Daft Punk - Human After All

Where's the pop? the title track, Robot Rock

where's the naiveness? Television Rules The Nation, the use of the same sounds throughout, the monotony?

Where's the romanticism? Make Love, Emotion

The beauty? All around

Please don't cry over an album.

Robot Rock is a really boring rock song.

I guess I want cutesy naiveness (as in Digital Love for example) which Television Rules the Nation is not.

Meh. This album just doesnt make me feel anything. I guess that's the worst criticism you can give and I'm sorry to say it.

Remember, when Alkan came on, I grabbed you and Steve and screamed "DAFT PUNK, MOTHERFUCKERS" and you both smiled and started grooving robotically.

FIVE
FIVE OH ONE

Lovelace, how many times have you listened to the album? because i felt a lot like you do on the first 2 listens or so, but goddamn if HAA hasn't completely grown on me.

It's really lovely, I agree. Grand way to start it out.

my friend and I are doing a shoegazery cover of "emotion" friday night. we're totally keeping the simple-yet-completely-tear-jerking beat.

Share an mp3, plz, I'd be intrigued.

Oh, but I agree. It's been on replay in my head all day. The last two minutes, as the voices go ever higher, is just exquisite. Sigh.

anybody with such a facile conception of "enjoyment" is an idiot.

FD, where are you playing? I'd totally go see that.

i was thinking 'Emotion' = shoegaze all today.

it has this weird sound after every bit too.

as for slsk:
I've found it helpful to open multiple search windows searching for the same thing. They often display different results. Also, refresh the s
searches by clicking stop and start a few times.

I have learned to love "Robot Rock", Breakwater or no Breakwater. But please, I beg of you, no more Dalek flatulence. It's fine on the title track (which is the closest they get to Discovery euphoria), it's near-tolerable on "Prime Time of Your Life" because I know the thing's going to go into some lunatic hyperspeed Bad Brains convulsion, but hearing it again in "Technologic" and (albeit toned down) "Emotion" is completely ridiculous. I'm kind of let down that "Make Love" isn't nearly as instant-high gorgeous as "Nightvision" is (now that's a track I'd like to hear a 5-minute version of). "Steam Machine" is a boring, funkless downer. "Television Rules the Nation" is Colecovision AC/DC on Quaaludes.

I'll spot 'em the title track, "Robot Rock" and "Brainwasher", and the rest can get tossed out the window. I'm hoping Cut Copy's Bright Like Neon Love gets a wide release this year so I can vote for it instead of this.

I like what I've heard, though.

this is a good album. If you stop comparing it to past glories long enough to listen to it properly you might find that you enjoy it.

my thoughts:

Human After All - This strikes me as a pure Daft Punk single. I love the subtle guitars here and in a way i wish they had used that guitar tone from the left channel a lot more on the rest of the record. I smile everytime that riff comes in and the vocoderised vocals kind of gurgle 'we are human after all'. The notion of such a robotic voice repeating 'we are human after all' for so long before going nuts at the end is so simple but it works; and that is the 'Daft Punk magic'.

Prime Time Of Your Life - Abrasive is the word that has been tossed around by some about this album. A feeling definately captured in this. Such a slow awkward build up until the vocal dualing just collapses into a drone and the track is destroyed. It's almost as if they are toying with us.

Robot Rock - Ha, i love that intro. It's even better with the knowledge that it's the first single back. The guitars seem to be singing 'rock robot rock' even before the vocals come in. It just makes so much sense.

Steam Machine - INDUSTIAL! woah. I like the repetativeness (here and the rest of the album). The riff is so strong that the subtle changes throughout bring all the momentum crashing back in when the motif finally returns in its original guise. The track is too long though. But...

Make Love - After the assualt of 'Steam Machine' here is Daft Punk effortlessly pouring a billion emotions into what appears to be a very repetative (why can't i spell that word right now?) song. Get out a pen and some paper and just write down what emotions are here. It's bittersweet, it's wistful, it's celebratory almost. Yes, My Bloody Valentine did the same trick in places and i don't think for a minute Daft Punk are trying to emulate that band but they are tapping into the same vein in a different era and a different genre. And what's more it comes across as being produced with such effortless ease.

The Brainwasher - This track was built to destroy the dancefloor.

On/off - I think this is just here to make up the '10 tracks' for an album.

Television Rules The Nation - This is actually one of my favourites, the kick drum has a slight squeak in it and it sounds great set against those guitars. And i know they use the same sound everywhere but when that bass finally comes in it makes me happy. Happy to be alive and listening to Daft Punk.

Technologic - That vocal is so hot. And funny. I can't wait to learn this by heart. If they were teasing us at the start of the album they are laughing with us now. They are extending their hands - "come on, join the Daft Punk party!"

Emotion - Parts of this album do seem inhuman. It's like all of it has been pulled aside and emotion is what reigns above all. It's so hypnotising and shoegaze. I can hear so many different sounds in here. And that bassline, simple as it is, is fucking killer.

Well yes and no. I was thinking about this the other day and for me Daft Punk (having reached this Kraftwerkian level) demand total affirmation. It's religious music in a way. Why even bother criticizing it? It's like criticizing the sky.