have a go heroes
― Keith Moom (Neil S), Wednesday, 13 May 2015 08:29 (nine years ago) link
Famous Briton Dolores O'Riordan
― Just noise and screaming and no musical value at all. (Colonel Poo), Wednesday, 13 May 2015 12:40 (nine years ago) link
xpost to the meme that will not diehave a go and a smile
― “audience participation” otherwise known as “touching” (forksclovetofu), Wednesday, 13 May 2015 13:25 (nine years ago) link
http://www.newrepublic.com/article/121794/other-peoples-playlists-spotifys-secret-social-networki have a real sore spot for "i typed in a phrase and look at all these big numbers" writing and the faux naif patina is grating
Keep going, listening to snippets of songs or speech. See what tugs at your ears. It’s one of the more satisfying ways I know to spend an hour. At the end you know something.
People lament the ascendance of pop culture. Just because Katy Perry is in charge doesn’t mean that Charles Ives is out in the cold. He has 57,643 listens for his 1906 composition “The Unanswered Question.” Honestly, I don’t care what people like, only who they were and what they thought. I want a way for people to mark their paths through all this sound, so that I might follow.
― “audience participation” otherwise known as “touching” (forksclovetofu), Monday, 18 May 2015 18:20 (nine years ago) link
I start with someone popular but a bit weird, like Peter Gabriel, and then I click on the “Related Artists” tab and up pops a set of similar musicians: Sting, Dire Straits, Roxy Music.
It makes me wonder, what the hell is wrong with my friends? One listens to too much classical; another is far too into electronica. There’s the music critic who loves her 1970s metal, the Depeche Mode-obsessive, and a host of other breeds of snob or miscreant.
There's also the clueless asshole his friends might think is a friend.
― Vic Perry, Monday, 18 May 2015 19:29 (nine years ago) link
"[Selena Gomez]'s music is produced via a complex industrial process involving engineers, songwriters, and coaches" -- gee, you don't say
― katherine, Monday, 18 May 2015 22:53 (nine years ago) link
I actually thought the piece was OK but "this pop music is so artificial, unlike every other form of music, but it's an earworm anyway :(" is the laziest trope of music writing by non-music writers
― katherine, Monday, 18 May 2015 22:57 (nine years ago) link
"At the end you know something."
This is so brilliant. Some kind of pure idiot savant green tea zen sloaneering.
― ©Oz Quiz© (Adam Bruneau), Monday, 18 May 2015 23:20 (nine years ago) link
Also that is possibly the weakest playlist ever. This whole article is like a robot trying to read tea leaves.
― ©Oz Quiz© (Adam Bruneau), Monday, 18 May 2015 23:25 (nine years ago) link
this is kind of great though-"Watching other people listen to music is too much like knowing their sexual proclivities: You start out curious and end up horrified."
― campreverb, Monday, 18 May 2015 23:28 (nine years ago) link
just a note, archive.today is a better way to not give websites traffic than donotlink, which only really affects a site's google pagerank, which isn't a thing as much as it was a few years back
― maura, Tuesday, 19 May 2015 01:03 (nine years ago) link
About that New Republic article:
-Since when is Blancmange "weird"? I can think of quicker ways to find obscure synth pop. Like typing it in.
-One can never listen to too much electronic music
― Freeland Avenue (I M Losted), Wednesday, 20 May 2015 22:15 (nine years ago) link
I have not read the piece yet but I'm going to put it here based on this subhead:
"Is it time for a disruptor to change what songs look and sound like?"
― katherine, Wednesday, 27 May 2015 01:27 (nine years ago) link
nope, not great at all
― katherine, Wednesday, 27 May 2015 01:34 (nine years ago) link
Lmaooooo
― Keith Mozart (D-40), Wednesday, 27 May 2015 02:06 (nine years ago) link
cuepoint just always wins this thread
― maura, Wednesday, 27 May 2015 02:32 (nine years ago) link
this only tenuously qualifies as music writing but it's enough to crowbar it into any thread with 'worst ever' in the title http://www.independent.co.uk/arts-entertainment/music/news/uk-shops-that-sound-like-the-hottest-rappers-of-2015-10276462.html
― pull blart, maul cops (DJ Mencap), Wednesday, 27 May 2015 11:48 (nine years ago) link
hardly the worst of its problems, but there are two number sixes there.
― Keith Moom (Neil S), Wednesday, 27 May 2015 12:57 (nine years ago) link
For her "Butterfly" single and video, Mariah Carey intended to finally let go of all her inhibitions, insisting on rubbing her bare vagina all over the camera's lens. Eventually, the director fought for a reshoot, not out of fear of offending, but because the footage looked like "a giant squid attacking a sub." Mariah still forced her ideas into the single packaging, suggesting she squeeze the head of her kitten, Nipples, between her thighs. The art director note d they could achieve the same effect in graphics editing, but Mariah insisted on grounds of realism and "that look of pained resignation." Tommy Mottola wasn't havin' it, and sold the image to Lords of Acid.
http://pitchfork.com/features/staff-lists/6194-the-worst-record-covers-of-all-time/7/
― Whiney G. Weingarten, Thursday, 28 May 2015 17:24 (nine years ago) link
way to take Nantucket to task for their visual identity
― like a giraffe of nah (forksclovetofu), Thursday, 28 May 2015 17:47 (nine years ago) link
Terrible, unfunny article there. Goddamn.
Balls to the Wall posters prompted Deutschland dads to retool the focus of their "we need to talk" talks from satanism to sexuality, especially upon learning Accept's singer and guitarist, Udo Dirkschneider and Herman n Frank, translate loosely as "silicon buttplug" and "her lady penis."
Great work, guys!
― Jim Gillette's unused octave (GOTT PUNCH II HAWKWINDZ), Thursday, 28 May 2015 21:40 (nine years ago) link
BTTW is a fantastic album cover on multiple levels
― pull blart, maul cops (DJ Mencap), Thursday, 28 May 2015 22:38 (nine years ago) link
As is Smackwater Jack,which I doubt they have ever seen a real copy of, since the point of the cover is that its got a weird shiny part and a matt part, sort of creating two images however you look at it. Plus, inside the gatefold is the funniest pic.
― everything, Thursday, 28 May 2015 23:32 (nine years ago) link
guys that is literally a ten year old story
― Keith Mozart (D-40), Thursday, 28 May 2015 23:44 (nine years ago) link
yea i was wondering who was gonna say it first lol
like how is it remotely trenchant/relevant to bring up a decade-old piece by a dude who was a punchline right out the gate (deservedly so, his writing sucks) but hasn't made so much as a peep as far as i know or care in any way that the average person would see...like om gosh pitchfork did dumb things then and now what a brave truth-to-power statement
― slothroprhymes, Friday, 29 May 2015 00:48 (nine years ago) link
*but hasn't made so much as a peep as far as i know or care in any way that the average person would see in like 5 years
― slothroprhymes, Friday, 29 May 2015 00:49 (nine years ago) link
On the other hand nothing wrong with visiting that Kid A review once in awhile.
― Evan, Friday, 29 May 2015 01:09 (nine years ago) link
given that this thread was started to clown an article in a zero budget British university newspaper I think that Pitchfork is also fair game
I know this is 'rolling terrible music writing thread' by any other name but most articles tend to only be written right after they're published and then never again so
― pull blart, maul cops (DJ Mencap), Friday, 29 May 2015 07:13 (nine years ago) link
I don't normally believe in "so bad it's good" but that Brent D's Kid A review is the exception that proves the rule. Every sentence is pure magic.
― DJP, Friday, 29 May 2015 15:10 (nine years ago) link
Haha omg I was seriously just reading the p4k worst albums cover thing like last weekend
― you can now get married in a church of bacon (Drugs A. Money), Saturday, 30 May 2015 05:26 (nine years ago) link
i can recite huge chunks of the kid a review from memory
― difficult listening hour, Saturday, 30 May 2015 05:34 (nine years ago) link
comparing this album to other albums is like comparing an aquarium to blue construction paper
something about witnessing the stillbirth of a baby while also watching it "play in the afterlife on imax"
― difficult listening hour, Saturday, 30 May 2015 05:35 (nine years ago) link
those first 3 covers are classic, what the hell
― brimstead, Saturday, 30 May 2015 05:35 (nine years ago) link
iirc it has a single lucid and effective metaphor ("kissing around a big nose"), like a flawed rug, xp
― difficult listening hour, Saturday, 30 May 2015 05:37 (nine years ago) link
Vice Exclusive: People should dance at dance partieshttps://thump.vice.com/en_us/article/if-you39re-facing-the-dj-you39re-getting-dance-music-wrong
Perhaps our attention spans are such now that we constantly need a focal point. It could be tied to our worrying inability to 'do nothing', without inevitably flicking our phones open. In a club setting, we are hard-wired to search for what we assume to be the central point of meaning in the room, rather than allowing the music (a more abstract sensory focal point) to possess us like a sexy demon.
Dancing doesn't have to be funny or embarrassing (unless, of course, you're one of those chiefs that starts doing the worm and the splits, like a town fair acrobat). Let's have a boogie, or at least do something more expressive than the mimicking of scraping dog shit from your shoes for three hours. Not to get all "good old days," but a glance at a video of the acid house era, or a story from Studio 54, will quickly illustrate the simple truth: we are getting it wrong. The time has come to take ownership of this epidemic, to accept that we're uncoordinated and uncool. The DJ isn't there to be stared at. They are there to be forgotten completely.
― like a giraffe of nah (forksclovetofu), Monday, 1 June 2015 20:18 (nine years ago) link
Madonna' - "Allow The Music (A More Abstract Sensory Focal Point) To Possess Us Like a Sexy Demon" [Let's Have a Boogie Remix]
― like a giraffe of nah (forksclovetofu), Monday, 1 June 2015 20:19 (nine years ago) link
In a club setting, we are hard-wired to search for what we assume to be the central point of meaning in the room, rather than allowing the music (a more abstract sensory focal point) to possess us like a sexy demon.
Either I stopped going out to clubs at the right time of my life or this is the dumbest, most inaccurate thing I've ever read
― DJP, Monday, 1 June 2015 20:30 (nine years ago) link
rather than allowing the music to possess us like a sexy demon
to think i was just considering having a new dn
― slothroprhymes, Monday, 1 June 2015 20:38 (nine years ago) link
xp what the fuck does "the central point of meaning in the room" mean? like the thing/person with the most potential for metaphor? lol
― rather than allowing the music to possess us like a sexy demon (slothroprhymes), Monday, 1 June 2015 20:39 (nine years ago) link
i also feel like a lotta fuckin club inhabitants (or ppl dancing in plain old bars) have very much accepted that they're uncoordinated and uncool or don't know it and think theyre the bees' drunken knees
― rather than allowing the music to possess us like a sexy demon (slothroprhymes), Monday, 1 June 2015 20:41 (nine years ago) link
people who who can't just dance and enjoy themselves without everyone else around them dancing are the worst
― DJP, Monday, 1 June 2015 20:46 (nine years ago) link
allowing a more abstract sensory focal point to possess us like a sexy demon
― example (crüt), Monday, 1 June 2015 20:49 (nine years ago) link
is that piece written by a NYer? Lots of people don't actually like dancing here that think they do
― Keith Mozart (D-40), Monday, 1 June 2015 21:14 (nine years ago) link
the really hilarious thing for me is that "the central point of meaning in the room" in a nightclub is the bar
― DJP, Monday, 1 June 2015 21:17 (nine years ago) link
Perhaps our attention spans are such now that we constantly need a focal point. It could be tied to our worrying inability to 'do nothing', without inevitably flicking our phones open.
this is p forced as society-is-in-the-guttering goes, seeing as people have been imploring the sentiment of this article since before mobile phones were at all ubiquitous
that said this doesn't seem especially awful to me
― pull blart, maul cops (DJ Mencap), Monday, 1 June 2015 21:39 (nine years ago) link
So crazy that people will pay to see a famous DJ and then want to watch them perform.
― ©Oz Quiz© (Adam Bruneau), Tuesday, 2 June 2015 00:19 (nine years ago) link
Let's have a boogie
sounds like a character talking in a '95-era Blur song.
― The burrito of ennui (Alfred, Lord Sotosyn), Tuesday, 2 June 2015 00:25 (nine years ago) link
Sounds like a budget Status Quo best of
― Jim Gillette's unused octave (GOTT PUNCH II HAWKWINDZ), Tuesday, 2 June 2015 00:49 (nine years ago) link
‘Shoegaze,’ was an industry in-joke. One that made Swervedriver’s career trajectory rather atypical. Cut by the hardy brambles of their peers, the belated Creation Records outlanders had to combat against the bias monopolisation of the early 90s UK music press. Performing in the shadows of Oxford’s recently reformed Ride, the band were vehemently paralleled to their era’s contemporaries. Yet their international success was prompt and brash. Their commerciality appealed instantly to the US; soused in the waves of Seattle grunge and scouting for the next Andy Bell. Yet Swervedriver were opposed to the niche they had been advertised as. Swervedriver were never the doyens of shoegaze but the British answer to America’s swell of alternative rock.
http://crackmagazine.net/article/music/swervedriver-scala/
― bizarro gazzara, Wednesday, 17 June 2015 15:24 (nine years ago) link