Nine Inch Nails releases

D'oh! I paid way too much for that disc back in high school & upon listening even as a massive fan was like.. WTF???? However I did make a profit reselling it several years later to some random NIN obsessive in Japan.

I think "March of the Pigs" is my favorite moment of theirs. The video's pretty funny..

B-but what about the double time, 4 on the floor gospel bit?

That performance is a hidden track on the DVD. Good stuff.

While I liked it quite a bit when it first came out, The Fragile has really grown on me in the last few years, mostly for the subtlety of the instrumental tracks. Also, the older I get, the less I'm able to stomach Trent's sometimes gratuitous use of the F-word. The Fragile isn't as marred as the previous stuff, save for the obvious exception.

Ah. I was wondering why it wasn't included on the live album (I've never seen the DVD). Figured it was a natural to turn up someplace.

Yeah, that was neat for like 2 seconds. I don't really like that live r&b vibe of totally ditching song structure for gospel clap alongs. I would so love for Trent to turn nin into a Golden Palominos type thing where he does everything but the vocals. That the rumored Aaliyah collaboration never happened is a shame.

today is Nine Inch Nails day

currently playing: "The Wretched"

Isn't that the one with the hilarious line about god himself reaching his FUCKING hand through the sky just to hold poor old Trent down?

yup!

just a reflection
just a glimpse
just a little reminder
of all the what abouts
and all the might have
could have beens
another day
some other way
but not another reason to continue
and now you're one of us
the wretched

the hopes and prays
the better days
the far aways
forget it

it didn't turn out the way you wanted it to
it didn't turn out the way you wanted it to, did it?
it didn't turn out the way you wanted it to
it didn't turn out the way you wanted it to, did it?

now you know
this is what it feels like
now you know
this is what it feels like

the clouds will part and the sky cracks open
and god himself will reach his fucking arm through
just to push you down
just to hold you down
stuck in this hole with the shit and the piss
and it's hard to believe it could come down to thisback at the beginning
sinking
spinning

and in the end
we still pretend
the time we spend
not knowing when
you're finally free
and you could be

but it didn't turn out the way you wanted it to
it didn't turn out quite the way that you wanted it

now you know
this is what it feels like
now you know
this is what it feels like

you can try to stop it but it keeps on coming
you can try to stop it but

Fuck it, I'm going to poll The Fragile. Search says it ain't been done.

I think the only song on (Right) that I ever play is "Into The Void", but I love (Left) to bits

I'm Looking Forward to Joining You and The Big Comedown are hidden gems on (Right)

tbh "Starfuckers" turned me off so much, particularly since there is sustained awesome from "The Day the World Went Away" through "Even Deeper", that I just never felt the desire to play (Right)

What are your thoughts on Reznor as a singer? The older I get, the more grating I find his vocals, but, conversely, the more I admire his composition and particularly arrangement skills.

I think his biggest issue as a singer is his infatuation with screaming. Like, it's often very effective, but not so effective that it doesn't start getting really, really old. Also, he does have a decent voice and it's kind of a shame that he likes to go ugly with it so often because it can be even more effective when he just sings some of this stuff, like for example "The Day the World Went Away".

It's not on this album but "The Great Destroyer" on Year Zero is IMO him really hitting a vocal stride, enhancing the power of the song in the process; I wish he did more tracks like that.

Yeah his screaming has never been particularly convincing. In general, he's often too nasal and sneery.

http://nineinchnails.tumblr.com/post/51585462200/ive-been-less-than-honest-about-what-ive-really

not that much of a surprise really.
all those side project releases etc with the same crew kinda indicated he was still active in the studio ..
after all, this was not bowie/mbv/daft punk period of disconnection was it.

I've a hunch it will be really good though.

On Columbia? I thought he was going to be releasing without a label?

he clearly lies.
he admits it.

the How To Destroy Angels album was through Columbia, it'd be pretty goofy if the new NIN was indie after that

Oh, I guess I haven't been paying that much attention.

I don't know, I used to be a big fan but I haven't even checked out that HTDA album or that facebook movie thing yet. The instrumental numbers release, Ghosts, was like the perfect end to my fandom I guess?

i can see that stuff not appealing to everyone as much as the proper NIN stuff. i feel like the new stuff will be suitably aggro and probably worth hearing, though.

I've never really been let down by this dude yet, so I've got nothing but high hopes.

what are they up to now, like halo twenty eight?

what do people think of the downward spiral singles? i saw a bunch used last week.

GRAB THEM THEY ARE GREAT

After this round of remixes things mostly go, er, downward remix wise

picked up closer and march of pigs

https://store.nin.com/products/not-the-actual-events-ep

https://store.nin.com/products/the-fragile-deviations-1-2017

Cool, welcome back.

Ordered the EP; don't care about the vinyl stuff.

Ugh just take my money, Trent. The original Fragile LP is one of my prized pieces of wax and still gets a lot of play, Deviations will be a nice addition. Always loved the instrumentals from that and sooo many songs could do without the vocals.

I think they are doing some live manipulation but the occam's razor here is that the triggered electronic instruments etc are not being twiddled that much and it reads as identical because it's being replayed

that fan bootleg from a couple weeks back that may or may not have used intercepted feeds off the IEM broadcasts for the band was pretty close, but wow did they not doing any real mixing. I'd be pissed if I were TR because it lacked any real vocal effects, vocals too high in the mix for NIN, lots of aesthetic errors

i was largely working off the vocals, which for some tracks are directly from coachella week 1 but for other tracks they're not. they are clearly doing something live because there's a video of them doing "sin" where they have a bunch of technical difficulties and have to restart the song

oh yeah, I think they're doing a lot of the stuff live and it's just really tight, barring technical difficulties

I love the dialectic of "it sounds perfect because it is pre-taped" vs "it sounds perfect because they are just really tight," lol

I know I posted it upthread somewhere, but I saw the band once in a small-ish place, and for the first two songs the house sound was not working, and anything you could hear at all was what was coming directly from what was on the stage (amps, monitors, etc.). Once Trent realized what was happening - essentially a really intense but virtually silent pantomime of rage - he got extra pissed and everyone had to leave the stage for a reset.

You can hear (or not hear!) it happening here!

https://www.youtube.com/watch?v=npYpwP6bFlA

Tony Paglia
erotSodpnsgt0y9511a8ggi137tMg8 5333P7402M 0 auc l:l70uu50l7g ·
I’ve been thrifting for records for decades, and every once in a while, I find something really special. This is the tale of one of the most special records I’ve ever found.
Trent Reznor, of the band Nine Inch Nails, grew up in Mercer, PA, which is the town where I live. He went to Mercer High School, and he played in the 5M Marching Band and Jazz Band, in which my kids have also played. Trent has gone on to become a very famous songwriter and performer, and he’s also won a stack of Grammys, Oscars and Golden Globes for some of his film soundtrack scores.
Recently, I thrifted a copy of a Mercer High School marching band and jazz band LP from the early 1980s. On the side 2 record label, under a song called “Pressure Cooker,” is the name Trent Reznor, featured as a soloist on tenor saxophone.
This is quite possibly the first time Trent Reznor was featured on a professional recording. Until now, there has been no reference on the internet (at least, not that I can find) that even acknowledges the existence of this record. So I made a little video to share this rare recording of a young (11th grade?) Trent Reznor playing a sweet jazz solo on the sax. I’m very happy to be able to share it with you. 🎶🎷

https://www.youtube.com/watch?v=SiDAyGkC-LY

Damn I grew up 10 min from there. I thrift for records sometimes in the surrounding towns but never thought to go there. Amazing.