Don't go for second best, baby. Put your ILM ARTIST POLL #31: MADONNA to the test.

johnny fever did u ever watch Desperately Seeking Susan?

lol nooooope

dude

DUDE

>:(

I think it was just a couple weeks ago I saw it in the ondemand menu and thought "gotts do it!" and then didn't. I am a savage.

The movie drags when Rosanna Arquette's on screen.

true. she's kinda sadsack. BUT
madge is all the reason you need

I MEAN LOOK AT HUH

http://media3.giphy.com/media/1BnOWVuEeDYGY/giphy.gif

https://33.media.tumblr.com/tumblr_m57u1kpMbG1qlbmi0o1_400.gif

https://33.media.tumblr.com/d8d27b031d0ac4486a14894a9da4e2ae/tumblr_nbnqweD4l81snmmclo1_400.gif

and Aidan Quinn is <3

Inspired. I'll make it my Monday Night Movie this week.

You're just jealous
CUZ YOU CAN'T BE ME

I remember nothing of DSS, but its probably been close to 30 years. My husband quotes it from time to time, and I have to plead ignorance as to the reference.

Did anyone do a spotify playlist of the results of this poll? I figure it'd be Madonna's best Greatest Hits collection.

http://open.spotify.com/user/mondosalvo/playlist/7eyfImlZJ6LKMzTmDmN6Kr

let all the hurt inside of you die

would love to invite you all to my place for drinks + Madge listening party

*cries into your carpet for the duration of "take a bow"*

*gives you stank look for assuming I've a carpet*

I would love to drink and listen to Madonna with Alfred, etc, but I gotta pack for my move tonight. But at least now I know what I'm listening to while I do so!

Alfred arguing with Brad about carpets.

They never laugh, not like before
He takes the keys, he breaks the door

*gives you stank look for assuming I've a carpet*

i felt bad doing it but imo the image needed an absorbent landscape

that's what martinis are for, Brad.

by "listening party" do u mean "dancing party"?

either way I'm in. I'll bring the cheetohs

I've tile floor, so dancing + drinks + Cheetohs = awesome

I'M READY NOW

i'll be right over

is it OK if I play "Rescue Me"

b/c I'M SAYIN I BELIIIIEVE

it would be a travesty if you didnt

whoever shows up last wears the lion head

Brad's on the carpet, he'll wear the lion head

lol

I know this is rockist shit but I wonder why Madonna stopped writing (or claiming to write) songs by herself. I loved her excuse ("I got lazy!") except that if there's one artist who works her ass off it's Madonna. When she started playing ehh to OK electric rhythm guitar on tour in 2001 I had fantasies of her releasing a Neil Young album. It would've been the real surprise at that point in her career.

btw we haven't given enough props to Patrick Leonard, who showed her how she can adapt her songwriting and singing voice to versees, bridges, and choruses.

She said some interesting things in her last Rolling Stone interview

I mean, some of it comes off as a bit old fogey, but knowing how she worked on her most successful albums why NOT go back to one producer? I wonder if she's questioning her own writing now?

She should team up with Nile, or someone she knows. Imo

And you had a lot of new people around you this time.
With this particular record, I put myself in a funny position. Because usually I choose a producer to work with, or two, and then I write and produce everything with those people. The whole thing is just done within this little bubble. Whereas this situation was me working with a lot of writers that I'd never met before in my life — literally walking into rooms and sitting down and saying, "OK, let's write a song." Total strangers.

And some people I connected to immediately like ("Wrecking Ball" co-writer) Mozella, for instance, or ("If I Were a Boy" co-writer) Toby Gad. They're very open-hearted people, extremely musical, not inhibited in any way, shape, or form. So they were fun. And then there were other people that were really shy, and I think maybe slightly intimidated by me. I was constantly putting myself in these, like, very awkward situations, to me it was an exercise in letting go, to sit with people I'd never met with before.

How did that affect the songs?
With songwriting, you have to make yourself open to people and vulnerable to people, especially if you're writing about something personal or a sensitive subject, something close to your heart. And you're doing it with someone you've never met before. It's kind it's like that exercise where you stand with your eyes closed and you let yourself fall back, and you just, like, trust that someone is going to catch you. So I would say that a lot of working on this record was like that.

How did you grapple with the chaos of it all?
I prefer order, and I prefer to know what I'm getting every day and what I'm showing up to. I like it when the people I'm working with come to work — just them, and not their entire families or 20 of their closest friends. You know what I mean? But there's a lot of that going on, and I find it a little bit distracting. That's hard for me. I'm old school. Kanye wasn't really one of those people that had lots of people come in the room, but he himself is chaotic. So I've been lucky to work with a lot of madmen, and charming (people). Thank God they're charming, because otherwise they wouldn't get away with the things they do. (Laughs) So yeah. I mean, honestly, I don't know how people finish anything after what I've witnessed. (Laughs) Seriously!

Do you think work habits have devolved?
I think there's a lot of distractions now. I think people are really, supremely distracted, and everyone feels the obligation to be very involved with social networking. So a lot of the time of the day is spent doing that. There's a lot of people leaving to go to red carpet events or to tweet. Like, having to go out and do fast interviews or, like, go on Twitter and do this or that. I was just like, "Wow," you know? My head was spinning. But that's the world we live in, now. The age of distraction

http://www.rollingstone.com/music/features/madonna-on-making-rebel-heart-the-age-of-distraction-and-joan-of-arc-20150305

I read it at the time and was disappointed she'd yielded to the "top line" composing strategy of contemporary pop songwriting. That said, the current album has stronger melodies than the last two, so if she sat around with guitars and collaborators I'll give her the credit for sturdiness.

Yeah, I do like this album quite a bit so it may be somewhat of a moot point

But I would like the experienced Madge to appear at some point. I truly believe she has it in her to school everyone, I just don't know when or if she'll really *go* there, because she's almost manic about moving forward.

idk.

in unrelated news I found this weird/funny vid of her & Ellen singing Dress You Up together

http://youtu.be/hnI8GZIYBcs

OMG, the people asking for "real strings" on D&D itt.

Never in this life has a negative reaction so completely steeled my resolve to represent the opposition.

I'm still probably never voluntarily reach for Erotica when I want to listen to Madonna, but at least it's not embarrassing at the level which the most recent three albums reside.

I'm=I'll

Embarrassment is a crucial ingredient of Erotica.

Perhaps so. I'm unlikely ever to delve far enough into it to find out.

Everybody has styles of music they dislike no matter what. One of my own is early 90s pop-house, and I'm even softening my stance on some of that in my advanced age. I still can't get with much of anything on Erotica, though. *shrug*

Everybody has styles of music they dislike no matter what. One of my own is early 90s pop-house

I wanna offer sympathies, but I know there are people who no doubt feel misguidedly sorry for those who will never ever get into Neutral Milk Hotel.

I know several of those people. Lost souls, one and all.

the name puts me off

LOL, have you had that screenname for the last 2.5 years?

she sounds terrific, and the repetition of the twirl so awkward in an endearing way:

https://www.youtube.com/watch?v=ffjlH4xHfWw

boy do I miss her lower range drag queen voice

I think she took it out for a spin during "Like a Virgin" on the MDNA tour.