freeze frame, roll credits
― Karl Malone, Thursday, 21 January 2016 18:11 (ten years ago)
haha
― eoy_saer (wins), Thursday, 21 January 2016 18:14 (ten years ago)
It's an understandable mistake. I'm sure we all have similar Eno stories.
"Actually, 'Play The Piano As If You Had Trout For Hands' is the name of my dog."
― Meat Sheet (Old Lunch), Thursday, 21 January 2016 18:15 (ten years ago)
"That's no sandwich...that's my rhythm section!"
― Meat Sheet (Old Lunch), Thursday, 21 January 2016 18:16 (ten years ago)
I Spent 3 Weeks Working With Brian Eno On A New Album, But It Turned Out I Was Just Feeding His Cat
― tylerw, Thursday, 21 January 2016 18:21 (ten years ago)
ha!
― scott seward, Thursday, 21 January 2016 18:44 (ten years ago)
― akm, Thursday, 21 January 2016 19:59 (ten years ago)
hahaha
― Naive Teen Idol, Friday, 22 January 2016 01:38 (ten years ago)
Dennis Davis:We would get in the studio, it was really wide open. That's why I like doing recordings with (Bowie) because it was, like, real easy, you know. Until Brian Eno came along. That Brian Eno, he was a character!Brian Eno:The problem actually I had at that time was that I didn't really understand how good musicians worked. I'm not a musician myself in that sense.Carlos Alomar:Brian Eno had a blackboard, you know, like elementary school, you know. I'm like, "You've got a blackboard. So?" So we started coming up with these ideas for different chords. E, C, G, B, and so he'd go, ok, so, "I'm going to point to that chord and you play that chord "and then I'll point to another." So I'm playing and it goes D.Brian Eno:When you're working with really great players, like Carlos and Dennis, you have to accept that they have a way of processing information that is beyond intellectual.Carlos Alomar:"Dude, man. Hey, Brian, look. What are you... This is... This isn't working for me, man."Brian Eno:But with their incredibly natural musicianship, the two together produce something that, again, one wouldn't have had with either on their own.Carlos Alomar: I mean, some of it worked, some of it didn't, but quite honestly it did take me out of my comfort zone and it did make me leave my frustration at what I was doing and totally look at it from another different point of view and, although I didn't like the point of view, when I came back, I was fresh.
Brian Eno:The problem actually I had at that time was that I didn't really understand how good musicians worked. I'm not a musician myself in that sense.
Carlos Alomar:Brian Eno had a blackboard, you know, like elementary school, you know. I'm like, "You've got a blackboard. So?" So we started coming up with these ideas for different chords. E, C, G, B, and so he'd go, ok, so, "I'm going to point to that chord and you play that chord "and then I'll point to another." So I'm playing and it goes D.
Brian Eno:When you're working with really great players, like Carlos and Dennis, you have to accept that they have a way of processing information that is beyond intellectual.
Carlos Alomar:"Dude, man. Hey, Brian, look. What are you... This is... This isn't working for me, man."
Brian Eno:But with their incredibly natural musicianship, the two together produce something that, again, one wouldn't have had with either on their own.
Carlos Alomar: I mean, some of it worked, some of it didn't, but quite honestly it did take me out of my comfort zone and it did make me leave my frustration at what I was doing and totally look at it from another different point of view and, although I didn't like the point of view, when I came back, I was fresh.
from ~28:11 onwards https://vimeo.com/151364531
― niels, Friday, 22 January 2016 12:49 (ten years ago)
At the very least, since signing to Warp Eno has proved very cooperative with the promotion cycle, leading to lots of good recent interviews. I liked this one:http://thequietus.com/articles/20034-brian-eno-favourite-records-interview
The new album is nice. Sounds a bit like one of those slowed down Bieber tracks.
― Josh in Chicago, Friday, 15 April 2016 14:41 (ten years ago)
Hey, OP's in there!
― Terry Micawber (Tom D.), Friday, 15 April 2016 14:52 (ten years ago)
Yeah, that was cool.
New album, btw, is increasingly crazy and weird and original. Not what I expected.
― Josh in Chicago, Friday, 15 April 2016 14:57 (ten years ago)
only heard the title track so far but I think it's a resounding return to form, super excited
― the 'major tom guy' (sleeve), Friday, 15 April 2016 14:58 (ten years ago)
Not to play it up too much, but it's not so much a return to form as an entirely new form. What it does with vocals, or what vocals can be, is really fascinating.
― Josh in Chicago, Friday, 15 April 2016 15:05 (ten years ago)
OK poor word choice, sub in "his best in a long time"
― the 'major tom guy' (sleeve), Friday, 15 April 2016 15:27 (ten years ago)
that's a really good quietus piece - it's so much more than just a list of albums.
― Karl Malone, Friday, 15 April 2016 16:15 (ten years ago)
― Freakshow At The Barn Dance (James Redd and the Blecchs), Friday, 15 April 2016 16:19 (ten years ago)
Orlando Ploom.
― Josh in Chicago, Friday, 15 April 2016 16:22 (ten years ago)
Ottilie Patterson
― Terry Micawber (Tom D.), Friday, 15 April 2016 16:29 (ten years ago)
http://kerosenecucumbers.files.wordpress.com/2008/09/opie_pickle.jpg
― doug watson, Friday, 15 April 2016 17:13 (ten years ago)
He says he digs your album then before you know it he's running up to put his grubby synth arpeggios and vocals all over the next one. Guy is a menace.
― Just can't get Eno, ugh (ledge), Friday, 15 April 2016 18:26 (ten years ago)
Would love some of the live stuff with the Winkies with decent sound.The Derby set is interesting but a bit distant. I think the circulating version is a couple of generations from source so I guess there's unlikely to be any improvement unless an original is found.Was it part of a longer tour? Wonder if there is any chance of anything else turning up.
― Stevolende, Friday, 15 April 2016 19:07 (ten years ago)
Iirc they only played a couple of gigs, same with 801.
What I did not know is that apparently the Winkies released a studio album post-Eno!
― Josh in Chicago, Friday, 15 April 2016 19:14 (ten years ago)
Would love some of the live stuff with the Winkies with decent sound.a while back a guy got in touch saying his friend had a much better-sounding tape of the Derby show, but that he had never digitized it or something. was a few years ago though.
― tylerw, Friday, 15 April 2016 19:24 (ten years ago)
― Karl Malone, Friday, April 15, 2016 9:15 AM (3 hours ago) Bookmark Flag Post Permalink
yeah I agree, v interesting
― trickle-down ergonomics (jim in glasgow), Friday, 15 April 2016 19:26 (ten years ago)
xp dying over here, FIND HIM TYLER ;)
― the 'major tom guy' (sleeve), Friday, 15 April 2016 19:32 (ten years ago)
I've got an 801 live album that's pretty good
― weird woman in a bar (La Lechera), Friday, 15 April 2016 20:31 (ten years ago)
Yeah, that was cool.New album, btw, is increasingly crazy and weird and original. Not what I expected.
― Naive Teen Idol, Saturday, 16 April 2016 18:07 (ten years ago)
New album is his best in years and years I think.
― Acid Hose (Capitaine Jay Vee), Monday, 18 April 2016 02:15 (ten years ago)
Oh, I agree. It's the first thing he's done in decades that approaches a new form, at least at times. It's like he finally applied all his generative ambient programs to singing. Even the way it's sequenced is strange and wonderful. I hope there is more where this came from.
― Josh in Chicago, Monday, 18 April 2016 03:02 (ten years ago)
where are you hearing it? I saw the preview of the one song but don't see the album up on spotify or apple music.
― dan selzer, Monday, 18 April 2016 04:08 (ten years ago)
only "the ship" is available on spotify but it's awesome
― Karl Malone, Monday, 18 April 2016 04:17 (ten years ago)
Xpost it leaked a couple of weeks ago
― Acid Hose (Capitaine Jay Vee), Monday, 18 April 2016 13:07 (ten years ago)
yeah it's a wonderful record. I like both the eno/hyde albums as well. feels a bit like a rebirth for him
― akm, Monday, 18 April 2016 17:08 (ten years ago)
Reading the interviews with him acknowledging that his voice has changed as he's gotten older, combined with this being a rare foray into vocals at all (in any form), plus Bowie dying (a few years down from Lou Reed) and the album ending with a version of "I'm Set Free" (that he recorded 12 years ago), gives the whole album a ghostly vibe, especially the haunting track with the generative voice (speaking with a Flemish accent, which is the accent of his mother) delivering the random word scramble lyrics like a robot reading poetry.
― Josh in Chicago, Monday, 18 April 2016 17:19 (ten years ago)
Ignore the Kanye bait and focus on the other stuff in Whiney's interview: http://www.rollingstone.com/music/news/brian-eno-on-kanye-west-david-bowie-and-his-immersive-lp-the-ship-20160414
― Josh in Chicago, Monday, 18 April 2016 17:20 (ten years ago)
got to give the people what they want
― Whiney G. Weingarten, Monday, 18 April 2016 17:27 (ten years ago)
there's a good idea for a piece in the history of incrementally revised / remixed software-esque editions of the 'same' album, there is absolutely no need for anyone with a mind to credit Kanye with that kind of innovation in an Eno interview. John Coltrane's 'Ascension', Grateful Dead 'Anthem of the Sun', 'Music For Films', Ground Zero's 'Revolutionary Pekinese Opera v1.28'
looking forward to the new album
― Milton Parker, Monday, 18 April 2016 17:39 (ten years ago)
yes, why didn't i mention ground zero's revolutionary pekinese opera v1.28 instead of the most famous contemporary pop musician on the planet in a rolling stone article, what a fucking bonehead move that was!
― Whiney G. Weingarten, Monday, 18 April 2016 17:41 (ten years ago)
ha! that is of course not what I was suggesting of course
I totally get why Kanye's name is creeping into interviews with avant musicians, especially in this case where it's one who's been doing this for decades
good interview btw
― Milton Parker, Monday, 18 April 2016 17:50 (ten years ago)
thanks, MP! :D
― Whiney G. Weingarten, Monday, 18 April 2016 17:56 (ten years ago)
Yeah, it's a good one. Eno is easy to talk to. Very engaged.
― Josh in Chicago, Monday, 18 April 2016 18:29 (ten years ago)
― Naive Teen Idol, Thursday, 21 April 2016 13:19 (ten years ago)
It's lovely, one of Lou's best songs.
― Romeo Daltrey (Tom D.), Thursday, 21 April 2016 13:32 (ten years ago)
Eno has amassed an awful lot of cultural credibility and "I'm Set Free" is a nice song, and the line "I'm set free to find a new illusion" is vaguely profound, but this is about as exciting as Jad Fair doing a Shaggs cover or whatever. So Eno won't sing for like a billion years, and then he decides that VU karaoke is the best way to channel his talents?
― dlp9001, Thursday, 21 April 2016 14:21 (ten years ago)
I thought he recorded it 12 years ago?
― Romeo Daltrey (Tom D.), Thursday, 21 April 2016 14:23 (ten years ago)
Sorry, one billion - 12 years.
― dlp9001, Thursday, 21 April 2016 14:24 (ten years ago)
That's better.
― Romeo Daltrey (Tom D.), Thursday, 21 April 2016 14:25 (ten years ago)
So Eno won't sing for like a billion years, and then he decides that VU karaoke is the best way to channel his talents?i know what you're saying, but still -- this cover is really nice.
― tylerw, Thursday, 21 April 2016 14:33 (ten years ago)
i thought there were vocals all over the album. he can't throw in a cover of a song from his favorite album?
― scarcity festival (Jon not Jon), Thursday, 21 April 2016 14:42 (ten years ago)