I want to argue this thing is poorly sequence except I wouldn't know where to start resequencing. It's hard to evaluate a release as an album when a considerable portion has leaked in advance; cobbling it together again affects my thinking of it as a whole, if that makes sense. "Still," "Play," and "Sapphire Blue" sound like curate's eggs to me.
― Bryan Fairy (Alfred, Lord Sotosyn), Friday, 7 February 2014 00:25 (twelve years ago)
*poorly sequenced too
Question: which song from the first album has had the most resonance for you guys?
"Power On Me" and "Hard to Get."
― Eric H., Friday, 7 February 2014 00:27 (twelve years ago)
but "everything" and "emotions" are the best songs!
oh i love "everything" but i just meant "tumbling down", which seems to last several years, is where the album just loses its momentum and flow completely. i've actually had to make an alternate track listing, i never ever actually do that but it's the only way to salvage these excellent songs
― lex pretend, Friday, 7 February 2014 00:27 (twelve years ago)
I like the harmonies on "Tumbling Down" -- reminded me of mid eighties Prince.
― Bryan Fairy (Alfred, Lord Sotosyn), Friday, 7 February 2014 00:28 (twelve years ago)
It's hard to evaluate a release as an album when a considerable portion has leaked in advance
well, released as singles!
um, do you guys...have the bonus tracks? without them i might well be calling this a disappointment. some of the most striking songs there, all really good
― lex pretend, Friday, 7 February 2014 00:28 (twelve years ago)
ha i don't think i've ever done that
i have no real feel for sequencing
― le goon (J0rdan S.), Friday, 7 February 2014 00:28 (twelve years ago)
"blue eyes" is really good
― le goon (J0rdan S.), Friday, 7 February 2014 00:29 (twelve years ago)
wasn't gonna post my alternate track listing til the thing was actually out but here we go
next thingeverythingi like youblue eyessapphire bluestay downemotionsaaliyahhot like fireall my lovin'wicked lovecrying for no reason5 amsky's the limit
tumbling down/play/still can be bonus tracks if they want
― lex pretend, Friday, 7 February 2014 00:30 (twelve years ago)
oh i talked to her today and at least have an answer as to why "hot like fire" is just a bonus track
she had no excuse for "blue eyes"
― lex pretend, Friday, 7 February 2014 00:34 (twelve years ago)
please say she made "hot like fire" a bonus track so she can "super bass" it
― prolego, Friday, 7 February 2014 01:25 (twelve years ago)
i'm imagining she's just sent it to t-swift right now while she's in the uk so she can impromptu sing it on the radio
― prolego, Friday, 7 February 2014 01:26 (twelve years ago)
Don't have the bonus tracks, dig the album. Really like 'Play' and 'Tumbling Down' - 'Still' can get the boot though.
― abcfsk, Friday, 7 February 2014 07:46 (twelve years ago)
i sorta feel like she came for adele's neck with this album and i'm not even mad at her
― le goon (J0rdan S.), Friday, 7 February 2014 13:35 (twelve years ago)
i don't get that impression at ALL unless anyone focusing on slow songs is automatically pitching themselves against adele? everything about them is wildly different.
the production on this album is still pretty heavily rooted in uk dance, it's still unmistakeably the katy & gee show
― lex pretend, Friday, 7 February 2014 13:43 (twelve years ago)
i have a suspicion that you wouldn't like "hot like fire" so much if it wasn't named after an aaliyah song, i think that's one of the worst songs
― le goon (J0rdan S.), Friday, 7 February 2014 13:50 (twelve years ago)
tim jonze a bit harsh today i thought
― TracerHandVEVO (Tracer Hand), Friday, 7 February 2014 13:52 (twelve years ago)
it has nothing to do with the aaliyah song? i can assure you that aaliyah worship is not exactly a means to win me over. it's one of the most immediate, anyway
― lex pretend, Friday, 7 February 2014 13:52 (twelve years ago)
i think this is totally a transition album, i also think it's kinda great
― le goon (J0rdan S.), Friday, 7 February 2014 13:53 (twelve years ago)
"still" was co written by an adele collaborator and though "emotions" is a total rudimental track i do feel like adele could've come back "crying for no reason" and people would've flipped
― le goon (J0rdan S.), Friday, 7 February 2014 13:57 (twelve years ago)
Yeah, after some of the pre-release talk I was surprised listening to it how much this was 'like the first' in its uk dance roots and general low-key beauty. Except for Still I guess.
― abcfsk, Friday, 7 February 2014 14:31 (twelve years ago)
is there a reason why the continuous mix has a completely different ordering to the standard tracklist? it works so much better.
― prolego, Saturday, 8 February 2014 10:15 (twelve years ago)
What's the continuous mix tracklisting?
― Matt DC, Saturday, 8 February 2014 14:29 (twelve years ago)
crying for no reasonsapphire bluei like youeverythingtumbling downplayaaliyahnext thingblue eyes5 amsky's the limitwicked lovestay downall my lovin'emotionshot like firestill
― prolego, Saturday, 8 February 2014 15:31 (twelve years ago)
"Next Thing" is way more uk funky than I expect of her (or anyone, really) at this point
― raggett neds of your summer dress (The Reverend), Saturday, 8 February 2014 15:36 (twelve years ago)
wow i'm about the sequencing of the continuous mix
― emo canon in twee major (BradNelson), Saturday, 8 February 2014 18:51 (twelve years ago)
I'm glad I ordered the deluxe version, that continuous mix looks fantastic.
― A. Begrand, Saturday, 8 February 2014 18:54 (twelve years ago)
continuous mix makes me actually like "tumbling down" and "play"
― emo canon in twee major (BradNelson), Saturday, 8 February 2014 19:13 (twelve years ago)
"blue eyes" is seriously blowing my mind right now.
― prolego, Saturday, 8 February 2014 19:30 (twelve years ago)
and "stay down" is just the most gorgeous heartbreaking thing ever. whoever decided upon what should be on the standard version needs a long hard look at themselves.
― prolego, Saturday, 8 February 2014 19:36 (twelve years ago)
Blue Eyes was maybe the standout for me first go around, yeah.
― pearly-dewdrops' bops (monotony), Saturday, 8 February 2014 20:35 (twelve years ago)
so yeah this blue eyes song kind of reminds me in parts of sweet female attitude's "flowers" which is about the highest compliment i can pay anything
― pearly-dewdrops' bops (monotony), Sunday, 9 February 2014 16:31 (twelve years ago)
yes! my initial thought when listening to it was of the artful dodger mix of valerie m's "tingles 2000" but that makes much more sense.
― prolego, Sunday, 9 February 2014 19:17 (twelve years ago)
just going in on the continuous mix and feeling v vindicated. why the hell wasn't this the actual track listing?
― lex pretend, Sunday, 9 February 2014 21:03 (twelve years ago)
i changed the actual tracklisting to reflect it. "hot like fire" as a penultimate track is weird but otherwise it works perfectly
― emo canon in twee major (BradNelson), Sunday, 9 February 2014 21:13 (twelve years ago)
whats the line ware sings starting with "i don't believe...", been trying to work it out
― r|t|c, Friday, December 7, 2012 7:57 PM (1 year ago) Bookmark Flag Post Permalink
also this is v belated but i heard this last week and couldn't believe it ever stumped me. "i don't believe i can defend him", right?
― lex pretend, Sunday, 9 February 2014 21:14 (twelve years ago)
ya i'd always assumed it was that but the line still sounds fudged somewhat
vox aside the lp version is reproduced a tad clearer i think
― r|t|c, Sunday, 9 February 2014 21:55 (twelve years ago)
going to give this lp the grace of another chance sometime but i must admit the first blush leant towards insipid
― r|t|c, Sunday, 9 February 2014 21:58 (twelve years ago)
― prolego, Sunday, February 9, 2014 7:17 PM (3 hours ago) Bookmark Flag Post Permalink
<3 you for even thinking of this tune as a reference point for anything.
― Tim F, Sunday, 9 February 2014 22:28 (twelve years ago)
holy shit this is a grower
― emo canon in twee major (BradNelson), Monday, 10 February 2014 06:36 (twelve years ago)
man, the continuous mix really is far superior. jeez.
― le goon (J0rdan S.), Tuesday, 11 February 2014 22:57 (twelve years ago)
the bridge of "all my lovin" seriously reminds me of that rihanna song that interpolates "pony"
― le goon (J0rdan S.), Tuesday, 11 February 2014 23:09 (twelve years ago)
So you guys reckon the "continuous mix" is worth the £2 for the upgrade?
Hmmm, going in now.
― "righteous indignation shit" (Branwell Bell), Wednesday, 12 February 2014 08:29 (twelve years ago)
the continuous mix does make it more amazing, but re-ordering the individual tracks would probably work too. but the bonus tracks are definitely worth the extra £
― lex pretend, Wednesday, 12 February 2014 08:33 (twelve years ago)
Yeah, I've splashed out for it, downloading now. Await giddy glee in about 20 minutes...
My hard drive is now so full I have to operate on a one in/one out policy to add more albums on iTunes. Scrapped the turgid Atoms for Peace album for this, which feels kinda symbolic. :-/
― "righteous indignation shit" (Branwell Bell), Wednesday, 12 February 2014 08:42 (twelve years ago)
Why are pop albums so L O O O O N N N N G G G G these days?
Getting to the point where 11, 12 songs in a row is the upper limit of my attention span.
― "righteous indignation shit" (Branwell Bell), Wednesday, 12 February 2014 09:47 (twelve years ago)
I would eyeroll at this album if the whole thing weren't so sad.
― Matt DC, Wednesday, 12 February 2014 10:26 (twelve years ago)
Like, the continuous mix is okay but all it does is frontload all the insipid shit and really who wants that? The first half of this album is mostly good, the second half of the album proper is, by and large, flimsy and weak. And they certainly shouldn't have been roping in fucking hack Robbie Williams songwriting guns for hire (Crying For No Reason is still dreadful).
The bonus tracks are fantastic, yes, but (pardon my rockism here) they're bonus tracks, people will buy versions of this album without them. It's like whoever was responsible didn't feel they were good enough or something?
A Deluxe Edition where the bonus tracks are, by and large, the best bits, is a surefire sign of a project that's been unnecessarily pissed about with and triangulated to death. The fact that you're all working out alternative tracklistings shows that this album kinda already lost, like it should be a fucking TRIUMPH. It should be Katy and Geeneus doing victory laps around the pop landscape they helped usher in, and beating everyone else at their own gamne, not "hey you can make a decent album out of it if you shunt some tracks round and squint a bit".
This wouldn't matter so much if On A Mission hadn't been BOTH a peerless collection of bangers AND an album-qua-album that worked really well as a complete listen. I'm being harsh here, but really this album was only ever going to be a triumph or a failure for me, minimal middle-ground, raise your standards people.
― Matt DC, Wednesday, 12 February 2014 10:35 (twelve years ago)
Sorry you lost me calling CFNR dreadful.
― abcfsk, Wednesday, 12 February 2014 10:57 (twelve years ago)
I need to go back and look where the "official album" begins and ends to make up my mind on how I feel about it being too long/the bonus tracks being so much obviously better.
But I am now going to listen to the continuous mix.
On first listen, I think DC is a curmudgeon (as usual) because it's certainly not shit. I do completely hear the "badly sequenced" complaints, because yeah, it's not as "albumy" as the first one, but I am still bouncing up and down on the bed and annoying my neighbours with immediate excitement for some tracks but kinda "meh" on others.
― "righteous indignation shit" (Branwell Bell), Wednesday, 12 February 2014 11:05 (twelve years ago)