Mercyful Fate: Classic or Dud?

Denner/Shermann best metal guitar duo in history. Tipton/Downing can watch on the sideline. THERE I SAID IT.

Bullshit

Murray/Smith might have something to say about that. But I like yr enthusiasm #hailsatan

\m/

Are the albums after Time worth getting? I picked that one up recently; a really great record, every bit equal to In the Shadows. Seems to me 90s Mercyful Fate is a bit stiffer, a bit more predictable, than 80s Mercyful Fate, but still massive fun.

9 has its moments, one of which is "House on the Hill."
http://youtu.be/zzB_6LYdl54

No more atmosphere or sprawling musical suites, they just sort of rock out for 40 minutes. Sounds too modern for its own good, though. (To be fair, the album sounds much better than that YT rip; however it's still clicky as all hell.)

This thread's interesting, I'd always presumed Melissa to be their most popular release. DBtO, or the remaster anyway, has a shrill edge that makes it almost unlistenable. Melissa and especially that s/t e.p. are MF's peak for me. I listen to Return of the Vampire more than anything else. "Burning the Cross," maaaaaan.

I meant the Burning the Cross demo, not the s/t e.p. re: my favorites. (The e.p. is also great, though, obv.) Jesus I think everything I've typed today, whether email, message, or forum post, has required a correction. I would like to begin tomorrow ASAP.

Okay, 9 isn't too bad. I found a cheap used copy. Nothing mind-blowing or anything, but "Church of Saint Anne" has some distinctive hooks.

"9" didn't hold up as well as I remembered it. The modernisms rendered a lot of the riffs sterile. Into the Unknown I have but have only listened to once.

"Dead Again" has some genuinely creepy atmosphere and part of me is sad I sold it. "Torture (1629)" is a great song.

I'm obsessed with "Time" the song right now. It's genius.

yknow what's a little frustrating, there is just no singing along with this dude

There's a lot of fun to be had trying.

My problem is that "Melissa" is too good, I can't seem to bring myself to listen to anything else.

Yaaaaaaaaaaaaaaaaaaaaaaaaaaooooooooooowwwww!!!!!

kinda too soon to tell, but Mercyful Fate may be the band that gets my opera-singing girlfriend to 'appreciate' metal

haha I didn't even see this

yknow what's a little frustrating, there is just no singing along with this dude

― j., Monday, March 17, 2014 11:04 PM (1 week ago) Bookmark Flag Post Permalink

http://media.tumblr.com/tumblr_lzgfykZ1Wg1qdq5u6.gif

... that guitar break on "Into the Coven" tho

For album cover/opening track awesomeness symmetry, you're hard pressed to top this:

http://upload.wikimedia.org/wikipedia/pt/5/5b/Don

and this:

https://www.youtube.com/watch?v=LWCOqNHzM0k

What a beautiful moment
If you're willing to trade
Then I'll give you a moment of mine

KD, such a softie.

I'm going to splurge some cash on the 2007 Cargo re-issues, unless anyone says that I shouldn't?

vinyl re-issues, BTW

the other day another dad told me my kid's facepaint looked like King Diamond

Yeah, it's King Diamond solo and not Mercyful Fate, but I think this is classic:

https://www.youtube.com/watch?v=MmweKy-RCMI

For some reason, I decided to listen to Don't Break the Oath for the first time a few minutes ago. It's hilarious. I was going to come here and dump all over it, but I see how happy this band makes people, so I'll refrain.

\m/

you kinda just did anyway but w/e

Are you saying King Diamond's voice is hilarious? Because that record is riff city. Even if you might not dig the King (it took me a long time to warm to him), the band is hot fire.

i appreciated Johnny's restraint enough to have a minute's silence as i FP'd him

yeah no shit. I get that King's voice is an acquired taste (I love it) but Shermann/Denner are hard to find fault w/ throughout that album. for god's sake, A Dangerous Meeting!

i respect ppls opinions and all but let's just say any family member who utters a word of disdain towards the King or MF is out of my will and also will be fired upon by firing squad upon my death

No you guys. It's the voice, and I was listening to it and thinking "oh, I've GOT TO shit on this" and then I found the thread and found out the immense joy the band brings you guys and it warmed my heart. Really. We all have our things.

i couldn't stand king diamond's voice for a long time, but for whatever reason it clicked recently. it's not just his voice, the music is great. it's fun, kick ass riffs, and they have this spooky vibe that's more party in the graveyard than burning down churches. guess i had to lighten up a little to appreciate it.

My only exposure to the King is one of the videos that got heavily played on Headbanger's Ball at the end of the 80s—don't remember which one—but he's haunted me since (no pun intended).

the key to enjoying King's voice is realizing that it is ok to think it's simultaneously hilarious and also skullfuckingly awesome.

like I giggle when I hear "granddddmAAAAAAAAAAAAAAAAAAA" but when he sings "I am the Bell WITTTTTTTTTTTTTTCH" man that shit is just the bee's knees

So great.

sasd to see the KD tour pretty much sold out in minutes :(. stubhub I guess.

it's the next level up from Bruce Dickinson and Rob Halford.

Mercyful Fate to me is like, idk, death opera. Those crazy high notes make you feel all the feels and it's exciting as hell and it fucking RULES.

I WAS BORN OF THE CEMETERY
UNDER THE SIGN OF THE MAAAAAAAIIIIIIIIIIOOOOOOONNN

otm

See? Pure joy. I can't dump all over that.

but you so want to

the fact that you want to but you don't think you should is bummertown usa

dumping shouldn't even cross your mind

you are in metal heaven

I hated King's voice back when Oath came out. Hated it. Riff-wise, though, those records (and Abigail & Them as well) were so tantalizingly up my alley as a kid. Flamboyant, theatrical, all that, but that voice was always the sticking point. It wasn't until the late-'90s that I finally, finally came around. I don't know what won me over, I just bought into King's awesomeness completely.

The voice was actually part of the initial attraction for me.

yeah i don't get the issue, KD's voice is the essence of Metal imo

i mean I can see where the witchy Bee Gees falsetto might be offputting to some (not me of course), but even then people forget that was only part of his bag of tricks. His low vocals were unique and bellowy and served as a great compliment.

they have this spooky vibe that's more party in the graveyard than burning down churches. guess i had to lighten up a little to appreciate it.
― Spectrum, Wednesday, August 13, 2014 4:33 PM (4 hours ago) Bookmark Flag Post Permalink

yeah I think the key to Mercyful Fate is realizing that it's meant to be fun

*mixed-gender D&D (xp)

His low vocals were unique and bellowy and served as a great compliment.

Hell yes! I love "A Corpse Without Soul" for the interplay between the two styles:

Now I was walking down among the graves
I heard a CRYYYYYYYYYY
My SHADOWWW WAS GONNNEEEE
Emptiness in my body, I felt so alone
SMAAAAALLLLL black wings on my naked BAAAAAAACKKKK

Now guess what I saw on one of the stones
I saw my SSOOUUUULLLL, in a MAAAAGICALLL HAZZEE
It was all dressed up
It was a corpse in a wedding dress
SMAAAALLLLLL black wings on my naked BAAAAACCKKKK-AAGH!

The little extra-high shriek at the very end is so great.