― Dan Selzer (Dan Selzer), Sunday, 15 January 2006 04:30 (eighteen years ago) link
― firstworldman (firstworldman), Sunday, 15 January 2006 04:50 (eighteen years ago) link
― Dan Selzer (Dan Selzer), Sunday, 15 January 2006 05:00 (eighteen years ago) link
― rajeev (rajeev), Sunday, 15 January 2006 06:53 (eighteen years ago) link
But that's the best kind of movement! And all we need to do is get someone to write an article and then it'll be real! I might do it for Stylus.
Carpenter gets total props from the Italo fiends.
I knew this, I was just started imagining if he made a disco concept album with vocals (by famous people) and stuff. Someone should do a Broadway musical of Escape from New York or They Live.
I'd love a YSI Telephone Thing.
― Raw Patrick (Raw Patrick), Sunday, 15 January 2006 13:35 (eighteen years ago) link
― Raw Patrick (Raw Patrick), Sunday, 15 January 2006 13:57 (eighteen years ago) link
you NEED this album: Unit Black Flight - Infiltration and Extraction
― Yawn (Wintermute), Sunday, 15 January 2006 14:03 (eighteen years ago) link
― Yawn (Wintermute), Sunday, 15 January 2006 14:05 (eighteen years ago) link
― Raw Patrick (Raw Patrick), Sunday, 15 January 2006 16:24 (eighteen years ago) link
Also, does Betty Botox fit into this Beardo Disco?
― Jacobs (LolVStein), Sunday, 15 January 2006 19:43 (eighteen years ago) link
― stirmonster (stirmonster), Sunday, 15 January 2006 19:46 (eighteen years ago) link
time for a new eyboard!
― stirmonster (stirmonster), Sunday, 15 January 2006 19:55 (eighteen years ago) link
― Renard (Renard), Sunday, 15 January 2006 19:57 (eighteen years ago) link
― Jacobs (LolVStein), Sunday, 15 January 2006 20:02 (eighteen years ago) link
― johnny jones, Sunday, 15 January 2006 20:32 (eighteen years ago) link
i don't have 'black skin, blue eyed boys' digitised.
― stirmonster (stirmonster), Sunday, 15 January 2006 20:40 (eighteen years ago) link
― jaime, Sunday, 15 January 2006 22:09 (eighteen years ago) link
for those who absolutely need an id for something from one of those mixes, if you yousendit a clip and post it on djhistory, you can usually get an answer pretty quick. the most extensive cosmic threads on there mostly happened back in '03, so those guys have had the time to figure a lot of it out. it's only failed me once...
they also had a thread on beards recently.http://www.djhistory.com/forum/showthread.php?t=13672
the relationship between italo disco and the cosmic scene, if you believe baldelli, was pretty nil. he says he didn't like or follow much of that stuff and was much more into the german electronic stuff. i think he said sky was his favorite label in that red bull interview.
for the tiscali site, you have to email the guy for a password. you may also have to download the opera browser if you aren't handy with ftp.
― Graham Gouldman (Graham Gouldman), Monday, 16 January 2006 00:07 (eighteen years ago) link
i think somebody once said, "it's not what you say, it's how you say it"
applies equally to djing i'd say.
― Graham Gouldman (Graham Gouldman), Monday, 16 January 2006 00:13 (eighteen years ago) link
― Graham Gouldman (Graham Gouldman), Monday, 16 January 2006 00:21 (eighteen years ago) link
― telephone thing, Monday, 16 January 2006 03:49 (eighteen years ago) link
― telephone thing, Monday, 16 January 2006 04:00 (eighteen years ago) link
otm. i much prefer it slowed down. not part of the cosmic thang but probably the most famous example of a song being slowed down and then becoming massive as a result is 'flesh' by a split second which was actually re released in its' 33.333 + 8 version.
― stirmonster (stirmonster), Monday, 16 January 2006 04:39 (eighteen years ago) link
― francis izzy stradlin deth, Monday, 16 January 2006 06:55 (eighteen years ago) link
so, aside from jim burgess, i can't think of many examples of american djs doing the 45 @ 33 thing back in the day. anyone know of any other examples. i wonder if that would have happened more if it was more common to press 12"s at 45 here.
― Graham Gouldman (Graham Gouldman), Monday, 16 January 2006 08:29 (eighteen years ago) link
but some of the other new beat records were part of the cosmic thang? I listened to that Tutu mix yesterday and was surprised to hear Logic System and Carlos Peron one after the other.
― Renard (Renard), Monday, 16 January 2006 15:11 (eighteen years ago) link
I think the Cosmic thing was about whatever the hell fit. There's also crossover with the WBMX DJs, who certainly play faster and more italo-disco, but also play a lot of the new wave/pop oddities that show up in the Cosmic mixes as well.
― Dan Selzer (Dan Selzer), Monday, 16 January 2006 16:58 (eighteen years ago) link
i think the fact that most european 12"s are pressed at 45rpm as graham gouldman mentions is a big factor. i think djs all over europe have always done this. the reverse also happened - when the first breakbeat rave records (eg shut up and dance) started coming out, there were so few of them that it became common to play instrumentals of us hip hop records at 45 to fill out a set. i still play schoolly d instrumentals at 45 instead of 33.
― stirmonster (stirmonster), Monday, 16 January 2006 17:11 (eighteen years ago) link
― stirmonster (stirmonster), Monday, 16 January 2006 17:17 (eighteen years ago) link
interesting... i can't say it really makes me feel like dancing. maybe in the right time and place - or with the right drugs.
i have to say it's much easier for me to like something slowed than sped up, but that just makes it more satisfying to find something that works sped up. i was messing around with the break from james gang funk #49 today. sounds pretty nice at 45 and then there's a pause at the end where the guitar comes back in where you can switch it back to 33 without being able to tell. some dj somewhere has to have figured that one out before though.
― Graham Gouldman (Graham Gouldman), Tuesday, 17 January 2006 06:10 (eighteen years ago) link
conversely, with speeding things up, you get this condensed, almost shimmery or polished feel. a bit disconcerting sometimes.
― Graham Gouldman (Graham Gouldman), Tuesday, 17 January 2006 06:18 (eighteen years ago) link
YES PLEASE
― vahid (vahid), Tuesday, 17 January 2006 06:28 (eighteen years ago) link
BIG BEAR / FULL PUPP / HAIRY CLAW / BEAR FUNK / BEAR ENTERTAINMENT / ETC family
RONG MUSIC / THICK AS THIEVES / BEN COOK / DJ SPUN / DJ HARRY / ETC family
FREESTYLE LTD AND OTHER EVEN MORE OBSCURE RE-EDIT LABELS
the elusive UNIVERSAL INDIANN
A THEORETICAL MEETING-OF-MINDS WHERE CLASH+BLONDIE : RAMMELZEE + GRANDAMASTER FLASH :: HARVEY + IDJUTS, ETC : MOODYMANN + THEO P
― vahid (vahid), Tuesday, 17 January 2006 06:43 (eighteen years ago) link
― blunt (blunt), Tuesday, 17 January 2006 09:24 (eighteen years ago) link
― Jacob (Jacob), Tuesday, 17 January 2006 09:29 (eighteen years ago) link
― blunt (blunt), Tuesday, 17 January 2006 09:33 (eighteen years ago) link
The DJing on that Rub 'n' Tug CD sounds more like old Block Party hip hop tapes than it does any regular house DJing, a feeling intensified by the inclusion of the Bronx Dogs track that mashes up parts from Bambaataa's Death Mix
Also, the Re-sdit scene'll surely only get bigger as more people use digital equipment, whether CDs or Ableton Live or whatever (meaning, no need to press 'em to vinyl.)
― Raw Patrick, logged out, Tuesday, 17 January 2006 10:31 (eighteen years ago) link
Does Gamm fit into all of this? I guess not quite.
― Ronan (Ronan), Tuesday, 17 January 2006 11:48 (eighteen years ago) link
― Dan Selzer (Dan Selzer), Tuesday, 17 January 2006 13:36 (eighteen years ago) link
― Dominique (dleone), Tuesday, 17 January 2006 13:39 (eighteen years ago) link
― Dominique (dleone), Tuesday, 17 January 2006 13:41 (eighteen years ago) link
― Jay Vee (Manon_70), Tuesday, 17 January 2006 14:58 (eighteen years ago) link
re: the bit above about this not really being an actual "movement" - it isn't, in so far as it's been labeled and people can knowingly subscribe or unsubscribe to it - but I'd wager there are hundreds of DJs and would-be DJs out there who get off on krautrock and psych and prog and who knows what else, and also happen to want to spin beats - and then end up mixing them all up. That's really why I find this thread interesting, a place to talk about these kinds of incidents.
― Dominique (dleone), Tuesday, 17 January 2006 15:16 (eighteen years ago) link
The only reason I initially considered it a movement was after seeing Harvey, seeing Run-N-Tug and thinking huh, a bunch of dudes with longish hair and beards playing the Doors' American Prayer mixed with disco.
To me there's a very specific aesthethic that's hard to define, but actually relates to indie-rocks recent ironic or not interest in so-called Yacht Rock, just an interest among disco DJs playing not only classic rock, but smoothly produced 70s stuff and even 80s stuff that was written off as being pretty cheesy for quite a few years. Sure, Steely Dan's Peg and the like have always been dance/disco classics...or have they? But it's deeper then that, and I find myself playing all these classic rock covers...Locomotive Breath by Cat Gang, Les Rocket's On the Road Again, For Your Love by Chilly, down to more conventional disco covers of rock songs like Queen Samantha's The Letter or Revelacion's House of the Rising Sun. I think maybe it's all indicative or rockers getting into disco, whether for the first time, or long-time disco djs rediscovering their childhood rock faves and just having the freedom to mix it all up. I think Harvey helped pave the way to that, at least from what mixes I've heard.
On a practical side, especially when playing to rock crowds, a lot of this stuff works really well.
― Dan Selzer (Dan Selzer), Tuesday, 17 January 2006 15:31 (eighteen years ago) link
― Dominique (dleone), Tuesday, 17 January 2006 15:39 (eighteen years ago) link
i think that optimo are different to the cosmic/disco crowd, psychout seems to put forward their view of psychedelic in a similar way to chuck eddy's definitions of genre. i think optimo have a magpie approach that wedges disparate things into their own vision. lindstrom/terje/idjuts et al are purists through and through, and i think that beardo house does have that feel of soulboys with baggier, browner knitwear. and i think they fit into the disco/cosmic canon in a way that optimo just don't want to. i love both approaches tho,
the todd terje edits i have are the best of the new crop, i think. he thickens the tracks and extends them without you really noticing as a listener. he reminds me of danny krivit in that respect, who is the don of the edit style. i like terje's new-age picks too, 'dancing digits' and dave samuels' 'dance class'
who did that edit of andreas vollenweider's 'belladonna'? that is so nice!
― nebbesh (nebbesh), Tuesday, 17 January 2006 15:43 (eighteen years ago) link
todd terje's edits are really great. his tangoterge edits on supreme have been particularly good. his turtles, 'aquarius' and kraftwerk edits change those tracks but at the same time make you think they should always have sounded like that.
― stirmonster (stirmonster), Tuesday, 17 January 2006 15:50 (eighteen years ago) link
I think, on the big pitcure level, dominique, I always say that music seeemed really, and I say this a lot, "stratified and ghettoized" through the 90s. Even within genres there were distinct threads without tons of people crossing their boundaries, while some of the more interesting acts that did totally fell through the cracks and dissapeared. I think post 2000 there's been a big breakdown in those walls.
― Dan Selzer (Dan Selzer), Tuesday, 17 January 2006 16:08 (eighteen years ago) link
― nebbesh (nebbesh), Tuesday, 17 January 2006 16:15 (eighteen years ago) link
― Raw Patrick (Raw Patrick), Tuesday, 17 January 2006 18:32 (eighteen years ago) link