Vampire Weekend - Father of the Bride

I had to go and get two tyres sorted and all I've been humming to myself - the residue of listening to this all morning - is Paul Young's version of Love of the Common People and that bastard Jona Lewie Christmas song.

were the first three records credited to the band? I always assumed it was a Lennon/McCartney situation

― flappy bird, Friday, May 3, 2019

The band credited with music, Koenig with lyrics on first two.

“stranger” is absolutely amazing

if there is a Pazz & Jop poll this year, this album will win it

I spent a minute of 'Hold You Know' thinking 'ugh, country', and then Ezra said 'Alright' and it sounded like he just straight up hit the sample button. Incredible moment. Throughout the whole album, the arrangements are absolutely amazing, on another level of everything they've ever done - and they've always been great at arrangements. But I feel like this time it's like the entire world is at the tip of Ezra's finger, and he just summons whatever he wants when he needs something to underscore what he is saying. It's a crazy feeling.

The only song I kinda don't get at all is My Mistake, and even there I think it's quite funny the way it leads into Sympathy.

Some cool behind the scene stuff in Rostam’s story https://instagram.com/matsor?utm_source=ig_profile_share&igshid=3dixolg6z7np

It's not really country, it's "country," or "Kacey Musgraves"

haha "Harmony Hall" to swipe from Happy Mondays

https://www.youtube.com/watch?v=2CQLAhNlbfQ

I have never been the biggest fan -- I like some songs and I've always thought Ezra's a talented dude, but the band as a whole kind of put me off. But this one is clicking for me -- a little mellower, I guess, plus it's not as rhythmically grating as I've found them before. (They're number one on my list of "Bands I would like better with a good drummer.") But if it's a VW album that people who aren't VW fans like, then maybe VW fans won't dig it as much.

XP...which was taken from John Congos...

Um, the rhythms has probably always been my favourite part of VW? Though admittedly less on MVOTC

xpost surely you mean john Kongos

also tipsy otm i think i like this but i listened to the others this week and i didn't really like this band before

strong john prine/iris dement vibe on d.haim duets

yah, in a good way. I would be down for a whole Ezra/Danielle album.

strong john prine/iris dement vibe on d.haim duets

― tonga,

Yeah, it sounds like they're aiming for "In Spite of Ourselves" on "We Belong Together."

I wish it'd been a Rickie Lee Jones cover.

Um, the rhythms has probably always been my favourite part of VW? Though admittedly less on MVOTC

To each their own. I think Ezra's a good rhythm guitarist, but the actual rhythm section of the band -- drums in particular -- has always been the achilles heel for me. (Seeing them live had the effect of confirming rather than dissipating this for me.)

i wish Bambina was twice as long

To each their own. I think Ezra's a good rhythm guitarist, but the actual rhythm section of the band -- drums in particular -- has always been the achilles heel for me. (Seeing them live had the effect of confirming rather than dissipating this for me.)

― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), 3. maj 2019 20:54 (fourteen minutes ago) Bookmark Flag Post Permalink

I agree it's always felt rickety, especially when I saw them live as well, but the rhythms they are trying to play are so much more inventive than pretty much any other indie band this side of Dirty Projectors.

Love the album so far.

Curious about the choices made for the singles that were released ahead of time. Would you guys have made the same decisions on prerelease singles?

This album is very bland.

you're bland

Something this album gets right in a way the other ones maybe didn’t is that the melodies are industrial strength but this time there’s a certain lightness of touch that keeps the whole from being overbearing. (Which might help explain why I’ve never rated this band too too highly, in terms of year end lists and such, in the past - despite the fact that I do like them a lot.)

Because of the new album release the local station that plays this stuff is playing more from them. "Unbelievers" popped up and I forgot a) it existed (I've never really listened to VW at home) and b) how much I like it.

VW is very bland in general

I think this album at least there are leaning in to a 1990 triple-A radio station format vibe

I was hoping this album was going to lean hard into "we're having a baggy revival whether you like it or not" but large chunks of it feel like they landed on "you know, Jim Croce is really kind of nice"

True story: I just found out that Jim Croce is buried maybe two plots over from my dad!

girl, if you don’t know by now... ;)

Rastam and Ezra
Founded a band
The music they made
Was just unbearably bland.
Rastam went solo
Ezra went on
But the album he finished
Was unbearably long.

re: Ezra not pretending the band is a democracy anymore:

the impression i got from the credits for the pre-release tracks is that the rhythm section was barely involved at all in this album and it's basically an Ezra solo album - they were only credited with backing vocals on a few of the pre-release tracks and bass/drums were played by some LA session guys. they could have more playing credits on some of the album cuts though idk i haven't seen the full liner notes yet. in this piece: https://www.stereogum.com/featured/vampire-weekend-ezra-koenig-interview-father-of-the-bride/ Ezra does talk a bit about the band always having been his vision even if he did write with others

i really don't know how someone could argue the first two VW albums are bland of all things, hard to think of a more inventive indie band from the time.

NPR interview today was a mix of endearing and insufferable.

they've always played "accessible" sounds i think that's what ppl mean by bland

i love the album extremely chill gives me warm vibes

big fan of it. wanders a bit second half, but that's to be expected with so many songs new to the ears. i'm glad the band has become a kind of project rather than depending on the playing of the individual members. seems like a good way to go.

VW is Ezra and yer granny on bongos.

"spring snow" has really similar vibes to the new lambchop album, which i love

better singing, though

Could someone explain what is so "inventive" and about this band? Like being an early 00s indie band who did a thirdhand version of Paul Simon's secondhand version of African stuff?

I think a lot of it was they were cute and dressed well

On the first two albums their mishmash of musique concrète, programmed beats, light ska, high life guitar, and gnomic observations about class impressed the hell out of me.

Or you could read ten thousand other reviews.

Musique concrète?

sound effects, samples, etc

the French sounds more precious, and they deserve it

Could someone explain what is so "inventive" and about this band? Like being an early 00s indie band who did a thirdhand version of Paul Simon's secondhand version of African stuff?

it’s funny how some albums like graceland in the twisted minds of vdubs haters are held up like ‘we already did this, not original’ as if every album doesn’t have precedent. like m@tt prob considers hundreds of rock albums inventive for cool rhythms clever riffs tight lyrics (same reasons we love vw) despite having dozens of predecessors

I think a lot of it was they were cute and dressed well

crushing on ezra is definitely a fun part of being a fan, but i still remember my ears perking up when i first heard ‘oxford comma’

I remember perking up in early 2010 when Ezra started wearing skinny jeans

lol :)

Alfred's last seven posts or whatever are tremendously otm

yeah alfred completely otm

i don't think vw really bare that much resemblance to graceland beyond a somewhat superficial african-ness, which of course comes from both being strongly influenced by music from the same continent. graceland though was mostly influenced by south african music while iirc the african music vampire weekend have drawn from is mostly from west and central africa.

on their debut the main innovation is the way they combine that african-influenced sound with all their baroque harpsichord flourishes etc. but on contra they pushed things much further by combining those sounds with kinda chintzy synths and beats in a way that feels completely natural, and a whole bunch of other things too as alfred detailed. the end result is this really lovely blend of organic and synthetic and the way tracks will shift between the two is fantastic. most tracks on contra have enough ideas to make an entire career out of

Of course, MVOTC pushes this approach to its limit such that its rhythm section almost vanishes, and it makes sense that it's a Koenig-Rostam project in name only. I like it least of their albums; the willful wispiness of the music at times repels me.