the shamen: c/d

Bosh rockism.

Come on and bosh me, Amadeus!

Kevin Cole, wow. Well, now I'm a member of the Rev 105 Facebook group.

Let the record state I am 100% in favour of Utah Saints but they're neither psychedelic nor art-prankster enough for what we're talking about here, they're closer to The Prodigy really than anything Branwell's talking about.

What about, say, "Temple of Dreams"?

Temple Of Dreams is great stadium house, as are the Utah Saints singles - searching for more stuff as elevated art-pop as the KLF or committedly psychedelic as the Shamen is never going to pay off. Think of them as satisfyingly better than Scooter, not disappointing for not being as good as one of the best bands in the history of the universe.

This was also great (if not quite as good as Temple of Dreams)

https://www.youtube.com/watch?v=clIqSMrsRNw

i played the MESSIAH album this week in honour of this thread revival.
its not that good.

See the only thing that comes close, for me, is the Future Sound of London, who have the utopian cyber-psychedelia thing down - but they’re not even remotely Stadium House.

But that’s the kind of hippie art-prank vibe I’m looking for!

I tend to think of FSOL as blissed-out ecoterrorists

SHPONGLE ?
they were all over the hippy/cyber thing.
the album i have is totally Shamen via ambient/techno/dub,
but without the pop tunes.

https://www.discogs.com/Shpongle-Nothing-Lasts-But-Nothing-Is-Lost/master/7831

Ha! Shpongle!

Had completely forgotten about those dudes. Spent a lot of time stoned listening to those albums

Now I want to play the Opus III album

Messiah were basically a decent C-grade 'ardcore group who did a good imitation of Utah Saints' imitation of the KLF for one single iirc

can anyone remember what the Fini Tribe track with the church bells samples was called? had a quick look thru YT but no luck so far.

Come on sic, "There Is No Law" bangs

nevermind, found it. still sounds pretty great!

https://www.youtube.com/watch?v=HNzr2qUmfgk

Come on sic, "There Is No Law" bangs

I said decent!

That's the one on the original Balearic Beats compilation?

Shpongle. It's weird because it's presented in the way that functional drug music is and sort of marketed to that crowd, (and there's something Infind culty about music that's made for "psychedelic peoole", even though that's also not really fair because it's pretty good music.

But then it's also not at all earnest in the same way as The Shamen. Maybe that's just humour. I don't trust those elves.

och, sorry for garbles. * something I find culty about music that's made for "psychedelic people".

Shpongle and loads of other psychedelic dub/techno is awesome but nobody on ILM listens to that stuff.

start a thread, there are probably enough people like me who have one Shpongle album and are curious

let me rephrase that: please start a thread

Am also curious.

Yeah, 'without the big pop tunes' was, I think the thing that did for me when I tried Schprongle.

There is always this weird dichotomy, regarding 'psychedelic' music, in that it describes two different phenomena - a) music which *recreates* the psychedelic experience in some way, either sonically or lyrically and b) music which sounds really, really amazing while having a psychedelic experience. They are not necessarily the same thing, at all.

Shpongle, sorry, I have been listening to Germans too much.

I think there's a third category for 'psychedelic' music, or that some music is presented in such a way. That is to say music or sound intended to facilitate or guide, or whatever a 'psychedelic experience', or particular 'states'

As in, it's not about the music simulating a psychedelic effect, or "sounding" amazing on psychedelics so much as what it promotes in um, synergy.

Psy- genres (trance, chill, dub) are by definition presented as being in that category to some extent, usually much more so than say house or techno. Some New Age type stuff is entirely over there of course, although not be necessarily with overt drug implications.

So Shpongle is somewhat in that category by association and presentation and the scene it's from but those guys are also clearly about the music for its own sake. I think it's also in the second category if you like it, and somewhat in the first but not as much as it might think it is.

I would be into a dedicated early 90s hippy techno thread (visuals positively encouraged).

Is that a rockist justification for Shpongle? Oh yeah it's ostensibly drug music but actually the composition is really good... But it's not a dichotomy because composition and production can be really cool and effective as well as appreciable in its own right.

I don't mind anyway, rehabilitate rockism.

I guess I articulated my categories badly, because I see your "third category" as part of my second. So there is:

a) music which attempts to replicate or demonstrate the drug experience to listeners

b) music intended for use (sounding cool, guiding a trip, whatever) while having a drug experience

I haven't used any kind of psychedelic in about 15 years, so category b is no longer as interesting to me as it once was - except for the bizarre coincidence that category b music is often really really *good* at shutting up the part of my brain that I need to shut up and be quiet so I can program!

As far as trying to recreate the experience of psychedelics go tho I think there's also always a "recreating the sound of what the sound of recreating psychedelics is like" going on. To try and say that less confusingly the experience of psychedelics always affects your perception no matter what you're listening to/looking at etc. So Psych music in the very broadest sense always falls back on a set of tropes that are "psychedelic" because we're used to associating them with psychedelia, and that's not the same thing as the experience of tripping, which is often influenced or engaged with those tropes but is way broader and more fluid and stranger in ways most Psych music never explores

To come back to the thread at hand I think some of what you were describing as the psychedelic weirdnesses or disjunctions of Shamen records in their imperial phase comes from jamming together non-traditional elements into the psychedelia, the weird irruptions of pop and bangingness and provincial nightclub "cheese" - cheese is life, obv - that snuggle up alongside the woowoo Acid elements

I don't think that's unique to the Shamen tbh but the big hits exemplify it. The Stadium is also the uncool nightclub

Where does Mr C stand in the pantheon of British rappers? I mean there's a Godfather of Grime title going spare now Wiley is cancelled.

Look, Credit to the Nation is putting out new stuff at the moment

I guess I articulated my categories badly, because I see your "third category" as part of my second. So there is:

a) music which attempts to replicate or demonstrate the drug experience to listeners

b) music intended for use (sounding cool, guiding a trip, whatever) while having a drug experience

Sure, although that now leaves out the broader part of category b) which is music that sounds good on drugs without necessarily being "intended" to achieve that purpose.

Which is partly what I was seeing as marking category c), with intention also being sometimes about presentation. I think that's something that defines psy-x genres, certainly in relation to techno which is artier, or house which is maybe rootsier and more social etc. Or even trance or hardcore rave which are more specifically about E. ?

Where does Mr C stand in the pantheon of British rappers? I mean there's a Godfather of Grime title going spare now Wiley is cancelled.

Dunno about C but Colin's (I assume?) hushed almost spoken delivery on En-Tact prefigures Del Naja on Blue Lines. You could say. Who the two original rappers in Make It Mine V2?

Double R = Rhyme & Reason = Anthony Lennon & Yinka Charles

there's also always a "recreating the sound of what the sound of recreating psychedelics is like" going on

There's also a similar but more interesting feedback dynamic where it is "making music that attempts to recreate the sound / effect of hearing music that attempts to recreate the sound and effect of hearing music on drugs, on drugs".

Yeah sure there's endless layers there no doubt, a pure feedback loop, in the same way that the first time I saw trails around my moving hands on acid I immediately thought of Top of the Pops. But I think it's worth thinking about the sound of psychedelia being as much self-referential as it is an honest attempt to recreate an experience beyond itself

Whole thread of "which came first, the tripping or The Egg?" to be had here

I'm thinking of 'dubplate' dance scenes like hardcore rave where the pipeline from party -> making tunes after the party for next week is really vital. Of course the music references itself sonically as well as being supposed to evoke or invoke experiences, and these overlap.

So-called psych music, like guitar music typically seems much more strictly referential and less successfully invocative, especially post say 1969, even though a lot of that early stuff is stylistically quite obvious and constrained. I think it's still very trippy in a way that isn't just evocative of what we think of as Psychedelic. Maybe I can't be sure about that.

I think that's why it's an unknowable loop, you're likely to hear psychedelic music before you experience psychedelic drugs I think, especially any time from the late 60s on, so the connections feed each other

And then there's the question of what was in any given pill you might take as opposed to the "purer" psychedelics like acid or shrooms

I can remember trying to sleep at the tail end of a trip and having a totally imaginary dub bassline rattling round my head but why did my brain conjure that particular sound etc? Obv I'm not disagreeing with what you're saying Noel just thinking about it and nostalging for hallucinogens

"which came first, the tripping or The Egg?"

sad lol as I recall seeing the Egg at Glastonbury years ago after completely failing to come up on whatever duff drugs I'd bought earlier

Yes, it's a loop, but certain types of drug experiences tend to have certain hallmarks, of how they are experienced?

That the phasey-filter-sweepy-sound is an effort at recreating the distortions in hearing that people often experience; the choppy tremolo effect *sounds* a lot like the way that one experiences hearing dropping in and out.

It's strange, because I can remember so many times where my friends and I set up "environments to trip in" and we'd have one room with 'classic' psychedelia, and another room with more repetitive acid techno, and another room with sitar sounds and a tape of someone reading the Tibetan Book of the Dead, thinking those would be fun environments to have a trip in?

But then, during the trip, we'd often end up spending a couple of hours with, e.g. our heads inside the air conditioning ducts, because it turned out ~the most amazing~ thing any of us had ever heard while tripping, wasn't music, it was the repetitive thump of an intake fan echoing through a metal duct. (And I did go through a phase of listening to a lot of recordings that sounded like air conditioning intake fans and fridge buzz! But that didn't sound as good, when you were not on drugs. While music that remind me of ~what fridge buzz sounds like when you're tripping~ are far more nostalgic and enjoyable to me now.)

I spent a lot of time watching late night TV on acid and the remote was the controller of my time machine :D

While on acid, the absolute best thing on television was watching static. That was the best visuals I ever saw!

I would def be more likely to try field recordings and the hummer gentle ends of drone concrete now Branwell