10CC : they really *were* that good weren't they ?

every so often i find myself with an overwhelming desire to listen to 10cc. and every time i find myself thinking, jesus, they *really fucking were* that good. walking up the street earlier, blasting "rubber bullets" into my ear, was a moment of utter joy.

as with so, so many bands, i need to get more of their albums.

also: WTF with whoever it was above who doesn't understand/get/whatever "i'm mandy"? that song ROCKS my SOUL.

("dreadlock holiday" is kinda blowsome, though.)

Oh no! I suddenly have a yearning to track down and hear "Consequences" by Godley and Creme!

Things We Do for Love. Fuck me.

I bought the Best Of for 4 quid in HMV on Saturday, to replace a dusty cassette of Changing Faces. It's ninja.

Can I say "it's ninja"?

yes.

i was a kid when this was a hit and my mother and i used to sing it together when it would come on the radio. that song is still totally classic!

The National Guard, The National Guard
The exercise yard, the exercise yard

Jonathan King may be a child molester, but I am still thankful for the fact that he discovered two of my all-time favourite bands.

Just listened to "I'm Not in Love" on repeat. What a brilliant track. This song must have been a balearic hit, fits perfectly within that sound.

have you heard their other song like this, Godley & Creme's "Cry"?
http://youtube.com/watch?v=B1Z8pSXCNFI freaky video

wow that track is nice. i have a couple of their lps from the 70's which are really good, but beyond that i never investigated their later stuff. i am going to now.

10cc were the British Steely Dan. I say it is so, so it is so.

Not sure about this. I'm sure I'll be crucified for this (bring it, bitches), but Steely Dan never wrote anything as sublime as "I'm Not In Love".

Erol Alkan has been halting intense electro sets at 2 a.m. in vast warehouses before thousands of people by playing I'M NOT IN LOVE. IN FULL!

10cc were the British Steely Dan. I say it is so, so it is so.

If you regard the fact that 10cc were indeed very typically English whereas Steely Dan were very typically American (at least in an East Coast way), then this may well be a very good way to see it.

That makes me LOL so hard.

If the name had been deliberately chosen for the reasons cited, it would have been a misnomer: The average male ejaculation actually contains only about 3cc of semen.

Wasn't 9CC supposed to be the max male ejaculation rather than the average?

props to lol creme for his incredible name

how have i never heard about this group

i get the feeling theyre more of a singles band, right?

and maybe not so much of a "any american has heard them" band

besides xhuxk of course

'im not in love' was surely a big hit stateside

ive only heard the album 'bloody tourists' (dreadlock holiday was on it) and it was dissapointing. i might pick up their greatest hits sometime if i see it for cheap.

god, i heard i'm not in love all the time when i was a kid. i certainly knew who they were in the 70's in the u.s. that and the things we do for love were huge on the radio.

i wonder what kind of station would have played 10cc. they don't seem like they really fit. i was born in 1974 and the earliest thing i ever remember hearing on the radio was eddie rabbit.

"i wanna rule the world" is like.. ambient techno ambient highway 61 style queen or something.

Amazing BBC doc online here
http://www.bbc.co.uk/iplayer/episode/b00kn4q5/The_Record_Producers_10cc_6_Music_Producers_Cut/

Lol Creme, Kevin Godley, Graham Gouldman and Eric Stewart provided the entire package. Not only were they great musicians but they also wrote all their hits in various group combinations, produced their own recordings and, in Eric Stewart, had a built-in engineer. They also owned their own recording studio which made them a highly productive self-contained unit.

Featuring new interviews with all four band members and exclusive access to the original multi-track recordings of Donna, Wall Street Shuffle and I'm Not In Love.

This extended 6 Music Producer's Cut includes additional 10cc tracks and related music. Broadcast on:BBC 6 Music, 9:00pm Saturday 9th May 2009
Duration: 120 minutes

No, they were much better.

"Please install Real Player".

Fuck that noise.

maybe not so much of a "any american has heard them" band

Most Americans above a certain age have probably heard their two huge sellout hits "I'm Not In Love" and "The Things We Do For Love." Beyond that pair (and among younger Americans), maybe not, though.

(Ha ha, just looked up their chart positions and found out their third biggest U.S. hit -- only went to #40 -- was something called "People In Love." I can't even think of how that goes. And like their two top fives, it has the word "love" in its title.)

Actually, "Cry" would be their third biggest U.S. hit if it counts, and "Neanderthal Man" their fourth biggest.

Amazing BBC doc online here

AH DUDE thank you for sharing this link: I knew nothing about this. That's one to luxuriate in tomorrow.

"Please install Real Player".

Fuck that noise

WTF, you keeping it real with your Babbage Engine there or something?

"People In Love." I can't even think of how that goes

"People in love do funny things
walk under buses, um tum ti tum tum..."

Fascinating article about the recording of "I'm Not In Love" here: http://www.soundonsound.com/sos/jun05/articles/classictracks.htm

About recording the a cappella backing:

"Each note of a chromatic scale was sung 16 times, so we got 16 tracks of three people singing for each note. That was Kevin, Lol and GiGi standing around a valve Neumann U67 in the studio, singing 'Aahhh' for around three weeks. I'm telling you; three bloody weeks. We eventually had 48 voices for each note of the chromatic scale, and since there are 13 notes in the chromatic scale, this made a total of 624 voices. My next problem was how to get all that into the track.

"I mixed down 48 voices of each note of the chromatic scale from the 16-track to the Studer stereo machine to make a loop of each separate note, and then I bounced back these loops one at a time to a new piece of 16-track tape, and just kept them running for about seven minutes. Because we had people singing 'Aahhh' for a long time, there were slight tuning discrepancies that added a lovely flavour, like you get with a whole string section, with a lot of people playing. Some are not quite in time, some have slightly different tuning, but musically a lovely thing happens to that. It's a gorgeous sound. A very human sound, very warm and moving all the time."

as nice as this thread is, it is still SERIOUSLY lacking in worship and praise for the guitar sound(s) on silly love. and it sounds just as glorious live:

OK, the BBC doc is absolutely tremendous: thanks again for sharing, piscesx. I didn't realise it'd cover so much of Godley & Creme's later material, too (must go and revive that G&C thread) ... what, with that and the Sound on Sound article I can become the world's most tedious I'm Not In Love bore.

So basically, "Hotel" on Sheet Music (1974) sounds like Vampire Weekend, three and a half decades before the fact. (Lots of the album sounds too indie/twee to me, in retrospect. Convinced nothing much matches th side openers, "Wall Street Shuffle" and "Silly Love" -- well, maybe "The Worst Band In The World" I guess -- though feel free to try to convince me otherwise. Also guessing they liked Zappa a lot.)

hey who's drummer number 2 on that live clip?!

If only Vampire Weekend had had the same wonderfully slick and absolutely perfect production...

i don't think there is a rock band working today that has that production. and i wouldn't call it slick. it's hand-crafted and...words fail me. it's wonderful. i'm talking about the early stuff that chuck was listening to though. they did get much slicker. and great too, but in a different way.