smashing pumpkins -- pisces iscariot: classic or dud?

Yes to Whir! One of their best songs. That one and Obscured are probably my two favorite cuts from the era. I like Corgan a lot in acoustic guitar mode with James (or is it Billy himself?) in electric guitar complimenting calmly with that beautiful tone.

Absolutely love how the results from the SP poll ended out. A lot of songs I love in the higher ranks, not a big emphasis on their singles - which

… I’m not a huge fan of except for a couple of them. The real juicy part of the pumpkin is not in their singles.

"Glynis," on Disc 2 of the deluxe ed., is such a cool song.

It's funny – and endearing, I guess – how the Pumpkins can be so corny/goofy/obvious, and then suddenly a song like that pops like...

*up

Ah, "Glynnis"...one of the little treasures housed on the No Alternative charity comp.

Otm. I'm always moved/suprised when it comes on. I find it so evocative of the time.

Try to Corgan form, though, the version on the Deluxe Edition box isn't the original.

Don't have it in front of me to a/b, but I recall (besides taking all the air out if the mix) it has added, louder, seemingly current/more nasal vocalizations from Corgan, and I recall more noodly soloing?

Oh, huh, I’ll have to check out the No Alternative version… I always saw that comp around, but never heard it / knew what was on it.

(Is the version of “Bye June” different from the take on Lull? I’d have to dig the EP out to a/b, which feels like werk. The liner notes for both songs say “Ignoffo Sessions,” I dunno what that means…)

Oh, "Unseen Power of the Picket Fence" was on No Alternative, right before the Pumpkins song? That's really funny.

Is there a thread yet for "When a b-sides comp is their best album?"

It's impressive how "Starla" not only remains engaging for 11 mins., but feels like it's "just ramping up" when it cuts off... not an easy trick to pull with a track of that length (all the chord changes in the final gtr-wank section help with that illusion, I think).