In A Similarly Silent Way

right on! i'll check it out tonight

yeah tbh i've meant to dig into the other stuff, it just all seems so daunting and massive.

yeah, not to say there isn't plenty of "out" playing and general freakiness, but especially in 74-75, I've found a bunch of subtler/gentler stuff creeping into the live shows.

https://www.youtube.com/watch?v=dnnBifdSbqA

^ Oof, tasty. Kind of Sextant + IASW, in 15/8/time!

This Circle feat. Verde album sounds like a meditation on IASW.

https://www.youtube.com/watch?v=qEnzGI_vXBQ

Heard Freddie Hubbard's Red Clay for the first time last night through a friend's really nice sound system, and it was spectacular and in a similarly silent way.

https://www.youtube.com/watch?v=dT9aGUom3Bk

I really like the version of that song on the CTI Allstars California concert lp played by the stripped down band
Freddie Hubbard (trumpet), Stanley Turrentine (tenor saxophone), George Benson (guitar), Johnny Hammond (keyboards), Ron Carter (upright bass), Billy Cobham (drums), Airto Moreira (percussion).

Title track of Red Clay is still one of my fave CTI jams

A friend gave me Red Clay on vinyl a few years back; I played it once and filed it away. I'm listening to it now via the link above and it's better than I remember. Doesn't have IASW's languid spaciness, though.

that mal waldron track upthread is radical. annoying that copies of that record are so pricey (appears to be on spotify though).

was gonna mention that julian priester "love,love" embedded above - what an extraordinary cut (side one esp but both are huge)

The Call by Mal Waldron is so excellent, and I think sadly it's his only material where he plays electric piano.

If anyone needs another hot version of Red Clay (and truthfully they're all pretty hot) - Freddie & Joe Henderson guest on Charles Earland's 'Leaving This Planet' and it rips. About a decade later there's a Hubbard LP titled Classics that has Henderson again along with Bobby Hutcherson and it's choice. Well worth seeking.

As for the thread topic I would second The Jewel In The Lotus. Just a great, great record.

Red Clay and Straight Life are both excellent albums; so is Stanley Turrentine's Sugar, which also has Hubbard, Benson, and Carter, plus Lonnie Liston Smith on keyboards.

damn is there a CTI thread? every time I get a CTI rec it sends me down a smooth, big budget rabbit hole

This whole album is beautiful: https://www.youtube.com/watch?v=huurRUUBl7M

https://www.youtube.com/watch?v=XgGaxJ3glLo

Think Benny Maupin's "Jewel in the Lotus" is pretty reminiscent and has other Miles veterans besides himself playing on it (H. Hancock; Buster Williams; Billy Hart etc.).

that Harvest Time by Sanders upthread is spectacular

Great record, one of his best. Too bad it’s so scarce without a legit reissue.

So much great stuff in this thread. I'd add that many versions of "Dark Star" played by the Grateful Dead in 1973 and 74 give off strong "Shh/Peaceful" vibes with their mellow fusion-oriented improv in the mixolydian mode and Keith Godchaux on Fender Rhodes.

Prime example from 8/1/73:

https://www.youtube.com/watch?v=5QsoDMEXFXM

Is there a Godwin's for Grateful Dead? :)

Radiohead seem to have some sounds lifted from Miles electric era particularly from In A Silent Way/Bitches Brew. E.g Trumpet line in “Bloom”, electric keyboards in “Subterranean Homesick alien”, Kinetic even samples Miles Davis iirc... they seem to like Miles Davis and Mingus a lot (but then again who doesn’t?)... can’t think of any more specific examples but there’s some textures and production choices from OKC onwards which seem to be sprinkled with influeces from Miles’ electric era.

Shuggie Otis (this was a bonus track on the Luaka Bop reissue of Inspiration Information) Freedom Flight is def in the silent way

https://www.youtube.com/watch?v=ws7iWxvl6sY

don't think this has been mentioned yet, Idris Muhammed "Peace"
https://www.youtube.com/watch?v=ls0nFVV58Xg

https://open.spotify.com/track/0yFSGJ79Id2e1EENqmVeWA
A.D. Buchanan's Armchair Gospel from Danish trumpet player Jacob Buchanan fits - featuring Jakob Bro on guitar and Marilyn Mazur (who played with Miles) on drums

such a jam

Another one not named: Terje Rypdal's song Ghostdancing is almost surely an homage (and has hints of Pharaoh's Dance).

Excellent UK post-jazz band Dinosaur's latest album has some great Silent Way type moments on it. I recommend. I also recommend their more immediate previous album

https://i2.wp.com/www.birdistheworm.com/wp-content/uploads/Dinosaur-Wonder-Trail.jpg?fit=355%2C355&ssl=1

^ These ppl annoy me for A) never having heard of J Mascis and B) not being legally obliged to amend their band name.

They're very nice people though and come across very lovely on stage

^ These ppl annoy me for A) never having heard of J Mascis and B) not being legally obliged to amend their band name.

where are the former members of jefferson airplane when you need them?

I can't tell who's joking or what but isn't that 60/70s band the reason that Dinosaur Jr had to add the "Jr"?

oh wow never mind I looked it up so this is another new band haha I'd never seen the original 60s one and that cover could be from whenever

so they'll be Dinosaur Jr Jr

I always take a token brit-jazz Mercury prize nom as an indelible stain on a band's character, much more than whatever the heck their bloody name is!

The Dinosaurs were ex members of several ballroom scene SF bands at least one of whom had legal training and sued the Amherst band over use of their name,. I think that was after the 2nd lp, & they actually played in London under the original non-augmented name at the end of 87.
Surprised me that this jazz band could come along and use the name without comment but maybe the people who brought the late 80s lawsuit are retired or dead

Dinosaur UK?

this is why the arthur russell project became "dinosaur l", right?

Sanctuary from Bitches Brew sounds a good deal like ISW.

"Nowhere" by Bob Moses (recorded in 1967-68 but shelved until 2003) gives off strong proto-IaSW vibes. shame it doesn't continue for another 15 or 20 minutes

https://www.youtube.com/watch?v=DdnqcOwMjb0

this track by Luis Gasca starts off sounding like IASW rip, the rest of the album, For Those Who Chant, has other stuff going on (Carlos Santana, chanting etc)

https://www.youtube.com/watch?v=QVMV2VyiKr4

I love that album. The personnel is amazing: Gasca on trumpet, Joe Henderson on tenor sax, Hadley Caliman on flute, Carlos Santana and Neal Schon on guitars, Richard Kermode on organ, George Cables, Gregg Rolie and Mark Levine on piano and/or electric piano, José "Chepito" Areas on vibes, Stanley Clarke on bass, Lenny White and Michael Shrieve on drums, Carmelo Garcia and Coke Escovedo on timbales, Mike Carabello and Victor Pantoja on congas, and Garnette Mims, Joan MacGregor, Rico Reyes, and Snooky Flowers on other percussion.

It's only ever been released on CD once, in Japan, and the prices on Discogs are far more than I'm willing to pay.

Brand-new music from Anthony Nemet, who's collaborated a bunch with Meg from U.S. Girls and her husband Max Turnbull--this is In A Supersilent Way, but IMO he nails it, maybe uncannily so but man I love this sound (another band from here in Toronto that I'd also recommend to folks, who are friends of/peers with Anthony but come from the Soft Machine/prog end of jazz fusion, would be Zacht Automaat):

https://tonypriceto.bandcamp.com/album/interview-discount

lol, “Zacht Automaat” looks like a failed English-to-Dutch translation of “Soft Machine” (correct would be “Zachte Automaat”)

It is--the bandleader, Carl Didur, is a huge Softs fan

this tony price record is crazy

is he sampling or did he actually manage to get a band to sound like this or is it both ?

He has good/interesting horn players on the session (Daniel Pencer on bass clarinet plays live with Andy Shauf; Andy Haas on sax was in Martha & The Muffins early on and now plays in the Cosmic Range), which helps IMO, and obv treated the sounds (electric keys, etc.) for max Teology

https://aquariumdrunkard.com/2020/05/26/tune-in-zone-out-silent-ways/

Eddie Henderson's Sunburst

― Naive Teen Idol, Wednesday, October 15, 2008 10:11 AM

his two mid-70s blue notes (sunburst and heritage) are so appropriate for this topic. more polished and funky than what miles had done, but the more i hear those two albums through the years, the better they sound. there's a very opaque quality to them that i just can't articulate - there's moments on both that still don't sound like anything else to me.

also here's a fun late 70s eddie henderson tune-

https://www.youtube.com/watch?v=kk1GDzvHtMI

"connie" (1977)

All but one of Henderson's '70s albums are good to great. For those who don't know, Realization and Inside Out are basically Mwandishi albums released under Henderson's name, and then Sunburst, Comin' Through, Heritage and Mahal are all slick jazz-funk gradually evolving into disco. He made one more album, 1979's Runnnin' To Your Love, that I've never heard, but he's lying down shirtless on the cover, caressing a flugelhorn, and I think I'm safe in passing on it.

there's a donald byrd record from the late 60s called Kofi

just getting around to this. excellent.