the new album are all sounding great. At this rate it will probably end up being album of the year for me.

this song was on the jukebox a minute ago and i couldn’t tell if it was hatchie or the ‘90s.

it was “ode to my family” by the cranberries. i have never heard this song as far as i can remember.

i also think about natalie imbruglia a lot when i listen to this band.

https://www.youtube.com/watch?v=iI4aHUVQBgI

this one is like dream-pop new order, i love it

wow

this is gonna be the greatest album of all time isn't it

certainly one of this year's best. I'm excited!

this is gonna be the greatest album of all time isn't it

― boxedjoy, Friday, May 17, 2019 10:25 AM (seven hours ago) Bookmark Flag Post Permalink

YES!

I've had the album for a while now. It's so great.

It kind of sounds like what I imagine a fifth School Of Seven Bells album would have sounded like.

I'm very jealous. I was hoping it would leak, but nothing so far.
Ah well, it's only 6 days now...

Remember when most albums used to leak 2 or 3 months early. Nowadays it seems to be 24 hours if that, which is probably a good thing.

But why thou? For us, the listeners, I'd take an early leak over the excitement any day.
For the artist, people who are gonna buy the record, are gonna buy the record. (I know I will, it's on my Bandcamp wishlist already.)
And everyone else is going to stream it anyway. And there is virtually no difference in what an artist earns on streams versus having their music pirated/leaked.

“Secret,” oh my god

album is very solid, "secret" and "keep" are the highlights from the tracks that weren't singles but "stay with me" is still probably my favourite

“Secret,” oh my god

― josh winters (josh)

Yeah, this is the one!

I love this album so much.

I like this album, though I don't think so for the same reasons I liked her early string of singles. This one exists outside of early 90s sonic nostalgia where those past songs were time traveling. But I'll tell you what this album *does* remind me of, though... Sky Ferreira's album.

Some food songs here, some skippable.
The songs that somewhat like Cocteau Twins are better imo

This is a bit more restrained and subdued than I was expecting but it is easily tying with Charly Bliss for my own AOTY

The SVIIB comparison feels particularly apt - this does a similar thing in that it looks forward but with obvious influences, whereas the EP felt more like a well-performed recreation of its inspirations

Today's pitchfork review was pretty harsh-- it reads more like 5.0 than the 6.5 they gave it.

I do take issue with this line though:

For an artist so laser-focused on pop production, Pilbeam’s songwriting is unapologetically sophomoric.

makes me wonder how one could be apologetically sophomoric

the classic 'hype the debut EP & early singles / pan the debut album' manoeuvre

the lyrics aren't anything special but they're not embarassingly bad or anything and i thought it was strange the review focused on them so much/ it also feels weird to complain that there's too much dream pop guitar... on a dream pop album. it's not like the album is lacking in variation either

anyway the "born slippy"-esque synths on "stay with me" are the best

how are you gonna trot out another sounds-like-an-ad diss when "very reminiscent of making out with a 23-year-old mattress boy named DYLAN" exists

very sundays

Is the "Bernard Sumner" guitar pedal commercially available, or did she just nail the right settings?
Because that guitar that comes in at 1:44 on 'Obsessed' is a dead ringer.

probably just the right settings, she said it was a deliberate attempt to sound like "Regret"

Saw her live last night. I think the album has a couple too many midtempo dreampop-by-numbers tracks that weren't especially exciting live, but her voice is great and the momdnt when the guitars crashed in at the end of "Stay with Me" was incredible. She also closed with "Sure," which is still probably my favorite thing she's done.

The album kinda washed over me when it came out (aside from "Stay With Me") but I pulled it out again in preparation for seeing her live last night (she was awesome btw) and now it sounds like a classic?

yeah, one of my faves of the year for sure

Yeah, I just listened to it last week and it sounded glorious. Surprised it didn't get much discussion on here when it finally came out.

I'm still obsessed with "Secret" and "Stay With Me"

I think it's one of those albums where everything sounds so pleasant and comforting and familiar that if you listen to it without really focusing on it directly it's easy to just take it for granted.

(seeing her live was also helpful in this regard: no surprises, but it forced me to pay more attention)

Didn't expect to get so earwormed by this or the SAS EP (and I still like Sugar And Spice more than anything on the album) this year but yeah it's practically perfect for what it is.

i have a ticket to see her next month but i'm probably not going to go with the covid situation, i bought tickets right before news of omicron hit unfortunately

I saw her play live a few years back and she was excellent - very faithful to the studio versions but for me at least that was absolutely not a problem.

yeah i've seen her before so it's no great loss

Maybe my favorite live-sounding act (compared to how the sound on the record). They really crank up the shoegaze and it works beautifully.

New track!

https://www.youtube.com/watch?v=caV4P2RM7iI

Listening to this right now by pure coincidence. Nice enough.

And another one:

https://www.youtube.com/watch?v=azPYg7N9leo

This is shaping to be quite the album.

Incredible song. That second chorus really is a moment.

Her album coming out the same day as the Real Lies one is going to end me. I'm thinking of taking the following week off work.

is there anything as good as Stay with Me, Sure or Secret on the new record?

her first album disappointed me a little bit, but she has about half a dozen or so songs that have developed a very special place in my heart

Album is fantastic

Absolute scenes here listening to this track:

https://www.youtube.com/watch?v=B2nZ_e0_jHc

wow, love the sound on this. got some real NIN/industrial qualities folded into the ravey/housey/whooshy/Cocteau soup she was already serving up.

yeah "the rhythm" really goes for it with its industrial madchester thing

idk if anything on here quite matches "stay with me" or "obsessed" but it's solid and maybe a little stronger than the debut overall, the new industrial edge to the guitars really helps

I don’t really hear industrial - more Curve (especially Cuckoo), though I guess if you were casting around for a contemporary reference point then the last Halsey album might be one.

I feel like the melodies Hatchie concocted on the first EP were so indelible that it has placed her in something of a quandary ever since. She occasionally gets back to that level (“Obsessed” being the best example probably) but both the first album and now this one mostly have less memorable melodies - but the flipside is that that maybe liberates her to explore sonically, and I can’t help but nod approvingly at almost every choice she makes on this new one. It’s a lovely sounding album.

Should clarify that “less memorable melodies” is only relative - there’s some fantastic melodies on both albums.

it's really just "the rhythm" that's not far off nine inch nails in places but the harder-hitting guitars on it show up a fair amount elsewhere too

was only sorta interested in hearing this til the radio played "The Key." so good, it's the future Cranekiss foretold.

Yes!!!! pic.twitter.com/GiELurtd9D

— Hatchie (@hihatchie) July 8, 2022

I saw her this past May, and I had a great time. Everything about it was great. She plays the bass!

This has been a very dry year for music discovery for me. Nothing new that's come across my desk has really landed for me. But I'm listening to Hatchie's Giving the World Away and deeply enjoying it. I had never heard her before and this is really up my alley.

i agree that it's good. some of the new record is very natalie imbruglia-core, which really hits the spot when i'm in the mood for it.

Oooh, both sides of the record end with locked grooves!

Yeah, she's working with an exciting blend of styles. Sometimes it's Natalie Imbruglia or Heather Nova, sometimes Curve, Lush, Cranberries, Happy Mondays on the title track for sure...so much more. A lot of artists that I love, but wouldn't necessarily listen to back-to-back.

https://www.youtube.com/watch?v=fHzDZD2hoBc

new song

I found the latest album a little disappointing tbh but love this new track. Helps I’ve been re-listening to a lot of Garbage recently.

New track with Liam Benzvi

https://www.youtube.com/watch?v=VLZc8OPHrHc

As usual, it sounds like something super familiar that I somehow can't put my finger on.