2016 Metal Poll results
1 Oranssi Pazuzu - Värähtelijä 1372.0 33 52 Aluk Todolo - Voix 806.0 20 23 Furia - Księżyc milczy luty 751.0 20 24 Vektor - Terminal Redux 657.0 17 35 Subrosa - For This We Fought The Battle of Ages 648.0 16 26 Cobalt - Slow Forever 563.0 14 17 Sumac - What One Becomes 559.0 15 18 Deathspell Omega - The Synarchy of Molten Bones 558.0 16 19 Schammasch - Triangle 543.0 15 110 Jute Gyte - Perdurance 539.0 14 211 Bölzer - Hero 511.0 13 012 Alcest - Kodama 482.0 14 013 Hail Spirit Noir - Mayhem in Blue 473.0 12 114 Gorguts - Pleiades' Dust 464.0 13 015 Neurosis - Fires Within Fires 444.0 11 016 Thy Catafalque - Meta 424.0 10 117 Forgotten Spell - Epiphaneia Phosphorus (Angel, God or Insanity) 413.0 9 318 Hammers of Misfortune - Dead Revolutions 408.0 12 019 Horse Lords - Interventions 384.0 11 020 Virus - Memento Collider 371.0 12 0
― Oor Neechy, Thursday, 27 February 2020 20:56 (six years ago)
2017 FULL RESULTS
Rank Name Score Votes #1 Votes1 Elder - Reflections of a Floating World 931.0 21 42 Godflesh - Post Self 713.0 19 23 Chelsea Wolfe - Hiss Spun 666.0 15 34 Ex Eye - Ex Eye 656.0 16 15 Converge - The Dusk In Us 640.0 16 16 Myrkur - Mareridt 509.0 14 07 Krallice - Go Be Forgotten 500.0 13 18 Botanist - Collective: The Shape of He to Come 490.0 13 19 Couch Slut - Contempt 487.0 13 010 Pallbearer - Heartless 441.0 12 1
11 Jute Gyte - Oviri 438.0 12 112 Wolves in the Throne Room - Thrice Woven 436.0 12 013 King Woman - Created in the Image of Suffering 419.0 13 014 The Ruins of Beverast - Exuvia 405.0 11 115 Spectral Voice - Eroded Corridors Of Unbeing 401.0 11 116 Au champ des morts - Dans la joie 393.0 11 017 Pillorian - Obsidian Arc 386.0 10 118 Bell Witch - Mirror Reaper 338.0 10 119 Cleric - Retrocausal 336.0 8 220 Thantifaxath - Void Masquerading as Matter 326.0 11 0
Sunbather getting 666 points is the nadir of ILM
― strangely hookworm but they manage ream shoegaze poetry (imago), Thursday, 27 February 2020 20:56 (six years ago)
2018
Rank Name Score Votes #1 Votes1 Sleep - The Sciences 758.0 18 12 Yob - Our Raw Heart 724.0 18 23 Windhand - Eternal Return 443.0 14 14 Mournful Congregation - The Incubus of Karma 415.0 10 15 Uncle Acid and the Deadbeats - Wasteland 413.0 11 16 Evoken - Hypnagogia 408.0 12 07 Ghost - Prequelle 408.0 11 08 Thy Catafalque - Geometria 377.0 10 19 Khorada - Salt 358.0 8 110 Entropia - Vacuum 355.0 9 1
11 Deafheaven - Ordinary Corrupt Human Love 354.0 9 112 High On Fire - Electric Messiah 346.0 10 013 Summoning - With Doom We Come 345.0 10 014 The Armed - Only Love 334.0 8 215 Voivod - The Wake 324.0 10 016 Yamantaka//Sonic Titan - Dirt 323.0 8 017 Senyawa - Sujud 321.0 8 018 SUMAC - Love in Shadow 310.0 8 119 Tomb Mold - Manor of Infinite Forms 286.0 9 020 Ails - The Unraveling 284.0 7 0
― Oor Neechy, Thursday, 27 February 2020 20:57 (six years ago)
So, best top 20 year?
ILM really loves Converge, huh.
― romanesque architect (pomenitul), Thursday, 27 February 2020 20:58 (six years ago)
xp 2019 (maybe) ;)
― strangely hookworm but they manage ream shoegaze poetry (imago), Thursday, 27 February 2020 20:58 (six years ago)
Haha seeing the 2014 results 20-1, instead of 1-20, had me briefly thinking, "wait, Blues Pills won an ilm poll??!?".
― soaring skrrrtpeggios (jon /via/ chi 2.0), Thursday, 27 February 2020 21:02 (six years ago)
Did anyone even vote for Swans this year?
― romanesque architect (pomenitul), Thursday, 27 February 2020 21:04 (six years ago)
Swans got cancelled on ilm (and plenty of other places)
― Oor Neechy, Thursday, 27 February 2020 21:05 (six years ago)
2010 & 2011 are huge years! 2016 too.
― Frobisher, Thursday, 27 February 2020 21:06 (six years ago)
Converge , Agalloch, Electric Wizard, Ghost & Yob are perennial faves on ilm
― Oor Neechy, Thursday, 27 February 2020 21:08 (six years ago)
Krallice, too
― Judi Dench's Human Hand (methanietanner), Thursday, 27 February 2020 21:09 (six years ago)
2013 is the only year where I have physical copies of all the top 5.
― jmm, Thursday, 27 February 2020 21:20 (six years ago)
Opeth have fallen from the heady days of the top 5 in the 1st poll
― Oor Neechy, Thursday, 27 February 2020 21:26 (six years ago)
Boris too
Man, I really slept on the Boris record. So good, especially if you like their more contemplative side.
― Skrot Montague, Thursday, 27 February 2020 22:17 (six years ago)
Swans is #13 for 2019 on RYM so clearly tons of people like them still. But it’s not a metal/rock album at all so I saw no point of nominating or voting for it in this poll, although that didn’t stop people from nominating Chelsea Wolfe for example.
― Siegbran, Friday, 28 February 2020 00:09 (six years ago)
2013 was a killer year.
Converge fucking rule.
― bold caucasian eroticism (Simon H.), Friday, 28 February 2020 00:35 (six years ago)
Converge rule so much.
Also, never heard of Witch Trail before this but I'm halfway through and this is sounding so awesome. This is a solid band, thank you all who voted for em. Rad stuff.
― gman59, Friday, 28 February 2020 01:44 (six years ago)
I really need to revisit that Altar of Plagues record. it was a personal favorite.
― bold caucasian eroticism (Simon H.), Friday, 28 February 2020 01:48 (six years ago)
I voted for the Schammasch - some lovely stuff on there. I'm still hoping one or two others from my ballot might place in the top 20. Realistically probably only one has a real shot.
― o. nate, Friday, 28 February 2020 02:25 (six years ago)
I bet I voted for half of the top ten. Are we doing predictions yet? Lingua Ignota, Moon Tooth, Elder, Immortal Bird, Inter Arma, Liturgy, the other Sunn O))), Tomb Mold, Blood Incantation, Esoteric. And then Follakzoid, Chaz Wolfe, Alcest, Baroness, at least one Botanist.
― Schammasch Cannonball (Tom Violence), Friday, 28 February 2020 02:46 (six years ago)
Those all seem safe to me, except maybe Chelsea Wolfe.
― bold caucasian eroticism (Simon H.), Friday, 28 February 2020 03:01 (six years ago)
Birefringence my #4. I still think Oviri is his masterpiece but this is only just under. It's prob his most accomplished album, and feels much like a 'rock' album...I love how Kalmbach's music only gets weirder and more singular as he begins to succumb to more rock/metal conventions
― hooper (Drugs A. Money), Friday, 28 February 2020 04:16 (six years ago)
In other news, I also voted for Lightning Bolt. I'll prob always have time for frenetic bass-centric noise rock
― hooper (Drugs A. Money), Friday, 28 February 2020 06:15 (six years ago)
This poll has been just fantastic!
Going to try and catch up a lot today on everything I’ve missed so far.
2015 was such a pop year!
― tangenttangent, Friday, 28 February 2020 09:26 (six years ago)
I'm really enjoying Pinkish Black this morning. It seems much more muted and noticeably slow than previous efforts, but the building of synth layers is very lovely. It reminds me a bit of the 70s new age feeling conjured by Panos Cosmatos films, but in its lighter moments.
― tangenttangent, Friday, 28 February 2020 11:32 (six years ago)
Neechy, you were right - I love Dead to a Dying World. What beautiful string arrangements! The male and female vocals are equally strong and ethereal.
― tangenttangent, Friday, 28 February 2020 12:04 (six years ago)
I bet I voted for half of the top ten. Are we doing predictions yet? Lingua Ignota, Moon Tooth, Elder, Immortal Bird, Inter Arma, Liturgy, the other Sunn O))), Tomb Mold, Blood Incantation, Esoteric. And then Follakzoid, Chaz Wolfe, Alcest, Baroness, at least one Botanist.― Schammasch Cannonball (Tom Violence)
I'd also bet on Waste of Space Orchestra and Wyrmwoods
― enochroot, Friday, 28 February 2020 12:40 (six years ago)
Shhhhhhh
― strangely hookworm but they manage ream shoegaze poetry (imago), Friday, 28 February 2020 12:54 (six years ago)
Yellow Eyes was excellent for one track and has been OK since then, but I haven't turned it off, so that's good
― strangely hookworm but they manage ream shoegaze poetry (imago), Friday, 28 February 2020 12:58 (six years ago)
The final countdown will begin an hour from now, on the dot.
― romanesque architect (pomenitul), Friday, 28 February 2020 13:00 (six years ago)
Misthyrming are a frustrated indiepop band, aren't they?
― strangely hookworm but they manage ream shoegaze poetry (imago), Friday, 28 February 2020 13:28 (six years ago)
Frustrated...or BLACKENED haha
― strangely hookworm but they manage ream shoegaze poetry (imago), Friday, 28 February 2020 13:29 (six years ago)
Tracks 4 and 5 have been straight up dramatic pop songs. Do this with more synths and female clean vocals and ILM as a whole will stan. I like it too
― strangely hookworm but they manage ream shoegaze poetry (imago), Friday, 28 February 2020 13:30 (six years ago)
This Major Stars album is the best! It's driving me crazy not being able to figure out which 90s band they are specifically reminding me of though. 'Echo' is closest to my favourite song I've heard in this rollout.
― tangenttangent, Friday, 28 February 2020 13:33 (six years ago)
Even though it is definitely not my kind of thing, I bet Wilderun places. I will also be sad if Vastum doesn't.
― Judi Dench's Human Hand (methanietanner), Friday, 28 February 2020 13:36 (six years ago)
'This Charming Corpsepainted Man'
― romanesque architect (pomenitul), Friday, 28 February 2020 13:43 (six years ago)
vastum will place (sshhhhhhh)
in case they don't i've got this two fresh eight inch blade ready for some blood #metal
in the meantime, plating dept, let me check this new fancy lovely microplants who just arrived #alsometal
― gaudio, Friday, 28 February 2020 13:47 (six years ago)
Yeah there's Smiths in there!
And yeah shhhhhhhh
― strangely hookworm but they manage ream shoegaze poetry (imago), Friday, 28 February 2020 13:50 (six years ago)
mr. adrian smith was once here as i've been told. i missed that one
― gaudio, Friday, 28 February 2020 13:58 (six years ago)
2009 top 20 was great. same w 016 & 017
― gaudio, Friday, 28 February 2020 14:02 (six years ago)
20
White Ward - Love Exchange Failure
314 points, 9 votes
https://f4.bcbits.com/img/a3449550015_16.jpg
https://open.spotify.com/album/6VHyhPNjGQRfrzy4TH1tFh
https://whiteward.bandcamp.com/album/love-exchange-failure
https://toiletovhell.com/review-white-ward-love-exchange-failure/
Let’s get this out of the way: White Ward has made one of the best records I’ve heard this year. It encapsulates everything that makes a record great. Dynamic songwriting? Check. Transportive atmospheres? Check. Thematic cohesion? Creative and exciting? A bunch of talented musicians playing in total control at the top of their game? Check. Check. Fucking check.Now for the background stuff. If you aren’t familiar with White Ward, they’re a four-piece outfit hailing from Odessa, Ukraine. Beginning in 2012, White Ward started life as a good post-black metal band, releasing a couple demos, a pair of EPs, and a three-way split. They showed a knack for mastering the common post-black metal tropes of building tension, quiet-loud/fast-slow contrasts, and high-register, reverbed tremolos shimmering above it all. It was nothing you hadn’t heard before, but it was executed very well and showed tremendous promise if they could translate quality musicianship into an identity, a Sound™.White Ward delivered on that promise with their first full-length album, Futility Report, in 2017. They supplemented their post-black base with a unique mishmash of prog and jazz with a dollop here and there of death metal, electronica, doom, and hardcore. But the ultimate enhancement was a saxophone. Gorgeous, gorgeous saxophone. Whether featured or harmonized with the guitar work, the sax added a puzzle piece that completed the picture. It landed as Number 4 on Joaquin Stick’s 2017 AotY list who remarked “There’s absolutely no stagnation through the entire 40 minutes, every single experiment works, and I am in love with the overall tone.” Same, man. Same.Now with follow-up album, Love Exchange Failure, White Ward takes what they started on Futility Report and brings it to a new level. Where Futility Report felt like a collection of excellent short stories, Love Exchange Failure is like a novel. The expression from start to finish is a complete musical narrative of a cityscape drenched in hardboiled noir. The streets are always wet and shine with streetlight. Smoke plumes in every alleyway. Crime is rampant.
Now for the background stuff. If you aren’t familiar with White Ward, they’re a four-piece outfit hailing from Odessa, Ukraine. Beginning in 2012, White Ward started life as a good post-black metal band, releasing a couple demos, a pair of EPs, and a three-way split. They showed a knack for mastering the common post-black metal tropes of building tension, quiet-loud/fast-slow contrasts, and high-register, reverbed tremolos shimmering above it all. It was nothing you hadn’t heard before, but it was executed very well and showed tremendous promise if they could translate quality musicianship into an identity, a Sound™.
White Ward delivered on that promise with their first full-length album, Futility Report, in 2017. They supplemented their post-black base with a unique mishmash of prog and jazz with a dollop here and there of death metal, electronica, doom, and hardcore. But the ultimate enhancement was a saxophone. Gorgeous, gorgeous saxophone. Whether featured or harmonized with the guitar work, the sax added a puzzle piece that completed the picture. It landed as Number 4 on Joaquin Stick’s 2017 AotY list who remarked “There’s absolutely no stagnation through the entire 40 minutes, every single experiment works, and I am in love with the overall tone.” Same, man. Same.
Now with follow-up album, Love Exchange Failure, White Ward takes what they started on Futility Report and brings it to a new level. Where Futility Report felt like a collection of excellent short stories, Love Exchange Failure is like a novel. The expression from start to finish is a complete musical narrative of a cityscape drenched in hardboiled noir. The streets are always wet and shine with streetlight. Smoke plumes in every alleyway. Crime is rampant.
― Oor Neechy, Friday, 28 February 2020 14:03 (six years ago)
love this false record
― american bradass (BradNelson), Friday, 28 February 2020 14:04 (six years ago)
ehhhhh
― romanesque architect (pomenitul), Friday, 28 February 2020 14:06 (six years ago)
The first two Saint Vitus tracks were this blissful, grinding doom with neofolk vocals, but the next two are disappointing Mötorhead worship. Idgi
― tangenttangent, Friday, 28 February 2020 14:08 (six years ago)
Will try to stay on topic now
White Ward didn't do it for me
― strangely hookworm but they manage ream shoegaze poetry (imago), Friday, 28 February 2020 14:13 (six years ago)