The Drones - any good (also Tropical Fuck Storm content here)

the unabashedly atonal guitar work is a considerable part of the fun, yes

kind of a sleaford mods vibe to this one

It’s limited to 500 copies on orange vinyl and the b-side is a cover of Missy Elliott’s “Can’t Stop.”

on one hand, them covering a Rich Harrison production does kinda make sense and it's a deep cut, but....kinda trepidatious about this one lol

this is fantastic, excited there's a new album on the way already. love when the intensity really ramps up from the guitar solo onwards

I like this super zoned out session from October

https://www.youtube.com/watch?v=YvihhF-U35Y

Hobart 22 March 2019
https://i.imgur.com/CoARMax.jpg?1

ahhh I bet their "Baby²" ruled

Yeah it went off, it was a very sweaty room afterward. Finished up, downed tools, no encore. Not in a shitty way, they just did what they came to do, done.
Insanely tight band, and I love Erica's lead playing, partly fluid and mad, partly munted and primitive. I got Afrobeat feels from some of the songs. "Rubber Bullies" was like a raw nerve, total command of dynamics and batshit crescendoes.

as much as this is a vocal/lyric band, "Shellfish Toxin" is a really amazing instrumental, almost reminds me of a post punk Robert Wyatt or something

― No Smockin' (upper mississippi sh@kedown), Tuesday, December 18, 2018 11:42 AM (four months ago) Bookmark Flag Post Permalink

Haha this just came up on my shuffle and for a minute so I thought it was Roedelius or something

lmao

https://youtu.be/lwlQr2NlEY0

also, tour dates:

08/28/2019 – Los Angeles, CA / Bootleg Theater
08/29/2019 – San Francisco, CA / Bottom Of The Hill
08/30/2019 – Arcata, CA / Richards’ Goat Tavern & Tea Room
08/31/2019 – Portland, OR / Mississippi Studios
09/01/2019 – Vancouver, BC / Static Jupiter
09/03/2019 – Seattle, WA / Barboza
09/06/2019 – Washington, DC / Comet Ping Pong
09/07/2019 – Raleigh, NC / Hopscotch Music Festival
09/08/2019 – Atlanta, GA / The Earl
09/10/2019 – Austin, TX / Hotel Vegas
09/11/2019 – Dallas, TX / Three Links
09/13/2019 – St. Louis, MO / Blueberry Hill Duck Room
09/14/2019 – Chicago, IL / The Empty Bottle
09/15/2019 – Cleveland, OH / Now That’s Class
09/17/2019 – Toronto, ON / The Baby G
09/18/2019 – Montréal, QC / Bar Le ‘Ritz’ P.D.B.
09/19/2019 – Allston, MA / Great Scott
09/20/2019 – Brooklyn, NY / Elsewhere

New single is out, the A-side is as good as anything they've done and the flip is a fun odd cover.

I am totally there at the Boston gig in Sep, quite excited!

for added fun, pull up the original lyrics to "Can't Stop" while listening to see what they (wisely) changed

really want to travel to chicago to see the show

wish i could see them live

oh wait, i am, on wednesday

https://www.youtube.com/watch?v=21bEUXmM2OM

another great single and new album Braindrops is out August 23

tracklist:
Paradise
The Planet of Straw Men
Who's My Eugene?
The Happiest Guy Around
Maria 62
Braindrops
Aspirin
Desert Sands of Venus
Maria 63

the appropriately nightmarish cover art is on apple music

I like "Paradise" but it feels like a step back into Dronesland, hoping they push the synths + drum machines further along as well (as indicated by "Happiest Guy Around")

despite the incredible recent live show my expectations for this record aren't so high based on the three songs i've now heard, but hopefully there will be some bangers

i don't see any reason to be worried, "Patience" is more trad-Drones for sure but it still feels like a step above a lot of Drones songs in that vein in the way it builds and dissolves into noise, it's more like a longer "You Let My Tyres Down" really. "The Planet of Straw Men" was excellent too

it would be cool if there was a track where Gareth wasn't on lead vox this time around

(nothing against Gareth, it's just they could use their own "Work For Me" style showstopper)

anything more in the vein of the stayin' alive cover would be extremely welcome and is what i want from them more than anything else

https://www.youtube.com/watch?v=88do5cmxHsI

Simon gets his wish but this one kinda drags until the bridge which manages to redeem it

slinky!

this is def more the direction I wanna hear them go. Now very curious about the back half of the new record, the first four tracks are just as all over the place as the first record was.

Goddamn I am in love with that guitar and bass sound!

album is out there a lil early

Title track an obvious highlight, a funkier sequel to "Rubber Bullies"

"Paradise" remains a baffling, plodding opener/single and the album would be better off with it lopped off

There's potential in the slower numbers but the songwriting is no longer on point throughout. I like 'Paradise', though.

yeah feels like it could have used a little more time in the oven (what was the rush?). "Maria 63" is gorgeous, tho

Yeah, 'Maria 63' is the album highlight for me.

yeah but it still goes on a tiny bit too long

album is *nowhere near* as good as the last one, they should have really taken longer

Paradise is by far my favourite track off the new one.

"Who's My Eugene" has really grown on me, I think it's one of their best songs tbh

Only listened to the new album once but generally agree that the two previously released tracks are the strongest, the title track is fantastic and the opener is a bit plodding. But will need further spins to dig deeper.

I'm really too fond of knee-jerk rearranging of album tracklists but this I'm perfectly happy with this: Braindrops / Planet / Eugene / Maria 62 / Happiest Guy Around / Aspirin / Maria 63

That plays to me like a satisfying quickie followup freeing them up to take a stretch their legs a bit on the next one. (Still v stoked to catch them live this fall)

i still don't get all the complaints about "paradise", it's one of the highlights for me. it's a great melody and i wouldn't mind if they did a whole album of drones-but-noisier tracks like it, they really push things to a level the drones rarely reached.

the new version of "the happiest guy around" (https://famousclass.bandcamp.com/track/the-happiest-guy-around is the old version) is much stronger and noisier and "who's my eugene" has grown on me a lot.

overall i agree it's a slight step down from the debut but i still like it a lot. the only weak spot for me is "aspirin"/"desert sands of venus"

the new version of "the happiest guy around" (https://famousclass.bandcamp.com/track/the-happiest-guy-around is the old version) is much stronger and noisier

I just did an A/B comparison and I don't think they're different takes, but the LP version is mixed slightly louder. Either way, it's a good'un.

yeah it is the same take i think but that guitar or synth line is mixed louder & has more distortion i think? that really makes a big difference for me

this is growing a little on me this time around

paradise was always good imo

Seems like maybe the new songs have fewer hooks, and are more in dramatic storytelling mode.

These guys will be playing here in a few weeks, probably going to go.

Y'all had me a little concerned but I like the relatively amorphous, splodgy bits in the middle section ("Maria 62", "Desert Sands...", "Aspirin") just fine. And you can add me to the "how is "Paradise' not a highlight?" column too.

Paradise is probably their hugest, noisiest track overall. It hits really hard.

Argh they’re playing in LA next week but I can’t make it. They’re on a very short list of bands I’d actually make time to see live.

Definitely catching them here next month. They're playing my favorite, teensiest local venue, too.

I've now listened to this all of one time. Anyone who is disappointed in this is massively wrong. It's great.

Hard to say yet if it has highs as high as Tyres, Soft Power, or Rubber Bullies. But it's solid all the way through and I think if this was the first thing you'd ever heard by them you'd be properly impressed.

I like how the backing vocals have become more harmonized

Will be seein dem in NY

I feel like I might need more distance and listens to make up for the fact that almost the entire first half was released in advance. I do agree that the vocal harmonies are more impressive on this one, just don't think that extends to the songwriting as a whole.