REALLY good album, even earns the absurd length.
― bold caucasian eroticism (Simon H.), Thursday, 27 February 2020 19:09 (six years ago)
A personal favourite. I badly need to check out the rest of their discography now. Christ, I've got so much catching up to do…
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:09 (six years ago)
way too low. Easily the best think they have done. I expected it to be top 10
― Oor Neechy, Thursday, 27 February 2020 19:09 (six years ago)
It was my #8 btw, so I did what I could to get it into the top 10.
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:11 (six years ago)
my #12 and i think i assumed it didnt need the extra couple of points
― Oor Neechy, Thursday, 27 February 2020 19:12 (six years ago)
imago & TT have you heard it? i assume you're the other voters
― Oor Neechy, Thursday, 27 February 2020 19:17 (six years ago)
i forget if tt voted for this but i never got around to it in full
― strangely hookworm but they manage ream shoegaze poetry (imago), Thursday, 27 February 2020 19:20 (six years ago)
Alright, time to fess up. But first, see if you can guess how we tried to deceive you (whether successfully or not).
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:23 (six years ago)
Korn
― sorry for butt rockin (Neanderthal), Thursday, 27 February 2020 19:24 (six years ago)
*and* Babymetal
― bold caucasian eroticism (Simon H.), Thursday, 27 February 2020 19:24 (six years ago)
this is the VAR of the rollout
― sorry for butt rockin (Neanderthal), Thursday, 27 February 2020 19:25 (six years ago)
Value-added reseller?
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:26 (six years ago)
I love BABYMETAL and the fact that 7 other people voted for them makes me more excited about the rest of top of the list.
― glenn mcdonald, Thursday, 27 February 2020 19:27 (six years ago)
I'm sorry, glenn. :(
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:28 (six years ago)
Coming up next: the actual nos. 27 & 26.
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:29 (six years ago)
i knew it
― american bradass (BradNelson), Thursday, 27 February 2020 19:29 (six years ago)
27Full of Hell - Weeping Choir275 points, 9 votes
https://f4.bcbits.com/img/a1502568514_16.jpg
https://open.spotify.com/album/7ckjkkVbGQXYuEdfErmRfChttps://fullofhell.bandcamp.com/album/weeping-choir
https://pitchfork.com/reviews/albums/full-of-hell-weeping-choir/
Full of Hell can be hard to parse, even for those well-versed in grindcore or for connoisseurs of harsh noise. The East Coast outfit—with its members split between Maryland and Pennsylvania—have made their name by cracking apart genre conventions like oracle bones. Grindcore, hardcore, and death metal meet within their music to produce something feral and unknowable, doubly so when they team up with other like-minded oddballs like The Body or Merzbow. There’s just something about them, a reason that they’ve been met with such acclaim and fervent fandom. The nihilistic vibe helps—when Samuel DiGristine gurgles, “All goes onward and outward/All collapses” on “Silmaril,” it’s hard not to shudder.Recorded by the legendary Kurt Ballou at God City, the band’s third album (and Relapse Records debut) is intended as a companion piece to the band’s innovative 2017 LP, Trumpeting Ecstasy, but even a passing listen shows that the band’s interests have shifted a bit. The band’s affinity for the most bestial side of grind is on full display, and on Weeping Choir, only death is real.“Burning Myrrh” blasts the record wide open with two minutes of pummeling grind, dual vocalists Dylan Walker and Samuel DiGristine frantically trading off registers like they’re pulling a double shift in hell’s biggest department store. “Haunted Arches” abruptly ends with a few seconds of warped, ghostly audio reminiscent of The Caretaker’s bastardized 1930s parlor recordings, before “Thundering Hammers”—an apt title if there ever was one—comes crashing down, its destructive grooves redolent of classic Morbid Angel.
Recorded by the legendary Kurt Ballou at God City, the band’s third album (and Relapse Records debut) is intended as a companion piece to the band’s innovative 2017 LP, Trumpeting Ecstasy, but even a passing listen shows that the band’s interests have shifted a bit. The band’s affinity for the most bestial side of grind is on full display, and on Weeping Choir, only death is real.
“Burning Myrrh” blasts the record wide open with two minutes of pummeling grind, dual vocalists Dylan Walker and Samuel DiGristine frantically trading off registers like they’re pulling a double shift in hell’s biggest department store. “Haunted Arches” abruptly ends with a few seconds of warped, ghostly audio reminiscent of The Caretaker’s bastardized 1930s parlor recordings, before “Thundering Hammers”—an apt title if there ever was one—comes crashing down, its destructive grooves redolent of classic Morbid Angel.
26Schammasch - Hearts of No Light294 points, 8 votes
https://f4.bcbits.com/img/a2267679372_16.jpg
https://open.spotify.com/album/1PmHVrFZdWmaaOni45bqD7https://schammasch.bandcamp.com/album/hearts-of-no-light
There are two kinds of metal albums that tickle my fancy. The first kind takes a band’s trademark sound, alters it just enough to keep things fresh, but also retains everything that makes that artist or band unique, enjoyable, and otherwise impossible to do without. The other has mere glimpses of what made that band who they are, but throws so many curveballs, surprise left hooks, and a kitchen sink or twelve your way, and demands that you catch it all. Swiss avant garde spiritualists Schammasch most certainly fit into the latter with relative ease. Even after releasing a three-disc, exactly-100-minute monstrosity in the form of Triangle back in 2016, it still didn’t fully prepare me for what Hearts of No Light had in store for me, even with Roquentin‘s glowing, informative review giving me an incredible insight and synopsis.I’m not complaining, mind you. Hearts of No Light features some of the same intense moments showcased on Triangle, and in some ways exceeds them. Opener “Winds That Pierce the Silence” starts off with guest pianist Lillian Liu setting up a dramatic first half while the band builds up the second with a pulsing rhythm while a lone guitar plays a lick that wouldn’t be out-of-place on a latter-day Death album. As soon as “Ego Sum Omega” launches, you can tell the prog influences that were hinted at on Triangle begin to shine, but not at the expense of the spiritual intensity that Schammasch has made their bread and butter. Guitars that sound like a blackened Fates Warning punctuate above B.A.W’s tricky drum fills and patterns. The song slows down considerably before ramping up the tremolo, ending with synthesized horns building up before an amazing climax.
I’m not complaining, mind you. Hearts of No Light features some of the same intense moments showcased on Triangle, and in some ways exceeds them. Opener “Winds That Pierce the Silence” starts off with guest pianist Lillian Liu setting up a dramatic first half while the band builds up the second with a pulsing rhythm while a lone guitar plays a lick that wouldn’t be out-of-place on a latter-day Death album. As soon as “Ego Sum Omega” launches, you can tell the prog influences that were hinted at on Triangle begin to shine, but not at the expense of the spiritual intensity that Schammasch has made their bread and butter. Guitars that sound like a blackened Fates Warning punctuate above B.A.W’s tricky drum fills and patterns. The song slows down considerably before ramping up the tremolo, ending with synthesized horns building up before an amazing climax.
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:30 (six years ago)
Full of Hell album is stunning
― tangenttangent, Thursday, 27 February 2020 19:31 (six years ago)
Clever of you to joke-list both Korn, who didn't place, and BABYMETAL, who will actually show up for real later.
PS: BABYMETAL and Schammasch and Astronoid are all great.
― glenn mcdonald, Thursday, 27 February 2020 19:32 (six years ago)
:)
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:33 (six years ago)
Both great records that I regretted not voting for after sending in my ballot.
― Judi Dench's Human Hand (methanietanner), Thursday, 27 February 2020 19:33 (six years ago)
Schammasch record was a late cut from my ballot but could have just as easily made it.
― bold caucasian eroticism (Simon H.), Thursday, 27 February 2020 19:33 (six years ago)
It could have made the cut if I had spent more time with it before the deadline.
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:34 (six years ago)
The Schammasch is fantastic and my #7
I did my best by campaigning for it
― Oor Neechy, Thursday, 27 February 2020 19:36 (six years ago)
Babymetal have indeed made metal poll previously btw
23Big Brave - A Gaze Among Them300 points, 8 votes
https://f4.bcbits.com/img/a0693568513_16.jpg
https://open.spotify.com/album/1i10no8p3y1igTW46jquubhttps://bigbravesl.bandcamp.com/album/a-gaze-among-them
https://www.echoesanddust.com/2019/05/big-brave-a-gaze-among-them/
BIG | BRAVE are a trio from Montreal dealing in heavy minimalism and a full exploration of quiet/loud dynamics. The band is made up of Robin Wattie (vocals, electric guitar, guitar amp, bass amp), Mathieu Ball (electric guitar, guitar amps) and Loel Campbell (drums). Volume is a key tool, where there is sound it is a physical force, played at levels that resonate and hum, connecting almost beyond rational understanding. Like the blues it’s as much as about what and when they don’t play – the chasms of silence pregnant with meaning, sometimes foreboding, often desolate, but sometimes desperate for fulfillment.The vocals of Robin Wattie are a raw, impassioned yelp and they add to the feeling you are listening to a much slower, more cautious Brutus. Lyrics are personal, impassioned but oblique “you don’t get to do this” is repeated on opener ‘Muted Shifting of Space’, it’s gets ever angrier as the music roils, but I’m not sure what ‘this‘ is. Often the words are so drawn out that they seem to lose meaning, becoming otherworldly and strange like the Cocteau Twins. The last album, 2017’s ARDOR was a progression from earlier recordings – fuller, with lengthy soundscapes. On A Gaze Among Them the band return to a core sound and ethos – “How do we take very little and make something bigger than what we actually have?” was the question they asked themselves, according to Wattie. It feels like the band are more pensive, despite the juddering violence of a lot of the music and tighter running times of songs. There’s a tension in uncertainty, like a fist in a pocket. ‘Holding Pattern’ is ritualistic, threatening, the ever-present bass rumble presaging a storm.
The vocals of Robin Wattie are a raw, impassioned yelp and they add to the feeling you are listening to a much slower, more cautious Brutus. Lyrics are personal, impassioned but oblique “you don’t get to do this” is repeated on opener ‘Muted Shifting of Space’, it’s gets ever angrier as the music roils, but I’m not sure what ‘this‘ is. Often the words are so drawn out that they seem to lose meaning, becoming otherworldly and strange like the Cocteau Twins. The last album, 2017’s ARDOR was a progression from earlier recordings – fuller, with lengthy soundscapes. On A Gaze Among Them the band return to a core sound and ethos – “How do we take very little and make something bigger than what we actually have?” was the question they asked themselves, according to Wattie. It feels like the band are more pensive, despite the juddering violence of a lot of the music and tighter running times of songs. There’s a tension in uncertainty, like a fist in a pocket. ‘Holding Pattern’ is ritualistic, threatening, the ever-present bass rumble presaging a storm.
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:45 (six years ago)
Montreal reprezzzzent x3 (my #3).
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:46 (six years ago)
ayyyyy!
― bold caucasian eroticism (Simon H.), Thursday, 27 February 2020 19:46 (six years ago)
do they like fiddle with the volume knobs during their gigs or something
― strangely hookworm but they manage ream shoegaze poetry (imago), Thursday, 27 February 2020 19:49 (six years ago)
Maybe? I don't go to gigs.
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:51 (six years ago)
i don't even own a gig
― sorry for butt rockin (Neanderthal), Thursday, 27 February 2020 19:57 (six years ago)
I'm the only knob at most gigs I attend
― bold caucasian eroticism (Simon H.), Thursday, 27 February 2020 19:58 (six years ago)
Two more for tonight.
― romanesque architect (pomenitul), Thursday, 27 February 2020 19:59 (six years ago)
22Cloud Rat - Pollinator300 points, 10 votes
https://f4.bcbits.com/img/a1107819575_16.jpg
https://open.spotify.com/album/620a5hNUjGyYWWUtpNHUkahttps://cloudrat.bandcamp.com/album/pollinator
https://toiletovhell.com/review-cloud-rat-pollinator/
With a groan that seems to last forever, a giant crashes through the canopy and lies still on the forest floor. Communities disappear in the upheaval, and the survivors scatter through mazes of fallen branches. Before long, hulking machines arrive, gouging the landscape, clamping onto the fallen tree like jaws on the throat of prey. While conflict has always been present in nature, the scale of human violence—toward ourselves and the world around us—has created an imbalance that only continues to grow, manifesting as barrens tracts in the heart of our planet’s ecosystems.If you can read the symbols making up this review, congratulations (or condolences), you’re a human. That is to say, a nervous ape who was born into this perplexing stretch of time when so many things seem to be spinning out of control. Cloud Rat captures our cacophonous moment, plunging listeners into the absurdity of modern life with their new album, Pollinator.The opening salvo of “Losing Weight” and “Delayed Grief//Farmhouse Red” checks most of grindcore’s rickety boxes: punk riffs flicker quicker than dying street lamps, d-beats and blasts make the kit ask what it did to deserve this, and maniacal vocals mirror the commotion of a fast-paced society. However, even when playing within the confines of a single genre, the band’s attention to detail sets them apart from the pack; the crisp production ensures that Brandon’s rapid drumming never loses clarity (note the cymbal choke embellishments at the end of “Losing Weight”) despite the thick tone of the guitars, and every song, no matter how minute, quickly establishes its own personality.
If you can read the symbols making up this review, congratulations (or condolences), you’re a human. That is to say, a nervous ape who was born into this perplexing stretch of time when so many things seem to be spinning out of control. Cloud Rat captures our cacophonous moment, plunging listeners into the absurdity of modern life with their new album, Pollinator.
The opening salvo of “Losing Weight” and “Delayed Grief//Farmhouse Red” checks most of grindcore’s rickety boxes: punk riffs flicker quicker than dying street lamps, d-beats and blasts make the kit ask what it did to deserve this, and maniacal vocals mirror the commotion of a fast-paced society. However, even when playing within the confines of a single genre, the band’s attention to detail sets them apart from the pack; the crisp production ensures that Brandon’s rapid drumming never loses clarity (note the cymbal choke embellishments at the end of “Losing Weight”) despite the thick tone of the guitars, and every song, no matter how minute, quickly establishes its own personality.
What a great fuckin band. I found their split comp last year even more thrilling but this is pretty great.
― bold caucasian eroticism (Simon H.), Thursday, 27 February 2020 20:02 (six years ago)
brilliant record
― american bradass (BradNelson), Thursday, 27 February 2020 20:06 (six years ago)
Hopefully imago won't be too heartbroken when he finds out it didn't make it into the top 20…
― romanesque architect (pomenitul), Thursday, 27 February 2020 20:10 (six years ago)
21Jute Gyte - Birefringence301 points, 8 votes
https://f4.bcbits.com/img/a0522655153_16.jpg
https://open.spotify.com/album/6q98xuIQSOyI9bkQIq1nAshttps://jutegyte.bandcamp.com/album/birefringence
Up to this point, Jute Gyte has made an almost annual tradition of releasing the boldest black metal album of the year. With this project, multi-instrumentalist Adam Kalmbach has channeled the black metal blueprint through classical composition techniques—microtonality and serialism, primarily—and paired the results with elements of dark ambient, industrial, and noise. His recent output has been particularly exceptional, with our staff bestowing high praise on albums like Perdurance (2016), The Sparrow (2017), and Oviri (2017). Each release is challenging and rewarding in its own way, as Kalmbach continuously reconstructs his music around different ideas.It’s a rare, rewarding feat when an already ambitious artist manages to enhance their music further, which is exactly what Jute Gyte has accomplished on Birefringence. While Kalmbach still employs advanced compositional concepts with these tracks, he revealed via Bandcamp that “this album was written more freely than the last few.” As a result of that, Birefringence is far and away Jute Gyte’s strongest release in recent memory. The album just as experimental as Kalmbach’s back catalog while also boasting a fresh, varied approach that makes its density all the more worthwhile to parse out.First, let’s address the elephant in the room regarding the ability of listeners to “get” Jute Gyte’s music. I’ll openly admit to my limited background with music theory, which is why I was happy to link to articles explaining microtonality and serialism rather than attempting to explain them myself. Yet, despite Jute Gyte’s incredible complexity, Kalmbach’s approach to songcraft produces music that’s universally enjoyable to those with an affinity for avant-garde music. Regardless of your own musical background, his compositions should strike you as intriguing and stimulating, making for an inherently worthwhile listening experience.
It’s a rare, rewarding feat when an already ambitious artist manages to enhance their music further, which is exactly what Jute Gyte has accomplished on Birefringence. While Kalmbach still employs advanced compositional concepts with these tracks, he revealed via Bandcamp that “this album was written more freely than the last few.” As a result of that, Birefringence is far and away Jute Gyte’s strongest release in recent memory. The album just as experimental as Kalmbach’s back catalog while also boasting a fresh, varied approach that makes its density all the more worthwhile to parse out.
First, let’s address the elephant in the room regarding the ability of listeners to “get” Jute Gyte’s music. I’ll openly admit to my limited background with music theory, which is why I was happy to link to articles explaining microtonality and serialism rather than attempting to explain them myself. Yet, despite Jute Gyte’s incredible complexity, Kalmbach’s approach to songcraft produces music that’s universally enjoyable to those with an affinity for avant-garde music. Regardless of your own musical background, his compositions should strike you as intriguing and stimulating, making for an inherently worthwhile listening experience.
A mere point ahead of the Cloud Rat!
Probably only like his 5th best album. My #4 and a work of intense and savage brilliance
― strangely hookworm but they manage ream shoegaze poetry (imago), Thursday, 27 February 2020 20:11 (six years ago)
This one didn't connect for me at all.
― bold caucasian eroticism (Simon H.), Thursday, 27 February 2020 20:11 (six years ago)
Final recap before tomorrow's top 20 countdown:
21 Jute Gyte - Birefringence 301.0 8 022 Cloud Rat - Pollinator 300.0 10 023 Big Brave - A Gaze Among Them 300.0 8 024 Cult of Luna - A Dawn to Fear 295.0 7 125 Astronoid - Astronoid 294.0 8 226 Schammasch - Hearts of No Light 294.0 8 027 Full of Hell - Weeping Choir 275.0 9 028 Blut aus Nord - Hallucinogen 262.0 7 029 Opeth - In cauda venenum 249.0 7 030 Darkthrone - Old Star 246.0 8 031 The Lord Weird Slough Feg - New Organon 235.0 6 132 Xoth - Interdimensional Invocations 223.0 6 133 Lightning Bolt - Sonic Citadel 209.0 7 034 Sunn O))) - Pyroclasts 207.0 6 035 Witch Trail - The Sun Has Left the Hill 204.0 5 136 Glenn Branca - The Third Ascension 203.0 6 037 King Gizzard and the Lizard Wizard - Infest the Rats' Nest 201.0 6 038 Boris - Love & Evol 200.0 5 139 Cerebral Rot - Odious Descent Into Decay 189.0 6 040 Andavald - Undir skyggðarhaldi 187.0 4 141 Mdou Moctar - Ilana (The Creator) 186.0 6 042 Candlemass - The Door to Doom 185.0 6 043 Mayhem - Daemon 181.0 4 044 Tool - Fear Inoculum 179.0 6 045 Mammoth Weed Wizard Bastard - Yn Ol I Annwn 178.0 4 046 Car Bomb - Mordial 176.0 6 147 Imprecation - Damnatio Ad Bestias 174.0 5 148 Brutus - Nest 170.0 6 048 Misþyrming - Algleymi 170.0 6 050 Wormed - Metaportal 169.0 5 051 Yellow Eyes - Rare Field Ceiling 168.0 5 052 Fly Pan Am - C'est ça 164.0 4 053 Crypt Sermon - The Ruins of Fading Light 162.0 5 054 Ossuaire - Derniers chants 161.0 4 055 Disentomb - The Decaying Light 160.0 6 056 Teitanblood - The Baneful Choir 157.0 6 057 Slipknot - We Are Not Your Kind 157.0 5 058 Haunter - Sacramental Death Qualia 155.0 4 059 Ghost - Seven Inches of Satanic Panic 150.0 4 060 Jorge Elbrecht - Coral Cross - 002 148.0 4 061 Falls of Rauros - Patterns in Mythology 145.0 5 062 Witch Vomit - Buried Deep in a Bottomless Grave 144.0 5 063 Dysrhythmia - Terminal Threshold 142.0 4 064 Bölzer - Lese Majesty 136.0 5 064 Krallice - Wolf 136.0 5 066 Cattle Decapitation - Death Atlas 133.0 7 067 Pissgrave - Posthumous Humiliation 133.0 5 068 Mgła - Age of Excuse 133.0 3 169 Warforged - I:Voice 132.0 5 070 Black Mountain - Destroyer 132.0 4 071 Funereal Presence - Achatius 132.0 3 072 Andvaka - Andvana 131.0 3 073 Weeping Sores - False Confession 129.0 4 074 PUP - Morbid Stuff 127.0 3 075 Saint Vitus - Saint Vitus 126.0 5 076 Major Stars - Roots of Confusion 125.0 3 077 Oozing Wound - High Anxiety 124.0 3 078 Motorpsycho - The Crucible 119.0 4 079 Deathspell Omega - The Furnaces of Palingenesia 119.0 3 180 Amygdala - Our Voices Will Soar Forever 115.0 3 081 Nightfell - A Sanity Deranged 112.0 4 082 Skáphe + Wormlust - Kosmískur hryllingur 111.0 4 083 Kostnatění - Hrůza zvítězí 110.0 4 084 The Neptune Power Federation - Memoirs of a Rat Queen 110.0 3 085 Krypts - Cadaver Circulation 109.0 4 086 No One Knows What the Dead Think - No One Knows What the Dead Think 108.0 4 087 Dead to a Dying World - Elegy 107.0 4 087 Pharaoh Overlord - 5 107.0 4 089 Serpent Column - Mirror in Darkness 105.0 5 090 Angel Witch - Angel of Light 105.0 3 091 Pinkish Black - Concet Unification 101.0 5 092 Putrescine - The One Reborn 100.0 3 093 Terminal Cheesecake - Le sacre du lièvre 96.0 2 194 Inculter - Fatal Visions 95.0 5 095 Drudkh - A Few Lines in Archaic Ukrainian 95.0 3 096 Zig Zags - They'll Never Take Us Alive 95.0 2 097 False - Portent 92.0 4 097 Russian Circles - Blood Year 92.0 4 099 Fvneral Fvkk - Carnal Confessions 92.0 3 099 The Cosmic Dead - Scottish Space Race 92.0 3 099 Vesperith - Vesperith 92.0 3 099 Vircolac - Masque 92.0 3 0103 Coffin Rot - A Monument to the Dead 90.0 2 0103 Sanguisugabogg - Pornographic Seizures 90.0 2 0105 Deus Mortem - Kosmocide 89.0 3 0106 Spirit Adrift - Divided by Darkness 88.0 4 0107 Venom Prison - Samsara 86.0 2 0108 Devin Townsend - Empath 85.0 3 0108 Gaahls WYRD - Gastir - Ghosts Invited 85.0 3 0108 Multishiva - Savupäivä 85.0 3 0111 Mizmor - Cairn 82.0 4 0112 Vanum - Ageless Fire 82.0 3 0113 Ithaca - The Language of Injury 80.0 3 0114 Veiled - In Blinding Presence 78.0 3 0115 Dawn Ray'd - Behold Sedition Plainsong 77.0 4 0116 Nile - Vile Nilotic Rites 77.0 3 0117 Paladin - Ascension 76.0 2 0118 Eluveitie - Ategnatos 75.0 3 0118 Reveal - Scissorgod 75.0 3 0120 Atlantean Kodex - The Course of Empire 75.0 2 0120 Fetid - Steeping Corporeal Mess 75.0 2 0120 Have a Nice Life - Sea of Worry 75.0 2 0
― romanesque architect (pomenitul), Thursday, 27 February 2020 20:12 (six years ago)
A lot of people seem to think this might be his best, though, which is nice and encouraging. It certainly might be his furthest-out. I personally love how it twists, turns and ultimately subsumes itself. He really knows how to construct an album, even if his dice are doing some of the work for him!
Skipping the opening track (the shortest on the album but possibly the most impenetrable!) might be a way in for some of you
― strangely hookworm but they manage ream shoegaze poetry (imago), Thursday, 27 February 2020 20:13 (six years ago)
Dissected Grace is the best Jute Gyte shoegaze track ever
― tangenttangent, Thursday, 27 February 2020 20:25 (six years ago)
admit you wanted to type 'best shoegaze track ever' and chickened out
― strangely hookworm but they manage ream shoegaze poetry (imago), Thursday, 27 February 2020 20:27 (six years ago)
Less thought went into it than that sadly. I'm teaching a lesson about SIMS FreePlay
― tangenttangent, Thursday, 27 February 2020 20:31 (six years ago)
But yes, sure, I would stand by it being the best shoegaze track ever too why not!
there you have it, folks
― strangely hookworm but they manage ream shoegaze poetry (imago), Thursday, 27 February 2020 20:36 (six years ago)
2018 Top 100 to contrast andcompare
33 Ballots
Rank Name Score Votes #1 Votes1 Sleep - The Sciences 758.0 18 12 Yob - Our Raw Heart 724.0 18 23 Windhand - Eternal Return 443.0 14 14 Mournful Congregation - The Incubus of Karma 415.0 10 15 Uncle Acid and the Deadbeats - Wasteland 413.0 11 16 Evoken - Hypnagogia 408.0 12 07 Ghost - Prequelle 408.0 11 08 Thy Catafalque - Geometria 377.0 10 19 Khorada - Salt 358.0 8 110 Entropia - Vacuum 355.0 9 1
11 Deafheaven - Ordinary Corrupt Human Love 354.0 9 112 High On Fire - Electric Messiah 346.0 10 013 Summoning - With Doom We Come 345.0 10 014 The Armed - Only Love 334.0 8 215 Voivod - The Wake 324.0 10 016 Yamantaka//Sonic Titan - Dirt 323.0 8 017 Senyawa - Sujud 321.0 8 018 SUMAC - Love in Shadow 310.0 8 119 Tomb Mold - Manor of Infinite Forms 286.0 9 020 Ails - The Unraveling 284.0 7 021 Zeal & Ardor - Stranger Fruit 270.0 8 122 Pharaoh Overlord - Zero 268.0 7 123 Panopticon - The Scars of Man on the Once Nameless Wilderness I And II 266.0 8 124 Khemmis - Desolation 256.0 7 025 Urfaust - The Constellatory Practice 255.0 8 026 Rolo Tomassi - Time Will Die And Love Will Bury It 252.0 6 027 LLNN - Deads 237.0 6 128 Funeral Mist - Hekatomb 230.0 7 029 Pantheist - Seeking Infinity 222.0 5 030 mewithoutyou - Untitled 221.0 5 131 Kriegsmaschine - Apocalypticists 216.0 5 132 Judas Priest - Firepower 214.0 8 033 Jóhann Jóhannsson - Mandy (Original Motion Picture Soundtrack) 214.0 6 034 A Forest of Stars - Grave Mounds and Grave Mistakes 212.0 6 135 Mesarthim - The Density Parameter 212.0 6 036 Cloud Rat - Clipped Beaks // Silk Panic 209.0 5 137 Horrendous - Idol 207.0 8 038 awakebutstillinbed - what people call low self-esteem is really just seeing yourself the way that other people see you 206.0 5 139 Earthless - Black Heaven 205.0 6 040 Daughters - You Won't Get What You Want 203.0 5 041 Slugdge - Esoteric Malacology 197.0 6 042 DMBQ - Keeenly 194.0 6 042 The Skull - The Endless Road Turns Dark 194.0 6 044 Ungfell - Mythen, Mären, Pestilenz 193.0 5 145 Dark Buddha Rising - II 191.0 5 046 Andrew W.K. - You’re Not Alone 189.0 5 147 Imperial Triumphant - Vile Luxury 188.0 5 048 Agrimonia - Awaken 180.0 5 149 Messa - Feast for Water 179.0 5 050 Wrong - Feel Great 177.0 5 0
51 Graveyard - Peace 176.0 5 152 Sorcier des glaces - Sorcier des glaces 173.0 6 053 Tribulation - Down Below 164.0 5 054 Obliteration - Cenotaph Obscure 163.0 4 055 ION - A Path Unknown 161.0 5 056 Sumac & Keiji Haino - Keep Facing Sideways, You're Too Hideous To Look At Face On 160.0 4 057 The Body - I Have Fought Against It, but I Can't Any Longer. 159.0 7 058 Witch Mountain - Witch Mountain 156.0 5 059 Shylmagoghnar - Transience 155.0 5 060 Sylvaine - Atoms Aligned, Coming Undone 154.0 5 061 Wiegedood - De Doden Hebben het Goed III 154.0 4 062 Thou - Magus 152.0 4 063 Ancestors - Suspended in Reflections 151.0 4 063 The Ocean - Phanerozoic I: Palaeozoic 151.0 4 065 Alameda 4 - Czarna Woda 150.0 4 066 Sepulcher - Panoptic Horror 148.0 4 067 Earthling Society - MO-The Demon 148.0 3 168 ST 37 - ST 37 146.0 4 069 Gnaw Their Tongues - Genocidal Majesty 144.0 5 070 Skeletonwitch - Devouring Radiant Light 142.0 5 071 Yawningman - The Revolt Against Tired Noises 142.0 4 172 Satan - Cruel Magic 137.0 4 073 KEN Mode - Loved 135.0 5 074 Un - Sentiment 135.0 3 075 Koenjihyakkei - Dhorimviskha 134.0 3 076 Portal - ION 131.0 4 077 Tropical Fuck Storm - A Laughing Death in Meatspace 130.0 4 078 Aura Noir - Aura Noire 128.0 4 079 Cultes des Ghoules - Sinister, or Treading the Darker Paths 127.0 3 080 Cosmic Church - Täyttymys 126.0 4 080 Paara - Riitti 126.0 4 082 Bongripper - Terminal 126.0 3 183 Chapel of Disease - And as We Have Seen the Storm, We Have Embraced the Eye 125.0 3 084 Turnstile - Time & Space 124.0 3 085 Fluisteraars / Turia - De Oord 122.0 3 086 Uniform - The Long Walk 118.0 3 087 Lychgate - The Contagion in Nine Steps 117.0 4 088 Yhdarl - Loss 117.0 3 089 The Atlas Moth - Coma Noir 115.0 4 090 envy - Alnair In August 112.0 4 091 Cantique lépreux - Paysages polaires 112.0 3 092 Hamferð - Támsins likam 108.0 4 093 Azusa - Heavy Yoke 108.0 3 094 Rebel Wizard - Voluptuous Worship of Rapture and Response 107.0 3 095 Hooded Menace - Ossuarium Silhouettes Unhallowed 104.0 4 096 Machine Girl - The Ugly Art 100.0 3 097 Pale Divine - Pale Divine 99.0 3 098 Basalte - Vertige 97.0 3 099 Alice In Chains - Rainier Fog 96.0 3 0100 Black Salvation - Uncertainty Is Bliss 96.0 2 1
― Oor Neechy, Thursday, 27 February 2020 20:40 (six years ago)
I feel way more in tune with the hivemind this year.
― romanesque architect (pomenitul), Thursday, 27 February 2020 20:42 (six years ago)