Rolling Country 2023

Speaking of under-covered artists promoted by SCM, this new Margo Cilker record is superb.

Boy, I shouldn't have read a few of those SCM comments before lunch.

Solid profile: https://www.rollingstone.com/music/music-features/margo-cilker-new-album-interview-1234820795/

Can't read it (paywall) but really like Bernstein's writing, and he has never steered me wrong.

lol another Margo, another M.

From that profile detailing Margo Cilker history:

She traveled back and forth from northern Spain for a period of several years, at one point forming a Lucinda Williams tribute band called Drunken Angels in the Basque country city of Bilbao.

Really enjoying the Margo Cilker album too.

Anyone heard the new Lillie Mae? I liked her first two albums a lot.

Me too. Margo Cilker is the best musician name I've heard lately, will check her out---not that I'm prejudiced against names like Casadee Pope, or even the self-named Honey Harper,
who is now more than ever a dyad, as ATO Records heralds:

with Honey Harper co-founder and keyboardist Alana Pagnutti taking on a far greater role in the songwriting process alongside frontman William Fussell, adding a palpable new depth to their lyrical output.

The 12 song collection (Honey Harper and The Infinite Sky) also marks their first time recording with their stacked band, The Infinite Sky, featuring their longtime bassist and contributing writer Mick Mayer, pianist John Carroll Kirby (Solange, Steve Lacy), Spoon keyboardist Alex Fischel, guitarist Jackson MacIntosh (Drugdealer, Jessica Pratt), pedal-steel player Connor Gallaher (Black Lips, Calexico), and TOPS drummer Riley Fleck. The album was mixed at Wowcat Studios in Los Angeles by Joel Ford (yes/and, Ford & Lopatin).

How is the Buddy and Julie Miller record?

Oh wow, you're remynding me of my old CD store regular who heard Julie as the late 20th Century Emily Dickinson---

first time listening to zach bryan with the new album and i'm impressed. songs like "east side of sorrow" are closer to manchester orchestra than the stuff i hear on country radio so the emo stuff checks out

Maybe she *is* the latter-day Emily Dickinson! Now's the time to listen more than I ever have, though that isn't saying much in itself.

Margo Cilker album sounds great

how do you pronounce the name?

Adjacent news from New West Records: the NMAS albums that I've heard tend to be weak in the vocals, when they don't feature just the right guests---looks like it might not be a problem here, at least not all the way through:

Luther Dickinson of North Mississippi Allstars will release his new solo album, Magic Music For Family Folk on November 17. An all-star list of support showed up for the new record, including Yola, Allison Russell, Lillie Mae, Sharde Thomas, Sharisse Norman, as well as Dickinson’s Mother and Children.

The album features Dickinson’s rendition of favorite songs from his childhood by The Meters, Staple Singers, John Lee Hooker, Mississippi John Hurt, Doc Watson and more.

Dickinson delivers an album of songs from his community that run four generations deep. The 10-time GRAMMY Award-nominated producer, solo artist, and North Mississippi Allstars co-founder creates a record worthy of its own traditions.

A couple albums I've gone back to throughout the year that I haven't yet repped for -- neither will light your hair on fire but are rather lovely and worth a listen:

Amanda Fields - What, When and Without. Slow burning, patient country waltz that has a quiet beauty to it. Her singing is serviceable and familiar.
https://www.youtube.com/watch?v=13QOo3hpxJ4

Rachel Baiman - Common Nation of Sorrow. Rootsy Americana in the vein of Gillian Welch, impressively self-produced albeit with a strong supporting cast (Erin Rae, Miles Miller, Sean Sullivan). C
https://www.youtube.com/watch?v=S7vOHRHvY4U

I don't know anything about country music but this guy is cool & he has a new live album out

https://www.youtube.com/watch?v=dU_qVO-aTTA

he's bigger than ya think if you haven't seen him live, and getting bigger fast.

his shows are a blast.

I have friends who are only into Real Country who are into that guy so I've kinda held it against him and ignored him but I probably shouldn't huh

Never listened to this dude before but this a good record

https://www.youtube.com/watch?v=S58avwJXG5M

late to the Morgan Wade party but goddamn i am all the way on board! she brings a real Joan Jett vibe w her raspy voice & attitude, such good songwriting too.

we just watched her set on ACL Fest & she killed it. great band too.

circling back to our Zach Bryan Is Popular discussion:

"See all new tour dates below, which include second stadium shows added in Atlanta, Denver, & Foxborough."

Morgan'sReckless Deluxe is a raspy rehab-to-romance-to-rolling country way of life, candles and tattoos and all: "Ah spoke mah truth, and yew got so upset," but so be it, it's a start.

apparently she’s embroiled in some irl Real Housewives tabloid drama now so uh good luck girl

I had no idea Wade had a new album out! Also, she's apparently getting a double mastectomy after learning she has that genetic mutation, so probably no live dates for a while.

O shit!
Be sure to get the Deluxe: bonus tracks are totally justified, and she may need the extra bucks more than ever.

oh man yeah, buying up the Deluxe for sure

(I didn't know about the new one either, still talking about Reckless Deluxe, from Jan. '22.)

Great to know there's a new one too.

Psychopath:
Meet Somebody
3:20
27 Club
3:44
Alanis
4:27
Want
3:33
Psychopath
3:29
Phantom Feelings
3:53
Outrun Me
3:47
Guns and Roses

Hopefully there are more tracks but computer's going out and can't shake this coughing fit

Maybe your computer has covid.

Psychopath tracklist:

1. “Domino”
2. “80’s Movie”
3. “Losers Look Like Me”
4. “Roman Candle”
5. “Guns and Roses”
6. “Alanis”
7. “Phantom Feelings”
8. “Psychopath”
9. “Outrun Me”
10. “Want”
11. “Fall In Love With Me”
12. “Meet Somebody”
13. “27 Club”

Had not heard about the new Laura Cantrell album

https://lauracantrell.bandcamp.com/album/just-like-a-rose-the-anniversary-sessions

After a 9-year hiatus, Laura Cantrell is back with a new studio album. Featuring her guests, Steve Earle, Buddy Miller, and Paul Burch. It was produced by Don Fleming (Sonic Youth, Teenage Fanclub), David Mansfield (Bob Dylan, T-Bone Burnett), Rosie Flores & Ed Stasium (Talking Heads, Ramones).

From New West---his originals are purty traditional, in that smokey Canadian Cowboy way, & can be appealing, though haven't heard this one yet:

Corb Lund
Our favorite Canadian songwriter is back with a full album of new original tracks. El Viejo will be released February 23 of next year. Check out the first video single, "Old Familiar Drunken Feeling" via Holler.

The 11 tracks on the album were produced by Corb, and recorded entirely in his living room in Lethbridge, AB with his band The Hurtin’ Albertans. Lund & Co. tapped into his most cherished musical influences of acoustic tone and lyrical aptitude — Marty Robbins, Kris Kristofferson, Bobbie Gentry, Jerry Reed. There is a common theme — possibly even a character thread — of the gambler, the outlaw who roams from place-to-place with no direction home.

El Viejo is Lund’s first album of original material since 2020’s critically acclaimed Agricultural Tragic, which was named an album of the year by the readers of No Depression.

xxpost had not heard about the new Cantrell either, thanks. I favored this one for Scene ballot re 2014 (when she ended a previous 9-year hiatus):

Laura Cantrell, No Way There From Here:
Pretty and spooky without being Southern Gothic, the current Cantrell vibe is "that's just how it is," cos love & music will only take you so far, no matter through what and for what (while incl. "Turn Down For What," cos this music's into pleasure too). Sounds like she knows she's on a roll, so why stop now, pick up some more sorrow and happiness on the way. Also sounds like she might be mildly surprised that I'm surprised at her unpretentious mastery and ambition (no dis on Brandy Clark, but those who think she's the best should hear the way Cantrell does less-is-more, vocally: "I'm gonna get these ol' clothes clean, do you know what I mean?")
Also, despite the shifting songwriting credits (which I haven't checked), it's seamless, without being too smooth. A touch of the old Hoboken denim lilt in there too, so one for us bravely ageing & still appealing Amy Rigby fans (first track even has a dBs feel).

i saw Corb live over the summer and he was amazing

Mount Mariah's H.C. McEntire released a new record in January that I completely missed:

https://hcmcentire.bandcamp.com/album/every-acre

Love this slow burn with S.G. Goodman

https://www.youtube.com/watch?v=afS99vgbLus

*Moriah

Thanks Indexed---do you know SG's 2022 Teeth Marks? OMSGG:
https://www.youtube.com/watch?v=IQGxjdHaGW0

oh yeah I did hear H.C.'s 2020 release, as mentioned on ballot, soon after Goodman:

H. C. McEntire: Eno Axis----title refers to North Carolina's Eno River, though the Brian is also apt: as w Goodman, there's a psych-country quality, here more horizontally spacious, a luminescent river plain, with those little changes all along that river boat pilots factor in---it's earthy and fluid, watchful and ruminating and confident, like a bit more propulsive Cowboy Junkies effect, gathering around a strong voice with a lot to say, which will also take a while to sink in, but appealing sound right off, and she doesn't keep her players on too short a leash/does know when to shut up, always preacheated. https://hcmcentire.bandcamp.com/album/eno-axis

(that SG link is to the whole album, not just the video, she's got some hellacious mountain gothic video though)

Another one I am better late than never on, Jess Williamson’s resplendent Time Ain’t Accidental sounding utterly magnificent this evening. A typically excellent write up from Laura Snapes:

They became Williamson’s fantastic fifth album, a mid-career arrival. The confident, breezy Time Ain’t Accidental sounds as wide and fresh as a dewy dawn horizon, pairing classic country choruses with strikingly spare production. Many songs feature the iPhone drum machine that Williamson demoed on, kept at the encouragement of Bon Iver producer Brad Cook, who also did Plains’ album. The lightning-strike artwork nods to Smog’s spooked Knock Knock and the Judds’ glorious River of Time, references that encapsulate the sound well; you might also imagine Taylor Swift’s take on Lucinda Williams’ Car Wheels on a Gravel Road.

https://www.theguardian.com/music/2023/may/31/i-did-not-want-to-be-small-any-more-jess-williamson-on-fate-plains-and-her-breakout-fifth-album

Have not heard any of Williamson’s prior solo albums but liked a lot of her record with Waxahatchee under the name Plains a year or two ago.

I listened to several JW solo posts on Bandcamp after getting into Plains: really a vivid sound, although Snapes had me until Taylor Swift redoing Car Wheels, esp. because I've never made it through a whole Swift track, though no prob w Williamson herself so far.

https://www.youtube.com/watch?v=BinH9aMYro4

Catching up on the CMA news...What to make of Lainey Wilson's big night? I'll need to give her catalog another listen -- "solid" is what I recall. Also, Tracy Chapman winning for Song of the Year is a pleasant surprise.

Agreed. I was kinda shocked they gave SOTY to a 40-year-old hit. But also glad ... it's obviously the best song of the bunch.

I loved Lainey Wilson's 2021 album enough to top ten it, last year's almost as strong. "Watermelon Moonshine" is one of the few songs by a female country act getting a lot of airplay.

She doesn't need my hype, but this is what I said way upthread: an musical journey through the unexpected (resistance, learning, getting into it---then the whole thing over again later, which may well say a lot more about the current-recent me than her, but overall it's both---no regerts, though)

'm still, believe it or not, doing a round-up of re-re-etc.-listening objects for a blogpost about the music of 2022. There are just a few sticking points left, with Lainey Wilson's Bell Bottom Country somewhut unexpectedly among same. It had taken several listens to reach a peak of enthusiasm---seemed too contrived, and also I belatedly discovered that increased volume revealed more conviction in tone and details---but I assumed that I had gotten it, and could come back to said peak several months later: no. Same process, same learning curve, all over again, even though it seemed reasonably loud at first---it's not all about the volume, this elusively problematic aspect, but for sure, if you want your sensitive arena rock country, you gotta be ready with the volume (to ride it back a little for the double-tracked armor or scar tissue, a signifying part of the looking back in candor in the finely written "Watermelon Moonshine,"but still a little too loud), ready, often enough, to throw your headphones into the maelstrom ov fun like she does her head on "This One's Gonna Cost Me," title and chorus of which become this album's thee most explicit expression of her exciting dynamic: persistent self-image of a good girl, raised right, looking for love and self-empowerment, who rat now wants to have a good good good time.
Here we have a recurring sort of Zep-hop beat at its heartiest, swaying that big horned head one more time, but now it also occurs to me that producer Jay Joyce also appreciates Led Z.'s mix of the heavy and brash with the fingerpicking side of life, and Wilson responds, going barefoot down a b-melody line to the ripples of Molly Tuttle's banjo, or for that matter under an intro of what sounds like some kind of mellotron-banjo.

― dow, Tuesday, June 27, 2023 1:57 PM (four months ago) bookmarkflaglink

(Jay Joyce's only misfire: "Wildflowers and Wild Horses" starts with a mysterioso Lee Hazlewoodesque instrumental scrim, but then turns Lainey loose to gallop through big loud bravura rhetoric, losing Lee's control and tension.)
Beats vary, but clock gentle intensity in ballads, like when she credibly salutes "Daddy's Boots," with a bit of atypical toe-tapping added, then strips away the usual roots-view to "Momma's crazy and Daddy's mean," when it's down to "Me, You and Jesus" getting through: "Me" first, part of the candor again, "Jesus" the only mention, that's how young and desperate she is in this flashback, "You" can be anybody she trusts, trying to hold on to this isolated, shared undercurrent of faith and hope and getting by is the point, and not so loudly that Momma and Daddy will hear.
Followed immediately by "Hold My Halo," cause cuz she's paid her Dew Drop Inn dues, gonna ride that electric bull one more time tonight. See there always has to be a justification, which could get annoying in the uniquely narrowcast "Weak-End" (yes we know you're lookin' for love, but that's not all, not in them places), if not for distraction of the gently antsy beat), with need for alibi and recreational therapy at its funniest and near-rowdiest in "Smell Like Smoke" ("It's cause Ah been, through, Hellll.")
Wiki sez that one was "tacked on" to streams and downloads: too bad for CD and LP buyers, because it and the other tackee, "New Friends," are antipodal highlights. After the 4-Non-Blondes cover--where she conscientiously delivers teeming verbosity rushing to the accidental but still stupid comedy of anticlimatic "Whut's going on?"---Wilson returns to the vibrant twilight of "You, Me and Jesus," now resolving to find new friends, rather than just moping over that guy---atta girl, as she says in song of that title, also a gentle one, though given the louder ones, one might wonder just what kind of friends. TBA.

― dow, Tuesday, June 27, 2023

always more rare or rarer

For those of you who like raggedy, ramshackle country rock, Florry's "The Holey Bible" is the ticket. riyl: Wednesday, Pinegrove, MJ Lenderman's Boat Songs, maybe Big Thief's Dragon New Warm Mountain, etc.

exact same description but for a different new album, Dusk's Glass Pastures:

https://countrydusk.bandcamp.com/album/glass-pastures