Optimo

i attended the 1999/2000 hogmanay optimo at the art school..... i don't remember a single thing except a friend of mine stealing an entire case of mini tonic bottles.

(they do play Limp Bizkit at Optimo right?)

http://www.optimo.co.uk/killthedj.htm

bah, forget it then.

i think that is hilarious.

Who are the 2 cover stars?

And Is kill the dj records just going to be for mix cds?

i would find it hilarious if i didn't get about ten emails a day asking me these questions.

michael - the cover stars are two incredibly shady guys from glasgow. kill the dj was initially only a mix / re edit series but will also i believe release original material too.

The licensing process must have been insane...

you CANNOT imagine. it took 18 months!

Ha ha - I'm such a liar. I just ordered it from cdquest.com, along with the So Young But So Cold comp and a couple of other things that were much cheaper than in the UK. That $:£ rate is just too seductive.

xmas optimo isn't going to happen for me. i'm thinking new year's eve..

Glorious new mix from Jonnie here: https://soundcloud.com/pdaberlin/optimo-pda-25

Lol how he lets "Domina (Maurizio Mix)" just go ahead and play through to the second part. Whenever I played that I'd always feel like I had to mix out before that happened. It's great to hear the hard part though. Maybe Jonnie went for a quick smoke :D

As linked a few posts back by me, today is the release date of the second Natural Magic album, and the final album stir oversaw for release on Optimo:

https://naturalmagic.bandcamp.com/album/ii

It's a lovely listen this evening, and a good way to think of him once more -- a last gift from him to us all.

That is is a very lovely release.

Does anyone have a copy of Tape 1: Essential Optimo Espacio? Cover photo below. I am willing to drive, within reason, to whoever has one to ditigise it for the Optimo Mixes repository. It is incomplete without it!

https://drive.google.com/file/d/10D9WJhQt4AjTmQOILAWNlCbUsHDBhC0T/view

I don't, but I had a great time yesterday at the Optimo day of Queens Park Weekender and the tribute at the end to stirmonster was beautiful

I’m off to Watching Trees again at the end of the month, anyone else joining?

A new release that is a partial legacy from stirmonster:

https://invisible-inc.bandcamp.com/album/darkness-within-darkness

Per the liner notes, from the label owner, then from the artist:

Firstly, I'm very aware that I started the year saying I would take a break from releasing music on Invisible Inc. This release, however, could not be passed up.
"Darkness Within Darkness" was originally intended to be released on Optimo Music. However, this sadly was not to be, after my friend and Optimo Music driving force, Keith McIvor, died of a brain tumour last September.
Having been entrusted by Keith to 'tie up' loose ends with Optimo Music accounts after his death (a job I was unfortunately unable to complete) it became apparent that there were a couple of releases finalised and waiting in the sidelines to be released. One of these was the Natural Magic II album which was already in production and which felt right to release on OM posthumously, the other being "Darkness Within Darkness", which, with Optimo Music's closure, was left hanging in the aether.
Having worked with Feon aka Fionn Macdiarmid in the past, it felt like Invisible Inc would be the ideal alternative home for the album.
And for me it couldn't be a more appropriate body of music. Completely different to the kind of music Feon has been known for, this album has a 'spiritual' feel about it which very much resonates with me, in the same way as I could imagine Keith being attracted to it too: combining elements of ambient, jazz, folk, post rock and experimental which, together with song and spoken word, elicit in me a feeling beyond merely "bittersweet". Perhaps in part due to the circumstances of its release, for me the album captures a sense of grief and pain on one hand, countered by a luminous transcendence and acceptance of mortality on the other. Yet, we are transported to a realm where these seemingly conflicting feelings become profoundly harmonious.
The closing track "Shanti (For Keith)", a guttural, primal expression of the spirit, would have been the last track to come out on Optimo Music. To bring the label to a close this way would have been the perfect epitaph. Alas, it was not to be. Instead, having been given the honour by Optimo's Jonnie Wilkes of playing some music at Keith's memorial on 30th October 2025, I played the piece as though it were his final call to all those whose lives he changed and impacted for the better.
Now with pride, sadness, honour and, hopefully, Keith’s blessing, I present the music to you.
Love is the message, GKMx
_____________________________________
Feon’s original liner notes for Optimo Music:

“In late 2019 Keith asked me if I would be interested in writing an album for his label. I leapt at the chance and was filled with grandiose ambitions for the masterpiece I was about to make. I failed to make that album. But whilst I wrestled with my own pretensions to greatness a different more humble piece of music was being constructed, more by psyche and the unconscious than by my inflated ego, and as we moved through and out of the pandemic this meditative and experimental work gradually coalesced from field recordings, found sounds, dreams and studio sessions. In 2025 I had something that both Keith and I felt was good to release. Then Keith announced his diagnosis and everything changed. It is only as I write these words after Keith’s passing that I can understand more about what this was all about.

So the final release on Optimo Music is a meditation on death and rebirth, and was created, I feel, through me by some deeper force beyond my own personal ambition. The person who commissioned its creation is now gone and the world at large seems to be going through some sort of system death. You could call this turn of events synchronistic, or tragically poetic or even just random, but my sense is that some teleological impetus informs the kaleidoscope of life on this planet. Drawing reference points from Eliot’s ‘The Waste Land’, Taoism, the Tibetan bardos of dying, Jungian alchemy, Peruvian shamanism and ‘The Godfather’, the piece begins with the death of the sun, expressing the loss of the guiding and sustaining light - the light of consciousness that guides us through the darkness. Designed to be listened to as one whole, the work traverses through carnal pleasure, into madness, death, an encounter with the Tao and a resurrection in infinite ohm space, much in the same way the process of enlightenment occurs in yoga. But it is ego death (structural collapse) that must occur for this transition to take place, much like my own egoic ambitions died during this creative process. The cathedral roof must collapse inwards to reveal the stars above it before new structures can be made.

The death of the sun could be understood symbolically as the death of the good father. I know of some, including myself for whom Keith held a paternal quality in their lives. After Keith’s passing I found myself reading the innumerable stories from those people who had their lives changed by him. Those stories expressed so many aspects of his character, but one quality that I kept noticing the most was of his generosity. Keith’s generosity for people was endless, he just seemed to have so much time for others. Keith was a giant in his community, and was always looking for ways to lift up those around him. This stands in stark contrast to the huge extent of greed and fear that is being collectively unmasked at this time. My own Glaswegian father (who died when I was a young man) wrote that the true battle in this world is not between good and evil but rather between generosity and fear. As we enter into what feels like major upheavals in our society, as structures collapse (ego death) and all seems as chaos, I believe we could do well to remember Keith’s huge generosity of spirit as one of those guiding lights of consciousness to see us through this collective death and rebirth.
A new world is waiting for us…” (Fionn Macdiarmid, 2026)

Meantime, I wanted to share something that, in a real sense, I learned about from stirmonster. In its own strange way, I consider my being able to learn and plan around this to be an indirect, but real if sad, gift from him:

https://nedraggett.tumblr.com/post/818607627035607040/so-let-me-tell-you-about-my-meningioma