Rolling Jazz Thread 2020

agreed. Need to check out the new Alexander Hawkins & Tomeka Reid duo album as well.

are previous Dinosaur albums as good as this one?

I don't know what put me off them previously, might be a case of mercury award poisoning or something. Which isn't fair bevause they can't help being the token jazz placeholder and it doesn't mean they are shit
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I'm biased, but Lucian Ban, John Surman and Mat Maneri's Transylvanian Folk Songs, based on Béla Bartók's field recordings, is absolutely fantastic.

The new Kurt Rosenwinkel is cool so far, really nice to hear him just burn out a blues with Gregory Hutchinson.

xp

I like that one a lot as well, must be quite a coup for Sunnyside Records because it is the very definition of an ecm album!

Yeah, agree about the Ban/Maneri/Surman disc; I reviewed it for The Wire.

this got rec'd when i was bopping around yt today

https://www.youtube.com/watch?v=XkRJpB0Mhyc

a lot going on here lol

A mate is taking part in a live DJ jazz marathon thing - some great stuff so far. Currently playing Charles Brackeen.

https://www.mixcloud.com/live/thejazzmeet/

Watched Eugene Smith and the Jazz Loft last night (Sarah Fishko of NPR's doc), and it was pretty disappointing. Lots of (nearly all white) talking heads barely saying anything of substance, all over the place, sort of a notebook/footage dump inasmuch as half of the subject matter was just sort of episodic stuff about Eugene Smith's life and career that had nothing whatsoever to do with the Jazz Loft, music very much taking a backseat and never allowed to run for more than 20 seconds or so of a single piece (tbf there's no film footage of the sessions in the loft, sadly).

The one bright spot for me was the section on Overton working with Monk for the Town Hall concert. That honestly should have just been a whole doc, even if it could only be stretched to 30-45 mins.

Eric Alper
@TharEricAlper

Jazz drummer Jimmy Cobb - one of the greats in ANY genre - has died at age of 91. He played on Miles Davis’ “Kind of Blue” and “Sketches of Spain” and also performed with John Coltrane, Wayne Shorter, Wes Montgomery, Art Pepper, Sarah Vaughan and Dinah Washington. Damn. Lung cancer, not Covid.

Still performing 'til fairly recently, considering his age (YouTube has him w Eric Alexander Quartet, incl Harold Mabern and Bob Cranshaw, in 2015, for inst)

Should be ThatEricAlper

yarrrr

Rolling Yarrrrs Thread 2020

The thing to judge in any yarrrrs artist is, does the man shiver me timbers and does he have an eyepatch.

The Jerry Granelli Trio Plays The Music Of Vince Guaraldi & Mose Allison w/Jamie Saft is a fucking cracking album, me hearties!

RIP Jimmy Cobb, you knew it was coming, but end of the era for sure.

it was pointed out to me that he was the last living member of the band from Kind of Blue

No doubt you accepted this novel piece of information with the grace you are accustomed to display.

He joins that roster of cats I have a tiny tinge of guilt or regret about never quite making it out to see them live such as Percy and Jimmy Heath. Did read Peter Bernstein's FB post about him, but not quite the same.

it was pointed out to me that he was the last living member of the band from Kind of Blue

― longtime caller, first time listener (man alive), Tuesday, May 26, 2020 11:06 AM (seven minutes ago) bookmarkflaglink

i pointed this out elsewhere, but lee konitz (who passed away last month) was the last living member from the "birth of the cool" sessions

so two pretty huge miles bands are gone

Friend texted me that drummer-wise "only Roy Haynes left."

don't forget louis hayes, and maybe joe chambers too

Right. Tootie Heath was also mentioned, the one brother I have seen.

indeed, tootie is 84 but still touring

He had a near death experience a few years back though. Told my neighbor he told them to reserve a seat for him, the neighbor, in the underworld.

Hey, it's Miles's birthday today.

Friend texted me that drummer-wise "only Roy Haynes left."

Al Foster! 77.

A Polish label has just released a previously unheard live recording of Cecil Taylor and Tony Oxley in Germany in 2011. I bought a copy of the physical CD (only 350 copies!) and am listening to the download now. It's recorded in a really small room — probably the size of the Village Vanguard, if that — and sounds amazing.

thanks for the tip.

the club where it was recorded has a video archive of its concerts, some of them from this year, which may be of interest:

https://www.birdland.de/videos/

last night I heard a couple of really good Eddie Harris tracks, didn't catch the titles, but they were followed by Frank Catalano's "Chicago Eddie," which the announcer said is a tribute to EH, and a good 'un too---where should I start with Harris albums? All I know by him is "Freedom Jazz Dance," the original and the Miles treatment. (Also should I check out more Catalano?)

The one with Freedom Jazz Dance on it - The In Sound -- and the follow up, Mean Greens, are both pretty good. I find all his work a little hit-or-miss. Some of it is very cheesy.

This is a great tune, with a drum sample you may recognize:
https://www.youtube.com/watch?v=AFHkVXt47fI

i think you might like "swiss movement" from '69:

https://www.youtube.com/watch?v=y8YOLY4Tats

his disco c. '74 - '79 is worth checking out for the titles / album art alone, though you may not find much to like amid the novelty tunes and weird experiments

Jimmy Cobb tribute all-day today on WKCR

cool

Thanks for the links and tips, guys. Reminds me, the invaluable Night Lights---Indiana Public Radio show---recently replayed a survey of soul jazz, based around the book of (approx?) same title by producer/interviewee Bob Porter: some of it was more imaginative (art of entertainment-wise) than I expected, and got better as it went along. Will def. check disco-era (novelty tunes and weird experiments) adventures of EH, along with earlier.

That show can be streamed/downloaded from Night Lights archive; most episodes delve into modern (though not recent) mainstream and progressive, with some fringe activity.

Published a piece (not by me) on Cobb today, focusing on his use of guitars in his bands and his work with Wes Montgomery.

Finally got all 12 volumes of Mack Avenue's Erroll Garner reissue series in the mail; the last one comes out next week. Thinking about diving into all of them for a big piece.

Something else that came in today's mail: a new CD (made up of outtakes from earlier recording sessions) by Throttle Elevator Music, a studio collective led by multi-instrumentalists Matt Montgomery and Greg Howe (owner of Wide Hive Records), with Kamasi Washington on tenor sax and a bunch of different horn players and drummers and guitarists (Ava Mendoza is on an earlier album). It's fairly punk-rock jazz, and KW blows hard. There are six CDs in all, definitely worth checking out.

WKCR tribute is playing Fantastic Frank Strozier featuring Booker Little, both of which names make me think of Harold Mabern. Seems like Jimmy and Harold must have played some dates together. Ah yes, I see.

ilx alum Andy Beta:
In 2017, I was invited to Robert Northern’s home in Takoma Park to chat about the music collected in Divine Music. With news of his passing today, I’m posting the full interview from this box set. I think often about his story about playing music for the wild animals in the Ngorongoro crater:
https://andybeta.com/2020/06/01/brother-ahh-interview/

When that set came out I interviewed Brother Ah for The Wire. An awesome guy.

Firehouse 12 Records is donating 100% of proceeds Friday June 5th

Purchases on Bandcamp today will be donated to LEAP in New Haven

LEAP was founded in 1992 by leading educators, students and community activists in New Haven to provide highly vulnerable youth of color with educational and enrichment opportunities that are often inaccessible due to financial and social barriers. From the beginning, LEAP has used a multi-tiered mentoring model that focuses on young people of color as the solution, rather than the problem.

https://firehouse12records.com/

Jamael Dean's "Oblivion" EP is really nice. I noticed his piano playing more here than on Black Space Tapes, which I quite like too but this is a lot more cogent. RIYL stuff like Hannibal Peterson's "Children of the Fire"

I don't normally gravitate to ballads, but I've been listening to Jeremy Pelt's all-ballad album from earlier this year a lot. Trumpet, piano, bass. It's nice to go all in on that, since it's a very soothing and consistent vibe all the way through, and he's a master.

i posted about wanting to get this. now i have it. it's very good.

https://www.forcedexposure.com/App_Themes/Default/Images/product_images/product_page/H/HOL124LP_PROD.jpg

Holiday Records present the first ever authorized reissue Cairo Free Jazz Ensemble's Heliopolis, originally released in 1970. Released under license from the artist. One of the great projects in Egyptian jazz, the Cairo Free Jazz Ensemble was formed by Salah Ragab and Hartmut Geerken as an avant-garde offshoot of The Cairo Jazz Band, the first jazz big band in the country.

https://www.forcedexposure.com/Catalog/cairo-free-jazz-ensemble-heliopolis-lp/HOL.124LP.html

I've heard of that! Thanks for the news on release.
Just listened to about 24 minutes-worth of bandcamp sample tracks from Chad Taylor Trio's The Daily Biological: lyrical, sometimes witty, no-BS drums, tenor, piano.The absence of a bass means all three players sometimes step into the low-end role. A musical problem to be solved “we all approached it differently,” Taylor says. “All of our tunes explore different ways to utilize a trio without a bass. You need to be really strong in your playing.” They're well-anchored, secure in their bassless space, no need to fill it all up, no busywork, no waste either. Brian Settles starts "Swamp" all alone up there in the humid open air---tenor keeps a sense of fullness, at whatever elevation---then drums x bass come rumbling, ready for work, a truck under the trees. Fave so far is "Untethered": a waltz comes calling, kicking, sometimes crashing, keeps coming around---kinda reminds me of some of the writing, not nec. the playing, of the George Adams-Don Pullen Quartet. Anyway:
https://cuneiformrecords.bandcamp.com/album/the-daily-biological
Chad Taylor: Drums
Brian Settles: Tenor Saxophone
Neil Podgurski: Piano

eleased April 24, 2020

Tracks 5, 8, and 9 written by Chad Taylor: ctorb@ascap

Tracks 1 and 3 written by Brian Settles: The Poets House Publishing@BMI Tracks 2, 4, 6 and 7 written by Neil Podgurski: NeilPodgurski@ascap

Ha, drums x *piano*, obv., but the bass function is in there for sure.

That's a good record. I included it in my most recent Stereogum column.

Trumpeter Ambrose Akinmusire's got a new one coming out on Friday with his longtime quartet of pianist Sam Harris, bassist Harish Raghavan, and drummer Justin Brown. I realize now that I heard him premiere the music at Winter Jazzfest back in January. It's good stuff, abstract and squiggly but with the blues pulsing at the center of it.