St. Vincent - MASSEDUCTION (5th album, October 13 2017)

I'm thinking of the production, not songwriting. So, like, Savior (which does sound a bit like Closer), or Fear The Future, or Sugarboy/ Los Angeles (with their aggro Italo disco nods). It sounds pretty pervasive to me, but again, it's pretty surface, just the way it's produced and mixed, the way the distorted guitar pops out, etc.

I love the bit in the "Los Ageless" bridge that feels a little bit like it's pastiching Beck's "E-Pro".

i dunno, that live show sounds pretty interesting. I saw the Knife tour as well and also thought that was interesting. Do I think everyone should perform this way? no, but it's a bit laurie anderson-esque and I miss that kind of artsy performance wank.

^ I don't know, maybe you're right, but to be honest I kind of don't care about her visual half-assed art-student commentary on consumer culture or whatever she's trying to present with her current imagery. Maybe I'm just old but I'd rather see her playing for an hour with a tight rhythm section than witness what is basically a colourful karaoke.

Thanks for the suggestions re NIN comparisons. So far, this still doesn't feel like my thing (although I liked Actor pretty well); if there's a way in, though, this will probably be it.

I listened to this yesterday and found it quite moving, which surprised me. I usually enjoy StV on much more of a sweet riffs basis. Immediately after it Spotify stuck on "Antidote" (from Twilight Breaking Dawn Part II soundtrack, missed that one) and I thought it made a killer last track. Alas it does not belong.

Sugarboy the pick of the bunch for me, but the singles (as is so often the case) sound so much better sat in the album.

Lorde's live show? Or St Vincent's?

St Vincent's. Several people I know were there and said things along the lines of 'visually great but musically flat and lifeless'. By all accounts Lorde's most recent live shows were fantastic.

From what I understand a lot of her music is made alone, sat at the computer with her guitar on a very grid-based system, so maybe that's why? I think the flatness is sort of part of it in a way? You either like it or you don't.

Shitloads of modern music is made like that without that flatness though.

sure, i mean, i don't notice it or get bothered about it as much as you do though. there's plenty of music that does my head in (Four Tet, Caribou) for exactly the reasons you describe (too much mid-range, flat, lifeless and awkward-sounding) but I like St Vincent's production and sound choices

then again, i'm a big fan of things like Talking Heads and that nervous, twitchy, slightly stilted funk is something i really enjoy

so far i don't think this is her best album for me though. it feels like her tics are starting to show and while it's by far her most accessible work, it's the first one that feels arch or affected somehow

lol that apparently my problem with St Vincent up until now is that she wasn't arch enough

"Pills" is super.

Was humming this song as I reached for the Advil following my evening workout:

Pills for my head
Pills for my back
Pills for my knee
Pills for my neck
Oyyyy, pilllllsssss!

I also love that "Pills" follows in the footsteps of "Inbetween Days", "Dreams Never End", and other I-IV pop anthems.

i LOVE this record. have never gotten anything out of her other stuff. idk.

otm

I have got *something* out of her stuff before, but found it immune to love. This album may break down that barrier.

Just not feeling this album so far and I'm not sure why. Feels like a more affected St Vincent, sheened up with the edges razed off. Starting to think Actor is her most genuine-sounding record with the s/t her musical peak. Not that this is a 'bad' album - it's her most accessible to date, but her style is getting predictable and I'm starting to feel worn down by it

oh I just said that a few posts ago. I'm just repeating myself

you're getting predictable

can't turn off what turns you off

Oh shit this is exactly what I’m looking for in a St Vincent album at the moment, haven’t listened much since Actor. Same sort of emotional range, but pitched up in intensity- it’s almost like turning up the saturation in a landscape photo. /badignorantanalogy

Repeating New York all night.

Never been a fan or heard any of her records, but I got this one and it's fucking great. Can't stop playing it.

First album of hers I've gotten into but I can't stop playing it either. Took a little while to grow on me because it felt like there wasn't much oxygen until "New York" but it's just got a really interesting trajectory and flow. Love the between song interludes that are mixed really low, the key chain guitar parts and the devastating ballads. Front to back classic

trying to decide whether it's worth it to pay exorbitant resale prices to see her live

pro: among my favorite albums of the year; I have money now; I don't do this much waffling about taking five cab rides, which is about how much it'd cost
con: exorbitant resale prices, the knowledge I've been ripped off by a middleman (for the hell of it I Googled the original owner of my Tori Amos ticket and his online presence had a tad too much MAGA for me to believe he was a Tori fan who had something come up last-minute)

(I don't really care about the reviews of the tour or it being largely backing tracks or whatnot -- The Knife's tour was similar and that's still among my top shows of the decade)

For what it's worth id say go :-)

definitely go! you'll regret not going later

https://www.youtube.com/watch?v=l4HxWVA59zk

I've missed something somehow: I just noticed the press around the album repeatedly refers to her life/relationship becoming tabloid fodder.

What's that all about? I literally have no idea.

Until about a year ago she was dating model/actress Cara Delevingne. Not sure if there was anything after that.

Kristen Stewart I think

o_O

I've been listening to this album in the car, mostly, and now that I'm listening on headphones that tend to be a little more bass-heavy I'm realizing how punchy the low end is on this album! To the extent I checked to see if I'd switched to some EQ preset that was doing wonky things.

it's not bad, per se, but this is compressed in some interesting ways

https://www.youtube.com/watch?v=BfYJt1O8ZjY

https://www.youtube.com/watch?v=AKKbqntxRN4

I watched a decent quality version of her one-person show on YouTube and it really had me annoyed that I didn't go to it when it came here.

This album rips. Sequencing is cool in that it starts with the comedown song - all wasted and sad and the party starts fittingly with “pills”.

I like that side A/side B is readily apparent from the sequencing.

Totally. I love the slower songs near the end. The albums crammed with so many sonic details that there’s always something new and to hear. Usually the overly compressed production wouldn’t be my thing but it works here. Killer Floyd reference on “pills”

the new version of Slow Disco she just put out rules, I like it more than anything from the album

It’s great

I hope she puts out the solo piano/voice version of this record she supposedly has.

The acoustic performance linked above is wicked

She’s playing alongside Florence and chvrches at a festival here

Fast Slow Disco really deserves to be her first number one single. I'm obsessed with it right now.

https://www.youtube.com/watch?v=dNm0b2SCXxY

Damn, that's a great song.