What are you listening to? 2022

I was thinking yesterday when I saw that Irene Papas sleeve that the story of Antigone had appeared out of the blue in a podcast I listened to earlier in the day. & Papas starred in teh Greek film version, possibly better known in the west as the Greek partisan in Guns of Navarone though?
I didn't know she sang too, good dramatic actress and pretty striking looking.

come to think of it, guns of navarone may well be the only film i've actually seen her in. anyway, it's an excellent album that i finally picked up cheap last year... kind of interested in checking out their later collaboration now.

https://i.discogs.com/L5HoNyOlvQ5dD39B8uPgJQ-7w_RQdGQp2OC0eMW5nL8/rs:fit/g:sm/q:90/h:600/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTE1ODYw/MTE2LTE2MDE0Nzc1/MzctNTMxMC5qcGVn.jpeg

Sonoluminescence Trio + 1 - Live at the Record Centre

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First disc of this which is August 68 and I think that is a major peak.
Starts off with a long blues song which they did a studio version of on their first lp, this is still pretty anchored to a blues form but they are investigating what they can do with structure. I heard a lot of the ballroom bands lengthened their grooves to allow the audience to dance longer and this is still groove based. Next 3 tracks are an early take on a tripartite stretch probably familiar from 6 months later in teh versions captured on Live Dead. I say early version because in the months prior to this the band had played around with what sequences they had been playing. Dark Star had gone into china Cat Sunflower at one point prior to that song getting linked to I Know You Rider.
Dark Star here may be anchored from soaring free by the repetitive keyboard lines that Pigpen plays throughout but it is beginning to take flight. St Stephen in its studio version seems to link rockabilly and free jazz, it's pretty good here but I think gets better in later versions. & that flows into a lengthy version of teh Eleven which si one of my favourite numbers from the era. I think they played with time signatures a bit more, think there is a 12 somewhere too, is that the Pump Song that became I think Playing In The Band? They seem to be able to play time signature effortlessly and this seems to have an off kilter momentum I quite enjoy and have always loved teh vocal breaks.
They end teh disc with a gosp[el cover called Death Don't Have No Mercy which also appears on Live Dead. May actually be a 4 part sequence that I'm not as familiar with because of the way that Live Dead's discs break down . Though sequence of that has teh lengthy version of Turn on Your Love Light in between.
Great Dead, some of their peak for me anyway.I do tend to stick to 67-74 though.

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Eccentric lp with great grooves and instrumentation topped by a performer who apparently learnt how not to sing. I know he had an lp out in the mid 60s as a soul/r'n'b singer which I haven't heard but would be surprised to hear was as freely related to key as the vocals here. He wrote Compared tO What for a friend o9f his too.
I think i picked this up because teh cover reminded me of Dr John's Gris Gris when I saw it on vinyl in my old local 2nd hand shop. But it is really eccentric seems to be a non-singer over playing by some top r'n'b and jazz musicians.
There is another lp out by him called Outlaw where his vocal tuneage seems to be a bit less wayward. Lyricism seems to be pretty intensely idiosyncratic too.
Interesting lp and one that has been sitting on my shelf for too long. I picked it up on cd a decade plus ago. Apparently it is a record that has been raided for samples. Not sure if I've heard teh tracks those are now embedded in , But may check them out.

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Uncut cover mount cd from last month. I'm not overly familiar with Wilco, do know some of their history and the bands that the lead singer wa sin beforehand and even that only slightly. Oh & that avant garde guitarist Nels Cline is now a longterm member. So I was expecting to hear a lot of him on here but not sure to what extent he is since this is alternative versions of an lp from before he joined.
I guess this is ok, doesn't stand out to me overly as something I'm going to be thinking of when not listening to it but does have its moments. Though some of those remind me of Pavement so not making me rush to find out more. may do so though

https://i.discogs.com/0Ra2PsLiciqpyKiqR5iHj31L-GojrDOH_fEA_LKTwEc/rs:fit/g:sm/q:90/h:600/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTgwNzMz/MjEtMTQ1NDYyMDI0/OS00NjIwLmpwZWc.jpeglillinger brings it as always. slavin's on board so it recalls amok amor. a tad less frantic, more majestic, maybe?

https://i.discogs.com/SEFWUbQnu2qfa2spZFoELqfktS4GKV3mLChG7dCie8A/rs:fit/g:sm/q:90/h:600/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTEzNTkz/NjktMTM2MzYyMjA4/Ni00NjE4LmpwZWc.jpeg

https://i.discogs.com/79oNU1BS288HD8jDeGizDJCP8FSDLKwJf5Sfzo8C2vo/rs:fit/g:sm/q:90/h:160/w:160/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTEyNzE5/MTgtMTIwNTM3MTkw/NC5qcGVn.jpeg Maher Shalal Hash Baz – L'Autre Cap

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I bought and ripped this several years ago but have only recently done a deep dive. Many of these pieces have been done better by other performers, but it's pretty cool to have so many works in one collection. Gives a good overview of the (western) music of the century.

I should add, some of the recordings are exactly the ones you'd want, e.g., Lutoslawski conducting his own Concerto for Orchestra.

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Oakland based avant rock band which I enjoy so don't want to call metal. INteresting melange of influences I think . I'm hearing things taht remind me of Savage Republic trudge and balance between melody and viscerality. Vocals may be a bit shouty which fits the idea of metal and I know they came out of the hardcore scene. I know they like Hawkwind cos I got them coming up to me at one of teh Astoria shows calling out my name at a point I couldn't place them.
I first came across this record as one taht kept being left to play to cover up gaps in the schedule at a pirate radio station I was on in the early 90s. I thought it was amazing, hit just teh right spot. So i followed them on an Irish tour a while later. THink I picked up my copy of thsi cd in Tower in Dublin then got given the next couple.
NOt listened to this in quite a while. Have had it on my need to play really soon list for the last few weeks. & I tend to put on 3cds on my3changer and listen to them for a week so it took a while to get to. Worth it though.
Very visceral. Seems like it might be a concept lp about a world dying in a nuclear war or something. But most tracks seem to stand on their own.
I was thinking they were San Francisco based which gives some contrast to the ballroom hippy era but they are from the other side of the bridge. I know taht at least one central member also puts out acoustic folk lps on the band's Neurot label. Seems like it is a music with some influence in the sound though it is heavily tempered by the viscerality etc that is central to the sound.

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Italian prog band working with a melange of influences , Zappa, funk, middle eastern , jazz and a vocalist who incorporates yodeliing.
Very energetic but groove based to I think so it doesn't come off as busy .
I think they are quite amazing. I have the first few lps by them.
I thought I had also picked them up when I found out that there wasa remastering campaign. So surprised to see back of this digipak gave a 1990 date for its mastering. Since I had thought this would be one of the remasters.
Oh well, very worth checking out if you're not familiar with them. I think they may turn up mispelt on the NWW list.

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great set of early 70s garagey African rock stuff with heavy use of fuzz guitar. I was listening mainly to the 2nd disc this week.
IT stands up pretty well for the full disc and ends with Ofo & The Black Company who I wish there was a lot more of in existence cos both sides of the single are so great.
So this mixes what sounds like mid 60s rock, funk and some influence from indigenous sides in a really good way. & I think this is one of the more necessary sets of the genre, pretty essential one might say. Think I do need to check out more stuff from elsewhere around the continent but Nigeria was making some great music around this time.
I am still wondering what effect the release of material like this a decade or so ago had on Western garage level bands etc if there were many who did pick up a direct influence from anything here or if it was just something listened to by a few. I thought there was some popularity to these releases. This area, Zamrock, the Ethiopiques and Zanzibara series from the other coast of Africa. Stern and Strut releases of people like D.p. Misiani and Shirati jazz who I would especially love to hear an influence from. There were a lot of reissues of African material over a couple of decades and i do wonder if it did lead people to create more music or just gave them something to listen to or maybe better dance to.

Forgot to say, there is a keyboard riff on the first track on that 2nd disc of the World Ends that I know I know from elsewhere. & just can't place. May come to me out of the blue but I know i know it from somewhere else. Like its an Animals or Spencer Davis Group thing or something. I'm thinking Animals post Alan Price for some reason too.

I remember the first time I listened to that and realized the Funkees "Breakthrough" was an Atomic Rooster cover, blew my mind.

xp Also just reminded this morning that I meant to mention krautrock adjacency to some of the tracks on that World Ends set. Similarly spacey instrumental sections. So somewhat lofi funky as all get out energetic, possibly a little amateurist which is something that Krautrock shared with the ballroom scene as I've seen pointed out elsewhere. Do need more like this, hope it is the kind of attitude to music that is ongoing in some places around teh world. Enthusiasm over perfectionism though hope that isn't something i'm misreading and projecting . does seem t be an element of it in what I'm hearing here but I am hearing it as an outsider.

JUst conscious of reading Graham Lock writing about expectations of some listeners of Duke Ellington that his music reflect their external projection of the negro experience. So self conscious about doing similar to 1970s Africa. But think this is really great anyway,

Do love Atomic Rooster in their early days and especially once they have John Du Cann on guitar but yeah wild. Think I'm picking up more of a feeling of teh decade earlier from what I was hearing. But was wondering about what current heavy stuff people in Africa were listening to at the time. Probably more so with Zam rock where i think I'm hearing some more evidence of rock/metal being part of the melange though The Peace sound like they picked up on very early Jefferson Airplane somehow.

thing I was specifically talking about yesterday is the organ riff that starts out sounding like it could be portative organ. I'm just conscious that I know I've heard it in a different song.

& now I find that the week I have been listening to Neurosis for the first time in ages is the same week one of their central members comes clean about abusive behaviour he has directed at his family.

https://i.discogs.com/zNMEMWDXjkL4Y08FnVhHyOd9R1oP3FajawZ0yRYrdZs/rs:fit/g:sm/q:90/h:552/w:550/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTEyMTkx/MTMtMTIxODA1MDk1/Ny5qcGVn.jpeg

^ "power pop record by the former singer / songwriter of the Left Banke" sounds a lot more promising than this turns out to be

https://i.discogs.com/Y69iux6eKISxxoQw-3X2lURrIxA_Jg4rZkvtnyIRtfk/rs:fit/g:sm/q:90/h:539/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTE5NDM4/NzI2LTE2MjU4ODM4/MzEtOTI4Mi5qcGVn.jpeg

I listened to this Elton John album, Regimental Sgt. Zippo, recorded in 1967/68 and then shelved until it was released for record store day last year. Some of it is just demo-level early Elton (albeit well-produced demos) but elsewhere it's a hippy-dippy pop-psych record, with nods to Sgt. Pepper and Odessy and Oracle.

I also listened to Dr. John's 1978 City Lights.

https://upload.wikimedia.org/wikipedia/en/5/5d/Elton_John_-_Regimental_Sgt._Zippo.png

https://i.discogs.com/W7C22oapIv67yCFKRpoGtu5O3b70EXaEW4qwf4ROn_U/rs:fit/g:sm/q:90/h:329/w:300/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTEyNTY2/NzktMTIwNDIxNjYz/MC5qcGVn.jpeg

https://i.discogs.com/Pk0VSrujAB97jqKXYYTf0gtq6JgLfcbLlTpF4Vtmsj0/rs:fit/g:sm/q:90/h:587/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTk1NTU0/MDYtMTYwODI0MDE3/Ny01MDEwLmpwZWc.jpeg

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never listened to this, or any of my axiom/laswell collection, on headphones until tonight.
yeah, a very different experience.

everything I can find by the Cabs (Japanese band)

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3rd lp by Australian punk group. Here moving over to a more r'n'b influenced sound complete with horn section. The band is more under the influence of Ed Kuepper the guitarist for this one lp. & here the lp is augmented by one outtake and the notorious Paddington Town Hall set from before the band left Australia.
Lyricism is pretty good existential stuff ad Bailey's voice is really ratty possibly most emphatically on the bonus track which otherwise sounds like it could be Pretty Things mid 60s influenced. Have wondered if it might have been covered by anybody cos I think it's a good song.
Picked this out of the 4cd All Times Through Paradise box and I think I wasn't overly familiar with it beforehand. Growing on me totally.
Thought it was probably easier to read to etc. First 2 possibly a bit too upbeat. Then I find out Paddington set has Kuepper's guitar reduced to a corrosive scorch and is extremely visceral. Nights in Venice is so energetic it reminds me of MC5's Black To Comm.
Good lp from a great box.
Find it funny that the one member of the original band who looks most like an unrepentant neanderthal long haired rocker Kym Bradshaw left to form a mod band with some members of a band they had had as support on tours they'd done. Not sure if that had sunk in before and I had forgotten about it or what. Small Hours wound up on Mod's Mayday '79 one of the big Mod Revival lps.

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Improvisational RIO band at the time I love them most, around 1975. here with Robert Wyatt guesting on a few tracks.
First few tracks are the more songform tracks with recognisable tunes and things I think. may be a couple of others dropped in a bit later in the set. Do absolutely love Fred Frith's guitar and the oboe of Lindsay Cooper.
Have loved this era since getting Concerts way back. Probablyu should be much mire familiar with the live box set since I've had it since i was released. Anyway getting more familiar now.

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1981 dub set from Reggae producer. Horror fetish extends a bit beyond the titles. Roots Radics are really heavy which is just what one wants really innit.
This contrasts good with the others. Great lp. Think I need to find some more of his.
Got this from Dub Vendor on Ladbroke grove not sure how long back.

https://www.youtube.com/watch?v=z5qcUQXPmpU

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https://i.discogs.com/aYtbskCuss-A_vpNAje6pz0T7_xrVknM9s3k1ZDWkyU/rs:fit/g:sm/q:90/h:600/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTE3Mjg4/NjUtMTQ0NzQ5Mjk5/MS00MjI3LmpwZWc.jpeg

https://i.discogs.com/Kzt1rQa8QEFjaIV7LzRPGTMOr5bIwD-I_gMJbTp5zvY/rs:fit/g:sm/q:90/h:600/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTkyODEz/MzgtMTQ3Nzg3MjYz/NC00MDk2LmpwZWc.jpeg some kinda cozy robert ashley vibe here

I haven't thought about Lambchop in years. Cool.

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Hawkwind Live 1982

weird how sonically cleaned up and un-hairy they get in the 80s

https://i.discogs.com/5NYI-80qghS0vCAwEPv9KhS8XSMtDVOgWasogh_Mtgw/rs:fit/g:sm/q:90/h:550/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTc2MTY0/LTExNDc3MjY3NDIu/anBlZw.jpeg

https://i.discogs.com/lURQuMGVZ0HLB19ddACh6bsRHM5Qr28822xRmAYJBmo/rs:fit/g:sm/q:90/h:600/w:599/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTc1NjY5/Ny0xMTY1OTMyMDI2/LmpwZWc.jpeg dinky little 20 min artefact from 2004 halfway between farmers manual & some incus thing

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Californian trio with some direct connections to Mike Stax of Ugly Things fame. I think it was a video of their shared Bo Diddley fixation band that turned me onto them initially that or one of the wild live videos by the band themselves. One where the guitarist shows the extension of the guitar technique possible for a frenetically dancing maniac. Amazing that he could play coherent guitar at the same time.
This studio lp which was teh first I could get my hands on after hoping i mighty be able to get hold of something longer than a single by them. The freneticism is still there but you can hear a lot more detail and influences in there too. I'm struggling to find out what they all are by ear. I know straight off that vocally and guitar there is a lot of MC5 in there, even if it is a solo guitar not a duo. THink I'm also hearing Paul Revere and the Raiders and some other US garage stuff, a bit of UK mid 60s mod/freakbeat ala Small Faces/Who and some lesser knowns and some heavier stuff from the turn of the 70s. The band themselves cite some more black influences like James Brown, Little Richard, they're definitely into Bo Diddley too.
I am hearing some poppy influences but delivered with a lot more impact and momentum.
Great band, look like tehy must be manic live and they have a new lp out this year which I just found out about. Maybe i need to find the Ugly Things that came out before teh current one cos it disappeared into a pile of stuff and didn't get fully read. Must be a review of the lp somewhere in one of this year's editions unless they got excluded for being current.

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Disc 2 of this mainly cos i just read I Am Damo Suzuki and need to tidy up to find my other Can cds. BUt this has been pretty interesting not sure how much i have played this set through so having a week where I keep it on the 3 changer is good. Has some interesting stuff on .
Not sure if its the setting i have the player on but Malcolm Mooney's vocals on the first couple of tracks here seem to be oddly buried until the spoken word track. Damo comes in and sings a 16 minute Spoon which is great as are the other tracks with him on.
Deeply psychedelic music and certainly taken as an influence as such whatever the intentionality of the band members and i would think the space being explored would almost inevitably be psychedelic whether it involved drug ingestion or not. & I did hear the band were more druggy than I had once thought.
Getting images of vast landscapes and really loving the textures of the instruments.
Anyway great band, one my brother introduced me to as I was first discovering music and have enjoyed ever since. I think I just need to do a major tidy and find the cds I have by them. & get the live ones that came out over the last couple of years which i should have had since release. Not been spending as much money on cds as I was a few years ago.

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Guitar maestro from my dad's tribe teh Luo and it was him that introduced me to the artist by leaving a single with us sometime in the late 70s I think I know I was really discovering it in the early 80s when I was creating mixtapes .
Great infectious rhythms which are danceable but i think quite different to funk . Pretty percussive. I have been lying in bed trying to work out what instruments are playing I think there are 3 guitars, a bass and percussion which I need to look further into. Since it seems to be being played more on a hollow metal pipe than a kit but that could just be the way I'm hearing it. Have wondered if it is a full kit or what.
I also need to work out time signatures cos not sure what this si being played in.
I'm just hearing deceptively simple sounding guitar parts being played jaggedly and not so much entwined as simultaneously. Quite melodic.
I find this pretty psychedelic as well or certainly would be if incorporated into a more rock based sound so have wondered if anybody else has discovered this set and taken any influence from it, I am reminded of things like Television who I was discovering at around teh same time I first heard them also No Wave though this is so much happier and upbeat.
I think this is some of my favourite music ever. So wish there was more of it.
THis was a compilation put out by Sterns Africa 12 years ago. Very recommended.

that D. O. Misiani is on spotify and sounds fantastic. had never heard of him before. thx!

Yeah, thanks for the detailed writeups Steve... I'm looking forward to checking these out... I love that Schizophonics artwork...

THis may be the video I saw. I was trying to work out if there was a 3rd player on taht lp cos I don't think there is a bass credited.
Seemed to be other parts being played than a 2 piece. & I couldn't work out how they would get things to cohere as just guitar and drums.
But definitely a bassist here and in other videos I've seen
https://www.youtube.com/watch?v=GTgUz6d66wM

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ivory ticklers.
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Solo piano, sounds like jazz at first but everything is composed:

https://www.discogs.com/release/5198277-Nikolai-Kapustin-Marc-Andr%C3%A9-Hamelin-Piano-Music

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First disc of this which covers the years up to 1971. BBC sessions from maverick prog related band. I think they were always doing their own thing to some extent. Always had slightly different instrumentation to contemporary bands etc. & always were pretty melancholy and intense.
The 1968 material has more overt soul/r'n'b influences in the keyboards than elsewhere. I still haven't really heard Aerosol Grey Machine so think I really need to remedy that before long. That material doesn't feature David Jackson the winds player who hasn't joined the band yet but is pretty prominent on later stuff. I think he plays the parts or at least in the range that one would expect guitar to play in more normally structured bands. Anyway pretty great stuff,
I haven't really heard covers of material by the band so not sure if this translates to more conventional instrumental lineups easily or not.
Am intrigued though.
THis has a load of versions of songs from the lps in possibly faster recorded versions. I think the process at the BBC was to go in and bash out songs pretty much live but in studio settings but could have that picture wrong. Versions here are pretty great anyway.
& Vedergerge are such a fine band. I'm glad to hear coherent grooves on songs that I had initially heard in less coherent ways on earlier cds. I did enjoy the improvement of the 2005 cd versions to the earlier cds I had. But will probably hear I'm missing something. Just seemed to be getting a more complete picture on them. These were alternative versions to the familiar ones anyway since they were recorded for BBC sessions. There was an earlier BBC session collection called Maida Vale after the BBC studio location that this expanded on but I think this is the most comprehensive they could get with surviving masters. There was an actual live set broadcast in I think 1971 that no longer survives in the archives that is missing but this fills 2cds with pretty classic material. I haven't listened to the 2nd disc in a while but think it should be great. Actually interesting to see how many tracks here are around the 10 minute or plus mark since I'm not sure how easy it is to fit a song that long into a scheduled 2 hour slot, on the other hand it stops you having to cue 2 or 3 more songs I guess.

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Visceral 1982 offering from the Australian band. I think I need to get hold of a remaster cos this is still the 1988 cd printing. Surprised by this still being the main cd version circulating and the remaster was the one done for Rollins label 21361 and then reused by 4AD for a cd taht came free with a vinyl release 12 years later. I'm wondering to what extent the sound picture fills out. It sounds from a podcast interview I heard with Mick Harvey recently as though he is pretty strict on things like how warm the bass sounds on remasters.
Anyway very diverse set of influences. I think the band was getting a reputation for playing blues which may be an element in here but I think is truer of the band Crime & The City Solution in its lineup featuring Rowland S Howard and his brother. Here it is mixed in with a lot of other things, Stooges worship, girl group pop, folk, rock'n'roll, various eras of jazz and whatever Phill Calvert had picked up beats from.
I have wondered recently what time signatures they are playing in for bits of this. Certainly seem to be more complex than the burning intensity and viscerality that hits you might suggest.
There is a story about the cover that turns up in Harvey's interview with Conan Neutron
https://open.spotify.com/episode/7an3th4mfoA3OMqfxH03E5?si=e306bd80e2d04537
unless its the Phill Calvert one i heard within a few days of it
https://open.spotify.com/episode/3Q47KbyasDP0cFv8XXLQdF?si=14f1815c3c004c19
surprised to hear they didn't like the lettering but maybe its not surprising. & I guess I saw the thing asa fait accompli which seems to have a really great synaesthetic relationship with the sound it contains.
So this is a classic recording which could do with a better release, would love to see it come out in a package like the recent Blixa Sounds Gun Club releases, this remastered with a live set from the time as a 2nd disc & expanded liners etc. I've recently been trying to remember what teh booklet that came with the Missing Link box set had in it since i haven't seen it in a couple of decades.
Finding some of the lyricism may be offputting for some. 6" Gold Blade has a backing which verges on pop, I think is based in girl group sounds but heavily amped up, but has a manic lyric about violently killing a girl which would seem problematic right now. It is a song which must have been weird at the time and i think the idea of actually writing things with some structure which one might then try to destroy thoroughly was pretty influential at the time. BUt the sentiment of teh songs is really problematic.
Anyway an lp I love but haven't listened to much recently. I think I must get a better version of it. Cos this stuff is so incredibly good.
Do wish I had got into listening to this 6 months earlier in my teens cos I might have got to see them a few times. I did get to see Nick Cave with the Cavemen in May 84 but the band had a different focus even if they were still playing a few songs written before they split.

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First disc of this set which is the band live in Germany in 1970 and is an expansion of an earlier release. Gets very noisy in places slivers of exquisite keyboard scrape among other textures.
Another set I bought a long time ago and haven't played ina while. I really enjoy this. Probably an era of the band i rate up with the 78-83 deep space funk thing I love though this is more abstract and less groove orientated.
I must have bought this around the time it was released which surprises me. I thought i had bought i earlier in the 90s when I was still based in Dublin,. Looks like the double cd expansion came out in 98 though.
I think I need to listen to the 2nd disc soon anyway which is supposed to be even spacier.
Big band playing discordantly while hitting some grooves but not as deep funk as my favourite period. Great anyway.l

https://i.discogs.com/Bix9CrVTHRf8tZqt5ch7x0sYdBYrxa5sSPRPJVXs7OI/rs:fit/g:sm/q:90/h:600/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTIzMjA4/NDUyLTE2NTI0OTA3/MzUtOTYzOS5qcGVn.jpeg

https://i.discogs.com/wngk3u6flS_DKQJAuknxtti3xQkVg4RivStujyMgwHw/rs:fit/g:sm/q:90/h:250/w:250/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTEyNzE3/MS0wMDEuZ2lm.jpeg