Say Something Interesting about: Roy Orbison

just get one of the greatest hits things with the original monument versions on it.

LONELY AND BLUE

Only The Lonely (Know The Way I Feel)
Bye-Bye Love
Cry
Blue Avenue
I Can't Stop Loving You
Come Back To Me (My Love)
Blue Angel
Raindrops
(I'd Be A) Legend In My Time
I'm Hurtin'
Twenty Two Days
I'll Say It's My Fault

IN DREAMS

In Dreams
Lonely Wine
Shahdaroba
No One Will Ever Know
Sunset
House Without Windows
Dream
Blue Bayou
(They Call You) Gigolette
All I Have To Do Is Dream
Beautiful Dreamer
My Prayer

Take either.

Only The Lonely
Dream Baby (How Long Must I Dream)
Blue Bayou
The Comedians
Ooby Dooby
Leah
Running Scared
Uptown
In Dreams
Crying
Candy Man
Go, Go, Go (Down The Line)
Mean Woman Blues
(All I Can Do Is) Dream You
Claudette
It's Over
Oh, Pretty Woman

I havn't heard this one, but it's got quite the playlist.

Could he actually be seen as a forerunner of Scott Walker, in some ways; not in the actual vocal timbre, but more in the heartbreaking nature, and an 'existential crooner' effect, perhaps.

Roy Orbison was the first American musician to use Marshall guitar amps. Orbison got an early one on a UK tour and liked it enough to make it his amp when he went back to the USA.

"Blue Bayou" is a force of nature.

Well...how do I say this...I find him kind of overrated in a way. I like him, I stupidly let go of this great Monument 2-LP set of his hits a while back and now I wish I had not. But my taste does not run to that particular style of singing and record-making. I like "Uptown" and "Running Scared" fine, "Pretty Woman" is one of the all-time riffs, etc. The thing I find interesting is that he really wasn't all that popular in his heyday, he was rediscovered later on. For whatever reason he doesn't move me; he sings great but it's not something I put on, you know. One of my literature teachers at the U. of Tenn. in Knoxville, Dick Penner, co-wrote "Ooby Dooby" and after I mentioned this to him I got even better grades. The Big O is someone I probably need to go back to and re-assess, he's one of the few Founding Rock Daddies I just don't quite get.

Yeah, I'm with that. I always thought "You Got It" was striking for being on a continuum with the earlier hits that worked just fine on radio and elsewhere. Still does.

Search: "Life Fades Away," from the 'Less Than Zero' soundtrack. He cowrote it with Danzig. Great one.

George Harrison said that Roy was deeply conversant with the work of Monty Python. I love that.

Two of my favorite things about Roy, these. ("Life Fades Away" is really great and I'm wondering if it was ever anthologized properly, as otherwise I guess it would be missed.)

now that's bizarre. {insert dan perry-esque quip here}

Same here. Still.

"THE DARK ELVIS!!"

...........Chuck E. don't like him much though.

I think I'm right in saying he was much more popular in the UK than the USA? Or he had hits for a longer period in the UK?

Anyway, y'all should rent this unexpectedly terrific documentary called Roy Orbison: In Dreams, released in 2003, featuring rather good interviews with Robert Plant, Jeff Lynne, Emmylou Harris, and a surprisingly un-twat-ish Bono, among others. The last 15 minutes, as the Mystery Girl-Traveling Wilburys triumphs approach, is so wonderful and sad that I had to pause the DVD. I forgot how much great stuff he recorded before he died: the k.d. lang remake of "Crying," the Danzig collab, "You Got It."

Fuck Johnny Cash -- he was the only artist who could have made one of those Rick Rubin album-length collabs work.

Yeah, I really enjoyed the fact that half the music business seemed to be behind him, determined to give him a hit.