Guitars... what you've got / what you want

call all destroyer, there was exactly one of those Jorgenson Hellecasters in a music shop in Birmingham (UK) leading up to Christmas 1999, and I basically went all in on getting it via every family Christmas present I was getting and a 12 month payment plan on top. It was actually reduced to £580 just before I bought it but I guess is worth a bit more now. I remember the other music shop across town also had the blue sparkle Jerry Donahue model which I was also kind of tempted by. It's a little more uh elegant looking than mine

People aren't kidding about the muddy tone, didn't get that fixed until a few years later. Once I had it fixed up it plays beautifully though, so easy to get around.

I believe there may have been 500 in the west and 500 more in Japan; mine is 234

that’s so cool. the thing i read said that there were 500 total with 250 staying in japan but either way, very very limited.

Yah I’d never heard of that looks super cool

here is everything except the FGN which is in the other free corner of the room (also observant viewers may see part of my cat as he jumped up while i was taking this

https://i.imgur.com/lPeyCty.jpg

That’s like the exact jag I’d want

i believe ilx user albert broccoli also has this jag!

Definitely feelin the Jag envy

i think the jag is the one fender model where things like the block inlays, neck binding, and matching headstock actually look better than standard fender austerity.

i was just thinking the other day about looking for like a black/white/black 3-ply guard for the tele thinline....it's a rock machine with the new wide-ranges and i'm not sure if the white pearloid is the right spirit. anyone like or hate that idea?

Just go all out with one of these and install some LEDs in the f-hole

https://i.ebayimg.com/images/g/5MIAAOSw8Ipcsv75/s-l1600.jpg

lol oh no. i'll be required to join a 5th tier jam band that plays amorphous "festivals"

Black would look cool. Kinda like a tele deluxe from that era

yeah i was thinking of those, and i also feel like i've seen some natural with black hardware 70s strats that are kind of nice

+1 for I would buy that exact Jag

The Jazzmaster I have has a matching white headstock and block binding and I think it looks p great

i'd love to see it if you can post a pic!

i just find the chrome explosion on the jag body invites excess everywhere else.

i do feel very lucky that i snagged that jag. i didn't plan on buying when i did and it was a little more than i intended to spend, but between the aesthetics and the upgrades that had been done it was tough to imagine finding a better jag for me.

Have:

1950s Martin D-18 (inherited from grandmother)
1950s Martin O-18 (inherited from grandmother)
1976 Guild D-25
2015 Gibson ES-335 Studio
1993 Fender American Standard Stratocaster
Johnson Solara (cheap electric I have for weird reasons but am sort of fond of)

Want:
Some kind of telecaster-style guitar, possibly with a gold-foil neck pickup and a regular tele type bridge pickup

Considering selling the strat - I just recently got it back from someone who had borrowed it for years (long story) and I never loved it or strats generally.
I already feel like

*I already feel like I have too many guitars. No way I would have three acoustics but for the fact that I inherited two, and then bought a third because I felt nervous taking heirloom guitars out to some playing situations.

Actually would also love a Gibson ES-175 or L5 type full hollow, and maybe a baritone guitar.

https://i.imgur.com/NHsP3gn.jpg

Yamaha FG 380 acoustic
Yamaha Revstar RS502T
Gretsch Electromatic G5120
Ibanez AS73G
Ibanez TMB100 (bass)
Postitive Grid "Spark" amp

Not pictured:
1989 Squier Strat, Late 90s Epiphone double cutaway Les Paul Special (tv yellow), neither of which is currently in working order.
Vox VT100X amplifier, which is more amp than I need, and I've been meaning to sell since I bought the Spark amp.

Also, a cat.

*FG 830

xp holy shit those martins - I'd love to play one but would be terrified to handle it.

xp nice arrangement and that is a lovely and large-looking cat

If I had it to do over, I'd have gotten the Yamaha RS502 without the tailpiece. Would've been more versatile re: modification. But it's a fuckin tank and I'm sure I'll own it forever.

xp I love the D-18 a lot. Definitely has taken some wear - there's a small crack right by the pickguard, and I had to have another crack in the side repaired. I haven't really figured out the O-18, have not found the right strings for it possibly and don't love the sound right now.

As noted I bought the Guild recently at a cheap price (it had some damage but is very playable) because I wanted a beater acoustic that still had a vintage dreadnought sound - something I wouldn't be scared to travel with/use at a local singalong or a small gig if I ever play one again.

https://images.reverb.com/image/upload/s--IUxrKZ4E--/a_exif,c_limit,e_unsharp_mask:80,f_auto,fl_progressive,g_south,h_620,q_90,w_620/v1426607907/fwmddtneq7o8pxqlzmqi.jpg

This is the Jazzmaster I have. It's not my actual one, I don't own a barn

I don't think that person does either. That's a set if I've ever seen one.

https://i.imgur.com/8cJAm1E.jpg
- 2013 Jackson Soloist
- 2015 Charvel San Dimas
- 2013 Fender Pawn Shop Super-Sonic
- 1983 Hamer Phantom A5 (with the 'triple humbucker')
- 1984 Hamer Phantom 12 (same thing but 12 string)
- 2008 Fender Jim Adkins JA-90 Telecaster (prototype with block in-lays, MIK)
- 2008 Jackson Warrior

i play the super-sonic and JA-90 a ton, and the charvel quite cos its so comfortable.

That soloist reminds me - I'd also love to get a ridiculous 80s shredder superstrat. It's absolutely got to have the pointy headstock and shark fin inlays and would preferably be neon pink crackle or something equally over-the-top

Monkey grip handle or gtfo

https://en.wikipedia.org/wiki/Fender_Performer

^^ my ‘80s shredder of choice if I ever found one

I was trying to recall where I'd spotted a Performer recently, and it was in this deeply regrettable image:

https://gayebykersonacid.wixsite.com/gayebykersonacid/gallery?lightbox=image15ci

No embedding, damnit. Gaye Bikers on Acid gallery, towards the bottom of the page.

https://i.imgur.com/Lij63UE.jpg

Jazzmaster w/ my JMJ signature Mustang bass (corny mass produced relic but the only traditional Mustang bass in the lineup these days?)

Nothing corny about the JMJ Mustang! It's a thing of beauty and I treated myself to one when it turned Shell Energy owed me a grand

I got a bit obsessed with wanting a Fender Performer recently. It's the guitar used by Bill Callahan up to and including Dongs Of Sevotion (he's playing it on the cover)

It sounds so good. I've got a set of the appropriate La Bella strings but haven't had a chance to drop it off for a setup with the new gauge.

Was intrigued by how many guitar dudes vouch for their quality. They look proper odd but Bill always wore it well
https://www.youtube.com/watch?v=tqT2djn-m2Q

I apologise for my obnoxious post upthread, I asked a mod to delete it but no response as yet so I guess it'll stand as a monument to tone deafness. It actually made me think a bit, I am wondering if collecting mania is a mental health issue for me. Most of those I bought cheap but I sure don't need them all. Anyway the rest of this thread is cool and I love this site so I will find a way to work on my own shit elsewhere.

Can someone advise me on my 1995 fender strat plus? It’s been packed away since I got a gretsch electromatic and I think I want to put some money into revamping it. I never loved the locking tuning pegs and the bridge is a weird thing with ball bearings. I kind of want to replace them with basic but good components. Anyway I own like 6 guitars and have been playing for nearly 30 years yet still know very little about guitars

xp hi matt, i don't think that's the type of thing that would typically get deleted and speaking for myself i found the post not obnoxious but maybe more overwhelming? like that's a lot of guitars but it's really not my business why someone has the number of guitars they do!

Xxp don't think anyone is offended matttkkkk. Thread is moving fast. Post some stories/details about items in that list though. Curious about the "1950? Unknown parlour guitar", naturally.

People online can get weird about instruments, like it's wrong to own any of them beyond your immediate need to write a hit record. No weirder or worse than collecting anything else IMO.

1976 Guild D-25

my early '80s lefty d-25 is my single favorite object in my life. the first real guitar i bought (used, from some dude in new jersey). i've walked into walls with it, dented the body against a door knob, generally mistreated it, and every single mistake i've made has somehow made it sound better. it records incredibly well. i have a martin d-28 that sounds technically superior in most ways and stays in tune and that i protect like a child, but i'll never love it the same way and i'll probably never play it as much. the guild probably knows me better than i know it, and i treasure it for that.

I've never played an old Guild, but I think I read about some artist loving his old Guild, maybe a 12-string?, and that makes me automatically swoon about an old Guild. Guitar mags + impressionable youth, but maybe something is there.

old guilds seem to be universally beloved

Oh also, Bryter Layter. That is also part of it.

i don't really need another dreadnought so maybe not a d-25 but it would be cool to have an instrument that was built in new england back in the day

Thanks folks upthread. I woke at 3am and looked at that list and thought "what the fuck is wrong with you?" But I do love them all, I've sold more than I have, and given away quite a few. Morbidly there are a few there so I can leave e.g. 1 Strat 1 Tele and an acoustic to both of my daughters when I die.
The unknown parlor guitar I bought for $14 at the local recycle / tip shop. It had the back splitting off, the bridge misplaced and it was strung with nylons. I repaired it enough to get it playing well but left it alone beyond that. It has a cute hand-painted/stippled sunburst, sounds bone-dry and so alive, and a gem to play; my older daughter keeps stealing it off me. Best guess is it's a 1950 "Michigan" brand.
https://i.imgur.com/4PwDDwI.jpg

and here's a Michigan for sale https://www.the-saleroom.com/en-gb/auction-catalogues/clarkesauctions/catalogue-id-clarke2-10046/lot-6c5b077f-d162-4639-8f16-a9b300d1a788#lotDetails

very nice--so cool that you were able to bring it back to life

Routers are almost too easy to use. A person can easily get too comfortable and hamburger a finger. If you worked in a shop doing this all day a router would make sense, otherwise don’t fuck with them unless you are a tool guy.

If you use anything that rotates at a furious speed, make sure you put your hair back very well if it’s long. A friend had long hair that got caught in the dremel and in seconds it rode the lock of hair up to his head, ripped hair out and gave him a lump before he even knew what happened.

i was like-- isn't a 175 like a 295 (which i only sorta know cause i think i saw maybe roddy frame playing one)? so i went to something called "gear page" and read about customizing a 175 and how versatile the 175 is. i am so susceptible to this as an interest somehow. tell us as you go, ha.

i have the dremel and the router adaptor and found it a bit of a bodge. not structurally rigid enough to be reliable was my fear. but i didn't try too hard.

I've only ever owned one fully hollow guitar like the ES-175T, and it was a feedback monster. I wish you better luck.

A normal 175 has a centre block— a 175T has a “dip” under the bridge, not quite a block, but some extra wood under there to dampen it. It doesn’t feed back in my practice space, and if it’s good here it’ll be good onstage.

My 125TDC (with no “dip”) is remarkably feedback resistant. My former 350 clone had issues— I had to stuff it and stop the f-holes, and it sounded terrific even dampened, although the stuffing/dampening made me feel like I was using the wrong instrument

welcome fellow norlin era gibson owner

as for routers, I would be terrified of routing any cavities without having a template of some sort clamped in place - it's so incredibly easy to flinch and catastrophically fuck it up.

I've done lots of body routing with some combination of chisels, dremels, and drills with forstner bits. Chiseling can almost be enough on its own, but it also helps tremendously with defining edges so when things do chip there is a clean, strait stopping point, if that makes sense.

I may not end up needing to route anything. Maybe the term it comes with is fine. I don't suspect it will be, because even the term on my CV Jazzmaster isn't very good, and that guitar was 5x the price of the IYV new.

That said, I was able to find a Kluson branded offset trem without the lock. The only thing I know Kluson for is tuning pegs, but maybe the other hardware they sell is ok too.

spell check got me several times there... TREM!