Britpop : Time For Reevaluation?

tune.

wet wet wet being number one for 3 months ;_;

Oh shit, don't remind me! Still not quite as annoying as Bryan Adams stint in '91. Which also reminds me: Bryan Adams, Bon Jovi and Def Leppard were still selling records in '95-'96...

('The Only Thing That Looks Good On Me Is You', These Days, 'When Love and Hate Collide' etc.)

eh Oasis had 4 pretty good singles off the first album and then became unbearable over the course of the next 6 albums

Sleeper had 4 pretty good singles off the first album and then became quite annoying over the course of the next 2 albums, so that's better than Oasis

Salad had 1 great single and 1 pretty good single off the first album and I don't remember anything else about them, including any other singles or album tracks off the 1st album which I'm pretty sure I have, so they win

in conclusion, Oasis: just another boy-fronted band

oh for sure the 90s charts were definitely not dominated by britpop, eurodance was huge, american pop and r'n'b.

Of course! Michael Jackson was still having number one hits, Toni Braxton did 'Unbreak My Heart', Simply Red were still big with 'Fairground' etc., Blackstreet with 'No Diggity', stuff like Robert Miles... there was a fuckton of stuff going on.

...and we're just talking about the "visible" stuff.

xps. well here's a thing about the britpop thing that i complained about = i had never even heard of salad until yesterday reading this thread and so it's weird to lump them in to a "genre" which is generally associated with chart topping bands (in my head)

Salad weren't really that visible even at the time. My memories of them during the '90s seem to extend to an acoustic cover of 10cc's 'I'm Mandy, Fly Me' on some TV show and an appearance on that Help compilation.

(xps) yeah, there was a lot of other stuff on the radio which was more ubiquitous at the time and probably sold better than Britpop, and then yr evening radio shows were full of British guitar music I'd rather listen to than Britpop (the aforementioned Urusei Yatsura, Prolapse, Scarfo, Stereolab, Six By Seven, Ligament, Quickspace Supersport, I could make this list 60 screens long but nobody would care so I probably won't depending on how much I drink tonight...)

plus obviously all the great dance music of the era, from yr Underworld, Orbital, Chemicals, EBTG, Goldie who were beloved by everyone I knew who also cared about Britpop, to the more dancefloor purist stuff or the more John Peel end of electronic music

so yeah, maybe we should not ask "Britpop: time for reevaluation" so much as when are those other categories due for their top 10s in the Guardian etc?

(a mostly rhetorical question but let me know when it happens so I can be there to bleat away about Flower Shop Records, my delight at receiving "64 Slices Of American Cheese" Ché records press release/fanzine through the door every however often, and teenage epiphanies induced by bassdrums spaced at 3/4 of a beat instead of a whole beat apart)

Also I remember thinking that Salad was a really awful name.

I liked Salad but never thought they were part of Britpop and not sure anyone else did either tbh

so yeah, maybe we should not ask "Britpop: time for reevaluation" so much as when are those other categories due for their top 10s in the Guardian etc?

Or an article detailing what UK music in the '90s was actually like instead of clinging to this stupid fucking "Britpop" word. To deny that the likes of Blur and Oasis etc. were huge would be silly, but to omit everything else that was going on and create this false idea that nothing else got a look in is equally silly.

Don't get me wrong: I like Blur, Pulp, Oasis, Suede etc. but they still were merely part of the mid '90s I remember and not the whole.

xp to "I liked Salad but never thought they were part of Britpop" tbh I did not either, but they were on that there festival poster so I got a bit fixated on them

not sure why but Salad inc. "Drink the Elixir" (Feb 95) seemed like they were before my time and hence before Britpop, but Elastica I was already anticipating the album ahead of its release in March 95... all some time after I bought that notorious Select magazine. which I mostly remember for introducing me to Vapour Space, Warp Records and the Wipers but anyway

for some reason this thread has led to me listening to Molly Half-Head on youtube and it's not very much fun

When I think of early '95 I think of R.E.M. who were still really huge around that time. Also a lot of memories of magazine adverts for Post by Bjork.

http://pitchfork.com/thepitch/1446-10-albums-that-prove-1997-was-one-of-uk-rocks-best-years/?mbid=social_facebook

A hot new one for y'all.

Thing with Britpop is that it is massively over-represented, and it is a conservative, reactionary force when there was much better around. But for better or worse it was my thing at a very impressionable age, and something I'm always going to have an opinion about. If we're going to talk about it then "Britpop was shit" or "there were a couple of good bands and lots of shit" is just not the level of debate I expect around here.

a passing spacecadet - I would LOVE to talk about those bands instead, especially Quickspace, and especially all the Glasgow scene bands round 96, TBH that is of much more interest to me, but I don't see the thread on the page, so here we are. Would people be interested in a Glasgow scene listening thread? I would love to do one of those instead.

i played the shit out of ganger in '97

ha, not sure how many el hombre trajeado fans there are on ilx but i suppose this era is interesting to some people

http://www.bbc.com/news/uk-scotland-39038595

There's a cracking evening session thread (and a fun kerrang/rock show equivalent)

This is the thread where we reminisce over not particularly good Evening Session bands from the late 90s

How do the various members of Terrorvision spend their time these days?

i saw el hombre trajeado in brighton, they were okay iirc. played at a festival with magoo, hood, kreidler, pram, plone, bis, movietone, blanking on who else. good times!

i think i spent more of '95 listening to the first telstar ponies album than any britpop record

Many xps, but Compulsion were great. 'Mall Monarchy' and 'Rapejacket' especially:
https://www.youtube.com/watch?v=FyUD5cyEcZk

I actually have a list of albums I bought in 95 but I doubt anyone would be interested in seeing it.

Leftfield was right at the top of it though along with Aphex/Autechre/Chemical Brothers/Tricky/The Young Gods

xp yeah I loved Compulsion too

oh shit, i just bought the scarfo album from amazon for £1.03, i blame a passing spacecadet

I saw Scarfo supporting The Seahorses at their secret gig at the Garage in Glasgow a couple of days before Love Is The Law came out.

yikes! why did you fail to warn us odysseus, why? ;_;

I dontthink anyone paid attention to the singer to see how bad he was. everyone was there to see Squire (extended version of love is the law which was pretty great. But it was by far the best song they played.

Scarfo were pretty bad

A friend who is in a fairly successful band saw the Seahorses before Love Is The law came out and declared them to be "the future of music"

'Love Is The Law' was originally meant to be a Stone Roses track, wasn't it? There's reports of Squire having it circa the Second Coming sessions...

Saying Britpop is or isn't shit is missing the point. With only a couple of exceptions "Britpop" means bad 90s UK music. It is a judgement similar to the later "landfill" indie - there simply is no good Britpop because if it was good it wouldn't be Britpop. You know Britpop when you hear it because it sounds shit. If something was good and has stood the test of time then it's just not Britpop.

it's no worse than the last Roses single. i guess.

rumours yes but not even a crappy demo has surfaced

"there were a couple of good bands and lots of shit" is just not the level of debate I expect around here.

Okay, if you can make a case for Cast or Kula Shaker, I'm all ears. Particularly the second LP's of both bands.

What were you guys listening to in 95?

My albums list is light on britpop but i did buy LOADS of cd singles and some 7"s by britpop bands for 99p in the indie shop we had in Hamilton at the time.
Probably all still in the loft rotting away.

Saying Britpop is or isn't shit is missing the point. With only a couple of exceptions "Britpop" means bad 90s UK music. It is a judgement similar to the later "landfill" indie - there simply is no good Britpop because if it was good it wouldn't be Britpop. You know Britpop when you hear it because it sounds shit. If something was good and has stood the test of time then it's just not Britpop.

Great, let's all have our own individual definitions of words

is the official death of Britpop? this actual moment i mean. could be. jesus h christ.

https://www.youtube.com/watch?v=18w84rpaqlg

Cast I can stick up for live. Irvine Beach supporting Oasis and T In The Park 95 they were a big noisy wall of sound and was like the who meets the La's.
Then the limp overpolished album came out and was crap.
The 2nd one wasnt very good and I never did hear the 3rd one despite having a mate who Cast was his fave band.

No time for Cast after their first couple of singles, never paid attention to Kula Shaker, sorry

Britpop was surely dead by 97 and replaced with dadrock/cool britannia?

The second album of Kula Shaker is so much better than the first. In general, they were really good at seeming cool for fifteen seconds each track (oh, sitar! this one is in 5/4?!?!?) and then running completely out of ideas.

Cast; A Warning From History

http://i.imgur.com/ShCU8Gn.jpg

my one britpop guilty pleasure is gene (do they even count?)

weren't Gene an instalment of the yearly NME "New Smiths"?

If something was good and has stood the test of time then it's just not Britpop.

You'd have a point if the likes of Pulp or Suede weren't still tagged with the word.

Almost all of the better bands saddled with the term released their debuts prior to '95. There's maybe a couple from the second wave, but not a lot.

gene were better once they became the old new smiths that no-one really gave a shit about iirc xp

i could be wrong though, i wasn't really paying that much attention

Oh I loved El Hombre Trajeado, happened to notice the other day that they released a new album recently inc 1 track featuring the rather more ILX-beloved Sue from Life Without Buildings, no idea if it's any good

NickB, I haven't heard it for many years, so I may well owe you £1.03! That Brighton lineup would've made me v jealous at the time...

Britpop was surely dead by 97 and replaced with dadrock/cool britannia?

― Odysseus, Tuesday, February 21, 2017 11:25 PM (seven minutes ago) Bookmark Flag Post Permalink

Cool Britannia was just another shit useless media concoction like Britpop was. Dadrock was a term used by twats to describe any guitar music with a retro-rock bent.

The bands in this wiki are all worse than most 95 Britpop

https://en.wikipedia.org/wiki/Post-Britpop

The cultural and musical scene in Scotland, dubbed "Cool Caledonia" by some elements of the press,[18] produced a number of successful alternative acts, including The Supernaturals from Glasgow, whose re-released single "Smile" (1997) reached number 25 in the UK charts, and whose album It Doesn't Matter Anymore (1997) entered the top ten, but who failed to sustain their success or achieve the anticipated international breakthrough.[19] Travis, also from Glasgow, were one of the first major rock bands to emerge in the post-Britpop era.[3] Utilising the hooks and guitar rock favoured by Oasis in a song-based format, they moved from the personal on Good Feeling (1997), through the general on their breakthrough The Man Who (1999), to the socially conscious and political on 12 Memories (2003)[9] and have been credited with a major role in disseminating a new Britpop.[20][21] From Edinburgh Idlewild, more influenced by post-grunge, just failed to break into the British top 50 with their second album Hope Is Important (1998), but subsequently produced 3 top 20 albums, peaking with The Remote Part (2002), and the single "You Held the World in Your Arms", which both reached number 9 in the respective UK charts. Although garnering some international attention, they did not break through in the US.[22]

The first major band to breakthrough from the post-Britpop Welsh rock scene, dubbed "Cool Cymru",[18] were Catatonia, whose single "Mulder and Scully" (1998) reached the top ten in the UK, and whose album International Velvet (1998) reached number one, but they were unable to make much impact in the US and, after personal problems, broke up at the end of the century.[8][23] Stereophonics, also from Wales, utilised elements of a post-grunge and hardcore on their breakthrough album Performance and Cocktails (1999), before moving into more melodic territory with Just Enough Education to Perform (2001) and subsequent albums.[24][25] Also from Wales were Feeder, who were initially more influenced by American post-grunge, producing a hard rock sound that led to their breakthrough single "Buck Rogers" and the album Echo Park (2001).[26] After the death of their drummer Jon Lee, they moved to a more reflective and introspective mode on Comfort in Sound (2002), their most commercially successful album to that point, which spawned a series of hit singles.[27]

These acts were followed by a number of bands who shared aspects of their music, including Snow Patrol, from Northern Ireland and Elbow, Embrace, Starsailor, Doves and Keane from England.[3][29] The most commercially successful band in the milieu were Coldplay, whose first two albums Parachutes (2000) and A Rush of Blood to the Head (2002) going multi-platinum, establishing them as one of the most popular acts in the world by the time of their third album X&Y (2005).[28][30]

that's the real dregs there