St. Vincent - MASSEDUCTION (5th album, October 13 2017)

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1. "Hang on Me" 2:48
2. "Pills" 4:40
3. "Masseduction" 3:17
4. "Sugarboy" 4:01
5. "Los Ageless" 4:41
6. "Happy Birthday, Johnny" 2:58
7. "Savior" 3:26
8. "New York" 2:34
9. "Fear the Future" 2:31
10. "Young Lover" 3:33
11. "Dancing with a Ghost" 0:46
12. "Slow Disco" 2:44
13. "Smoking Section" 3:37

monotony, Thursday, 7 September 2017 00:20 (one year ago) Permalink

yikesss this is really bad

ripersnifle, Thursday, 7 September 2017 02:10 (one year ago) Permalink

I'm still only ok on "New York", but "Los Ageless" is cool. Maybe a little more straightforward than I was expecting, but catchy enough to make up for it

Vinnie, Thursday, 7 September 2017 03:38 (one year ago) Permalink

Yeah, I don't like either of these. Also, that cover art.

Ⓓⓡ. (Johnny Fever), Thursday, 7 September 2017 03:53 (one year ago) Permalink

cover rules

flappy bird, Thursday, 7 September 2017 06:30 (one year ago) Permalink


niels, Thursday, 7 September 2017 07:11 (one year ago) Permalink

both songs sound wonderful! love her sense of melody

niels, Thursday, 7 September 2017 07:13 (one year ago) Permalink

Taylor should've asked Clark for help rather than Antonoff

niels, Thursday, 7 September 2017 07:13 (one year ago) Permalink

Los Ageless is a total banger! She could play arenas with that.

Enjoying this more than the s/t singles (much as I respect that record I think it relied to heavily on a concept for me to fully enjoy)

niels, Thursday, 7 September 2017 07:20 (one year ago) Permalink

the album art + the visual aesthetics for this record is great, "new york" is fine, i'm not feeling "los ageless" at all

joshywinty (josh), Thursday, 7 September 2017 07:32 (one year ago) Permalink

What was the concept of the s/t?

Her tweeting about anti-capitalism when she advertises Tiffany and has her own line of signature guitars is nagl. By all means make money off your work to pay your mortgage but don't pretend to be counter culture when you're schilling really expensive VIP tickets.

Hey Bob (Scik Mouthy), Thursday, 7 September 2017 07:47 (one year ago) Permalink

Even trv kvlt anarcho-commies gotta eat..

I loved loved loved the last album but I've a horrible feeling about this one. 'New York' is just a really bad song in every respect. We don't need ANOTHER song like this.
Los Ageless is okay on first listen but lacks the spikiness of her previous productions that made them so interesting.
This sounds like it's going to be her attempt at making a full-on Taylor Swift pop album, which in any other case would be a well-advised move, but not at the expense of sounding generic pls.

Shat Parp (dog latin), Thursday, 7 September 2017 08:21 (one year ago) Permalink

believe s/t was a lot about the internet and modern life?

niels, Thursday, 7 September 2017 09:24 (one year ago) Permalink

I was listening to Release Radar in the background when New York came on and slowly grabbed my attention until I was like "wait a minute this is a new st vincent track!"

niels, Thursday, 7 September 2017 09:25 (one year ago) Permalink

I like the ridiculous cover art but that’s about it. Both of the singles, “Los Ageless” especially, just sound so bland to me. She’s already been hinting at this middle-of-the-road production style with the s/t bonus tracks (“Bad Believer” and “Teenage Talk”) but I was hoping she wouldn’t go further down that road. Oh well.

ˈʌglɪɪst preɪ, Thursday, 7 September 2017 11:32 (one year ago) Permalink

Yeah I wasn't into those songs either

Shat Parp (dog latin), Thursday, 7 September 2017 11:41 (one year ago) Permalink

the fetish porn aesthetic is interesting, but fetish porn is kind of difficult to subvert. haven't heard the new songs. will probably listen once the album is out.

bob lefse (rushomancy), Thursday, 7 September 2017 12:35 (one year ago) Permalink

Taylor should've asked Clark for help rather than Antonof

But...Antonoff produced this record too?

change display name (Jordan), Thursday, 7 September 2017 13:56 (one year ago) Permalink

I had no idea Antonoff was involved but I immediately felt like "Los Ageless" had some shared DNA with the new Taylor songs

a serious and fascinating fartist (Simon H.), Thursday, 7 September 2017 13:57 (one year ago) Permalink

She's decided to be a pop star rather than a musician, it seems.

Hey Bob (Scik Mouthy), Thursday, 7 September 2017 14:11 (one year ago) Permalink

oh cool let's play that dichotomy again

a serious and fascinating fartist (Simon H.), Thursday, 7 September 2017 14:25 (one year ago) Permalink

it's a crappy way of putting it, but most of the stuff she's released since after the s/t album does sound like a different artist - Los Ageless could be by anyone really, and New York is almost begging to be used in an episode of some quirky indie comedy-drama.
There's not a lot rubbing up against itself on these tracks, and as such they seem to slip through my ears almost a little too fluidly.
The music, the cover aesthetic, makes me expect a passage on the album "I'm sorry, the old Annie can't come to the phone right now, Why? Oh, 'cause she's dead!"

Shat Parp (dog latin), Thursday, 7 September 2017 14:35 (one year ago) Permalink

But...Antonoff produced this record too?

niels, Thursday, 7 September 2017 14:38 (one year ago) Permalink

idg the complaints tho, she's been writing strong melodies from day 1, she's a crossover artist, kinda like Byrne

niels, Thursday, 7 September 2017 14:39 (one year ago) Permalink

Yeah man.

...she worked with producer Jack Antonoff, whom she connected with over a dinner in Los Angeles. “She was very open about the things in her life,” said Antonoff about the dinner date. “That’s what I was interested in. Continuing to reveal more and more. I said, ‘Let’s go for the lyrics that people will tattoo on their arms.’”

There's a Song Exploder podcast where she talks about working with him too.

change display name (Jordan), Thursday, 7 September 2017 14:43 (one year ago) Permalink

cool, I'll check that out!

re new vs old Clark, even if it's in part due to her distinctive vocals, surely most attentive listeners would recognize the new songs as St Vincent songs

niels, Thursday, 7 September 2017 14:45 (one year ago) Permalink

idg the complaints tho, she's been writing strong melodies from day 1, she's a crossover artist, kinda like Byrne

― niels, Thursday, September 7, 2017 3:39 PM (four minutes ago) Bookmark Flag Post Permalink

Don't think anyone's complaining about 'strong melodies', rather than a drift into generic songwriting and production.

Shat Parp (dog latin), Thursday, 7 September 2017 14:45 (one year ago) Permalink

Have people heard the whole album yet? I would before jumping to conclusions. She might have a couple uber dancy pop singles, but still do the avant pop that she does elsewhere. She's a great guitar player, I hope she didn't put her guitar away for all of them.

Fastnbulbous, Thursday, 7 September 2017 14:46 (one year ago) Permalink

Yes it's crappy and reductive to pull it into a dichotomy like that, but, as far as most people who aren't ilxors are concerned, it's a pretty simple way of describing what's going on, and simple ways of describing things can be very useful.

I thought New York was a pleasant enough song, if inconsequential, but that it lacked some of what I think of as SV's USPs - her fucking awesome guitar playing, for one. Probably the biggest one, in fact. I was excited at the idea of their being a new album, though.

Likewise one can only really tell Los Ageless is even by SV because of her voice, which feels like a shame, because I thought there was more to her than just that. But the arrangement / production feels really anonymous to me, just big modern whooshy pop that anyone could sing over. If that's what she wants to do that's fine, but it's not, I don't think at this stage, what I'm interested in from her. That said, I like the way the outro goes quiet and minimal, and the difference in tone between this and NYNY might mean there are some interesting tensions on the album.

As a rule I'm happy for people to move and and find new creative partnerships, and actually, in this case, I felt like the self-titled had taken her relationship with John Congelton as far as it could go. I'm just not excited about the album now like I would have been a few years ago.

Hey Bob (Scik Mouthy), Thursday, 7 September 2017 15:10 (one year ago) Permalink

woof these songs are bad :/

i want her signature guitar so bad, v cool looking

Universal LULU Nation (upper mississippi sh@kedown), Thursday, 7 September 2017 16:25 (one year ago) Permalink

xpost Very well said; I feel the same way. Both of the singles are basically anonymous in their genericness — and Annie’s voice alone isn’t distinctive or unique enough to turn them into tracks instantly recognizable as St. Vincent’s. Or maybe I just miss the deadpan delivery over her idiosyncratic arrangements and shredding, and projecting these expectations is just very rockist of me? Of course these two songs are not necessarily representative of the remaining 11 tracks but they definitely deflated my excitement for the album.

ˈʌglɪɪst preɪ, Thursday, 7 September 2017 16:26 (one year ago) Permalink

i saw Annie open for The National many years ago and have followed along ever since and my take on her has never changed: I think she's cool and important and talented and a visionary and I just don't like her music much.

oh well ... my loss!

alpine static, Friday, 8 September 2017 03:30 (one year ago) Permalink

My reactions to her music are normally aesthetic rather than emotional, if that makes sense. Which is why an aesthetic shift is a big deal if it goes the wrong way for me.

Hey Bob (Scik Mouthy), Friday, 8 September 2017 05:46 (one year ago) Permalink

one month passes...

I like the new songs. I wonder if this is sponcon though

Frozen CD, Monday, 9 October 2017 22:20 (one year ago) Permalink

her classically minded, sweetly coy 2007 debut Actor

ToddBonzalez (BradNelson), Monday, 9 October 2017 22:31 (one year ago) Permalink

I could understand making a mistake like that if you're an outsider writing about Guided By Voices or someone else with a zillion albums, but St. Vincent has, like, five.

Ⓓⓡ. (Johnny Fever), Monday, 9 October 2017 23:21 (one year ago) Permalink

jesus I didn't realize she'd been around that long. in my mind she was always a strictly '10s artist. i went and looked at her discography at went ohhhh yeah! at the cover of Actor. was Love This Giant seriously 5 years ago???

flappy bird, Monday, 9 October 2017 23:29 (one year ago) Permalink

Yeah, she's been around long enough that people originally cared she was friends with Sufjan you know it's been a while.

Ⓓⓡ. (Johnny Fever), Monday, 9 October 2017 23:33 (one year ago) Permalink

37 state themed albums ago

you are juror number 144 and we will excuse you (Sufjan Grafton), Tuesday, 10 October 2017 02:03 (one year ago) Permalink

and she was in the Polyphonic Spree! bizarre

flappy bird, Tuesday, 10 October 2017 02:19 (one year ago) Permalink

That's more of a footnote. Hundreds of people were in the Polyphonic Spree.

Ⓓⓡ. (Johnny Fever), Tuesday, 10 October 2017 03:10 (one year ago) Permalink

(Mainly I just wanted to clown on Sufjan's 20-teens irrelevance.)

Ⓓⓡ. (Johnny Fever), Tuesday, 10 October 2017 03:10 (one year ago) Permalink

I will assert that his last album is very good and easily his best as penance for my own sufjan clowning

you are juror number 144 and we will excuse you (Sufjan Grafton), Tuesday, 10 October 2017 03:57 (one year ago) Permalink

yea i agree although i can't really listen to it, i like illinois more but carrie & lowell prevented him from becoming stuck in the aughts

flappy bird, Tuesday, 10 October 2017 04:35 (one year ago) Permalink

seven swans is all time but carrie and lowell is a good contender for best

Week of Wonders (Ross), Tuesday, 10 October 2017 04:38 (one year ago) Permalink

Another new one. It's very At War With The Mystics.

kitchen person, Tuesday, 10 October 2017 19:56 (one year ago) Permalink

hmm not for me, too concept-y

niels, Tuesday, 10 October 2017 21:03 (one year ago) Permalink

Good album. Definitely not as instant as the self titled. Love how she uses her voice throughout, some really incredible performances.

kitchen person, Thursday, 12 October 2017 15:23 (one year ago) Permalink

pills really reminds me of the stuff she was doing with byrne

Week of Wonders (Ross), Thursday, 12 October 2017 16:43 (one year ago) Permalink

CD arriving tomorrow so not bothered d/l the leak

starving street dogs of punk rock (Odysseus), Thursday, 12 October 2017 17:25 (one year ago) Permalink

can't turn off what turns you off

you are juror number 144 and we will excuse you (Sufjan Grafton), Thursday, 26 October 2017 14:16 (one year ago) Permalink

Oh shit this is exactly what I’m looking for in a St Vincent album at the moment, haven’t listened much since Actor. Same sort of emotional range, but pitched up in intensity- it’s almost like turning up the saturation in a landscape photo. /badignorantanalogy

for the last while (Hunt3r), Friday, 27 October 2017 16:02 (one year ago) Permalink

Repeating New York all night.

Week of Wonders (Ross), Saturday, 28 October 2017 07:59 (one year ago) Permalink

two weeks pass...

Never been a fan or heard any of her records, but I got this one and it's fucking great. Can't stop playing it.

flappy bird, Sunday, 12 November 2017 21:14 (one year ago) Permalink

First album of hers I've gotten into but I can't stop playing it either. Took a little while to grow on me because it felt like there wasn't much oxygen until "New York" but it's just got a really interesting trajectory and flow. Love the between song interludes that are mixed really low, the key chain guitar parts and the devastating ballads. Front to back classic

Week of Wonders (Ross), Thursday, 16 November 2017 20:48 (one year ago) Permalink

trying to decide whether it's worth it to pay exorbitant resale prices to see her live

pro: among my favorite albums of the year; I have money now; I don't do this much waffling about taking five cab rides, which is about how much it'd cost
con: exorbitant resale prices, the knowledge I've been ripped off by a middleman (for the hell of it I Googled the original owner of my Tori Amos ticket and his online presence had a tad too much MAGA for me to believe he was a Tori fan who had something come up last-minute)

sick, fucking funny, and well tasty (katherine), Monday, 20 November 2017 21:39 (one year ago) Permalink

(I don't really care about the reviews of the tour or it being largely backing tracks or whatnot -- The Knife's tour was similar and that's still among my top shows of the decade)

sick, fucking funny, and well tasty (katherine), Monday, 20 November 2017 21:40 (one year ago) Permalink

For what it's worth id say go :-)

In a slipshod style (Ross), Monday, 20 November 2017 22:01 (one year ago) Permalink

definitely go! you'll regret not going later

flappy bird, Tuesday, 21 November 2017 05:16 (one year ago) Permalink

one month passes...

In a slipshod style (Ross), Thursday, 21 December 2017 17:00 (eleven months ago) Permalink

three weeks pass...

I've missed something somehow: I just noticed the press around the album repeatedly refers to her life/relationship becoming tabloid fodder.

What's that all about? I literally have no idea.

alpine static, Thursday, 11 January 2018 00:24 (eleven months ago) Permalink

Until about a year ago she was dating model/actress Cara Delevingne. Not sure if there was anything after that.

JRN, Thursday, 11 January 2018 01:31 (eleven months ago) Permalink

Kristen Stewart I think

flappy bird, Thursday, 11 January 2018 02:13 (eleven months ago) Permalink


niels, Thursday, 11 January 2018 06:02 (eleven months ago) Permalink

I've been listening to this album in the car, mostly, and now that I'm listening on headphones that tend to be a little more bass-heavy I'm realizing how punchy the low end is on this album! To the extent I checked to see if I'd switched to some EQ preset that was doing wonky things.

it's not bad, per se, but this is compressed in some interesting ways

mh, Monday, 22 January 2018 17:10 (ten months ago) Permalink

kolakube (Ross), Tuesday, 30 January 2018 02:13 (ten months ago) Permalink

two weeks pass...

kolakube (Ross), Thursday, 15 February 2018 05:16 (nine months ago) Permalink

I watched a decent quality version of her one-person show on YouTube and it really had me annoyed that I didn't go to it when it came here.

in twelve parts (lamonti), Thursday, 15 February 2018 08:02 (nine months ago) Permalink

two months pass...

This album rips. Sequencing is cool in that it starts with the comedown song - all wasted and sad and the party starts fittingly with “pills”.

after party for the apocalypse (Ross), Sunday, 15 April 2018 16:33 (seven months ago) Permalink

I like that side A/side B is readily apparent from the sequencing.

valorous wokelord (silby), Sunday, 15 April 2018 16:36 (seven months ago) Permalink

Totally. I love the slower songs near the end. The albums crammed with so many sonic details that there’s always something new and to hear. Usually the overly compressed production wouldn’t be my thing but it works here. Killer Floyd reference on “pills”

after party for the apocalypse (Ross), Sunday, 15 April 2018 16:41 (seven months ago) Permalink

one month passes...

the new version of Slow Disco she just put out rules, I like it more than anything from the album

ufo, Thursday, 31 May 2018 16:15 (six months ago) Permalink

It’s great

Ross, Thursday, 31 May 2018 16:51 (six months ago) Permalink

I hope she puts out the solo piano/voice version of this record she supposedly has.

flappy bird, Thursday, 31 May 2018 17:03 (six months ago) Permalink

The acoustic performance linked above is wicked

Ross, Thursday, 31 May 2018 17:06 (six months ago) Permalink

She’s playing alongside Florence and chvrches at a festival here

Ross, Thursday, 31 May 2018 17:09 (six months ago) Permalink

three weeks pass...

Fast Slow Disco really deserves to be her first number one single. I'm obsessed with it right now.

kitchen person, Friday, 22 June 2018 05:39 (five months ago) Permalink

Damn, that's a great song.

louise ck (milo z), Friday, 22 June 2018 06:28 (five months ago) Permalink

yeah, that's a v cool "alternate version"

apparently co-written with

niels, Friday, 22 June 2018 09:10 (five months ago) Permalink

Gorgeous song

mind how you go (Ross), Friday, 22 June 2018 20:08 (five months ago) Permalink

dece, album version's better

call all destroyer, Friday, 22 June 2018 20:21 (five months ago) Permalink

Slow Disco became my favourite song on the album. I'm not sure I can pick between that and the remix. They're both so perfect in different ways. Is there any way this can actually be a hit for her? Maybe not a number one single (as it deserves), but could it at least be her Dancing On My Own?

kitchen person, Saturday, 23 June 2018 01:28 (five months ago) Permalink

that "don't it beat a slow dance to death?" melody at the end is definitely lifted from somewhere.

gospodin simmel, Saturday, 23 June 2018 09:01 (five months ago) Permalink

or maybe just stuck with me from the album version so nvm. awesome either way.

gospodin simmel, Saturday, 23 June 2018 09:02 (five months ago) Permalink

I love this version of the song but I'm really surprised at how early 2000s NME band the artwork is (particularly bearing in mind the considered aesthetic of the rest of Annie's ouevre).

in twelve parts (lamonti), Tuesday, 26 June 2018 06:35 (five months ago) Permalink

Upon absorbing Strange Mercy more I think it's gotta be Clark's best record. Songs like Cheerleader sing to be the template for the feel of a lot of the tracks, rhythm wise and even thematically there seems to be references to surgeon in a later song (also surgeon of course starts with the Brazil theme as well). MASSEDUCTION on the other hand has maximal production and not as much subtlety as the former record, sort of like if the whole record was played on a key chain guitar shooting off into the stratosphere, the energy is also far more anxiety ridden. Dunno, the production kind of gets in the way on the latest. Newest single takes the electronic tinged arrangements of Mass and dulls the gnarled edges a bit more, so perhaps it will be more successful. Not that Cruel wasn't a stand out single for instance but the newest single is less esoteric

Garden variety uncouth (Ross), Sunday, 1 July 2018 21:40 (five months ago) Permalink

*seem not sing

Garden variety uncouth (Ross), Sunday, 1 July 2018 21:41 (five months ago) Permalink

I'd be interested to see an albums poll for her. I'm guessing Strange Mercy would win, but I feel like it would be close.

kitchen person, Monday, 2 July 2018 00:23 (five months ago) Permalink

one month passes...

what is happening

aloha darkness my old friend (katherine), Thursday, 2 August 2018 20:45 (four months ago) Permalink

had me wtf'ing for a minute but I see it's "just" a remix

she def gave it a st vincent feel

niels, Friday, 3 August 2018 07:47 (four months ago) Permalink

two months pass...


01 Slow Disco
02 Savior
03 Masseduction
04 Sugarboy
05 Fear the Future
06 Smoking Section
07 Los Ageless
08 New York
09 Young Lover
10 Happy Birthday, Johnny
11 Pills
12 Hang on Me

Out next week.

ˈʌglɪɪst preɪ, Wednesday, 3 October 2018 18:30 (two months ago) Permalink

Sweet! Glad she followed thru and released it. Been waiting for this ever since she mentioned it during promo last year.

flappy bird, Wednesday, 3 October 2018 18:46 (two months ago) Permalink

lol at people wondering why she re-arranged the tracklisting - I mean hang on me was such a massive downer of an opening track that it appearing last totally makes sense somehow to me here. Additionally, restructuring the order is a good way of making this sound even more fresh than just a simple re-tooling. excited

montoya (Ross), Saturday, 6 October 2018 02:17 (two months ago) Permalink

based on those two tracks, wondering if this is gonna be a spared-back collection like her tiny desk acoustic set? i mean that might be kind of cool but i hope it's not just that uniform

montoya (Ross), Saturday, 6 October 2018 20:00 (two months ago) Permalink

It's all piano. Doveman's piano playing is remarkable. Works on pretty much every track.

in twelve parts (lamonti), Sunday, 14 October 2018 09:15 (two months ago) Permalink

This is such a treat if you liked Masseduction

thomasintrouble, Sunday, 14 October 2018 17:32 (two months ago) Permalink

Great live performance:

ˈʌglɪɪst preɪ, Tuesday, 16 October 2018 22:43 (one month ago) Permalink

given that i will not hear this for some time, can anyone give me more idea what it sounds like

i take it there is pedal steel and piano on every song (as mentioned) but how different are the songs to the originals, tempo wise, arrangement wise etc

Ross, Wednesday, 17 October 2018 21:47 (one month ago) Permalink

finally listening to the piano version, EXCELLENT! 💯

flappy bird, Wednesday, 17 October 2018 23:16 (one month ago) Permalink

one month passes...

this is a nice little video, the joke around 0:41 sure to please an ilxor or two

niels, Saturday, 1 December 2018 10:05 (one week ago) Permalink

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