The Boo Radleys, Classic or Dud?

"Giant Steps" is mostly a classic. Wake Up is hit or miss. Their talent didnt always match their Mcacartney-like ambitions to dabble in all genres but even the Boos failures had their charm.

Re. the hit and miss aspect of the Boos (which I agree), I'd say Carr took on too much himself really. I know most bands usually have a talisman or whatever, but they had scope and ambition beyond many of their contemporaries (especially when you get to around 1995) that was...kind of realised.

they could've made artistically smaller albums that would've hit the sweet spot for this or that niche or indie ghetto, but the Boos seemed to want to make a pop record, like the kind that were common in the 60s, that could blow minds with its scope and innovation and ability to have something for everybody. Didn't obviously work, but I'm glad they tried.

Well, "kingsize" did that, but it came too easy to MCarr and he wanted to try/ fail at more difficult things

http://www.nme.com/blogs/nme-blogs/martin-carr-remembers-the-ecstatic-moment-john-peel-played-boo-radleys-on-the-radio-for-the-first-ti

he's playing at the lexington next week. really wish i could go but got an important band practice :-( :-(

are we still doing a boos poll?

Yes, it will happen probably February 2015.

'Reaching Out From Here' still does it for me after all these years.

because of that nugget, i posted above, i dug out Find the Way Out comp today. this band is so fucking good. stuff like "The Finest Kiss," "Spaniard," "Best Lose the Fear" and "I've Lost the Reason" are all magnificent.

can't wait for February to do this poll.

Don't forget Fosters Van. Those early EPs have so many glorious moments.

'Reaching Out From Here' still does it for me after all these years.

― Welcome To (Turrican)

Beautiful song. Should have been the second single after Wake Up Boo.

Don't forget Fosters Van. Those early EPs have so many glorious moments.

― Shepard Toney Album (dog latin)

Swansong is my favourite from those first three EPs. The verse is a bit too similar to Fade to Grey by Visage but it's one of those great sad songs they did so well.

Don't forget Fosters Van.

I once had a chat with Martin Carr in a Camden pub circa 1996 and told him this was my favourite Boo Radleys song

The new martin Carr album is pretty good

Really wanted to see him play at the Lexington tomorrow but sadly have to be somewhere else. Must seek out the new one.

Really love the new Martin Carr album. Went back and listened to the last one and enjoyed it too. I think I like him a little more subdued and less feedback freakout.

did not know about Martin Carr's new album, will have to seek that out.

Carr record doesn't sound markedly different than the Bravecaptain stuff that got killed on this board – it's just less Bacharach and glitch and more Britpop guitar-y.

here is a new interview with Martin Carr that happened just this month: http://www.liverpoolecho.co.uk/whats-on/music-nightlife-news/martin-carr-breaks-after-boo-8373791 just bought The Breaks without hearing a song on Amazon.

btw, The Boo Radleys poll is still on track for February of 2015, going to be fun. won't be the first one, maybe the second or third one that will happen after the EOY polls wrap up.

Looking forward to the poll Bee. Don't think it will have quite the turnout that your Steely Dan one did but excited anyway.

Well, I'll be in it, and I wasn't for SD, so call that net +2

i'll def be voting. can't wait.

i have the breaks on vinyl. only listened to it a couple of times. the style is very mid-90s boo radleys, so while it verges on the retro, the best bits are as good as anything the band released circa wake up.

wow, really? now i'm really excited about getting that CD in the mail.

the Boo Radleys poll is up next, i have only been listening to them to prepare. they are so fucking good as i feel like i have almost forgot, poll is going to be a blast.

Martin Carr is playing at the union chapel in about 11 hours time (12 noon today).

I was there! lovely show. enjoyed the medieval horror-folk duo as well.

At 4am my maths is terrible.

That box she had was full of bees, bees of different sizes.

What was that thing? it was the most unwieldy box shaped instrument to make such a minimal tone (like someone playing a long drone on harmonica)

hi.

It was a shruti box, an Indian harmonium. Strange noise from a non electric instrument.

https://www.youtube.com/watch?v=OacT6M5CI9k

Lyrics are pretty cringeworthy, eh.

Revive sent me back to Kingsize. Still enjoy the big brassy Britpop production, clear melodies and "Choose Your Own Adventure" structures. What a way to go out.

for some reason i was unable to add the cd version of kingsize to the archive earlier today.
my optical drive would not recognise it as a cd.

oh wow, thanks for this.

i have said it many time, love, with all my heart Kingsize, it's such a great album if you remove "Free Huey."

never did link this to this thread: Just a simple song but God I love it Embedded in me, so bittersweet I’m addicted, I’m a melancholic Sing it again, I’ll be your Poll forever: THE BOO RADLEYS - ILM artist poll #60 or new numbering #65

rub it in bee ..
would have loved to have added it to the archive today.

Wake Up! is commonly viewed as their "pop" album because of the big hit single that they had from the album, but I actually think Kingsize is their "pop" album. The production on it is a lot more fuller, smoother and glossier than on previous efforts, and the songwriting (on the whole) is far more accessible, even if it retains the "room with many doors" approach on several tracks. Word has it that the record company got heavily involved in the making of Kingsize and tried to steer the band in a more commercial direction after C'mon Kids was seen to be deliberate attempt to scare the 'Wake Up Boo!' fans (which the band always denied) and this is ultimately why neither Martin or Sice have any real fond memories of making the record. Nevertheless, even with their most slickest and most accessible record to date, the idea of the Boo Radleys suddenly selling a massive truckload of records in 1998 was a laughable one. I still prefer both Wake Up! and C'mon Kids to Kingsize, although I heard Everything's Alright Forever recently and found it to be mostly awful, apart from 'Smile Fades Fast', 'Memory Babe', 'Does This Hurt?' and a couple of others.

The story I read was that the band turned 'Kingsize' into Creation and McGee described it as something along the lines of "not even a bunch of c-sides!", so the band were dispatched to write a single - "Free Huey". Which makes sense, given how much of a sore thumb it is on the album.

The artwork was horrible. I picked up a promo of it cheap not long after release, the plain yellow sleeve was an improvement. I'd go as far as to say 'Kingsize' is my favourite Boos album, loved it at the time.

That Pitchfork top 50 Britpop albums list sent me back to 'Giant Steps' for the first time in years.

yeah, I got those yellow promos from MVE

hung around for that Kingsize single promo (blue) but it was worth it.

Alan McGee never understood this band. There were two types of band on Creation Records, there were the Alan McGee bands (Oasis, Primal Scream etc.) and then there were the Dick Green bands, and the Boo Radleys were definitely a Dick Green band.

oh but XTRMNTR is one of *those* albums right

Yeah, I'd say so. Vanishing Point, too!

Each of those Primal Scream albums destroy the Boo Radleys... and we're not even talking about 'Screamadelica' here.

Not even close, but the Boo Radleys speak to me on an emotional level that very few bands achieve.

I don't really like Kingsize (sorry, worst biggest fan ever, ever)

I don't know why people are suddenly so down on EAF - I think it's fantastic.