Beck: Married.

I'd heard Oar before but outside of a few clever lines (the weighted down/waited down couplets, for example) I found it actively irritating. Skip seemed like mostly a creep/sad figure as well, which also contributed to my not finding it a pleasant listen.

But Beck's version morphs it into a totally different thing

The Oar tribute record brings me back to the halcyon days of HEAR Music.