rae sremmurd - sremmlife (6 jan 2015)

i mean not that i ever heard any of their other songs

just like jump or deep cuts too ha xp

not entirely a diss, I mean they had some good singles but were also obviously gimmicky w a short shelf life and omg cuet etc

whoah I had no idea Mac Daddy died last year :(

Does 'I Missed the Bus' count as a deep cut?

pretty sure I still remember 2/3 of the lyrics to the first kriss kross album :o

2/3rds of the lyrics are iggidy tbf

true

shit lex you haven't heard "i missed the bus"?? classic

this is off a later album 2nd or maybe 3rd but anyway they did g-funk warren g vibe pretty good w/redman too!

https://www.youtube.com/watch?v=ck5lYs9OZXA

that's the 'pls listen to my demo' by epmd loop i think?

http://pitchfork.com/features/guest-lists/9570-rae-sremmurd/

SJ: Patrón and orange juice. Every meal I eat I be like, "Can I get some orange juice?"
SL: Especially breakfast, man. Pulp is the best, for the record. You get to chew the little pieces.
SJ: I just swallow that shit.

this is pretty great too, w/brat & aaliyah

https://www.youtube.com/watch?v=JQHhoQOHXdo

Picking up a dollar copy of this CD is going to be my highest priority this week

The Kris Kross CD I mean. Those tracks kind of remind me of Black Sheep's Nonfiction

kris kross were dope smh

Rae Sremmurd is more like Young and Restless imo

https://www.youtube.com/watch?v=zD6hfzUbKtA

Bars on a Cadillac Brougham!

Seriously, its such a better metaphor than the basic bitch KRIS HAHA REMEMBER ALL THAT WHATEVER HAPPENED TO LORI BETH DENBERG AMIRITE KROSS metaphor since Young and Restless were like sing-song melodies on top of the hardest Southern music at the time but w/e

I guess Kris Kross were actually famous, so I take back my snark

I'm in a pissy, spiteful mood today, ILX and I'm sorry I took it out on you

not really a metaphor but ok

xp

sing-song melodies on top of the hardest Southern music

there are maybe a couple other basic surface similarities you're overlooking that don't have anything to do with the music

xpost hope you feel better whiney :)

anyway now i've got "b stands for broncos bass BMW beat bangles and a pair of bars" in my head all day

feelin this later period kriss kross

hahaha clickhole in the same lori beth denberg internet funk as me today apparantly

http://chimg.onionstatic.com/6989/16x9/1300.jpg

Weirdly, Kriss Kross' most enduring piece of influence is that they did the source of "June 27th"!

https://www.youtube.com/watch?v=WPTSHv4AQUw

the all-white look is pretty dope on that album cover

they did the source of "June 27th"!

via detour through a Texas classic!!

https://www.youtube.com/watch?v=qtAxMpfy1uQ

or shit maybe June 27 is just the Kriss Kross!! anyway Knocking Pictures off the wall is classic

These guys are super charming and endearing even when they're being kind of gross and they really know their way around a great vocal hook, so it's a shame they're anchored to such boring beats because I find this album a massive slog even though I basically approve of them.

"June 27" predates "Knocking Pictures Off the Wall" by several years.

naw, the beats on this album are A+

i don't get how these detail-packed beats are boring

spare me the details

I only listened to the two tracks linked to the pfork review but they sounded pretty spare to me. "No Type" is basically just the piano at the beginning and then autotuned/reverbed-vocal + snare/claps.

also lol at the terrible last line of that review btw

echoing piano, the stuttering bass, the piano bit really only hits on chorus

the initial bit, that is

the beats are cool, it sounds really nice and pro altogether from a production standpoint imo

I watched a bit of an interview they did with Peter Rosenberg on Youtube because I was curious about what Swae Lee's speaking voice sounded like. Early on he told them people have been calling the the 2015 Kriss Kross and asked how they felt about it. Not only did they seem to take it as a compliment, they kinda seemed like they didn't see how it wouldn't be a compliment. I thought that was cool.

Ha I swear I read something else where they were really tired of the comparison.

that was when people were comparing them to Christopher Cross

xp Could be! That could even be why they reacted the way the did. Rather than fight it, they just act like it's a favorable thing and move on.

At 1:35:

https://www.youtube.com/watch?v=gq1vJ6rcU3o

They're full of detail, the consistency of tempo just bores me shitless, I keep wanting more momentum and bounce.

Like, it's fine, I recognise this stuff isn't for me and I have no right to dictate what it 'should' be like, I just don't want to listen to it, which is a shame because I like these guys and would like to hear them in other rhythmic contexts.

haha wut http://instagram.com/p/x7fj_rCi1y

Matt DC in still not understanding cut time shock. Like in what world is "No Flex Zone" anything other than full of bounce and momentum?

Dude I only studied music for fifteen years, I know how cut time works. It's just that other rhythmic choices made on a lot of double-time trap beats (chiefly when the bass hits, and a general lack of syncopation outside the hi-hats) mean I *hear* them as slow rather than fast. Like one of those pictures that are designed to look like two different things to two different people. That's why I'm framing this as "I know this isn't for me" rather than "why are you all listening to this bullshit?". In general a really technically great MC can make me forget this but the more nonchalant or goofy the vocals the more my brain goes back to default.

Actually I fuck with No Flex Zone (and elsewhere I also like Hookah and Lifestyle so I'm not totally immune to stuff in this vein), I just don't want to hear it in the context of seven or eight other tracks taking a very similar approach (the old difference between disrupting a groove vs being the groove again).

I keep meaning to start a thread about how people respond differently to the same rhythm or physicality in music because it comes up a lot but often it's not worth the derail.

Basically (and without wanting to get all maths and physics about it) if the bass is only hitting every four or even eight beats, and there's minimal syncopation in other areas, I'm going to hear it as a slow and draggy 4/4 rather than a fast 2/2.

Haha it's an interesting area though, for sure, although I tend to frame it in terms of dancing -- e.g. I was born in '87 & my peer group learned to bump&grind in middle-school; I have noticed many 90s babies lack this skill, but are much more comfortable getting busy to 4-on-the-floor eurotrance stuff that makes me confused & awkward (when I was a kid & Alice Deejay or w/e came on we either did the "Jump Around" dance or, at best, badly pantomimed glowsticking)

sremmurd is slow of course, but not draggy, there's so much space the way they emphasise the offbeat making it hang in the air for a second. in no flex zone it's built into the hook, the pause between 'flex....zone' is delicious, it changes the phrasing, I love it. the bass is more like a diving board to get it airborne, badoinging underneath.