It's the stutters, the not-quite-perfection that really gets me. Not quite as harsh as glitch, but still... the sense of two very simple textures sliding over one another like an audio moire pattern.
You know, those lights that they always use at dronerock gigs (and I'm discovering, at certain dance clubs. I need to go to more dance clubs where they have the dronerock lights not those stupid fucking lasers.)
― The ILX Double Standard (Masonic Boom), Monday, 23 March 2009 11:18 (seventeen years ago)
some of these have dated a bit worse than others. still. had forgotten how good "shinjuku" was/is. in posting all these I'm also reminded of why this stuff was so short lived, cos they all sound practically the exact same. still...good times!
― Local Garda, Monday, 23 March 2009 11:27 (seventeen years ago)
It is florid and girly compared to a lot of other dance music of that particular time, but maybe not so much on its own merits. The Nathan Fake album is considerably more twee than most of the stuff mentioned in the last few posts.
I suppose "florid and girly" is only half way there really, what makes a lot of this stuff great is the tension between girly melody and more crackly clicky abraisive noises and it's similar to shoegazing in that regard.
But yeah Tim is OTM upthread about Superpitcher's two Heroin tracks, which are about as close as this strain of house music gets to dronerock in almost every aspect. Slightly different to everything else here as well in it's more, erm, smacky.
― Matt DC, Monday, 23 March 2009 11:31 (seventeen years ago)
― Matt DC, Monday, 23 March 2009 11:32 (seventeen years ago)
― lex pretend, Monday, 23 March 2009 11:34 (seventeen years ago)
(bear in mind that dance music sounds like ass on youtube)
― lex pretend, Monday, 23 March 2009 11:36 (seventeen years ago)
^ definitely, was just gonna mention that.
Dextro, Do You Need Help (Holden Noise Tool) is an excellent, 3 minute, beatless example of the fractured, filtered, howling drone.
Really you should just get any James Holden remix you can, but my fave, aside from the obvious Nathan Fake, is the Britney Spears Breathe on Me (James Holden Dub) - what he does with her voice is delicously creepy, it's almost like stalking with a sampler.
― ledge, Monday, 23 March 2009 11:37 (seventeen years ago)
ha i was JUST GONNA post that
― lex pretend, Monday, 23 March 2009 11:38 (seventeen years ago)
― lex pretend, Monday, 23 March 2009 11:46 (seventeen years ago)
Wow, so much... this is KILLING my bandwidth, but I'm glad to have these all bookmarked in one place to come back and listen to.
That Shinjuku track is REALLY DOING IT FOR ME.
So that's where that rubbish Simian Mobile Disco track recently ripped its drums off from. That GUNG GUNG GOOP GOOP GOOP noise in the bass range, mirrored by the squelchy noise. Oh yes.
I've had Steve Reich records out this weekend (I swear to god, Linstrom samples Music For 18 Musicians on Where You Go) but this is even more... lushly relentless.
― The ILX Double Standard (Masonic Boom), Monday, 23 March 2009 11:51 (seventeen years ago)
Speaking of Steve Reich:
henrik schwarz, ame, dixon - the grandfather paradox
― Matt DC, Monday, 23 March 2009 11:52 (seventeen years ago)
TOOO MUUCCCH AAAMAAZING MUSIC...
::EXPLODES::
Why did I blow all my bandwidth d/l-ing Beyond The Wizards Sleeve mixes this month?
Oh yeah, coz they're GRATE. But still. I gotta save something for checking work-related email.
― The ILX Double Standard (Masonic Boom), Monday, 23 March 2009 12:00 (seventeen years ago)
(can't see youtubes at work so sorry if this is all redundant)
mnml/drone(rock) crossover: beatless, I think, but how IMMENSE is the whooshiness of Motiivi: Tuntematon's "Mankind Failed", b-side of Speicher 46? (One third of MT used to be in some 90s organ-based garage rockers, which is... maybe a link of some kind)
Can't work out if the Pop Ambient series are a good next step, or exactly the wrong direction. Probably the latter if we're avoiding "florid".
Yr actual James Holden catalogue likely to be a little disappointing on this front, I reckon; the album is patchy, and before '05ish he's not really going for this sound at all. "At the Controls" is a fun enough mix though - and has a short burst of "Watusi" by Harmonia on - and Holden's remix of Nathan Fake's "Sky Was Pink" is pretty essential but I imagine there are already several youtube embeds of it here.
For bonus Kate points, James Holden is also a former mathematician - well, he studied it at uni, which seems to be the same thing to the music press at least - with quite a distinctive nose. (For bonus me points, dude also used to use the slightly obscure music software I used, and even wrote a little tempo-to-LFO-freq gadget for it)
― a passing spacecadet, Monday, 23 March 2009 12:46 (seventeen years ago)
― Tim F, Monday, 23 March 2009 13:20 (seventeen years ago)
― Tim F, Monday, 23 March 2009 13:21 (seventeen years ago)
For bonus Kate points, James Holden is also a former mathematician - well, he studied it at uni, which seems to be the same thing to the music press at least - with quite a distinctive nose.
HEY, I SAID NOTHING!!!!
This is the kind of shit that gets me in trouble and gets me hated on ILM.
I didn't actually notice what he looked like - apart from the fact that he looked so much like my mate I that I couldn't actually tell them apart when they went off to have a smoke. And I is totally a DDB, so, erm, yeah. Never mind.
::back to YouTube listening::
You can totally tell that he's a mathematician, from the way that he approaches music. I don't know how, but, erm, I think you can.
― The ILX Double Standard (Masonic Boom), Monday, 23 March 2009 13:39 (seventeen years ago)
i've never heard that britney remix - wow.
i think kate might like The Field.
― Roz, Monday, 23 March 2009 14:01 (seventeen years ago)
Can't talk. On Turkish Psych binge now!
― The ILX Double Standard (Masonic Boom), Monday, 23 March 2009 15:19 (seventeen years ago)
Hrmm. That only goes to show the dangers of YouTube. I watched the video with the song the first time, and wasn't that impressed. Mainly because I didn't like the video. But now I'm listening to the song without the visuals and liking it a lot more.
― The ILX Double Standard (Masonic Boom), Monday, 23 March 2009 15:33 (seventeen years ago)
"At the Controls" is a fun enough mix though - and has a short burst of "Watusi" by Harmonia on
^ this is missing in some versions, unfortunately. it's like the high point of the mix.
his earlier "balance" mix is the only trance i listened to.
― moonship journey to baja, Monday, 23 March 2009 16:27 (seventeen years ago)
I bought the mix and liked it, but never really gave it too many listens,
Then a couple of years ago, I got turned on to Harmonia and was lucky enough to see them live.
last week I pulled out the at the controls mix to listen to when going for an early morning run and almost freaked when the Watussi part kicked in whilst the sun suddenly came out.
I had to go back and check it was actually there, really into this mix again, but can take or leave the other less pastoral stuff.
― Hamildan, Monday, 23 March 2009 23:13 (seventeen years ago)
Is there ILM love for this??
<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/uhgbmFhE3nc&hl=en&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/uhgbmFhE3nc&hl=en&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object>
― Hamildan, Monday, 23 March 2009 23:28 (seventeen years ago)
Jesse Somfay is what you need, such as his new album, very good, as in not shitty (like James Holden, for instance).
― Edward Saroyan, Monday, 11 May 2009 00:21 (seventeen years ago)
some shitty holden tracks i really like:
"i have put out the light""nothing"
and his rmxs of:new order - someone like youdepeche mode - the darkest star
You can totally tell that he's a mathematician, from the way that he approaches music. I don't know how, but, erm, I think you can.he said in an interview that his early stuff was made exclusively using trackers; a sure sign of some math/cs mentality
― QE II, Monday, 11 May 2009 18:34 (seventeen years ago)
one thing that was refreshing about holden's mediocre album was its length, under 50 minutes. i do want to check out the somfay album but just thinking about the length of it (2 discs) exhausts me. one disc is "ambient" or whatever though, right? i still haven't gotten around to that 2cd minilogue album but maybe it's not worth it?
also, kinda bummed that it seems BC abandoned the "coloring contest" thing for their sleeve art
― QE II, Monday, 11 May 2009 18:49 (seventeen years ago)
Ignore anything you read about disc one being ambient and disc two being techno, it's flat out untrue. There isn't really any straight up techno on it, the whole album is an exploration of sonic textures and soundscapes, some have repetitive 4/4 percussion, others don't (and no dancefloor material proper, really).
― Edward Saroyan, Tuesday, 12 May 2009 01:13 (seventeen years ago)
Anyone else listening to the new James Holden DJ Kicks release? Daaaaaaaaaaaaaaaaaaaaaamn
― fuck it we're going to Applebee's® (Z S), Wednesday, 2 June 2010 02:46 (sixteen years ago)
And my favorite bit from the DJ Kicks thing, I just found out, turns out to be a version of a new Holden release out on !K7 - Triangle Folds
Daaaaaaaaaaaaaaaaaaaaaaamn
― Come along, we shall dine at an expensive French restaurant. (Z S), Monday, 21 June 2010 02:59 (fifteen years ago)
Spotify keeps on pausing for about 3 seconds between every track, which is not ideal for a DJ mix. And I can't read who the storming Mogwai remix is by (oh it's himself). But aside from that, yeah, this is pretty dope, but some more bangers would have been nice.
― sent from my neural lace (ledge), Monday, 21 June 2010 14:55 (fifteen years ago)
Anyone heard Holkham Drones by Luke Abbott? Think Kate for one would love it.
― Captain Ostensible (Scik Mouthy), Thursday, 2 September 2010 12:35 (fifteen years ago)
Its on spotify so I'm just putting it on now
― I am using your worlds, Thursday, 2 September 2010 12:44 (fifteen years ago)
OK, I like the name and Spotify can tempt me to listen to anything once, so I'll bite.
(Or at least until I dispell the illustion that Luke Vibert and a beloved ILX mod had a musical babby which would be awesome)
― cymose corymb (Karen D. Tregaskin), Thursday, 2 September 2010 12:50 (fifteen years ago)
My biggest problem with this so far is the cover, really...
http://static.boomkat.com/images/356655/333.jpg
Does this dude *want* me to get an ophthalmic migraine looking at that?
― cymose corymb (Karen D. Tregaskin), Thursday, 2 September 2010 13:39 (fifteen years ago)
Aye, the cover is a little... obnoxious. Well, the typeface is. Same on the rear tracklisting too.
Just about to go out for a bikeride with this in my ears. Anyone else listened yet? I fell in love with the opening track straight away, the rest is growing on me.
― Captain Ostensible (Scik Mouthy), Thursday, 2 September 2010 17:51 (fifteen years ago)
It was good, but I just really wanted to go back to listening to Diskjokke. Which is gonna be my problem with everything for the next few weeks, I suspect.
― cymose corymb (Karen D. Tregaskin), Thursday, 2 September 2010 17:54 (fifteen years ago)
loved a remix of his that I heard last year (Mit - "Rauch"), I should check out the album
https://www.youtube.com/watch?v=z2Ya3g_TiPk
― dmr, Thursday, 2 September 2010 18:04 (fifteen years ago)
It was very Border Community, but a bit generic on first listen. I'll give it another go, but it didn't grab me like Nathan Fake does.
― I am using your worlds, Thursday, 2 September 2010 18:57 (fifteen years ago)
I never got on with Nathan Fake. Maybe I should try again.
― Captain Ostensible (Scik Mouthy), Thursday, 2 September 2010 19:24 (fifteen years ago)
i like the cover, but I like blurry text so I' a suckah
― Z S, Friday, 3 September 2010 01:24 (fifteen years ago)
I'm a suckah
i can be a suckah for border community but this was pretty dull tbh. not bangin' or grindin' or squawkin' enough.
― ledge, Friday, 3 September 2010 09:51 (fifteen years ago)
So, I still agree with this...for the CD VERSION. DO NOT EVER BUY THE VINYL VERSION. It just came in the mail, and I am so, so SO disappointed. I knew it only had some of the tracks (it's a 2XLP, but even then it's length doesn't approach the CD version), but what I didn't realize is that most of the vinyl tracks are different mixes, and for some reason he decided to use mixes that are way worse and totally ruin everything. I'm just flabbergasted.
― Z S, Thursday, 28 October 2010 00:53 (fifteen years ago)
The Apparat one is coming in the mail, and if he ruined his tracks in a similar way (compared to the digital release I heard) I am going to shit my pants in the bad way
― Z S, Thursday, 28 October 2010 00:54 (fifteen years ago)
Is there a reason to even get the vinyl versions? Seems like they'd be decent unmixed, but a mixed 12" just sounds weird. Wouldn't flipping the record kind of kill it?
― mh, Thursday, 28 October 2010 04:16 (fifteen years ago)
i assume they're unmixed?
― just sayin, Thursday, 28 October 2010 10:24 (fifteen years ago)
http://www.junodownload.com/products/dj-kicks-dj-mix/1579466-02/
fully mixed version: £2 for the .wavs.
That's got to be good news for the person that bought the vinyls but still wants the full mix.
― my opinionation (Hamildan), Thursday, 28 October 2010 11:34 (fifteen years ago)
Holden's remix of The Sky Was Pink still pretty damn amazing
― mh, Thursday, 21 June 2012 15:28 (thirteen years ago)
i guess Nathan Fake has a new album coming outhttp://soundcloud.com/border-community/icenistrings
― Number None, Thursday, 21 June 2012 15:31 (thirteen years ago)
Yup, was listening to that on Spotify a bit
― mh, Thursday, 21 June 2012 15:37 (thirteen years ago)