Kacey Musgraves - 2013 Anticipation

Creep sounds a lot like that Hollies song. I noticed it the first time I heard it.

closest radiohead analogue i could think of was "nude" which is ridiculous

seeing her monday :D

but it's a waste of breath and it's a waste of time i know

tremendous album. "Follow Your Arrow" is my least favorite song, though, when it opens it sounds like she's deliberately trying to rewrite "Merry Go Round."

I'm going on Monday too. Excited!

I love the person/first one rhyme.

loving this. 'merry go round' is a little to clever for its own good imo. blowing smoke & i miss you are incredible

<3

Been enjoying this album. In Merry Go 'Round, I first heard the "Mary two doors down" line as "Mary Tudor's down" and thought she might really be reaching with a 16th century reference in there.

this album is great! the opener, "Silver Lining", is killing me: the chorus' melody is the catchiest thing I've heard all year. I love the sound of her voice.

is there any feeling that the album's going to be a hit? it seems pretty low key for that. like it reminds me as a really well crafted take on the alt.country tunes I jammed in the 90s; & we know how that was received by Nashville.

huh, wiki says that "Merry Go Round" has sold 524,000 copies already. if so, whoa! yeah, that's a hit

it debuted at #2 on the Billboard 200 (behind the Timberlake juggernaut) xp

shit, yeah, just saw that too, #1 country too. that's great!

love the plunk-plunk sound of the guitar on "Dandelion"

it was cool to see her the other night at the ACM awards, nominated for 'top female vocalist' up against the big marquee names

I've listened to this album like five times in a row now, just got it yesterday but it's gonna be one of those records

Favourite line on this so far (among many) is "Every arrow that I aim is true / but I miss you" - such a great couplet

is a real boy is the besssst, and though they've never equaled it in defense of the genre is at least a fun mess. their last record kinda sucked.

omg that's supposed to be in the fall out boy thread. what is this

I can hear Fall Out Boy doing "Step Off."

well yeah my country tastes tend toward "things that could be transparently covered by crossover emo bands"

pop-punk cover of 'stupid' would be pretty easy to bang out in a coupla hours

Well, I enjoyed that very much. The Weezer cover was a little unexpected!

she does a weezer cover?

Looked for you but didn't see you Tim!

Enjoyed her Mama's Broken Heart too - stripped out Miranda's camp, much more sullen. Final song that she said had never been released was amazing

Great concert! Such a beautiful voice. Not to mention beautiful looks omg I was stunned. BUT THE SETLIST WAS TOO SHORT! No "Dandelion" :( :( It felt like that boring opener guy was on for longer.

Love her so much for "Follow Your Arrow" and how she's championing it as a future single.

Best part = her ridic impressive whistling

Not to sound stalkerish but I totes saw you there lex.

Likewise, the Lex (but you said you mightn't make it so I didn't scour the place). Yeah that encore was tremendous, something to anticipate on the next record I guess...

love short sets! I suppose that's one of the reasons why debuts rule.

Anyone heard her three self released records?

can they still be bought?

i'm jealous of everyone who got to see this show. she's opening on kenny chesney's tour but idk how i feel about going to a giant arena show primarily for an opening act.

the more i think abt it the more "follow your arrow" seems like it is destined to be a live/fan favorite that nonetheless will probably not quite work on the radio. glad she is pushing for it tho. i think "keep it to yourself" would be a gorgeous fall/wintertime radio single.

uberweiss you shoulda said hi! i was going to moot some sort of pub drinks beforehand but i had to be elsewhere and sadly missed the opening guy. thought her set was surprisingly long given the album's only 35mins - only songs she didn't play were "dandelion" and "i miss you" (hmm, the most lovelorn ballads), but she played two older songs and the lambert/weezer covers instead.

voice much less diffident than on record - "keep it to yourself" was kind of revelatory, prob my highlight, totally slanted towards the empathetic side, maybe even the subtext that she herself is thinking the same things (and of course ultimately even more ice cold for it).

this is the only trace of the unreleased encore online - it was sort of weird at the time to hear a song that i knew i might not ever get to hear again

https://www.youtube.com/watch?v=ULMDI1uRP88

In Washington, in Idaho
In Oregon and away we go
To Tennessee and Arkansas
No we won't stop 'til we've seen 'em all

vs

Man I'm out in Texas, man, I'm out in A-town
Then I'm up in Chi-town or Miami shuttin' it down
It's that New Orleans, it's LA or The Bay
It's New York, Philly, and the whole DMV
I'm a Detroit Player, man it's North-South Cack
Ohio, Pittsburgh, got St. Louis on deck
It's Delaware, Connecticut, it's New Jersey got hella bricks
It's Queens, Brooklyn, and yeah they wildin'
Bronx, Harlem, and Staten Island

she also didn't play "back on the map"

and yeah the setlist wasn't actually short, just in that i wanted it to go on and on.

"i'm ashamed of bush... don't ruin my career" was lol

and yeah lex i should have! but my friend wanted to stay near the front (slightly awkward considering i was probably the tallest person in the room; people behind me must have loved me) and then i didn't see you after the show

She's playing a one-off sort of show here before she heads out with Cornball McHammocktwang. I'm going to try to see it.

Awesome, seeing her in a week now!

totally slanted towards the empathetic side, maybe even the subtext that she herself is thinking the same things (and of course ultimately even more ice cold for it)

this is what i like so much abt this song (not that i saw the performance or anything but yeah)

"Keep It to Yourself" is a highlight; it's sung so tenderly (to herself?) but the words aren't; expresses the relevant ambiguity very well

pretty awesome to end a song, 'mary just don't give a damn no more'—THE END

when i interviewed kacey she urged me to check out someone called brandy clark - i just have and let's just say i'm super-impressed. on first blush fits right into the forthright young country women axis

http://soundcloud.com/brandy-clark-music

"pray to jesus" and "stripes" are the immediate keepers in that soundcloud set but the quality is very high throughout

great great great album btw

She was great tonight. Special radio station show between Kenny Chesney dates. I won a nice poster. My wife left saying she bet Kacey is awesome to hang out with. So charming, lots of fun,

VERY IMPORTANT: if anyone neglected to check out that Brandy Clark album that lex linked to it is pretty much brilliant - at least as good as the Kacey LP tbh, and well worth a listen. It's all available for free download on her soundcloud at 128 kbps and only three tracks have been released as an EP on iTunes, so I don't know what's going on there.

pray to jesus is perfect

crazy women is great

get high is great, albeit a bit pistol annies

illegitimate children is lovely also.

What Will Keep Me Out Of Heaven is THAT COUNTRY REALNESS

it's nice

(Clark co-wrote Mama's Broken Heart and Follow Your Arrow fyi)

"The Dah She Got Divorced " is wonderful!

thanks for the reminder on this; imagine it's going into heavy rotation for a bit.

The lyrics are nothing special -- it's the taunting string arrangement that kills

I like "Abilene"

i like “abilene” too, it feels a little genre exercise-y to me in comparison to some of the imo better songs, but it def feels like the demarcation point before the album gets a little flabby in the middle

good album, agree with most of the points here about its strengths and weaknesses. “i believe in ghosts” and “abilene” are my faves.

will say that i am a little baffled by “middle of nowhere.” feels like it’s gonna launch into a massive chorus to befit the verse, but then it does a time change that just completely stops the song in its tracks? and later on, just after the bridge begins to rescue the 3/4 time idea a bit, the song just ends. seems too crafty by half.

you might say it lands

in the middle of nowhere

duet with miranda is fun but also does not sound like they were in the room together for a solitary second of its recording process lol

Finally listened to the new one. It was ... fine. It started out sounding like a return to form(ative), or, more critically, pro forma (looking at the titles, I seem to recall "I Believe in Ghosts" being a standout?), but then I lost a bit of interest around the duets and can't remember how the album ends. My problem is that imo she just doesn't sell heartbreak (or ache) that convincingly, which may be why I've always preferred the clever/funny/witty/sly stuff.

i haven't been thrilled by anything but Golden Hour, which i regard as exceptional. however i kinda regard it as a balearic album more than a country album

can't get this out of my head, very true

xp this is a good observation. "Fine" is probably the best example. Maybe "Merry Go Round" (which I still think is her best song). But with both it's more about the production than anything she's doing.

Curious if anyone else is strongly averse to the tempo change in "Middle of Nowhere"? The verse seems so much stronger than the chorus, and the deliberate choice to slow down the chorus of the first song on the album has a "false start" quality that I can't wait to escape. Maybe wouldn't have been as jarring deeper in the album.

i think the block of collabs in the middle is a pretty big dip but it recovers at the end

― ivy., Monday, May 4, 2026 10:09 AM (two weeks ago) bookmarkflaglink

I must say when I looked at the tracklist I did not expect the Lambert collab to be by far the weakest of these but alas...

xp yes it sounds like “we didn’t know what to do with this, so …”

On the plus side, her Lee jeans Walmart clothing and accessory collaboration has some pretty cute stuff.

https://www.walmart.com/cp/kacey-lee/2930264

xp find the tempo/time change in title track to be one of few sonically interesting ideas on the album, enjoy it

like the album fine overall