i want a thread for Holly Herndon

liking this one much more than "movement" so far

I'm late to the party but this is great!

the sound palette seems pretty limited.. How many times can you use the 'atonal percussion rustle/avalanche' sample before it gets old? the quality of the percussion is nice, but the overload of pitched vocal samples gives it a disposable, later OPN-like quality. feels very 'of the late 2000s'. vocal clutter is way over the top. i could listen to quarantine by laurel halo all day, but the use of vocals on this is grating as shit. i miss chicks on speed produced by the mego guys.

"disposable" is just fine by me; i'm associating this with vaporwave

I'm hearing early '80s Laurie Anderson in her Herndon's sound

i really like the spoken track - i find it funny and kind of theatrical at the same time. it reminds me a bit of some interactive theatre things i've seen.

Any London ilxors going to the show?

how did this leave me cold at first? it suddenly CLICKED a few weeks ago and i haven't been able to stop listening

some of the gorgeous textures remind me of orchestra of bubbles!

It actually reminds me a bit of of the gentler bits of Confield, just the textural crunch of all those granular bits of micro-sound, but with heaps of sugar throughout.

confield flakes

https://www.youtube.com/watch?v=kzP9IwznNuQ

Which one is the ASMR track? I listened to about 2/3 of Platform on Spotify yesterday and just got a major nostalgia buzz. 2002 laptop music redux. It was pretty though. Will probably end up buying.

― Jeff W, Tuesday, 19 May 2015 19:17 (4 months ago)

the clarity of the soundfield on this is so different to anything from that period, even the very best and best engineered of it like autechre

Some of her stuff reminds me of some Tortoise -- which, coincidentally, also has a member named Herndon.

Astonishing gig last night in London - she had a couple of other people onstage with her, a vocalist/dancer whose vocals were being chopped up into a million pieces in real time. Also a dude behind a laptop whose sole job appeared to be to type messages at the audience (best one = "FUCK THERESA MAY"). It was all clearly live (and texturally quite different from the album) but I had no idea how most of it was being done.

+1324232234545345 to any notion of seeing her live; IMO she wiped the floor with everyone else who played Big Ears last year, and the live-data-manipulation stuff was a major part of that

yeah that was an excellent gig (and jam city supporting was brilliant too, and again v different to the record)

cool talk w/DJ Rupture: http://pitchfork.com/reviews/albums/21582-lullabies-for-the-broken-brain/

did you mean to link this? https://www.ableton.com/en/blog/loop-holly-herndon-and-jace-clayton/

ha yes, wrong tab. ty.

her process breakdown is good too (haven't gotten through the whole thing yet): https://www.youtube.com/watch?v=6baj34lxF4g

Discovering Platform now. Sick, and reminds me a little of sometime ilxor Lynskey

on the cover of the latest issue of the wire.

― stirmonster, Wednesday, March 11, 2015 8:49 AM (1 year ago) Bookmark Flag Post Permalink

this was v cool imo

http://i67.tinypic.com/wb28lc.jpg

https://www.youtube.com/watch?v=sc9OjL6Mjqo

That is excellent.

and terrifying.

dream combo

Intrigued by the idea of working with AI but not really impressed by the actual track.

I have a feeling that sentiment will characterize most reactions to the seemingly inevitable onslaught of music that will “use” “AI” in the next years

new single is pretty massive

https://youtu.be/r4sROgbaeOs

huge. video is nuts in the best possible way.

I don't like the songwriting at all but that's a cool timbre she's hit upon there.

^^^^this is my opinion of every holly herndon song ever p much

*hides in Rockist Corner with pomenitul and other sticks-in-the-mud who still believe in old-fashioned nonsense like songwriting while the A E S T H E T I C crowd storm the cultural pantheon*

I'm a shameless aesthete but to these ears it comes off as an interminable string of platitudinous highs.

we're all aesthetes - there's a whole specific thing. you have to space the capitals

I thought that was a vapourware meme, though – does HH qualify? I must know!

*wave, sorry.

It sounds amazing. It doesn't exactly make me want to listen to it again or use it in a dj set (although maybe for the right moment?), but still. It's just vocals, drums, and stabs, right?

Sounds like something Kanye will probably sample this year.

awesome
a welcome return

Save me I'm trending

— Holly Herndon (@hollyherndon) March 11, 2019

(Theresa May saved her after an hour or so by jumping on a plane to Strasbourg)

One of my happiest gig-going memories is of the time when Holly had hooked her laptop to the projector and slowly and very purposefully typed 'FUCK THERESA MAY' over the visuals in lurid pink.

Also this song is incredible, it's like a School of Seven Bells song batting around in a metal box.

herndon can write a song imo

anyway this fucking rules

Herndon might be the only person in any discipline doing anything worthwhile with AI

anyway besides sounding incredible this is clearly A Song with hooks and stuff and not just some installation piece

It's a song, for sure, I'm just not sold on her way with melody. Faux-bliss imho.

One excellent reason to use AI in your art is that it guarantees press/interest

There are way more traditional songwriting chops in Holly Herndon tracks than in half of the stuff imago listens to so I've got no fucking idea what he's talking about (also HH != vape so strike 2).

This bangs.

The only thing that kept me from truly diving headfirst into Holly Herndon when I first became aware of her was the videos, which I was unmoved by, but this video is AMAZING-- same director as the stuff I wasn't so keen on, the song rules as always