Cate Le Bon - classic or dud

Sorry. I kinda have nothing. Perhaps write the director, ask for a link?

Two of his films are soundtracked by Gruff Rhys.

He also directed the Crab Day short...

https://www.youtube.com/watch?v=56y8DPVTX14

https://m.mixcloud.com/sessun/cate-le-bon-pour-sess%C3%B9n-s%C3%A9lection-musicale-n9/

H Hawkline's In the Pink of Condition is good if you're a fan of Cate's last album. She plays on and produced it. Live, they switch between each other's bands. She does the same with Tom Presley, I've heard. Wasn't too crazy about his last one she produced, though.

been on a kick with her, she's amazing. mug museum was my point of entry, but wow it kind of loses momentum in the second half

Whereas Cyrk takes off in its second half.

Cyrk II continues the momentum.

Cryk rockets from the start in my opinion. Has anyone heard the new drinks lp?

https://www.youtube.com/watch?v=lrqphXJZqS8

New H. Hawkline album is really good. Cate's fingerprints are all over it. They've got a lot in common. She produced and plays on the record, like she did on the last one.

important thread revive: are she and Tim Presley a thing?

seems so? Cate's classic as hell

so classic

they met when he was in the Fall, no?

She's also doing something with Bradford Cox when they're in Marfa.

I thought she was dating the guy behind H. Hawkline.

I assume thread was revived for this:

https://drinks.bandcamp.com/album/hippo-lite

Hippo Lite is pretty lame.

Just sounds like bored people making boring music.

I guess the first one sort of sounded like that, but it was a LITTLE adventurous.

She's producing the new Deerhunter album. Apparently. Will be looking forward to that.

Still think Hippo Lite is pretty bad.

I really like Hippo Lite, I find it quite lovely, creepy and peppered with great songs, strange interludes and mirth. For me it has the same kind of elusive quality as Jane from occupied europe, odyshape or witch cults of the radio age where i listen to it compulsively, but it seems unfamiliar each time.

It would be an excellent soundtrack to a very stoned, very hot summer day spent by a brook.

It does drift out of focus a bit towards the end i grant you.

rock pool

Hippo Lite might be the first legit bad thing she's done. she and Tim should've sat on it for a few weeks and/or given it another good listen and/or played it for a few friends and then decided it was best left on the shelf.

I like it better than the first Drinks, but I struggle to re-listen to either record. Their styles would seem similar enough, but their eccentricities don't blend particularly well.

This conversation between Cate and Ariel Pink is kind of amusing...

https://www.talkhouse.com/ariel-pink-talks-with-cate-le-bon-for-the-talkhouse-podcast/

nice, thanks for sharing

saw her play a show on sunday entirely on piano with her sax/clarinet guy steve accompanying. was fucking great. she covered mccartney's waterfalls

I'm looking forward to seeing her for the first time tomorrow night - glad to hear she's on form.

Waterfalls: what a brilliant idea for a cover

the group listening steve/sweet baboo did last year is pretty enjoyable.

https://www.youtube.com/watch?v=aKHPPP_3QPU

assume they were part of the gig somehow

Support for the tour. Cate also said it was meant to be a solo tour, but then she got scared, hence Sweet Baboo accompanying her...

Just got back from seeing her, she played Waterfalls again. What an amazing voice she's got.

https://www.youtube.com/watch?v=t7VMVZ1GZZs

http://www.brooklynvegan.com/cate-le-bon-announces-new-lp-tour-listen-to-daylight-matters/

Cate Le Bon will release new album Reward on May 24 via Mexican Summer. “People hear the word ‘reward’ and they think that it’s a positive word” says Le Bon, “and to me it’s quite a sinister word in that it depends on the relationship between the giver and the receiver. I feel like it’s really indicative of the times we’re living in where words are used as slogans, and everything is slowly losing its meaning.” She worked with frequent collaborators Stella Mozgawa (Warpaint), H.Hawkline and co-producer Samur Khouja, and Reward was originally conceived as a spare piano record but grew beyond that. You can still hear those beginnings in lovely first single “Daylight Matters” — listen below.

new song is great

New album is fantastic.

Lots of clarinet and sax.

Anyone else loving the new one? Out today...

My preorder shipped today and I'm holding off listening until it arrives (which makes no sense as I listened to the three songs that had been released several times through yesterday). it's been too long with the Drinks diversion. Excited to be seeing her live twice this summer.

pleasant surprise to see this getting a bnm, i didn't know people were following this record that didn't post in the cate le bon thread on ilxor dot com

another pleasant surprise: this is another contender for my album of the year

she's been on a steady trajectory to greatness for a while

loved loved loved all the pre-release tracks, had a somewhat-attentive listen at work and appreciated it, but i'm gonna try it again on my commute home.

"you don't love me" is pretty perfect

https://www.discogs.com/Cate-Le-Bon-Reward/release/13650339

Pretty impressive cast of characters in the credits.

Always love her b-sides, btw. Cyrk II is great. Looking forward to Reward b-sides. I'm hoping she dropped the more angular guitar/avant POP on the cutting room floor so I have something else to look forward to.

I mean, yeah, I get it - another Gruff Rhys endorsed artist. Thought she was great on the first Neon Neon album, and the fact that the phenomenal Stella Mozgawa - one of my favourite drummers in indie right now - is on the new one is promising, but I've heard every single Cate le Bon album up until but not including this one, and none of them have made much of an impression on me sadly.

Seems like she's much more popular and critically acclaimed than Gruff's been post-SFA. Not sure it's fair to hold that against her.

Nor am I aware of any other artists who've had successful careers thanks to lovely Gruff.

new album is great, been a fan

zero idea she had anything to do w/SFA dude and I don't think that makes any difference in 2019

I didn't say another successful Gruff Rhys endorsed artist, and you're right - in 2019 it doesn't make any difference. It might have done in 2008, though.

Reward is neck and neck with the new Matmos for my favorite record of the year. Stunning album - a couple friends were singing her praises when Crab Day came out but I couldn't get into it, this on the other hand - my god...

she is something special

There isn't a weak song on here! Every song is great! fuck!