Daft Punk's Random Access Memories

crut i'll split the margin with you on all the Buzzfeed traffic it will generate. and gr8080 gets 2 points on the gross.

here u go. play this shit at your parties!

http://www.sendspace.com/file/4lj3hj

(you'll have to wait for it)

http://newyork.craigslist.org/mnh/com/3751302689.html
http://i.imgur.com/4mfWdlz.png

Haha!

Seen a few peeps on twitter who are too cool for them. I don't envy them in the slightest.

It's not weird that my favorite DP album is probably Alive 2007, right? I mean, it's essentially a "best of" and it's "live" and neither of those things are usually qualities of my favorite album by a band, but that set is FLAWLESS.

no that's a popular opinion amongst a certain crowd. it's like when people say that the danger mouse mash up is the best jay-z album, except not completely and utterly indefensible.

ok sorry, last time, I mixed the vocals a little better on this one: http://www.sendspace.com/file/icliil

xpost

I definitely respect Alive 2007 more than I enjoy it. It basically is their mash up album with additional crowd noise and uneven volume levels.

I think the album versions hit harder.

it's like when people say that the danger mouse mash up is the best jay-z album

some walking breathing straw man told me this to my face once smh

I actually don't like this band that much, find them kind of boring. :/ When they first got big, I was listening to totally different kinds of music, so maybe "you had to be there" to really love them? I'm of the opinion that what made them unique was the particular things/images they were referencing, as far as 80s TV and VHS nostalgia, soft rock, futuristic, vaguely iconic imagery that was still going for a big, pop impact -- in the late 90s and early 00s, that wasn't really tapped yet, and certainly not with the degree of professionalism they had. (pardon my ignorance, but they came from commercial art/graphic design before music?)

Still, I find it odd that people keep hoping new music from dance acts that were huge years ago will still be good. The music I heard on that SNL commercial sounded generic to my ears, Pharrell's vocal being the best thing about it (and even then, nowhere near as good an Off the Wall-ism as pretty much any justin timberlake single). I ranted about this to geeta the other night, but would be more inclined to check out, say, a new villalobos record than this. (apples to oranges sure, just trying to pull in another big dance act who started in 90s)

Alive 2007 is the only DP where I don't get bored 20 minutes in

hey crũt do you take mashup requests? just thought of one this morning: - deep purple smoke on the water with NIN Head Like A Hole (not the screaming bits) , with maybe a dash of vanilla ice beat boxing in there. not taking the piss, would like to hear it.

I'm still kind of hoping most of the album sounds like "Revolution 909", "Da Funk", "Musique" and "Rolling and Scratching"

I expect it to mostly sound like "Fly Like An Eagle" tbh

>I'm of the opinion that what made them unique was the particular things/images they were referencing

not just your opinion -- the whole point of this band is theft. I initially hated them for it. now that they've moved on from cloning Hardfloor records & sample mashup to cloning the production, session player lineups and album fonts of their favorite 70s/80s records, the whole thing has become a Stereolab-level meta-music project that I see no reason to resist. the sight of that robot swaying his head as he and Nile keep the beat -- nope not a guilty pleasure, that's art

if you want tougher robots, that can be arranged -- I like the Pantera & Motorhead covers

http://compressorheadband.com/media/

I do hear what you're saying overall, I have never made it all the way through a Daft Punk album, even in the car. But the pleasure here isn't as much about home listening.

http://www.amazon.com/Tb-Resuscitation-Hardfloor/dp/B00000E2IO

Yeah Dom I always associated Daft Punk with "fashion over music". They've certainly had their watershed moments - "Around the World" and "HFBS" both feel like cultural landmarks, and "Digital Love" is damn near perfect. I don't consider them to be in the same class as Orbital, or Underworld, or even the Chemical Brothers (all of whom have released great albums in the last 3 years, by the way), but Daft Punk albums feel so much more like events. They have that mystique.

it's semi bewildering to me that people rate Daft Punk so highly over those three acts

then I go back to "Salmon Dance" and, even though I'm cool with it, I get the argument against the Chems

It's almost as if they're one of the defining pop acts of all time.

Madonna, Michael Jackson, Mariah Carey, Whitney Houston, Daft Punk

people would like daft punk less if they weren't french, just like most french movies

I like them more than all those above bands regardless but people just love french stuff and french people, it's terrible

Madonna, Michael Jackson, Mariah Carey, Whitney Houston, Daft Punk

You forgot Chic.

There is no comparison between Daft Punk and Underworld or Orbital, or the Chemical Brothers, or whatever, and that's not a criticism of anyone. Just because other acts happen to have success within the sphere of "electronic music" doesn't mean they are in direct competition with each other at all times.

http://en.wikipedia.org/wiki/Daft_punk_discography#Albums
http://en.wikipedia.org/wiki/Chemical_brothers_discography#Albums

clearly there's no comparison point here

I get being a fan but come on

Michael Jackson > Orbital =>Aphex > Madonna > Underworld > Daft Punk > Whitney Houston > Mariah Carey > Chemical Brothers
have fun with that

(i will cop to maybe needing to move whitney around a bit)

chemical brothers have aged really badly to my ears

Galvanize is all time imo, but the 90s stuff? Have no inclination to touch it anymore. Was never a big Aphex or Orbital person to begin with so *shrug*.

IMO Exit Planet Dust and Dig Your Own Hole remain incredible examples of big beat swagger and contain a lot of the swagger/bravado that I wish more of the contemporary acts celebrated around here had. (I was never a Surrender fan aside from "Hey Boy Hey Girl")

hell, even though I'm not a big fan of Discovery I would never say it wasn't a strong statement of a type of exuberance I rarely see people go for anymore, between the ways the sounds are chosen/put together and the tempos of the tracks

Orbital, or Underworld, or even the Chemical Brothers

I've never really cared about any of these people (ok maybe very, very briefly the Chem Bros)

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Take it to the big beat nostalgia thread guys

otm

huge fan of all the above bands and even i dont give a shit

I've loved and been disappointed by all of those acts over the years.

Except Orbital. Who is Orbital?

it was a popular drink in the 90s

https://www.youtube.com/watch?v=NnYFyXDSJT4

Why is there a Deadmau5 head in that graphic?

why is there a zelda triforce in that graphic?

Why is Orbital in that graphic?

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― cacao nibs (Eric H.), Thursday, April 18, 2013 2:35 PM (16 minutes ago) Bookmark Flag Post Permalink

clearly we got another 500 posts to go on a 128 kbps crappy single edit

i spy, with my little eye, a CYLON

lol @ carly rae

the other electronic acts that emerged in the mid-90s didn't have nearly as huge of a resurgence throughout the 2000's.

I mean, I love Underworld and all that stuff, but Daft Punk is simply beloved on the same level as the aforementioned plus Stevie Wonder and Prince and the Beach Boys etc etc.

Chemical Brothers are simply not beloved on the same level. None of their previous releases have been met with nearly as much enthusiasm as Random Access Memories, or seem as implanted within popular culture as Discovery. In 1999/2000, Chem Bros were seen more as the defining artists within their genre, but hindsight has changed a few things. "Get Lucky" has a serious shot of receiving massive airplay on stateside Top 40, whereas the last time Chem Bros might have been considered for this was probably "Block Rockin' Beats."

Galvanize was pretty huge though wasn't it?

I don't think "Galvanize" got much airplay in the states. "One More Time" still manages to sneak in though.

I don't know what overseas radio currently sounds like, so I can't really speak outside of what I'm familiar with.

Galvanize's biggest footprint in the US was a Budweiser ad and in tv shows. Don't think it moved on radio at all.

I still hear it a lot at basketball games and such. Actually a lot of newer Chems stuff seems to have gotten airplay; nothing from Further but from that 2003 singles collection on I'd hear them all over the place. I agree that it's not quite on the Daft Punk level. They get lumped into the broad 90's electro spectrum of everything when they probably shouldn't. I mean Homework, maybe (and even then, there's a mountain of difference between Homework and say, Second Toughest) but Discovery was really THE electronic album of 2001, in a time when that genre was kind of dying. To their credit you still hear the footprints of Discovery all over the place. Still I dunno how this makes them as beloved as Stevie freakin' Wonder.