100 Can-Pop Classics

Meaning we got the five replacement songs (though the original 5 were all GREBT).
FORWARD, MARCH!
102. Buck65 - The Cenutar

Kim was joking with "Under a Latin Moon," but Candi did have one great pop-dance track, though can't remember which one.

Already had "These Eyes" though Im with you on American Woman.

R. Dean Taylor started his career in his home of Toronto in 1961 playing piano and singing with various groups at all the big Toronto clubs as well as recording several singles for the Audiomaster label that were poor quality and received little if no airplay.

In 1962 he recorded the single/demo "At The High School Dance" for Amy-Mala Records which gained him a bit of attention to which Taylor took the advice of a friend and pursued his dreams in Detroit.

Motown's Brian Holland offered him a position as a ghostwriter for the label and later he would finally be recognized for this talent on such songs as "I'll Turn To Stone" (The Four Tops), "Love Child" and "I'm Livin' In Shame" (The Supremes), and "All I Need" (The Temptations).

While developing his production techniques, Taylor recorded "Gotta See Jane" on his own which hit the Top 20 in England. Motown Records owner Barry Gordy Jr. decided to take a chance with Taylor on his newly established white artist's label Rare Earth from which they released "Indiana Wants Me" in 1970. The song went to No.1 across North America.

Following the release of his debut album, "Gotta See Jane" was re-released and went Top 10 in Canada. R. Dean Taylor continued writing and producing for various artists throughout the '70's.

Taylor made a brief, unsuccessful comeback attempt in 1981/82.

125. "Even Grable" - Treble Charger

(That and "Anna" made my top singles of the '90s list.)

137. "10 Miles to Go"

(Tuuli are great, Scott. I always meant to get that album.)

(also: #24 owns this list. and that list over there, and all lists)

Kim and me in musical agreement shocker! I'm starting to wonder if I actually liked that song. The Rose Chronicles had nothing worthy, though, sorry. And "Dance Desire" is classic.

i'm going to have to step up for tuuli here, kim. jenny used to live down the road from me, here in the mighty oak town - she's an authentic canuk. sorry.

Sundar, Dance Desire? Good grief! I wonder about Downtime too, but if I hear it, I can't help liking it.

I *would* have nominated Anna's a Speed Freak too, but the last Pure album I bought was so traumatising that I couldn't think back without overwhelming pity. The breaking point for me, IIRC was the song about a tennis ball. I haven't heard the album, but I did think Jordy Birch's recent-ish Moola Moola single was kind of cute.

(Did "Rock You" make the list? Or the Killer Dwarfs? Varga?)

(Everything I List Here) I Mean It, I Really Do

Okay, bad example, but someone should start a new thread of songs you'd swear were Cdn but aren't.
And by someone I mean you Fritz.

you just don't want to have to take back everything bad you ever said about canada, woods

Now, I gather from that quote that the musicians are certainly Canadian, but I'm not convinced Viner is. Some other searches on Google don't reveal much, but none associate him with any other Canadian people or organizations (he was heavily involved in the MGM label). (His Nixon connection suggest American as well.) Also, the song "Apache" was wrriten by Jorgen Ingmann, who was European, and many (all?) of their songs are covers of non-Canadian music (i.e., "Let There Be Drums," "Inna Gadda-da-Vida").

Where it gets confusing is in trying to follow the M/A/P/L guide, as there are obviously no lyrics. But from what I gather (and again, I'm not confirmed on Viner) the breakdown is:
Music: not Can-con
Artist: Can-con
Production: not Can-con
Lyrics: n/a

The other possibility is that the records were produced *in* Canada, and maybe that's what matters.

If anyone else has insight here, I'd appreciate it. I really need to know whether or not hip-hop was invented in Canada, along with reggae (cf. Trooper).