Richard Dawson (raucous experimental UK folk racket w/ intense picaresque realness vox)

there are a few deliberate anachronisms! like what's a collie doing in the dark ages

it's a better world he's made

the blurring of those times and these is like what paul kingsnorth was doing with his 'shadow tongue' in 'the wake', which i read concurrently to discovering this album, both complementing each other brilliantly

see also: the closing poem of m* n***l

but what is the significance of this potato?!

perhaps the shapeshifter is also able to shift the shape of objects, and it had been a humble apple beforehand. magic does what magic does iirc

the more i think about it the more deliciously puzzling the song is, but the potato is somehow what sends it over the top for me. the potato as a casual yet unsettling gesture to seal the deal after the shapeshifter has freed them. and the way he sings it of course.

everyone i've played "ogre" for says it sounds like polyphonic spree :(

Mmmm hmmmmm

Yeeeah, this is good

how good :p

I really wasn't sure to start with but then Ogre took over my inner jukebox and now I'm getting mildly obsessed

In other words it's growing on me like a bastard. How does it compare with his older stuff?

As good as the last album, i.e. as good as it fucken gets

late to the party but aoty

obv

imo a lot of people are going to be figuring where this fits into their decade list come december 2019

Blame it on the 'shock of the new', or changing musical tastes, but I'm just not as impressed by this one as I was Nothing Important. Guess that last album hit me during my peak Wire-reading / free jazz listening / Derek Bailey celebrating phase, but this record, to me, feels safer and more flat-plan. I loved the lyrical sprawl of those longer songs, as well as the abstruse guitar playing. This feels more reined-in by comparison, but maybe I need to do some background reading here to get a better feel for what the songs are about and the concepts behind them.

maybe I need to do some background reading here to get a better feel for what the songs are about and the concepts behind them.

Progge warning.

Some of the weirdness and atonality has been delegated to other instrumentalists, but it's still there! It does have a more straight-folk vibe but that's a conscious aesthetic decision and I think it works beautifully - this record really brings out RD's amazing sense of melody and progression. Plus the arrangements are flat-out wonderful.

If forced at gunpoint to choose I'd probably still go with Nothing Important but they're both phenomenal IMO, he is the best songwriter going

I admired rather than enjoyed Nothing Important but Peasant has really struck a chord with me - that it's more melodic probably does help a lot. Definitely a highlight of 2017.

"Soldier" is a fucking great song.

Don't know much about this subgenre (British avant-folk?) but to me Dawson sounds like a less roots-anchored Robin Williamson – if we go by his later, ECM material. Anyway, I'm really enjoying this, especially the dirge-like 'Hob'.

There's nothing like it.

I like to roll out the North Sea Radio Orchestra comparisons, but that's mostly because that's the only other UK alt-folk-adjacent contemporary music I love this much. It's more chamber music than Dawson, who's in turn much more experimental. Peasant represents some kind of melodic rapprochement between the two though, perhaps

Was about to say the guitar playing reminds me a bit of some Incredible String Band tracks, something like "White Bird" perhaps.

― Punnet of the Grapes (Tom D.), Saturday, 3 June 2017 18:05 (six months ago) Bookmark Flag Post Permalink

... which is a Mike Heron track actually, though he's definitely more Robin Williamson. Not that I've heard enough of his material though, tbh.

HEN OGLEDD

http://thequietus.com/articles/25272-hen-ogledd-problem-child-richard-dawson

HEN OGLEDD

https://www.youtube.com/watch?v=5O9BXeFm_yg

HEN OGLEDD

A spokesperson for the band says: "Each hailing from historically different tribal regions of the Old North, the musicians on Mogic challenge the idea that the ancient world was rife with magic, while the new is infiltrated by cold logic. The tracks on Mogic create new phantasmal blends of images and ideas that draw upon the mystical and technological. Mogic is a discombobulating pop prayer exploring artificial intelligence, witches, nanotechnology, pre-medieval history, robots, romance, computer games and waterfalls.

"I live on a mountain
The only tall sculpture on this planet
The view is appalling"

Excellent song, excellent video.

this was certainly unexpected but it's very cool

saw him live at a festival this year, was indeed something to behold, guy is brilliant

for everyone who wished peasant sounded more like the super furry animals

lmao this rules

Bass reminds me of The Cure in parts. Unexpected, this. I like

If you're going to make lazy comparisons to other Welsh pop acts, make them to people who are actually excited to hear this album

‘I live on a mountain, the only tall sculpture on this planet. The view is appalling..’ YES @HOgledd https://t.co/yLCzA3rJi4

— G W E N N O (@gwennosaunders) September 11, 2018

actually, speaking of Welsh postpunk, the song it reminded me of most was this

https://www.youtube.com/watch?v=KquxHMQD1Z0

GWENNO KIND OF QUOTED WHAT I QUOTED FIRST I AM MORE IN LOVE THAN I ALREADY WAS <333333333333333333333333333333333333333333333333333333333333333333333333333333333

Gwenno reads ILm, I am sure of it now. And that is alright.

Finally got around to Nothing Important. I think I like his sinister minimalist moods more than his whimsy, but then again 'Hob' was the highlight of Peasant for me.

hen ogledd album good-not-mindblowing, worth a listen though

am now decided that weaver is the best track on peasant, so much range but moves through all these different moments with eerie smoothness, carried along by that slightly nervous, unsettled energy

I'm partial to 'Hob', for predictably temperamental reasons. I also happen to prefer the relative nihilism of Nothing Important, also for predictably temperamental reasons.

I too prefer the best album of the decade to the third or fourth best album of the decade

Weaver was always one of the best tracks, as was Hob, as were all the others. I can barely talk about it

springtime is dawson time

i still have vivid memories of my first listen to Ogre, walking through a Surrey village en route to a lesson, on an extremely idyllic spring afternoon

New track "Jogging", from forthcoming album 2020 (due October):
https://youtu.be/UGiQ_-Ktpvc

!!

he's gone...rock!

Droll lyrics, as usual, but I'm underwhelmed by the song proper. Nothing Important was the peak imho.

It was the peak of albums by anybody this decade, so

I mean I still like this and am intrigued by the album

did he get muse to do the arrangement? not really feeling this

muse?!

yeah this is great

I must say, I prefer him when he's stripped down and dirty. Peasant felt too dense and painterly for me to be able to get into.