ILM Top 100 2000-2004: ALBUMS

I can understand people respecting it but liking it? Eh. LOVING it? Double eh.

(I SLAY ME)

I do take Jamie's point though, I'm not an 'albums person' and maybe thats why I put Discovery as my #1.

-- VengaDan Perry (djperr...), August 27th, 2004.

hahawhatever but anyway a lot of people here and everywhere like it a lot. so i'm surprised it wasn't even an option. as with "stankonia."

so no outkast albums in the top 100 then?

xpost "Music Sounds Better Than You" is a great lost title for someone.

Do you feel I'm usurping your persona?

They released a fucking blinder of a tune under a different name, then went on to record multiple infeior versions of it and released it under the Daft Punk moniker and people went batshit insane over it and I never really understood why.

Er, this is embarrassing (in a persistent lurker defends Radiohead even though I didn't vote for it that high, honest kind of way) but...

The album itself takes you on the ol' personal>political journey that Tommy took. Quietude and withdrawal from the world ('I'm not here') to a kind of wake up call ('This is really happening'). The ambient one sits bang in the middle while they think about it all. Kind of symmetry to it all. (The National Anthem should have come in the second half, though.) Anyway, while not being a *fan*, by any means, it is one of the very few 00s records that I actually listen to the whole thing every time I listen to it.

but ok, ilm was nearly there.

-- Rockist_Scientist (phatw...), August 27th, 2004.

er, i don't recall posting 100 times to this or any other thread with variations on "i've never heard that one"/"i heard that one once in a friend's car, i didn't like it"/"i can't bring myself to care about this"/etc. i dunno, it reminds me a bit of ned's popping up on springsteen/strokes/etc. threasd to offer 1800 chipper variations on "meh."

I totally disagree about the nominations process, lets have SOME room for quirk for fucks sake.

Do I have to hand in my Daft Club card now?

(homework is def rub really)

Obviously, there's a balance that should be struck somehow (not like I have any bright ideas right now on how to do it better if there is a next time, but still).

(xposts)

Well if a record isn't a single person's #1 fave then I don't think people can be begrudge its non-appearance too much. You all had the chance to nominate them folks!

Points: 1467
No. of votes: 55
No. of #1 votes: 10

Artist: DAFT PUNK
Title: DISCOVERY
Label: Virgin
Year: 2001

http://base58.com/ilx/ilm/top100/20002004/albums/discovery.jpg

This record means a lot to me. My strongest memory of it is linked to
this board, oddly enough. It was summer 2001, the big rooftop party at
Suzy's block of flats where London ILX really got going. It was a
fantastic day. As the afternoon lazed on and we all got drunk we
decided to go and put Daft Punk on the stereo - about half of us
danced around like wallies and sung "One More Time" as loudly as we
could. Every time I play that song it reminds me not to give up on
pop, people, stuff. Bad times are cyclical: the beat will come back,
the dance will go on. That sounds corny - well, the song sounds corny.
But I honestly believe it, and I love Daft Punk for catching that
feeling.

There are lots of rational reasons to like Discovery. It is elegant.
It is playful. It is a sketchbook of most of the possibilities
remaining to house music (my original draft expanded at some boring
length on this). It is full of noises you knew were beautiful and
noises you didn't know were beautiful. It has the best love song of
the decade on it (and "Something About Us" is pretty fucking amazing
too). Thomas and Guy-Manuel look fantastic in their robot suits. Also
I'd be lying if I didn't admit I like how they baffle and even annoy
some people. But the main thing I love about Discovery is its
optimism, its love of life in all its bathetic, glorious, cheesy,
beautiful diversity.

(In the context of this list I am hugely tempted to contrast that
optimism with - well, you can probably guess, and do it yourself.)

I think you either hear that optimism in Daft Punk or you don't. If
you don't, you probably hear it somewhere else. People listen to music
- and sorry if this bit gets embarrassing - to make their lives
better. People talk about that music, discuss it and share it to make
each others' lives better. And so here we are. I have not lived up to
this philosophy that much on ILM. ILM in general has not lived up to
that philosophy much. But it's done a better job than almost anywhere
else I can think of on the Internet. What I'm trying to say is
thankyou Daft Punk, and thankyou ILM, and even if sometimes I'd
happily see this place deleted I think in ten years time I'll be
really proud of having started it. Now go and listen to this record
again you fuckers. Tom Ewing

Recommended tracks: Digital Love, One More Time, Harder Better Faster Stronger, Something About Us

No. 1

Points: 1619
No. of votes: 55
No. of #1 votes: 10

Artist: RADIOHEAD
Title: KID A
Label: Parlophone
Year: 2000

http://base58.com/ilx/ilm/top100/20002004/albums/kida.jpg

Recommended tracks: Idioteque, Everything In it's Right Place, Optimistic, Morning Bell

The margin! Misery beats fun! There's enough you can say about the result and what it says about ILM. I will leave that up to you What about the album though....?

Kid A made it safe for the indie kids to actually think about how music is constructed and how it is \"art\" without being too wank about it all. Mattson Carlhew

I have a feeling I\'m not alone in putting Radiohead at the top of the list. What else could (almost) everyone agree on from the past 4 years? Radiohead practically gets the crown by default, simply because nothing else remotely iconic was released. Remember all the press attention and word of mouth about this album? I remember when it came out I lived with a kid who had voted for Bush, and Radiohead was virtually the only thing we had in common. We drove to the next town to get our copies at midnight, and listened to the whole thing as soon as we got back. Our respective reactions were irrelevant--what matters is that no other release has mattered that much since then. If KID A had come out in 1991, would it have been overshadowed? Probably, but who knows. It doesn\'t matter. What works in the music worlds makes as little sense as what works in politics. Back when the biggest threat to the world seemed to be boy bands, Radiohead instilled the kind of hope in us white college kids that John Kerry wishes he could instill now. Richard Killiam

Actually, yes.