Details TK ("tracklist: no") but...
― maura, Wednesday, 2 August 2017 15:47 (four years ago) link
― boxedjoy, Wednesday, 2 August 2017 16:06 (four years ago) link
I really love how she compliments visually every album and tour but I haven't felt particularly interested in anything she's done since Medulla. I've listened to every one of her albums at least 10 times and nothing of her recent material sticks out to me (safe from the music videos and the amazing dresses, maybe a couple of musical moments here and there). She has long deviated from making pop, her more recent experiments aren't particularly interesting or innovative to my ears and even though she is usually joined by great string players or electronic producers I don't know how to describe it properly but I feel it all sounds very sharp... like it's missing something
― dance cum rituals (Moka), Wednesday, 2 August 2017 16:11 (four years ago) link
for someone who is clearly very warm towards music and people, her production choices end up in the cold spectrum for me.
― dance cum rituals (Moka), Wednesday, 2 August 2017 16:12 (four years ago) link
feel the same way moka for the most part.
Did like the last one because it was aesthetically a retread of Homogenic in some ways
― Week of Wonders (Ross), Wednesday, 2 August 2017 16:46 (four years ago) link
While Vulnicura was probably her first release in a decade that actually moved me (i.e. it wasn't just stuff that I appreciated/admired but not loved), it was a bit too dark/depressing to listen to on a daily basis. So I'm having high hopes for this one. Apparently Arca's on board again - which will probably mean sharp/cold production, well, he's her new right hand now - but there are going to be flutes/woodwinds instead of strings this time, and it's her 'Tinder' album (lol) - about searching for utopia and being in love. She's used words like 'happy,' 'dreamworld' and 'paradise' to describe it. I wonder how it'll translate to the sound. I'm not hoping for a return to her 90s art-pop beginnings but something lush, beautiful and emotional like Vespertine would be great.
― mthrn, Wednesday, 2 August 2017 16:50 (four years ago) link
It's a retread of homogenic but much older... heartbroken but lacking that sense of wonder of what's next. I can't deal with that sort of statements at this point in my life tbh. Maybe in a couple of years.
Hopefully this new album is different, I miss her more playful side.
― dance cum rituals (Moka), Wednesday, 2 August 2017 16:50 (four years ago) link
I don't know how to describe it properly but I feel it all sounds very sharp... like it's missing something
I think the problem for me is she has largely neglected to write catchy melodies for her last 3 or so albums, she just does this kind of warbling up and down the scale thing.
― chap, Wednesday, 2 August 2017 16:53 (four years ago) link
Some of the Vulnicura songs have stayed with me, but yeah I feel ya about lack of catchy melodies since... Vespertine? I mean, I appreciate that she has kept trying to push forward, but it's just lost me. I still check out each new album to see if it finally connects with me the way the first four albums did
― Vinnie, Thursday, 3 August 2017 01:34 (four years ago) link
I didn't like the last one much and REALLY didn't like Volta but I dig Biophillia more than most people it seems :C
― ultros ultros-ghali, Thursday, 3 August 2017 09:18 (four years ago) link
I was very cool on Biophilia initially but for some reason it clicked after I ignored it for a year.
― this iphone speaks many languages (DJP), Thursday, 3 August 2017 13:19 (four years ago) link
Some tidbits from a new piece in Dazed:
1. The focus of the album this time are flutes and woodwinds instead of strings.2. The overall vibe of the record is light / airy / weightless, with only a few heavier moments.3. Songs feature samples of birdsong and natural sounds; some sampled from David Toop's 1980 album Hekura, some recorded by Björk & Arca in Venezuela.4. Arca is back as the co-producer, this time working with Björk from scratch. He apparently pushed her to explore further territories she only scratched with tracks like "Batabid" or "Ambergris March".5. The album is not exactly political but it's about creating a future utopia, both in a personal and universal sense.6. Possible first single - a love song called "The Gate" with a video directed by Andrew Thomas Huang.7. One of the most melodic and straightforward tracks is called "Allow" and it's about her friendship with Arca. She's not sure yet if it'll be included on the album.8. "Loss" is a song recorded with Rabit and it features his crushing jackhammer rhythms.9. The song "Features Creatures" (lol) describes the feeling of seeing someone with the same beard and accent as a lover. BTW Björk is allegedly dating Tri Angle's Robin Carolan.10. No title or release date yet but 'very soon'.
― mthrn, Thursday, 3 August 2017 14:51 (four years ago) link
Thanks for that!
― Le Bateau Ivre, Thursday, 3 August 2017 14:56 (four years ago) link
Ugh not too keen on Arca coming back as a producer his style is very claustrophobic for bjork.
― dance cum rituals (Moka), Thursday, 3 August 2017 17:04 (four years ago) link
maybe Bjork albums are better 'in description' these days. Cause that list sounds bloody awesome, yet I can only echo Moka's sentiment in the 'actuality of listening' to her recent output.
― Ludo, Thursday, 3 August 2017 18:47 (four years ago) link
i didn't like volta at all and it did kind of put me off her for a while. I'll always listen but I feel similar to many here. Vespertine I loved; and I don't know if I'll love another album of hers like that again, but I'll always hope
― akm, Thursday, 3 August 2017 18:49 (four years ago) link
I think Drawing Restraint 9 is where it started to go a bit awry. Even Volta felt like it was straining to be fun. chap OTM about her vocal melodies.
― Week of Wonders (Ross), Thursday, 3 August 2017 19:43 (four years ago) link
New single “The Gate” out digitally on September 18th and on single-sided 12” vinyl on September 22nd.Video by Andrew Thomas Huang coming next week.
― ˈʌglɪɪst preɪ, Tuesday, 5 September 2017 15:21 (four years ago) link
― StanM, Thursday, 7 September 2017 20:43 (four years ago) link
ok, not with her anymore. Google translated: "Tappi Tikarrass was born in 1981 and worked until 1983. At the beginning the band was composed of four boys from Reykjavík and later added to the singer Björk. The band drew a lot of attention at the time, for example, in the film Rokk in Reykjavík. The band was revived in 2015 and today the band consists of Eyþór Arnalds, Jakob Smári Magnússon, Eyjólfur Jóhannsson and Guðmundur Þór Gunnarsson, all the original members of the band. The band has finished recording a new album and has released two new songs this year, Spak and Listen."
― StanM, Thursday, 7 September 2017 20:47 (four years ago) link
I have had a really intense Bjork rennaisance lately, in the past 48h I have listened to:
DebutPostDebut LivePost LiveVespertineHomogenicHomogenic LiveVespertine Live
― northwest pass-agg (Stevie D(eux)), Wednesday, 13 September 2017 23:02 (four years ago) link
I have discovered a LOT, namely this track where she breaks out into "Wanna Be Startin' Somethin'" at the end
and this magnificent thing
― northwest pass-agg (Stevie D(eux)), Wednesday, 13 September 2017 23:03 (four years ago) link
“The Gate” is out now.
― ˈʌglɪɪst preɪ, Friday, 15 September 2017 10:26 (four years ago) link
This is heavy Medulla mode Bjork. Probably not going to be into this until after 5 years, if I live that long.
― Anne of the Thousand Gays (Eric H.), Friday, 15 September 2017 15:19 (four years ago) link
wasn't expecting anything so wafty... one day I'll listen to the last album :/
― fndgo, Friday, 15 September 2017 15:28 (four years ago) link
This track is v boring
― northwest pass-agg (Stevie D(eux)), Friday, 15 September 2017 15:33 (four years ago) link
Hate to say it, but I agree. Seems like I tend to like Bjork more when she's upset than when she's content.
― Anne of the Thousand Gays (Eric H.), Friday, 15 September 2017 16:06 (four years ago) link
Oh except she's not content here. Oh well, guess I'm just not smitten atm.
― Anne of the Thousand Gays (Eric H.), Friday, 15 September 2017 16:47 (four years ago) link
I kind of expected it to sound like this. Oh well.
― dance cum rituals (Moka), Friday, 15 September 2017 17:48 (four years ago) link
I’m not feeling the new track either; except for the gorgeous intro it sounds like a boring Biophilia outtake but with Arca’s production shtick (that I’m kind of over). But apparently the rest of the album is very different sound-wise. Airy and happy. She has put together a twelve-piece Icelandic flute ensemble and they are featured on the record. So I’ll hold my judgement until I hear the whole thing.
(The title is Utopia, by the way.)
― ˈʌglɪɪst preɪ, Friday, 15 September 2017 18:24 (four years ago) link
Same. She was comparing it at least thematically in interviews to Vespertine, so I have no choice but to trust her.
― Anne of the Thousand Gays (Eric H.), Friday, 15 September 2017 18:38 (four years ago) link
Wow... It's like I've been listening to a different track entirely than all of you. This is beautiful, and miles away from Medulla.
Don't mind me, but if you call such an intimate, skin-on-skin song "dull" or "boring", then maybe Björk isn't for you anymore? Idk. I just don't get the negative responses. This sounds very much in line with Vespertine, minus the icicle Matmos production, stripped of sonicry. I agree it probably needs to be heard in the context of the album. But this is not dull, nor boring.
Sparse, minimal (those two alone rule out Medulla refs already imo), stark naked (like Vulnicura was). While I agree that this could be an unfortunate choice for a single (whatever a "single" means nowadays for artists who work album-wise, like Björk), the song itself is great. I am so on board, yet again.
― Le Bateau Ivre, Friday, 15 September 2017 23:55 (four years ago) link
with LBI on this
― Week of Wonders (Ross), Saturday, 16 September 2017 00:01 (four years ago) link
― Le Bateau Ivre, Saturday, 16 September 2017 00:03 (four years ago) link
getting a selected ambient works 2 vibe from this
― Week of Wonders (Ross), Saturday, 16 September 2017 00:04 (four years ago) link
Utopia (out in November)
― StanM, Saturday, 16 September 2017 08:13 (four years ago) link
oh, we already knew - sorry :-)
Whatever piece of music that opens the video, I like very much. And I admit the song has more impact with the visual accompaniment.
― Anne of the Thousand Gays (Eric H.), Monday, 18 September 2017 16:16 (four years ago) link
great video, excited about bjork again
― Week of Wonders (Ross), Sunday, 8 October 2017 03:24 (four years ago) link
in the spirit of #metoo i would like to lend women around the world a hand with a more detailed description of my experience with a danish director . it feels extremely difficult to come out with something of this nature into the public , especially when immediately ridiculed by offenders . i fully sympathise with everyone who hesitates , even for years . but i feel it is the right time especially now when it could make a change . here comes a list of the encounters that i think count as sexual harassment :1 after each take the director ran up to me and wrapped his arms around me for a long time in front of all crew or alone and stroked me sometimes for minutes against my wishes2 when after 2 months of this i said he had to stop the touching , he exploded and broke a chair in front of everyone on set . like someone who has always been allowed to fondle his actresses . then we all got sent home .3 during the whole filming process there were constant awkward paralysing unwanted whispered sexual offers from him with graphic descriptions , sometimes with his wife standing next to us .4 while filming in sweden , he threatened to climb from his room´s balcony over to mine in the middle of the night with a clear sexual intention , while his wife was in the room next door . i escaped to my friends room . this was what finally woke me up to the severity of all this and made me stand my ground5 fabricated stories in the press about me being difficult by his producer . this matches beautifully the weinstein methods and bullying . i have never eaten a shirt . not sure that is even possible .6 i didnt comply or agree on being sexually harassed . that was then portrayed as me being difficult . if being difficult is standing up to being treated like that , i´ll own it .hopelet´s break this cursewarmthbjörk
― ✖✖✖ (Moka), Tuesday, 17 October 2017 16:09 (four years ago) link
I was not aware of this. Fuck Lars Von Trier.
― ✖✖✖ (Moka), Tuesday, 17 October 2017 16:10 (four years ago) link
As a lot of people noted, though, she was pretty clear at the time that the experience soured her on both acting and Von Trier. This is an angrier underscoring as to why.
― Ned Raggett, Tuesday, 17 October 2017 16:15 (four years ago) link
Yes, fuck Von Trier.Also, fuck his sleazy production team for enabling it and framing Björk afterwards as the crazy/difficult one with their ridiculous stories, and now claiming "they were the victims" and that "she dictated everything and was about to close a movie of 100m kroner". Boo-fucking-hoo.And fuck Catherine Deneuve for being a sexual harrasment apologist and perpetuating Von Trier's lies in interviews for years.
Very proud of Björk for coming out with this story.
― ˈʌglɪɪst preɪ, Tuesday, 17 October 2017 18:19 (four years ago) link
No way in hell I'll watch another Von trier after this
― Week of Wonders (Ross), Tuesday, 17 October 2017 19:27 (four years ago) link
Talentless cunt anyway.
― Terry Micawber (Tom D.), Wednesday, 18 October 2017 08:47 (four years ago) link
I think of all the noisy, pretentious edgelord type eejits of the movie industry in this era, he seems the most talentless and most unbearable personality disorder type of the lot. I can't imagine how anyone could sit through a movie like Nymphomaniac, unless they are being paid or someone is holding a gun to their head. I'm glad Bjork is mirking him up. But can't help feeling if there was a just God in this universe, then this fucker would have been taken out by an icicle of piss decades ago.
― calzino, Wednesday, 18 October 2017 09:44 (four years ago) link
With a movie like "Nymphomanica", the non-rhetorical question that should spring to anyone's mind is "Why did he make this film?"
― Mark G, Wednesday, 18 October 2017 09:55 (four years ago) link
LOL, spot on. All of these 'noisy, pretentious edgelord types' are fucking shit anyway. (xp)
― Terry Micawber (Tom D.), Wednesday, 18 October 2017 09:57 (four years ago) link
Ah, this is a Bjork thread, mildly going off topic there.
Amongst other things then, it's a damn shame as it's clear that Bjork would have made a great actor had she done more films. She was pretty amazing in that one film..
― Mark G, Wednesday, 18 October 2017 09:57 (four years ago) link
I really love the album, too. Initially I wasn't super impressed by "The Gate" - I like it in the context of the album, makes total sense now, but as a lead single it didn't pack enough oomph for me, I guess (even on her later-period albums the lead singles were pretty cachy e.g. "Earth Intruders" or "Crystalline", so I suppose I was expecting something like that?). "Arisen", "Body Memory" and "Loss" are currently my favourites.
Her flute arrangements are fantastic and really showcase her growth as a composer/arranger over the year. fgti is right, she's been doing her own arrangements totally on her own starting with Medúlla - choirs, strings, brass, now woodwinds. I'm pretty sure last time she had outside help was Vince Mendoza orchestrating some stuff on Vespertine
BTW "Features Creatures" is her singing over Sarah Hopkins' track that she found on some compilation of musicians who create their own instruments.
― ˈʌglɪɪst preɪ, Thursday, 30 November 2017 12:10 (three years ago) link
Joining the 'pro' lobby for this LP. And puzzled by the "where are the songs?" complaints when "Saint" exists.
― Jeff W, Thursday, 30 November 2017 14:19 (three years ago) link
i love the arrangements here! this is a very warm record, lots of acoustic sounds, flutes, layrered vocals. still the cool crunchy industrial electronic beats and stuff. she has always loved the industrial esp. "Army of Me" and of course her NIN tattoo.
i really think that breath or wind is a strong element for thing record (Bjork of The Wild). it feels really alive because of that. also it makes me want to go to Iceland so bad and see the lush volcanic super active natural beauty of it all. very refreshing!
― AdamVania (Adam Bruneau), Friday, 1 December 2017 17:16 (three years ago) link
Tried a handful of times to listen to this since it came out and kept getting distracted/bored. Today for the first time I played it all the way through. I begrudge Bjork absolutely nothing, but I'm just not stimulated by this one. Not feeling any desire to try it again.
― sctttnnnt (pgwp), Friday, 1 December 2017 17:36 (three years ago) link
kind of agree w/others that i think that her voice is always so compelling and she has a great ear for sounds and arrangements but doesn't feel like there's a lot "there" underneath it in terms of songs
― Universal LULU Nation (upper mississippi sh@kedown), Friday, 1 December 2017 17:42 (three years ago) link
Still pretty good! But six tracks does me just fine.
― Chocolate-covered gummy bears? Not ruling those lil' guys out. (ulysses), Friday, 1 December 2017 17:48 (three years ago) link
I haven't listened to this yet but I wonder if the comments about there not being any songs there are tied to her increased tendency to write songs that have overaching structure in terms of verse/chorus/what have you but melodically wander all over the place within those sections. This has been a hallmark of her style since the beginning but it's felt to me that it's become even more pronounced over the past (looks up Medulla's release date) 13 years; it's certainly what kept me from getting into Biophilia for a very long time.
― Embalming is a flirty business (DJP), Friday, 1 December 2017 17:50 (three years ago) link
It seems pretty clear that pop songwriting is not the game she's playing on her last few albums. But since her voice is her main instrument and there are lyrics, the format is uncomfortably similar to, y'know', "songs". But maybe it's better to think of these as electronic tracks with a voice singing words in the lead?
― change display name (Jordan), Friday, 1 December 2017 17:50 (three years ago) link
― Embalming is a flirty business (DJP), Friday, 1 December 2017 17:51 (three years ago) link
I mean, I guess the only reason we keep bringing this up is because she has things like "Hyperballad" and "Come To Me" in her past.
― Fred Klinkenberg (Eric H.), Friday, 1 December 2017 17:52 (three years ago) link
btw I'm playing this now and I like "Arisen My Senses" more than anything else I've heard post-Medulla
― Embalming is a flirty business (DJP), Friday, 1 December 2017 17:52 (three years ago) link
― sctttnnnt (pgwp), Friday, December 1, 2017
my reaction too, as I finish my fourth play
― morning wood truancy (Alfred, Lord Sotosyn), Friday, 1 December 2017 17:54 (three years ago) link
If I accept this as the second half of a Nu AmErykah style diptych with Vulnicura, I am 100 percent on board.
― Fred Klinkenberg (Eric H.), Friday, 1 December 2017 17:55 (three years ago) link
what if I give you a salted peanut
― morning wood truancy (Alfred, Lord Sotosyn), Friday, 1 December 2017 17:56 (three years ago) link
i'm certainly not saying she has to write like 3.5 minute v/c/v/c/bridge/c type songs or anything, not at all
songs can be whatever if they grab and keep my attention i guess
i like the way it sounds tho, it's def possible it will grow on me
― Universal LULU Nation (upper mississippi sh@kedown), Friday, 1 December 2017 17:57 (three years ago) link
I think it's going to be best dipping in for a couple tracks at a time, not as a complete listen (it's extremely cohesive, but just...a lot).
― change display name (Jordan), Friday, 1 December 2017 17:58 (three years ago) link
I skipped Vulnicura because of how hard it was for me to get into Biophilia; I am probably going to go back to it as these first two songs are glorious and reminding me why I was obsessed with her in the 90s.
― Embalming is a flirty business (DJP), Friday, 1 December 2017 17:59 (three years ago) link
i like Utopia a lot, and i enjoy her more abstract melodies and structures.
i have to admit, though, that after listening to Utopia yesterday, spotify "radio" kicked in and played "Unison" off of Vespertine and it felt like such a euphoric lift when the slightly more conventional structure kicked in with the beat. the bjork albums of the last several years sometimes hint at the possibility of tapping into pop structures, but always seems to turn away before getting too close. i do miss it, on occasion.
― Karl Malone, Friday, 1 December 2017 18:01 (three years ago) link
My point/observation is more that she's staying pretty close to that type of structure on a macro level but has a adopted a wandering anything-goes approach within those sections, with usually the chorus as the only piece that retains repeated structure in her melody line. This threw up a big barrier for me on Biophilia that I literally only just got through this past year; am finding the musical arrangement on Utopia a lot more engaging overall.
― Embalming is a flirty business (DJP), Friday, 1 December 2017 18:14 (three years ago) link
If you managed to get into Biophilia I'd say you will definitely get into Vulnicura.
― Le Bateau Ivre, Friday, 1 December 2017 18:15 (three years ago) link
I get the idea that Bjork is not really going for "songs" in the typical sense. But then again why is everything mostly 3-5 minutes long? Like it's still all presented in a typical album-full-of-songs package. If her real intention is to make some kind of big overarching experience I'd like to see her go all the way and make something that really breaks away from expectations.
― sctttnnnt (pgwp), Friday, 1 December 2017 22:16 (three years ago) link
Originally gave it a grudging duty listen, the last three having mostly left me cold, and I keep coming back to it, and getting into it more. What a pleasant surprise.
― mike t-diva, Friday, 1 December 2017 23:34 (three years ago) link
don't know whether i LOVE it yet or not, but i'm pleasantly tickled by how the arrangements on here seem to refer back to "fourth world musics" tropes. it feels like a nice complement to the visible cloaks album from early this year.
― austinb, Saturday, 2 December 2017 01:18 (three years ago) link
cover art for this album is horrendous
― niels, Tuesday, 12 December 2017 08:47 (three years ago) link
the first two tracks on this are decent but then it quickly loses me - 75 minutes of Bjork at her densest and most abstract is far too much for me
Vespertine is still my favourite album of hers for the way it successfully bridges her 'pop' side with her then-new more abstract side, especially in the second half.
― ufo, Tuesday, 12 December 2017 10:52 (three years ago) link
Wow, this serpentwithfeet remix of 'Blissing Me' adds an amazing hook. Would love to hear a longer collab between them.
― change display name (Jordan), Wednesday, 13 December 2017 20:43 (three years ago) link
A couple days ago i listened to this big folder of every bjork b-side up through Vespertine and my god was that a good time
― harbinger of failure (Jon not Jon), Wednesday, 13 December 2017 20:45 (three years ago) link
i have folder envy
― Karl Malone, Wednesday, 13 December 2017 20:48 (three years ago) link
cool bjork mash
― In a slipshod style (Ross), Friday, 15 December 2017 19:33 (three years ago) link
Recruiting: POLL Neon Like -- ILM artist poll #88 -- BJÖRK (voting open until April 27, 2018)
― Uppercase (Eric H.), Monday, 9 April 2018 19:29 (three years ago) link
This album is very good
― Droni Mitchell (Ross), Monday, 9 April 2018 20:18 (three years ago) link
The tour for Utopia started last night in Reykjavik, BTW, with the stage set up as a rotating floral vaginal court (of course), lined plants, with footage of birds projected on the screens, and Björk being backed by seven dancing flautists, a drummer, an electronic person doubling as a trombone player, and a harpist. Theatrical as expected! The show is scheduled to tour for the next two years, so here's hoping I manage to catch it somewhere.
― ˈʌglɪɪst preɪ, Tuesday, 10 April 2018 08:32 (three years ago) link
going to see her at primavera and this is what I wanted to hear
― ogmor, Tuesday, 10 April 2018 08:46 (three years ago) link
looks like her older set list tracks this time around are “Thunderbolt”, “Pleasure is all Mine”, “Notget”, and “The Anchor Song”
― the masseduction of lauryn hill (Stevie D(eux)), Tuesday, 10 April 2018 11:57 (three years ago) link
Is zeena parkins the harpist?
― when worlds collide I'll see you again (Jon not Jon), Tuesday, 10 April 2018 23:43 (three years ago) link
^ It's Katie Buckley this time:https://www.instagram.com/p/BhfIYMfnUGX/(She also plays harp on the album.)
― ˈʌglɪɪst preɪ, Thursday, 12 April 2018 22:16 (three years ago) link
She was on Jools tonight:
― ˈʌglɪɪst preɪ, Tuesday, 22 May 2018 22:13 (three years ago) link
Lucrecia Martel to direct new @bjork show in #newYorkCity @TheShedNY #argentina #theshowofthecentury https://t.co/EFKpRy3fgg pic.twitter.com/np5LT2Ti4x— Cinema Tropical (@CinemaTropical) February 5, 2019
― zama roma ding dong (Eric H.), Wednesday, 6 February 2019 18:04 (two years ago) link
She has just put out a video for Tabula Rasa and it's just astounding.
― mfktz (Camaraderie at Arms Length), Monday, 13 May 2019 12:19 (two years ago) link
The staging of Utopia/Cornucopia at NYC's The Shed looks incredible.
01 The Gate02 Utopia03 Show Me Forgiveness04 Arisen My Senses05 Venus as a Boy06 Claimstaker07 Isobel08 Blissing Me
09 Body Memory10 Hidden Place11 Mouth's Cradle12 Features Creatures13 Courtship14 Pagan Poetry15 Loss16 Sue Me17 Tabula Rasa
18 Future Forever19 Notget
― ˈʌglɪɪst preɪ, Monday, 13 May 2019 20:10 (two years ago) link
tickets starting at $300
― Fuck the NRA (ulysses), Monday, 13 May 2019 20:41 (two years ago) link
I repent. Courtship is a banger and Future Forever is one of her most gorgeous songs.
― ✖✖✖ (Moka), Thursday, 22 August 2019 03:54 (two years ago) link
This is really good! Turns out the vocal really shines with production that's a little more inside-the-lines.
The Knife one is amazing too, but more for the music than for elevating the song imo
― change display name (Jordan), Monday, 9 September 2019 17:49 (two years ago) link
Last night Björk performed the first of her 'Björk Orkestral' acoustic live streaming shows from Reykjavík - the theme was strings (the other three are choir/organ, brass/flutes/harp, and chamber ensemble). It was very good, even though she seemed quite shy/nervous during the first half of the show.
01 Stonemilker02 Aurora03 I've Seen It All04 Sun in My Mouth05 You've Been Flirting Again06 Isobel07 Hyperballad08 Harm of Will09 Bachelorette10 Unison
So no new songs but a new album is rumoured for late spring/early summer 2022 release.
― ˈʌglɪɪst preɪ, Tuesday, 12 October 2021 20:21 (two weeks ago) link
more like Björkestral imo
― typo hell #12: a hundreds of millions of people (Karl Malone), Tuesday, 12 October 2021 20:37 (two weeks ago) link
that looks amazing, and i would love to see any one of those 4 shows!
― typo hell #12: a hundreds of millions of people (Karl Malone), Tuesday, 12 October 2021 20:38 (two weeks ago) link
Should've included the link in my original post but you can get streaming access (if that's your thing) here: https://dice.fm/search?query=bjork
They're quite pricey though for a one-time streaming experience, and they're not available to re-watch; you have to view them at a set time. They're all supposed to be 10-song sets (+1 non-broadcast encore track for the people in attendance; last night it was "Generous Palmstroke") and you can read which albums each concert will be based on here: https://www.harpa.is/en/whats-on/event/bjork-orkestral-live-from-reykjavik
She's also been doing 'stories behind the songs' posts on her social media leading up to the gig, I hope she keeps it up for the future ones as well, some interesting tidbits.
― ˈʌglɪɪst preɪ, Tuesday, 12 October 2021 21:00 (two weeks ago) link
Sorry for spamming this thread but the second orkestral show with Hamrahlíð choir and various keyboard instruments took place last weekend and it was pretty fantastic.
01 Show Me Forgiveness02 Pleasure Is All Mine03 Hidden Place04 Cosmogony05 Sonnets/Unrealities XI06 Unravel07 Vertebrae by Vertebrae08 Oceania09 Who Is It10 Mouth's Cradle11 Where Is the Line12 Human Behaviour13 New World
It's been great fun to watch her dig into her back catalogue thematically and I would love to see these shows get a proper release at some point.
Also, new album confirmed for release sometime next year, apparently made "for people clubbing in their living rooms" during lockdowns lol.
― ˈʌglɪɪst preɪ, Wednesday, 27 October 2021 14:42 (six hours ago) link
iirc indication has been the album will be out in may or so, it was mentioned in the announcement of an exhibition she's doing at a french museum
― ufo, Wednesday, 27 October 2021 14:52 (six hours ago) link
I love how she’s splitting these. Iirc correctly she did something similar for family tree but nowhere as ambitious. It was split into beats and strings.
― ✖✖✖ (Moka), Wednesday, 27 October 2021 15:17 (five hours ago) link