John Zorn: Classic or Dud?

Or are those just excerpts? Bar numbers in the second make me wonder.

The Masada charts (as such) are bits and pieces of melodies and themes to improvise around. Iirc from the aforementioned doc the Frisell scribbles looked very similar.

That said, I bet they're a little more comprehensive than those images.

I haven't seen the scores, but I've interviewed musicians who've played on his projects, and they explained to me that he writes everything and conducts them in the studio. Masada is a different thing - he was explicitly working in a "jazz" (read: head-solos-head and out) context there, so he wrote a zillion short tunes for the band (and later ensembles) to play. But for example, there's an album that's a piano trio with Tyshawn Sorey on drums where the piano and bass parts are completely written, but Sorey's part is entirely improvised.

I saw that maybe a decade ago Dave Douglas did a seminar on Masada, and this was the pitch:

When John asked me to present a seminar, I thought: why not take a handful of Masada tunes, old and new, and play them with people? We’ll have the charts in Zorn’s incredibly-expressive handwriting… Bring your instrument as the goal will be to play as many tunes as we can get through. I learned a lot playing these tunes, and I think people may enjoy coming to get a closer look at how the tunes look and how performances of them work. Word is the composer may even come by and answer some of the many remaining questions I have for him.
Playing this music has always been fun, challenging, and thought-provoking for me. I can’t say that I have any answers, but Monday we will open up the book and see where the charts take us. Each of these tunes points in a unique and inspiring direction.

Just googling around, I found this example of a Naked City chart:

https://scontent-ort2-1.xx.fbcdn.net/v/t31.0-8/p960x960/15235410_1342911889052648_2410928962678836150_o.jpg?_nc_cat=107&_nc_sid=730e14&_nc_ohc=oQifnF3A9c8AX8UCB1m&_nc_ht=scontent-ort2-1.xx&_nc_tp=6&oh=bf18a0fab8ec5160db2625b7361e5fbf&oe=5F18192B

Also found this NPR piece on the Pledge Music collapse:

https://www.npr.org/2019/05/14/723225435/as-a-crowdfunding-platform-implodes-a-legendary-composer-rebounds?fbclid=IwAR3sKNYJoRcNJhFKxX_y952SWk443qR_2jVYK9rYdg4A40mdTvBN9poFwI4

Thanks, that's helpful info. I'll look for the doc. Yeah, I have the Cobra score and have done it before and have seen some Naked City stuff (but not that one, I don't think) and do find those things fascinating. It was the other ones that I was questioning more. (The music p much always sounds good tbc!)

I'm more interested in the non-Zorn albums on Tzadik, like this incredible percussion album:

https://www.youtube.com/watch?v=Htq_tQbLXTs&list=PLvXNbgj_M4CX1_sm62I-Z38H_6IG6gM09

?

https://youtu.be/Htq_tQbLXTs?list=PLvXNbgj_M4CX1_sm62I-Z38H_6IG6gM09

Also found youtube bootlegs of Uri Caine's solo piano Masada record, and the piano trio with Craig Taborn/Christian McBride/Tyshawn Sorey. I'd love to hear that Hall of Mirrors record with the notated piano parts though.

I'd love to know the budget breakdown for a standard Tzadik project. Recording time and costs, sales, artist deals.

I'm sure Tzadik doesn't have a huge budget, but holy shit, please employ a web designer from the 21st century. The site is maddeningly bad, which is extra frustrating when you know there's tons of cool stuff to discover if only navigating through it all weren't so miserable.

Ohhh, Raz Mesinai is Badawi, that makes sense (also explains why that album sounds so amazing, he's the producer and engineer, not the percussionist). I keep running into him under different guises.

xp

Agreed on the website. I think an easier-browsing, easier-using redesign would pay for itself in increased sales pretty quickly.

The blurb to this year's Virtue for guitar trio (Julian Lage, Bill Frisell & Gyan Riley) got a chuckle out of me: 'Softly spiritual music that is perfect for meditative late night listening alone or with a special friend'.

ha. i often think about what it must be like for whoever has the task of writing the blurbs for 150 Tzadik releases a year.

Ok I've really been enjoying kind & gentle Zorn (sans Zorn) the last few days, like the guitar trio album and guitar/harp/vibes trio, both with Frisell.

https://www.youtube.com/watch?v=B6xPjANLZjA

https://www.youtube.com/watch?v=EJKDl7VGUyQ

Love those "Gnostic Trio" gtr/harp/vibes albums, about once a year I'll go through a stretch where I just literally cannot turn them off for a few days straight.

Ooh, I need to check these out

It sounds like Tortoise minus drums in a lot of places

Wait, that's what Tortoise sounded like??

Whereas the guitar trio album was reminding me of like '80s King Crimson-lite (in a good way)

Specifically like 'The Suspension Bridge at Iguazu Falls' Tortoise.

Wait, Sund4r, you aren't into Tortoise?!

And, yes, I do love the Gnostic Trio albums and enjoyed Virtue, which I just listened to, thanks to that Youtube stream. (Will buy this one certainly.) This is what I mean, though: if it is in fact the case that they're basically improvising on heads that Zorn gave them, should they be credited as "John Zorn" albums, as opposed to e.g. "Frisell/Lage/Riley (playing the music of John Zorn)", any more than any other recording where Frisell improvises on heads by any other composer? xp

Haha, I hated Millions Now Living when my hardcore-loving friends bought it in high school and never really gave them many other chances. Listened to TNT after it came out, when I was in university, and thought it was sort of dumbed-down Reich meets dumbed-down improv. I am far more open to 'dumbed-down' versions of things now, though.

Presumably Zorn is guiding the music as they play too.

I was watching this wonderful concert last night. It gives a pretty good view of what his direction looks like.

https://www.youtube.com/watch?v=UQoIDkVO3mo

Just saw this is on the way. Seems like one of the most accessible, mainstream-ish things he has ever done?

John Zorn-Jesse Harris: Songs For Petra [#8374]

Singer Petra Haden excels in this beautiful and unique program of songs penned by the songwriting team of John Zorn and Jesse Harris. Friends for many years, they began working together on The Song Project in 2012, and 8 years later this CD presents the full fruits of their collaboration: 13 Zorn compositions with original lyrics by Jesse Harris. Including the most beautiful melodies from a wide variety of Zorn CDs (and one original that has never appeared on cd before), the melodies are catchy, the lyrics heartfelt, the grooves deep and the solos profound and exhilarating. Backed by the amazing Julian Lage, Jorge Roeder and Kenny Wollesen and produced by Jesse Harris, this is a CD that you will listen to again and again.
(Release date: August 2020)

I scored Frith&Zorn's "late works" for pennies and have found it surprisingly rewarding.

For a moment, I thought you meant you wrote or arranged the score.

ha, me too!

ha same

What Tortoise should I listen to if I want something like the Gnostic Trio??

I have no better recommendation than TNT, mostly that one track though. :)

It has been about 20 years since I heard it. P sure I'd appreciate it better now.

re zorn w/out zorn i've been following rjc since the imprint launched and i have an incomplete list of some of my fave stuff from it if anyone is curious:

Barbez! - Bella Ciao
Jamie Saft - Black Shabbis
Jamie Saft - Breadcrumb Sins
Sofia Rei - Beriah vol. 1
Cracow Klezmer Band - De Profundis
Mycale - Book of Angels V. 13
Deveykus - Pillar Without Mercy
New Klezmer Trio - Short for Something
Tim Sparks - Tanz
Jewlia Eisenberg - Trilectic
Dan Kaufman - Force of Light
Yoshie Fruchter - Pitom
Ayelet Rose Gottleib - Mayim Rabim
Kletka Red - Hijacking
Jon Madof - Zion80
Pharoah's Daughter - Out of the Reeds

Followed a lot of JZs projects in the 80s but the last one I really paid attention to was the original run of Masada. There seems to be a real lack of critical writing about his post 2000 releases. I liked the bomb interview and the Shteamer article was good but that's not a side of his work that I care much about. Something made me start to look through his recent stuff but I feel a bit lost. Picked up the solo Tractatus musico-philisophicus which seems like a new approach to his early solo projects.

The Jeremiah cymerman 5049 podcast has featured interview with many people in the Zorn and tzadik orbit. Cymerman seems close to Zorn personally. There was a good recent episode with engineer Marc Urselli where they talked a fair bit about
working with Zorn in the studio.

http://www.5049records.com/podcast/coronacast-3-marc-urselli

I still love Spillane because i bought it when I was 16 after watching put blood in the music and it blew my mind a bit.

if it came out now I'd still think it was pretty frazzled/inspired/brilliant.

xxp
don't mind a bit of Jeremiah Cymerman, quite bleak but I keep going back to it.

Someone should listen to everything Zorn has ever been involved in then do an AMA.

Didn't Whiney just do the listening part of that?

In case anyone is wondering about your boy, my quarantine/retirement goal is 7 more weeks of coding boot camp + listening to all 266(?) John Zorn albums. I’m on #30 right now and still maintaining sanity. 🎷🚰 🐍 🎲

— Christopher R. Weingarten (@1000TimesYes) March 23, 2020

Hah, I wasn't aware. Props, I may join him on his mad endeavour someday.

Wow.

A much longer yet undoubtedly more pleasant experience than merzboxing.

I'm currently listening to #216 of 270

What's the longest streak in a row (if any) that has been a real struggle? What has been the longest streak in a row (if any) that has been a real joy?

to my ears, Zorn's genre-hopping is mainly about the encounter of cultures writ large (Jewish, American, Japanese, etc.) and/or subcultures (the avant-garde, jazz, hardcore, etc.). Sexuality is by no means absent from these juxtapositions, especially in his earlier, more overtly 'transgressive' works, but foregrounding it is not a priority for him as far as I can tell.

― pomenitul, Tuesday, June 23, 2020 1:49 PM (two days ago)

Very OTM

There's an assertion in a lot of his work that anything can be appropriated as "material". Iirc somw of his game pieces used 'found' composition fragments to this effect. The question of attribution that Sund4r has raised is something I've thought about for sure.

Anyway. I always suspected that The Suspension Bridge at Iguazu Falls is based on Encontro by Projecto III.

xxxp woah

What's the longest streak in a row (if any) that has been a real struggle? What has been the longest streak in a row (if any) that has been a real joy?

― Josh in Chicago, Thursday, June 25, 2020 6:12 PM (three minutes ago) bookmarkflaglink

You'll have to wait for the AMA!

You better make good on your promise. I'll be sharpening my questions.

I'm like 80% in (maybe even more since those Parachute sets are multi-CDs), so I don't see myself stopping