The National - Trouble Will Find Me

Extra drums explained by extra drummers (cf. Radiohead, Fugazi). Devendorf is still a monster/machine.

wait are there two drummers on this song

I dunno! But that live video just above feature at least two people drumming along with Devendorf. So ... maybe? Or maybe just a little here and there? I still think it's largely him plus a minimal programming assist.

glad The National finally decided to make a concept album about the dearly departed FX series Justified

https://www.youtube.com/watch?v=gY22IpVkQp0

here's a compilation of recordings of the unreleased songs they played on the last tour - all of them are on the new one except "sometimes i don't think" but i expect it'll be there under a different title.

"so far, so fast" is nearly 8 minutes and has an extended sax solo that reminds me of the blade runner soundtrack

xpost idk "light years" is pretty crushing

New video/track

https://www.youtube.com/watch?v=5FQtSn_vak0

The National is Arab Strap for dummies, discuss

idk sounds like you're the one who needs to make a case

yeah i'm having trouble with this one. drunk maudlin radiohead for dummies maybe.

as whole-band composers, the national are way not for dummies so uh yes please elaborate.

the deep register voice detailing personal events and the attendant feelings all within a downbeat, melancholic musical framework.

although the national's lyrics are more abstract.

I like this formula, and want to like the national, but there's something too explicit or on the nose about the words, idk

I listened to Alligator, Boxer and Trouble Will Find me the other day, and boy do I like this band, and in particular so many specific aspects of the band. Like, obviously, the drummer, who is always interesting, or the lyrics, which are sort of abstract and elliptical but still cut to some accidentally truths once in a while, to the fact that no one personality dominates the group, not even Matt, who, for that matter, has been quietly writing his lyrics with his wife for a while now, and she's not even in the band (shades of Tom Waits' work process). Had some flashbacks to all the great shows I've seen them play. Looking forward to this new album and the tour. .

I have never been able to get into The National in spite of some interesting aspects of their music and lyrics. I think that I was poisoned by reading, before I ever heard a note of The National, Carl Wilson’s article in Slate that introduced the term "crescendo rock". Once I knew Wilson’s critique, I couldn't <i>not</i> hear those things in the songs.

Another big turnoff was seeing the making-of video for "Bloodbuzz Ohio" where the camera turns to Matt Berninger’s wife, and she was such a ordinary 30-something bourgeois white family woman that it completely punctured any rock 'n' roll aura (freedom, a certain rebelliousness) around the band. I know that many rock stars have conventional family lives at the time they are producing their meaningful work, but I for one would rather not hear about it or see it. Thankfully, Matt Berninger doesn’t write cringeworthy paeans to his own children – as he stated in a 2013 interview, "When I listen to rock 'n' roll, I don't want to hear people singing about their kids – but just seeing that wife was enough to spoil it for me.

what the fuck

Well that certainly took a direction

a critique of crescendo rock followed by a crescendo of what the fuck

wave after wave

I was offering a counterpoint to Josh in Chicago’s suggestion that the involvement of Matt Berninger’s wife might be a good thing. I don’t think that the situation is comparable to Tom Waits and Kathleen Brennan. Brennan is known to be a quirky, eccentric personality and their relationship has always had an artistic quality to it; it doesn’t seem like dull conventional family life. Carin Besser, on the other hand, just comes across as so ordinary that, as I said, it just punctures any rock 'n' roll aura around her spouse and, by extension, the whole band.

Counter-counterpoint: You don't - I assume - know Tom Waits or his wife or Matt Berninger or his wife or anything about any of their relationships or their lives.

What a bizarre thing to judge a band on!

> What a bizarre thing to judge a band on!

Rock 'n' roll is all about image. People judge bands all the time based not only on the actual music those bands play but also the image that the musicians give off. Why do you think that so many rock 'n' roll musicians since the 1960s have not revealed much of their ordinary family lives to the public? It is because that settling down to an ordinary family life with a wife (or husband) and kids clashes with the traditional image of rock 'n' roll as a certain freedom, craziness, rebellion, bohemianism, whatever. Now, in the case of a band like The National, apparently this doesn’t bother many of its fans. They might even think it is something cool. But the glimpse that the band has offered into ordinary family life (first the Berningers in the "Bloodbuzz Ohio" making-of, then press coverage in the years since) was a turnoff to me personally, just like when artists sing about their kids. I just thought I would throw it out here as one more reason this band can be problematic to certain people. That’s all, I didn’t intend to go on hating on them. I’ll retreat now and let the thread return to the more positive comments that the band’s fans would like.

when I need that low-down, dirty ass rock and roll with a rockin' 'tude, I know I can always reach for The National....or at least I thought I could...

xpost wtf?

I don't know anything about Kathleen Brennan, but I brought her up as an example of an external creative entity contributing to a band they're not in, which in turns adds even more to the mystery of a band with no clear fulcrum/leader. I don't know a single thing about Kathleen Brennan other than she's apparently real, but Berninger's wife Carin Besser is a former fiction editor at the New Yorker, which (not that she needs any defense) earns some boho credit. Anyway, her involvement is *definitely* a good thing, since she helps him write good lyrics, including lyrics not about children. On the last album she even helped him write a song about the breakup of their marriage (they were not breaking up).

And, yeah, the National might be cathartic but they're pretty conventional smarty-pants "indie" a la Radiohead or something, not some crazy monster rock explosion that one turns to for Dionysian release or whatever. I would be shocked if they were anything less than conventional in their private lives.

no squares allowed

Rock 'n' roll is all about image. People judge bands all the time based not only on the actual music those bands play but also the image that the musicians give off. Why do you think that so many rock 'n' roll musicians since the 1960s have not revealed much of their ordinary family lives to the public? It is because that settling down to an ordinary family life with a wife (or husband) and kids clashes with the traditional image of rock 'n' roll as a certain freedom, craziness, rebellion, bohemianism, whatever. Now, in the case of a band like The National, apparently this doesn’t bother many of its fans. They might even think it is something cool. But the glimpse that the band has offered into ordinary family life (first the Berningers in the "Bloodbuzz Ohio" making-of, then press coverage in the years since) was a turnoff to me personally, just like when artists sing about their kids. I just thought I would throw it out here as one more reason this band can be problematic to certain people. That’s all, I didn’t intend to go on hating on them. I’ll retreat now and let the thread return to the more positive comments that the band’s fans would like.

― Melomane

Well, I'm glad to see Jann Wenner knows about ILM.

lol

This band is problematic
The singer has a wife
And I have a problem with that

wait til this guy hears about Kim Thayil and the bookstores

Brazen rebellious board members criticizing musicians for *gasp* having age-appropriate spouses.
Crescendo rock is pretty spot on - I absolutely loved Boxer but I feel I don't really need to hear more from them.

If you absolutely loved Boxer I don't see why you wouldn't *want* to hear more from them?

Someone tell me about Kim Thayil and bookstores!!! Does he own bookstores? Can he read?!

Many, many layers of weird unpleasantness to unpack in those posts about Berninger's wife and whateverthefuck rock'n'roll is in 2019. Would anyone have deigned to make that initial post if it was about any other demographic than a white woman of a certain age? And who subscribes to rock'n'roll mythology in 2019, especially with regards a band like The National? Bizarre.

lol wilson's article literally has this aside: "On “Pink Rabbits,” he admits, “I was a television version of a person with a broken heart … I was a white girl in a crowd of white girls in a park” (OK, so he hasn’t altogether left Cohen’s sexism behind)."

JiC, if you dig up the Taking Sides: Metallica vs Soundgarden thread, there’s an anecdote about an interviewer eager to hear about how wild Soundgarden gets on the road and Kim’s like “I actually just visit a lot of bookstores...”

RIP bookstores

Hah, that wouldn't surprise me. Then again, all rock stars are liars.

thayil has a philosophy degree iirc? the white wife of degrees

Chris Cornell shares a last name with an Ivy League school.

https://www.youtube.com/watch?v=W_aN81SBI3A

this is a pretty typical National ballad but the arrangement is so gorgeous, feels like the best version of them as a band

I've noticed lately a trend of indie rock bands, who've already had basically a full lifespan by rock standards, ie multiple successful album/tour cycles across a decade plus, attempting to navigate a subsequent phase of being older and more low key, but also with stable home lives and families. I like it! It's interesting. The cliches have been done, and anyway will continue to be performed in perpetuity.

Incidentally, a good example of the converse would be Arcade Fire, who've insisted they approach every album like their first, and are commensurately self serious.

With diminishing returns!

I guess there's a spectrum between constant reinvention (AF, Arctic Monkeys) vs continual refinement (The National, Spoon maybe?)

Late Spoon >> late The National imho.

I reckon Spoon are underrated as experimenters. Traditionalists in many ways, sure, but every album has a very distinct sonic flavor. That said I'm a spoon fanboy so yknow.

I can't think of a single Spoon album I'd rather not hear ever again. I'm afraid I can't say the same for The National.

love their cover of Terrapin Station w/2 guys from Grizzly Bear that Man Alive posted the other day. a long song I can put on repeat.

A career career career!

But yes, as someone who is about to turn 40, I have a great deal of time for any musician - band, solo artist, mum, dad, whatever - who is continuing to make music and avoiding reliving cliched rock-n-roll fountain-of-youth cliches.

https://www.youtube.com/watch?v=ifElv18k2O8

this is v good

apparently all the new national songs heard in this have been dramatically remixed for the film

i think this might be the best National album

unfortunately there's not much more in the way of upbeat art-rockers like "You Had Your Soul With You" and the moody midtempo tracks they've always preferred still dominate

Not In Kansas seems a standout on first listen but there's a lot to take in, especially with all the guest vocalists.

Must be a couple of their longest ever tracks on this record too.

i really like "where is her head", the way it builds with all the overlapping vocals is wonderful

the interpolation of thinking fellers union local 282's "noble experiment" in "not in kansas" was quite unexpected but it's nice to be reminded of that