C or D : Guided By Voices.

They did an outdoor show in St Paul at a street fest about 10yrs ago before another hiatus, this was last gasp of the Billiard lineup, pretty bad, that one younger bass player dude who drove the pickup truck in that one gbv video kept asking for coke onstage

haha okay the drills album, the divorce album with chasing heather crazy xp

Just to point out, the 1st 90 mins of that Stone Pony show were pretty great, as were the 5 or so reunion shows I saw. Band seemed to be drinking a lot less at them than 1st time around. Still quite a bit, but a lot less.

On stage Tobin always looked like someone's dad filling in on guitar, daydreaming about golf while all the other guys get blasted and act like rock stars throughout the show.

None of them have released a couple of albums in the last few days? This is disturbing.

Are they all ok post recent, erm, breakdown?

T'interweb is very GBV silent post Sept18

There have been new Circus Devils and Teenage Guitar records, and there is something called Ricked Wicky coming out some time soon.

they're back together
http://pitchfork.com/news/57229-robert-pollard-tobin-sprout-play-set-at-guided-by-voices-tribute-show/

So, I'm guessing Mitch Mitchell wasn't there?

yeah that at least nullifies a few theories

As an out the loop Limey, I was suspecting rehab, after watching the above footage

Thread derailer , but there's a mention above - I'm guessing that Westerberg remains off the sauce?

Sooooooo.... Guess who's reunited again?

Kevin Fennell back in the band then?

only one who's previously been in GBV is Kevin March, right?

finally catching up on the rest of the reunion albums, they're definitely working on a lower average quality level than anything propellor thru half-smiles but its still kinda fun to scavenger hunt for the occasional jam e.g. 'males of wormwood mars'

English Little League is the only one of the new ones that was really a keeper, imo. Good songs scattered around on the other ones.

The new one is wretched.

yeah that's the one i've listened to most too. Class Clown Spots a UFO was also decent

being part of a present-day gbv crowd might have finally cured me of sometimes complaining that people at shows are all 10-15 years younger than me and occasionally call me ma'am. dudes my age and older who only go out twice a year cannot handle themselves.

Lol

Are you sure that's not the band you're talking about rather than the crowd?

ya know, maybe it's b/c i read the replacements bio fairly recently, but the extent to which pollard's drunkenness is part of the appeal for a lot of the crowd did bum me out a little. i know he claims in interviews to not really have a drinking problem, but...

and i'm not sure i can think of anyone so committed to wearing out the audience except maybe the feelies.

GBV headlining the free Village Voice summer show in lower Manhattan tom'w

and the Feelies are playing in Central Park in about 10 days

deathless geezers

i know he claims in interviews to not really have a drinking problem, but...

It seems to have escalated in recent years.

He's certainly written enough songs about drinking.

Just to save anyone the trouble: He's certainly written enough songs about drinking.

dudes my age and older who only go out twice a year cannot handle themselves.
totally otm

this is part of what has made me not care about seeing this band ever again :(

Love them, saw them twice pre-breakup and I think I'm good.

(Xpost)
This is why I restrict, with very rare exceptions, my current live music outings to jazz in its many forms and opera in which venues, among other niceties, the audience has learned to cover up its moontan with long sleeves instead of highlighting it with black rock T-shirts. Of course when streaming into headphones, it's a completely different story, the same old National Hits Day.

Are you sure that's not the band you're talking about rather than the crowd?

Jazz club audiences tend to talk too much, maybe too exhilarated by the music, like one drink drunks---or just because that's what they always do in clubs. I've heard famous musos puzzle over this, considering how much the yakkers have to pay to get in, sometimes. Maybe this has changed with cell phones? More about taking pix and trying to capture the whole thing on audio-video, and texting friends about the fabulous show happening right now? I dunno; the talking got me out of the clubs.
Anyway, I liked Pollard's Of Course You Are better than latest (?) GBV. Sent the avclub stream link to a friend who hadn't heard him or them, with my comment: def for fans of Robyn Hitchcock, early 70s Nilsson---first tracks sound like it's gonna be all hard rock, but much more variety overall, kinda psych-pop. He liked it.

was jamming "Everyone Thinks I'm A Raincloud" this morning and it's such a good song, one of the few post-90s ones that would be in play for a POX for me

on the other hand, i've finally listened to all the reunion albums and they're mostly half-baked and depressing, i kinda wish they had been released under a sideproject name - the hit rate is even lower than a lot of solo pollard

Jazz club audiences tend to talk too much,
Really haven't experienced this very often

i go to all sorts of shows and generally refuse to be intimidated by any audience even if i am by myself, but i can't say that about a gbv show. it will be full of 2x/yr partiers who are trying to cram 6 months of drinking into four hours. that's the audience i expect at a current day gbv show and therefore no can do

ya know, maybe it's b/c i read the replacements bio fairly recently, but the extent to which pollard's drunkenness is part of the appeal for a lot of the crowd did bum me out a little. i know he claims in interviews to not really have a drinking problem, but...

there was never a time, not even in their earliest years, when the extent of pollard's drunkenness wasn't completely depressing. it's generally fun for the first 2 or 3 beers, and completely not fun for the next 20 or 30. and those 2 or 3 beers take maybe 2 or 3 songs to consume. and they're short songs.

disclosure: i haven't seen 'em in a long time, so maybe things have changed, but based on the above posts, i'm assuming they've gotten worse, not better, which is all but unfathomable to me. sigh.

Don't most GBV shows go off without major hitch or embarrassment? Amazingly, I've never seen 'em but I'm planning on it in August.

btw I'm totally a 2x/year guy but I just don't drink heavy anymore, ever

grain of salt since i haven't seen them live in forever but i kind of admire pollard's self-destructiveness the way i do keef's

I don't. I think it's depressing.

yeah shit's not good. irl consequences.

The last time I saw them was the ass end of the Doug Hillard era and it was some sad shit, bass player also borrowed my friend's rig (his band opened and somehow GBV didn't bring a bass rig?) and turned the head up way too high and blew his cab, they literally asked the crowd if anyone had coke

Doug was the only one who was in any shape to play

Keef, like Iggy, had (maybe they've had to mellow eventually) that Iron Man Constitution which was fascinating especially since if you did anything near what they did yourself at home you would probably die or end up like, say, Roky Erickson. They weren't quite human, at least in their heyday and maybe still, which allows one to enjoy the spectacle whilst avoiding certain thoughts, whereas Bob Pollard's case is depressing to contemplate because it is a picture of exactly what would happen to you, like looking into an unpleasantly illuminated bathroom mirror: This is Your Gut on Beer.

Swimming river flow
Rifle, bullet, arrow & bow
Plaster, paint & tile
Lepus, canine, cat & reptile

"deflect/project"

have been listening to lots of gbv the past two weeks for the first time in quite awhile, p much sticking to the fertile fields of the propellor through earthquake glue zone, nothing new to say except that yes he really was astonishingly plugged into something for a good long while and yes the drinking is just incredibly uncute and man on the prime trilogy of propellor-b1000-AL that peculiar collage-maker's genius for sequencing a record was one of his very strongest assets

also the guitar playing on i am a tree still makes me laugh out loud (i mean that in a good way)-- d gillard is always welcome on my block for that

The experimental collage effect the music and album art had together as complete packages with their early 90s material was so much more thematically interesting than the later period narrow focus on sounding like The Who as much as possible. I do find some of the later period stuff fun though.

gillard is just so good at that ultra crunch cheap trick who thing that his bravura carries me through a lot of the mk II era albums, also the songs are still frequently great on those

I know their early albums are best but I like the later stuff I've picked up too (I'm by no means a completist for obvious reasons...) August by Cake is surprisingly solid.

sticking to the fertile fields of the propellor through earthquake glue zone

i'm honestly not sure where one album title ends and the other begins here

Lol

I really don't like Gillard's guitar playing tbh.