I feel like interest is growing, so let's have an easy-to-remember title this year.
― grawlix (unperson), Monday, 1 January 2018 18:21 (one year ago) Permalink
First promo to land in my inbox this year: trombonist Michael Dease's latest, Reaching Out, coming out on Posi-Tone 1/26. A good band: Ralph Bowen on tenor sax, Walt Weiskopf on alto and tenor saxes, Behn Gillece on vibes, Luther Allison on piano, Peter Brendler on bass, Zach Adleman on drums. Includes a version of "Live and Let Die," though.
Also, there's a brand-new Henry Threadgill album, Dirt...And More Dirt, recorded with a 15-piece band; it's being made available on Pi Recordings' Bandcamp page for a day or two, then it'll disappear again until the official release in late spring (April, I think). He's actually gonna put out two albums simultaneously at that point. It's really good, so buy it while you can.
― grawlix (unperson), Monday, 1 January 2018 18:25 (one year ago) Permalink
HT album is great, thanks for the tip!
― budo jeru, Wednesday, 3 January 2018 01:09 (one year ago) Permalink
Yeah, it's really good. He was supposed to premiere that piece at Carnegie Hall or Lincoln Center, I forget which, back in September - I was all set to go, but the show got cancelled because he was suffering from exhaustion or something. Hope they reschedule for the spring.
― grawlix (unperson), Wednesday, 3 January 2018 01:25 (one year ago) Permalink
nice piece on the late roswell rudd by the npr people:
― budo jeru, Saturday, 6 January 2018 20:49 (one year ago) Permalink
going to go listen to the BA interview now!
jason moran is coming to the walker in april. an acquaintance of mine is one of the curators and what she's told has me real stoked.
The exhibition will highlight Moran’s mixed-media “set” installations STAGED: Savoy Ballroom 1 and STAGED: Three Deuces (both 2015), sculptural vignettes based on storied music venues from past eras that were his acclaimed contributions to the 2015 Venice Biennale. The exhibition will also premiere a new sculptural commission as part of this series. The presentation also features a selection of Moran’s most recent charcoal drawings and time-based media works from his long-standing collaborations, or sets, with visual artists including Lorna Simpson, Glenn Ligon, and Theaster Gates. In-gallery performances and a new commission for the stage will be orchestrated during the run of the show to complement the gallery presentation.
and then there's this "sonic universe project" feat. wadada leo smith and roscoe mitchell
An all-star lineup of master jazz innovators spanning three cities (Minneapolis, New York, and Chicago) and two generations creates a new sextet for an exclusive Walker engagement. The ensemble includes visionary trumpeter/composer Wadada Leo Smith, a transformative figure in jazz; powerhouse saxophonist/composer Roscoe Mitchell, a founding member of the Art Ensemble of Chicago; Hamid Drake, one of the great drummers working in jazz and global music today; Oliver Lake, longtime member of the World Saxophone Quartet; bassist Anthony Cox, one of Minnesota’s most in-demand musicians for years; and composer/flutist/saxophonist Douglas Ewart, who helped bring these master musicians together.90 minutesWorld Premiere
― budo jeru, Sunday, 7 January 2018 22:08 (one year ago) Permalink
jazzfest marathon suggestions for tonight?
― Chocolate-covered gummy bears? Not ruling those lil' guys out. (ulysses), Friday, 12 January 2018 20:01 (one year ago) Permalink
Gard Nilssen's Acoustic Unity, Jaimie Branch's Fly Or Die (unfortunately they're playing opposite each other), Donny McCaslin's quartet.
I'm hoping to see the Harriet Tubman-plays-Free Jazz show tomorrow night.
― grawlix (unperson), Friday, 12 January 2018 21:28 (one year ago) Permalink
i had mccaslin and branch boldfaced tooother potential hits: Ches Smith, Sons of Kemet, ONYX collective, MAST, Blaque Dynamitethe only thing i'm really hyped to see is the 11pm Nicole Mitchell piece with Jason Moran, may need to get there earlyhttps://www.nytimes.com/2018/01/10/arts/music/nicole-mitchell-black-earth-ensemble-mandorla-awakening.html
― Chocolate-covered gummy bears? Not ruling those lil' guys out. (ulysses), Friday, 12 January 2018 21:39 (one year ago) Permalink
I interviewed Shabaka Hutchings, Nubya Garcia and Yazz Ahmed yesterday for the next Burning Ambulance podcast - it'll be going live in a week, on 1/19.
― grawlix (unperson), Friday, 12 January 2018 21:41 (one year ago) Permalink
Well huh, Wynton's son makes beats: https://pitchfork.com/features/rising/meet-standing-on-the-corner-the-post-genre-crew-whose-music-speaks-a-secret-language/
― change display name (Jordan), Friday, 19 January 2018 15:10 (one year ago) Permalink
JM: Honestly, I have an extremely antagonistic relationship with hip-hop.
Think he said that just to keep his dad off his back?
Here's a link to my interview with Hutchings (who's on the cover of the new issue of The Wire, btw), Garcia and Ahmed.
― grawlix (unperson), Friday, 19 January 2018 15:56 (one year ago) Permalink
Coming soon: Preemo's Club Henny at Lincoln Center
― IF (Terrorist) Yes, Explain (man alive), Friday, 19 January 2018 16:46 (one year ago) Permalink
NPR are streaming the new Sunwatchers album
― Dinsdale, Thursday, 25 January 2018 22:25 (one year ago) Permalink
(as well as Julian Lage's)
― Dinsdale, Thursday, 25 January 2018 22:32 (one year ago) Permalink
Oh, thanks. I was a little underwhelmed by the advance JL single "Roger the Dodger" but I'm definitely interested in listening to this.
― No purposes. Sounds. (Sund4r), Friday, 26 January 2018 04:22 (one year ago) Permalink
This is just what I want tonight, actually.
― No purposes. Sounds. (Sund4r), Friday, 26 January 2018 04:44 (one year ago) Permalink
My latest podcast is up - I interviewed Orrin Evans, who is now the pianist in The Bad Plus.
― grawlix (unperson), Friday, 2 February 2018 16:01 (one year ago) Permalink
― change display name (Jordan), Friday, 2 February 2018 16:24 (one year ago) Permalink
Finally, this is legit and remastered from original: live in '65 Paris, Wes is into Trane, shadowed by Harold Mabern, and later Johnny Griffin shows up, intriguingly enough (astute excerpts and comments by Kevin Whitehead)https://www.npr.org/2018/01/31/582118519/in-paris-recording-guitarist-wes-montgomery-shows-his-head-for-melody
― dow, Saturday, 3 February 2018 00:29 (one year ago) Permalink
Yeah, that's a great album.
― grawlix (unperson), Saturday, 3 February 2018 13:28 (one year ago) Permalink
A bit of a row in Germany over the Echo Jazz awards ceremony – best newcomer winner Anna-Lena Schnabel wasn't allowed to perform any of her own music. The producers rejected her piece "Plop" :-) and four other suggestions, and they asked her to do her version of Horace Silver's "Peace" instead. The show was televised on NDR, a non-commercial broadcaster, which denies censorship and says it wanted "the young generation" included on the show... just not playing anything written after 1959.
German public media are usually open-minded about new jazz afaik – they filmed Schnabel's full concert below, and public media told her side of the story first in a documentary where they accused themselves of censorship. It's a good system. Enjoy!
- http://www.3sat.de/mediathek/?mode=play&obj=69772Anna-Lena Schnabel @ JazzBaltica: online til 20 Oct 2018
― sbahnhof, Sunday, 4 February 2018 06:45 (one year ago) Permalink
I had no idea that a new Bad Plus album w/Orrin Evans came out weeks ago, hadn't heard a single thing about it until listening to your podcast. The three tracks on soundcloud are cool, if maybe not quite as distinctive-sounding? Don't love how the drums were recorded/mixed on this one.
Listening to some Orrin Evans stuff on Spotify today, the trio with Christian McBride and Karriem Riggins is nice.
I heard the clips of that Wes Montgomery record on NPR and it sounds burning, never heard it before I don't think.
― change display name (Jordan), Tuesday, 6 February 2018 16:26 (one year ago) Permalink
Pretty sure I'd only heard OE as a sideperson before, like on Ralph Peterson records.
Also, while I'm sure it wouldn't be ideal in some ways, I'd love to hear a version of the Bad Plus with Eric Lewis on piano.
― change display name (Jordan), Tuesday, 6 February 2018 17:17 (one year ago) Permalink
I'm still getting my head around the Bad Plus continuing with the same name without Iverson. I'll listen, though.
― No purposes. Sounds. (Sund4r), Tuesday, 6 February 2018 18:38 (one year ago) Permalink
my local public radio jazz station is usually pretty trad but has one show on a weeknight that does more "adventurous" stuff
they played a band called The Comet is Coming? British, and sort of electronic, jazz, R&B hybrid...wouldn't be out of place on an old Thirsty Ear comp
― It's not delivery, it's Adorno! (upper mississippi sh@kedown), Tuesday, 6 February 2018 20:20 (one year ago) Permalink
Yeah, The Comet Is Coming is one of Shabaka Hutchings' projects.
― grawlix (unperson), Tuesday, 6 February 2018 20:31 (one year ago) Permalink
ah i'm really enjoying it
― It's not delivery, it's Adorno! (upper mississippi sh@kedown), Tuesday, 6 February 2018 20:36 (one year ago) Permalink
Just got the promo of the next Sons of Kemet album, their debut for Impulse!. The cover art is wild.
― grawlix (unperson), Wednesday, 7 February 2018 18:35 (one year ago) Permalink
Anyone have any thoughts on Badbadnotgood? I randomly watched a What's in My Bag video with them and liked their taste and what they had to say. Where is a good place to start with them?
― Fedora Dostoyevsky (man alive), Monday, 12 February 2018 02:09 (one year ago) Permalink
their album with ghostface is great! no idea about their regular stuff
― It's not delivery, it's Adorno! (upper mississippi sh@kedown), Monday, 12 February 2018 03:39 (one year ago) Permalink
Yeah, I haven't checked them out yet either. I may get to see them this summer, though - I'm hoping to get press access to the North Sea Jazz Festival in Rotterdam, and they're playing.
― grawlix (unperson), Monday, 12 February 2018 13:30 (one year ago) Permalink
they seem to skirt the line between jazz and Budos Band type stuff
― It's not delivery, it's Adorno! (upper mississippi sh@kedown), Monday, 12 February 2018 13:42 (one year ago) Permalink
I was a hater when they first blew up, because they were goofy college kids who made a video doing jammy covers of Odd Future beats and sent it to Tyler, then they were playing festivals doing jammy covers of EDM tracks.
But I've got to give it up, they matured and learned some restraint, and that 'IV' album is pretty cool. Nice '70s-style production, the collabs with Colin Stetson and Samuel Herring work, lots of attention to sound and texture. Good for them!
― change display name (Jordan), Monday, 12 February 2018 19:55 (one year ago) Permalink
Gurls: Norwegian trio at the poppier end of the spectrum I guess, though pretty understated with sax + bass + vox only; opened here for a-ha (!) a few days ago; album just released. Quite enjoying this in the middle of the night.
― anatol_merklich, Friday, 16 February 2018 02:33 (one year ago) Permalink
The lineup for this year's Vision Festival is out, and it's amazing. I would go every night if I could, but it's in Brooklyn so I'm almost certainly gonna miss the whole damn thing. Get there if you can.
― grawlix (unperson), Wednesday, 21 February 2018 15:22 (one year ago) Permalink
Is this the first Vision fest to not feature a William Parker-led band? I see he's joining a few groups but his relative absence seems a bit conspicuous given his involvement in previous festivals
Might make the trip once day passes are announced. Ambrose Akinmusire has become one of my favorite trumpeters. He and Mehldau are both incredible here: https://www.youtube.com/watch?v=_BKVfbwI3X4
― Paul Ponzi, Wednesday, 21 February 2018 22:37 (one year ago) Permalink
Definitely enjoyed that
― No purposes. Sounds. (Sund4r), Friday, 23 February 2018 10:57 (one year ago) Permalink
yup, that was great
― niels, Friday, 23 February 2018 11:10 (one year ago) Permalink
My latest Stereogum column is up. I talk about the Bad Plus, GoGo Penguin, and a bunch of other stuff, including a book on 1970s jazz that kinda disappointed me.
― grawlix (unperson), Friday, 23 February 2018 14:40 (one year ago) Permalink
Re Parker and Vision Fest, doesn't seem so odd, especially as many of his regular bandmates are presenting their own projects. He's maybe taking a backseat from leader projects atm? Or perhaps he's cooking something big up. He has an album coming out soon with his wife Patricia Nicholson on his own Centering records.
― Poor.Old.Tired.Horse. (Stew), Sunday, 25 February 2018 17:00 (one year ago) Permalink
Electronic Press Kit for new David Murray/Saul Williams alb, out 2/16, anybody heard the whole thing?https://www.youtube.com/watch?v=YbgAmvDz6fQ
― dow, Sunday, 25 February 2018 20:30 (one year ago) Permalink
Yeah (I was trying to get Murray on my podcast, but the publicist totally dropped the ball). It's pretty good. I wrote about it in this month's Stereogum column (linked above):
Saxophonist David Murray met poet Saul Williams at Amiri Baraka’s memorial service in 2014. The day after hearing Williams read, Murray knew he wanted to make an album with him. Four years later, here it is, billed as a tribute to Mehmet “Memo” Uluğ, a major figure on the Turkish jazz scene. The core band includes Orrin Evans on piano, Jaribu Shahid on bass, and Nasheet Waits on drums, with additional contributions from Jason Moran (on Fender Rhodes), Murray’s son Mingus on guitar, Craig Harris on trombone, and Aytac Dogan on kanun, a zither-like Turkish instrument. Williams discourses on a variety of subjects, some political, others more celebratory of life. On “A Mirror Of Youth,” Williams’ impassioned delivery — and his vocal timbre — remind me of Black Thought, while the band behind him goes just as hard, without ever abandoning melody. Murray, like Archie Shepp, has always been a living bridge between avant-garde jazz and its roots in blues and swing; he can scream like Albert Ayler, or sing low like Coleman Hawkins, and here he’s in a hard bop mode, spinning out passionate lines that always keep one foot on the ground.
― grawlix (unperson), Sunday, 25 February 2018 21:20 (one year ago) Permalink
"This group is smoking, but wouldn't it be even better if they had someone sorta-rapping-but-not-really-rapping on top? Like slam poetry, you know?" - no jazz fan ever
― Paul Ponzi, Sunday, 25 February 2018 21:50 (one year ago) Permalink
I interviewed Tony Allen for Down Beat.
― grawlix (unperson), Tuesday, 27 February 2018 17:49 (one year ago) Permalink
The new issue of The Wire is out today; I wrote the cover story on Mary Halvorson, reviewed Anthony Braxton's new 11CD box set (first line, which I can't believe they kept: "Anthony Braxton has developed gigantism") and the new Sons of Kemet album, and profiled French avant-metal band Chaos Echoes, who have an album coming out that's a collaboration with Mats Gustafsson.
― grawlix (unperson), Tuesday, 6 March 2018 16:49 (one year ago) Permalink
Wow, I've really liked a lot of what I know from Halvorson and am curious about the Braxton. (Marking some midterms with essays about Braxton rn, actually!)
― No purposes. Sounds. (Sund4r), Tuesday, 6 March 2018 21:31 (one year ago) Permalink
anyone recommend a good 2018 spotify list to follow?
this one has lots of good stuff, but it's mostly Danish https://open.spotify.com/user/jazzyniels/playlist/1KpooeZNb18FltdeWgWlSy
― niels, Wednesday, 7 March 2018 13:57 (one year ago) Permalink
Nels Cline 4 jam concisely on song from new album, info and live-in-studio vid link here: https://www.stereogum.com/1986225/the-nels-cline-4-imperfect-10/music/?utm_source=t.co&utm_medium=referral Mainly of interest to me for the Cline solo, also like the way its momentum lifts the full group at end (but mainly his solo).
― dow, Wednesday, 7 March 2018 18:59 (one year ago) Permalink
Recently read a long featured review of the new movie Green Book, based on the real-life adventures of Don Shirley---somebody I used to read about in Downbeat eons ago, but don't think I've ever heard him--reviewer seemed very impressed by his music; are any of y'all familiar with it??
― dow, Monday, 19 November 2018 03:54 (six months ago) Permalink
Dave Douglas recorded a four-night stand at the Jazz Standard in 2015, and released all eight sets digitally on Bandcamp. Now they've been packed into an 8CD box, which is available for $50, the same price as the digital set:
I'm seriously considering buying it. It's a really hot band: Jon Irabagon on sax, Matt Mitchell on piano, Linda Oh on bass, and Rudy Royston on drums.
― grawlix (unperson), Monday, 19 November 2018 17:57 (six months ago) Permalink
Always see her billed as Linda May Han Oh these days.
― Recnac and my 📛 is Yrral (James Redd and the Blecchs), Monday, 19 November 2018 19:42 (six months ago) Permalink
Just got two Arthur Blythe multi-album reissues in the mail: the first has 1982's Elaborations, 1983's Light Blue: Arthur Blythe Plays Thelonious Monk and 1985's Put Sunshine In It, and the second has 1986's Da-Da and 1988's Basic Blythe. The same label (BGO) reissued his first four (1979's Lenox Avenue Breakdown, 1980's In The Tradition and Illusions, and 1981's Blythe Spirit) as a two-CD set in 2016, so his entire Columbia catalog is now remastered and back in print, which is awesome.
― grawlix (unperson), Tuesday, 20 November 2018 18:11 (six months ago) Permalink
"Lenox Avenue Breakdown, 1980's In The Tradition and Illusions"
fucking brilliant trio of albums there!
― calzino, Tuesday, 20 November 2018 18:56 (six months ago) Permalink
I love Arthur Blythe so much, Illusions & Lenox are all timers for me
― The Poppy Bush AutoZone (upper mississippi sh@kedown), Tuesday, 20 November 2018 19:34 (six months ago) Permalink
O hell yes---just for one example, great to hear Blood Ulmer in full bloom *and* as a sideman/valuable team player (tempted to say "most valuable," but been a while since I've heard Illusions, and Blythe always knew how to put together a team).Reminds me, I should play my ancient, still-sealed CD reissue of John Patton's Accent on the Blues, which also incl. Ulmer, but it's maybe more of a conventional organ-guitar-drums trio? Should be good of its kind though.
― dow, Tuesday, 20 November 2018 22:31 (six months ago) Permalink
i saw him play solo recently and his set was 110 minutes long! easily the longest single set i have ever seen at this particular venue.
― weird woman in a bar (La Lechera), Tuesday, 20 November 2018 22:33 (six months ago) Permalink
Oh wow! I'm jealous
― The Poppy Bush AutoZone (upper mississippi sh@kedown), Wednesday, 21 November 2018 00:31 (six months ago) Permalink
Got to see Billy Harper recently at Church Of Sound. His London supporting band included Moses Boyd on drums! Church Of Sound is a really great monthly date for any London ILX Jazz fans.
― Daniel_Rf, Thursday, 22 November 2018 11:04 (six months ago) Permalink
I bet that was amazing. I’ve only seen him with the Cookers, never as a leader.
― grawlix (unperson), Thursday, 22 November 2018 12:36 (six months ago) Permalink
Where do I see jazz in New York?
― bamcquern, Sunday, 25 November 2018 18:37 (six months ago) Permalink
― grawlix (unperson), Sunday, 25 November 2018 19:25 (six months ago) Permalink
recently was hipped to robert (AKA cleve AKA frank) pozar's 1974 lp "solo percussion" -- amazing stuff. guy at 50 miles of elbow room is selling new old stock copies of that record for $60 if anybody is interested. i'd heard pozar's record on savoy from '67 (produced by bill dixon) but had forgotten he played in the early '60s with bob james. here's a cool video from that era:
― budo jeru, Sunday, 25 November 2018 23:02 (six months ago) Permalink
A young saxophonist named Xhosa Cole has won the BBC Young Jazz Musician award for 2018. He doesn't seem to have any records out - nothing on Spotify, nothing on Bandcamp - but here's a short video clip. I hope this isn't him at his best, cause it's just OK.
― grawlix (unperson), Monday, 26 November 2018 14:43 (six months ago) Permalink
Thanks for posting that Bob James clip, budo jeru! My dad used to see them in Ann Arbor in the early '60s. The bassist (not identified in the youtube description) is Ron Brooks, who is apparently still active on the Ann Arbor scene.
― Montgomery Burns' Jazz (Tarfumes The Escape Goat), Monday, 26 November 2018 15:45 (six months ago) Permalink
O hell yes & he played on Explosions, BJ's ESP-DISK, as did Barre Phillips!Yall what are the best jazz albums this year? Albums comprised of *new* jazz? I'm always a magnet for reissues and prev. unreleased, so I don't mean those (well those too, okay).
― dow, Tuesday, 27 November 2018 01:58 (five months ago) Permalink
Bill Frisell - Music ISJakob Bro - ReturningsSam Wilkes - WILKES
and if you find Hailu Mergia to be jazz then Lala Belu, too
― niels, Tuesday, 27 November 2018 08:29 (five months ago) Permalink
Apparently Verve released a new compilation called A Day in the Life: Impressions of Pepper last week for Record Store Day, and now the CD is coming out on Friday. It's a tribute to the motherfucking Beatles and motherfucking Sgt. Pepper's, but it's...not a fucking nightmare like I thought it would be. The cover's fucking hideous:
The track listing, though, is pretty damn impressive:
1. Sgt. Pepper’s Lonely Hearts Club Band performed by Antonio Sanchez2. With A Little Help From My Friends performed by Mary Halvorson3. Lucy In The Sky With Diamonds performed by Makaya McCraven4. Getting Better performed by Wildflower5. Fixing A Hole performed by Cameron Graves6. She’s Leaving Home performed by Keyon Harrold7. Being For The Benefit Of Mr. Kite! performed by Brandee Younger8. Within You Without You performed by Onyx Collective9. When I’m Sixty Four performed by Sullivan Fortner10. Lovely Rita performed by Miles Mosley11. Good Morning Good Morning performed by Shabaka & The Ancestors12. Sgt. Pepper’s Lonely Hearts Club Band (Reprise) performed by Antonio Sanchez13. A Day In The Life performed by The JuJu Exchange
I'm about halfway through it and...I don't hate it. It kinda reminds me of Hal Willner's tributes to Mingus and Monk, with an all-jazz cast instead of rock ringers. I can actually...recommend this.
― grawlix (unperson), Wednesday, 28 November 2018 00:38 (five months ago) Permalink
weird how an album of the best music ever written by the beat band in history performed by a group of extraordinarily talented jazz musiicians could possibly be good! really makes ya think
― budo jeru, Wednesday, 28 November 2018 01:39 (five months ago) Permalink
― budo jeru, Wednesday, 28 November 2018 01:40 (five months ago) Permalink
A lot of times jazz guys doing rock material is kind of bad, for one thing because they don’t like to play non-swing rock time and sometimes end up playing some weak vaguely funky groove, say. Of course there have been plenty of exceptions over the years, but rule of thumb still holds.Antonio Sanchez used to live right across the street from me but I believe I heard they finally moved. Think I only ever saw him once or twice since he tours a lot, but would see his fiancée Thana all the time.
― Gottseidank, es ist Blecch Freitag (James Redd and the Blecchs), Wednesday, 28 November 2018 03:02 (five months ago) Permalink
Yeah, I heard Atremis do a really noodley, diffuse-on-the-verses, going-vaguely-toward-fusion-lounge-on-the-chorus "Fool On The Hill," of all things, on this past weekend's Jazz Night In America. Might get to like it on record, but In The Moment na. Did get into some of xpost Allison Miller's drumming--drummers have to pull so much shit together, in every genre etc.I suspect the only way to do this song right, is as ECM and/or Gil Evens zombie tread, super-slowly, from way across the fjord fog. Would like to hear jazzers try "Blue Jay Way," "Dear Prudence," "I Am The Walrus," "She Said She Said." Steve Marcus and Larry Coryell used to rip into "Tomorrow Never Knows" on occasion.I did, this past summer, get experienced by "Eleanor Rigby," of all things, among several revelatory covers of songs I never gave a particular shit about, on Dennis Coffey'sOne Night At Morey's: 1968(the only track I don't like is "Cissy Strut," only because it's too close to the original, although that's quite an acheivement in itself, and if I were in the Motor City club audience when they played, with no NOLA or Meters handy, I'm sure I would have minded). Otherwise, the expertise of guitar-organ-drums as orchestra is as resourceful as you please, in a no-nonsense way---the only per se jazz material is the closer, "Billie's Bounce," but they got the spirit and the focus: https://omnivorerecordings.com/shop/one-night-at-moreys-1968/
― dow, Wednesday, 28 November 2018 03:53 (five months ago) Permalink
*Artemis*, that is---sorry!
― dow, Wednesday, 28 November 2018 03:55 (five months ago) Permalink
Gil Evans not Evens yes
― dow, Wednesday, 28 November 2018 03:56 (five months ago) Permalink
uh yeah "achievement," "i before e" 50 times on the blackboard.
― dow, Wednesday, 28 November 2018 03:58 (five months ago) Permalink
I saw Arun Ghosh a week ago and funnily enough he closed with a cover of "Tomorrow Never Knows" - mostly a showcase for the rhythm section tho, which is the least jazzy part of his combo. Still, hearing a horn section blare those verses was cool.
He was very great and high energy overall.
― Daniel_Rf, Friday, 30 November 2018 10:15 (five months ago) Permalink
just listening to Gabriel Zucker's Weighting. A top notch piano/trumpet/sax quartet with the godlike T Sorey on drums, excellent stuff!
― calzino, Friday, 30 November 2018 10:47 (five months ago) Permalink
Yeah, that’s a good one. I reviewed it twice, by mistake (had an assignment for Down Beat and then the NYC Jazz Record’s editor dropped it on me, too).
― grawlix (unperson), Friday, 30 November 2018 12:11 (five months ago) Permalink
dow, here are just some of the ones that have grabbed me this year:
tyshawn sorey - pillarsamaro freitas - rasifcecile mclorin salvant - the windowdave holland, evan parker, craig taiborn & ches smith - uncharted territoriesjames brandon lewis, chad taylor - radiant imprintsjamie saft quartet - blue dreamlionel loueke - the journeymakaya mccraven - universal beingshalvorson / frisell - the girl with the flaxen hairhalvorson / lee - seed triangularmiles okazaki - work (i.e. the complete monk songbook)salim washington - dogon revisitedsteve coleman - live at the village vanguardwilliam parker - voices fall from the sky
but i feel like i'm not even close to doing enough listening yet.
halvorson has released a shitload under her name or groups this year, these are not even her major releases, i happened to like them more, though.
the james brandon lewis duo record is premised on a strategy of working later-career trane fragments into very songlike new music, so it definitely has a strain of familiarity to it but it feels remarkably vital. he's doing a lot of different things in recent records too.
some of these are literally huge - 2+ hours, 3 hours, 6 hours. i feel like the bandcamp era has really had an effect on artists w.r.t. freedom of release.
― j., Friday, 30 November 2018 20:35 (five months ago) Permalink
"mystic beings" by baczkowski / nace / corsano just rips in exactly the right way for me right now. i think this might make it into my top 5 albums of the year
― budo jeru, Sunday, 2 December 2018 19:06 (five months ago) Permalink
Thanks, niels and j.! Esp. intrigued by mention of duo dub strategy.
― dow, Sunday, 2 December 2018 19:49 (five months ago) Permalink
Of the list above, I like these a lot:
tyshawn sorey - pillarsamaro freitas - rasifdave holland, evan parker, craig taiborn & ches smith - uncharted territoriesjames brandon lewis, chad taylor - radiant imprintsmakaya mccraven - universal beingssalim washington - dogon revisited
Lewis has a fantastic new record coming out in February that features his working trio (bassist Luke Stewart and drummer Warren Trae Crudup III) plus Jaimie Branch on trumpet and Anthony Pirog on guitar. I'm hoping to interview him for The Wire with that as the hook.
― grawlix (unperson), Sunday, 2 December 2018 21:36 (five months ago) Permalink
Just got a package from Dave Douglas's Greenleaf Music label. They sent me that 8CD live set by his quintet that I mentioned upthread, and Uplift: Twelve Pieces for Positive Action, which features Douglas on trumpet, Joe Lovano on saxes, Mary Halvorson and Julian Lage on guitars, Bill Laswell on bass, and Ian Chang on drums and electronics. The twelve tracks were originally released one a month exclusively to people who subscribed to Greenleaf via Bandcamp (which I don't), but now they've been compiled.
― grawlix (unperson), Friday, 7 December 2018 18:24 (five months ago) Permalink
The live Douglas box has me revisiting that band's three studio albums - Be Still from 2012, Time Travel from 2013, and Brazen Heart from 2015. That was a fantastic band.
― grawlix (unperson), Saturday, 8 December 2018 01:43 (five months ago) Permalink
Watching this Nick Payton Tiny Desk (w/Jonathan Barber on drums, who I like a lot from Jeremy Pelt's stuff). I wondered how some of the stuff on his trio record with both trumpet and Rhodes was recorded (since he's playing both), like which one was played live with the group and which was overdubbed, but I guess it makes a lot more sense that he was playing both at the same time.
― change display name (Jordan), Friday, 14 December 2018 18:08 (five months ago) Permalink
Also, when you don't have brushes with you, just using your hands rather than sticks is an amazing choice.
― change display name (Jordan), Friday, 14 December 2018 18:15 (five months ago) Permalink
That Makaya McCraven album is a revelation.
― Fuck the NRA (ulysses), Wednesday, 19 December 2018 00:11 (five months ago) Permalink
brings to mind Sonny Rollins somehow
― Fuck the NRA (ulysses), Wednesday, 19 December 2018 00:12 (five months ago) Permalink
Checking out Sam Harris's Harmony. He's a pianist who plays with Ambrose Akinmusire, Logan Richardson, Melissa Aldana, Rudy Rosyton and others, and this album is really something. It's a five-track, 30-minute trio performance (Martin Nevin on bass, Craig Weinrib on drums) that's more or less a continuous suite. He combines heavy, clanging blues with avant-garde exploration and melodic frills in a way that reminds me of Keith Jarrett, kinda, but I don't really like Keith Jarrett much, and I like this a lot. As far as I know, it's only available on Bandcamp, and it's well worth the $10.
― grawlix (unperson), Tuesday, 25 December 2018 22:44 (five months ago) Permalink
I like it, he reminds me of Dave Burrell somewhat, who is a bit of an old grand master of heavy, clanging blues with avant-garde exploration.
― calzino, Wednesday, 26 December 2018 10:37 (five months ago) Permalink
Natalie Weiner is doing this look at jazz in NYC 60 years ago effort. With postings every day she says. She posted photos and more re a Rollins/Mingus doublebill at the Five Spot
― curmudgeon, Wednesday, 2 January 2019 17:13 (four months ago) Permalink
just picked up the LP/DVD combo for this https://hypnoticbrassfilm.com/ yesterday, haven't listened yet. Was unfortunately not able to find any Shabaka Hutchings-related vinyl at Amoeba SF :(
― Οὖτις, Wednesday, 2 January 2019 17:25 (four months ago) Permalink
that Nick Payton set upthread is great, what releases does he have that are similar/worth picking up?
― Οὖτις, Wednesday, 2 January 2019 17:31 (four months ago) Permalink
I've heard some previous albums by the Hypnotic Brass Ensemble - felt like they lived up to their name a little too much but maybe I'll give them another chance.
― grawlix (unperson), Wednesday, 2 January 2019 17:33 (four months ago) Permalink
The Heritage EP is my favorite, agree they can get a bit same-y
― Οὖτις, Wednesday, 2 January 2019 17:42 (four months ago) Permalink
who else is doing winterjazzfest with me? Some great sets in the offing!
― Fuck the NRA (ulysses), Wednesday, 2 January 2019 18:56 (four months ago) Permalink
I don’t feel like I can stay our late enough to make it worthwhile but tell me more. Also, seriously thinking of going to Birdland tonight
― Spirit of the Voice of the Beehive (James Redd and the Blecchs), Wednesday, 2 January 2019 19:35 (four months ago) Permalink
I'm considering going but may not make it. I really want to see these shows:
Thursday, January 10 - Gary Bartz Plays Another Earth with Pharoah Sanders; Nubya Garcia openingFriday, January 11 - Marathon, Night 1 (I'm hoping to see Ezra Collective, Makaya McCraven, and Aaron Parks' Little Big)Saturday, January 12 - Marathon, Night 2 (I'm hoping to see Anteloper, Nubya Garcia, and Irreversible Entanglements)
― grawlix (unperson), Wednesday, 2 January 2019 19:44 (four months ago) Permalink
I have 12 nominations left for the ILM poll if anyone has used up their noms and wants any jazz/improv/classical/avant on the ballot.
― Locked in silent monologue, in silent scream (Sund4r), Friday, 4 January 2019 19:49 (four months ago) Permalink