The Blue Nile: C or D?

aero OTM

upon the young and foolish

:)

Your profile name is very appropriate right now.

why hasn't a country singer covered "Because of Toledo" yet?

Has someone at least identified all the missing tracks from the "deluxe" reissues?

Don't know if this is comprehensive, but here, from the Super Deluxe Edition website:

- the instrumental version of Heatwave
- Saddle The Horses, the instrumental version of Automobile Noise, which came in a standard and an extended version
- the extended single remix of Stay
- Halfway To Paradise, from The Downtown Lights single
- the Clearmountain mix of Headlights On The Parade
- Headlights On The Parade with Rickie Lee Jones
- Our Lives, from the Saturday Night single
- the live version of Seven AM, from the Saturday Night single

peace at last was reissued! the bonus disc is really interesting!

- Headlights On The Parade with Rickie Lee Jones

Surely, you meant EASTER parade — unless there's a seriously juicy b-side that I'm missing?

I'm not sure I'll ever be completely bonkers over The Blue Nile but they do have a real nice soft spot in my heart. Anyone here heard the first single I Love This Life/The Second Act? Or the track they did with trumpet player Chris Botti called "Midnight Without You"? I like these a lot.

― Bimble (bimble), Friday, August 20, 2004 3:35 PM (9 years ago) Bookmark Flag Post Permalink

ten years later i heard this 'midnight without you' track. really great! a great mellow evening slow jam.

I like The Blue Nile very much, but the only album I'm totally crazy about is 'Peace At Last', which puts me at odds with received wisdom on the 'canon', I guess. plus "Stay Close", the... closer from 'High'.

Stay Close and the title track are the two centrepieces of that album for me

Man I always forget how good "Sentimental Man" is.

I've been pulling out Peace At Last for the first time in a decade and realising I've always underrated it. Possibly all the MOR I've gotten into in the meantime has made its aesthetic concerns more appealing to me.

I went through a nice little Peace At Last phase recently too. "Soon" is my jam.

peace at last rules. parts of it are a little simultaneously unformed and overwrought but uh "family life" tears me apart

Easily the weakest Blue Nile album for me but still a solid album. The last three songs are all really wonderful. Just saw it's getting a vinyl reissue next week. Will probably pick it up as the original goes for crazy amounts.

_Peace at Last_ weaker than _High_? The latter feels the least cohesive of the four releases, but for me, they're all worthy of esteem. At the time, I wanted _Hats II_ and the acoustic guitar was jarring, but now I'd say it's the one I've played the most.

Also, PaL has the best b-sides. "New York Man", "Wish Me Well", "O Lolita"... fantastic. And agreed on "Family Life". On the list of songs like "This Woman's Work" that I can't listen to at work, due to watering eyes.

_Peace at Last_ weaker than _High_?

yeah i kinda think so, high is magnificent if a little disjointed

thread inspired me to listen to peace at last while walking to work this morning and it really nicely accompanies snowfall. "holy love" still truly bizarre

Always hated Holy Love. Seems like a demo that really shouldn't have made the album.

"Tomorrow Morning" is a cousin of U2's "Promenade", wispy blurs of God and other lovers

speaking of high

https://www.youtube.com/watch?v=qveEW3P0sfg

torn up about how beautiful that song is

Yeah "Stay Close" is definitely the main highlight of High, such a beautiful closer. Right up there as one of the best tracks of their career imo.

To me it's all about Stay Close and the title track for me with that album. Sort of exactly where I would expect the Blue Nile to be at that point.

in love we're all the same
we're walking down an empty street

Hats. The best. Just had it on an hour ago. Can't believe they left "Oh, Lolita" and "Wish Me Well" off the reissue

Let's WALK IN THE COOL EVENING LIGHT

You know what else? That constant synth hum in the background of "From A Late Night Train" Jesus fucking christ.

I don't think Q magazine will ever be more right about an album ever again.

tell everybody it's all right

https://www.youtube.com/watch?v=FbujOtX4zuk

the peace at last b-sides that aren't on the deluxe reissue happen to be totally crushing, who knew

Yeah, I can never figure out which b-sides go with which album. I guess Oh Lolita and Wish Me Well are the Peace at Last singles. There are a couple of good bootlegs that compile all the various b-sides and unreleased stuff.

soon as i got home i looked everywhere for blue nile rarities bootlegs but they seem to have been scrubbed from the internet

Check your PMs.

doug! thank you so much! unfortunately the email associated with my ilx login is dead dead dead. try brad.david.nelson @ gmail. thank you again !!!!!

imo nothing more powerful than the last two minutes of "headlights on the parade"

Dud.

wow has there ever been a worse opinion

I like this band a lot but they also seem v hateable

Hateable? are you for real?

big fan of the balloon aisle here

I listened to Hats and it seemed cool but I've never really gotten down with that type of nu-romantic vocal style eh.

Hate

Look at it as a word

Really Turrican? We're usually on the same page, what makes you dud them? First two albums uber classic for me.

Really Turrican? We're usually on the same page, what makes you dud them? First two albums uber classic for me.

― Gerald McBoing-Boing, Wednesday, January 28, 2015 12:02 AM (39 minutes ago) Bookmark Flag Post Permalink

I think an album like Hats is produced impeccably well and I appreciate the care and attention that's been put into their music, but the material itself doesn't particularly grab me in the same way as, say, Prefab Sprout's Steve McQueen, Talk Talk's The Colour of Spring, Tears For Fears' The Seeds Of Love, David Sylvian's solo work etc. It's always felt like "background music" for me, and I haven't found much in their music that helped me get past that to the point where it engages me, really.

The fact that you rate the first two albums highly does make me have another try at getting into them, since (as you say) we're usually on the same page and like a lot of the same stuff, and there are aspects to their sound that I like in other artists. It's just every time I've tried with The Blue Nile, my reaction has been pretty much the same: at first a feeling of "oh, this sounds well-produced" and then just as quickly I realise I've tuned out from it and it hasn't manged to keep my attention.