ILM's Top 77 Albums of 2012

sry, kinda drunk and just happy to see lamp

:-/

rev is telling the truth (unless whiney lied to me) + it's also hilarious

Mostly lol but kinda sad

while a true goon at his core, forks submitted a ballot that was only about half the size of everyone else's and came with a bunch of caveats and apologies that he didn't actually listen to that much rap over the year.

but rev, do continue your stellar work of airing out two-year-old offsite trivia in an attempt to create drama between me and an IRL friend.

don't do the crime if you can't do the time imo

Three of my votes showed up yesterday:

VATICAN SHADOW: This really impressed me on first listen, austere techno when done well can be the best thing ever.
NINA KRAVIZ: Found myself coming back to this over and over again during the year, seemed to suit a lot of different moods.
LAUREL HALO: I really loved this despite not being fussed about LH's previous stuff, I like the queasiness.

The others I've heard are:

ANIMAL COLLECTIVE: Was a big fan from Sung Tongs through to MPP but this was a bit of a mess. Poor production, low on hooks. They should've just released an EP wih 'Today's Supernatural' as the lead track.
NITE JEWEL: Enjoyable enough.
LONE: Ditto
METZ: Like others here I don't think this compares to its influences but if this had come out 8-9 years ago I'd probably have loved it.
CHRISTIAN MISTRESS: I liked parts of this but it was a bit too corny for me to love. Obviously talented songwriters though.

There was an interview with Julia Holter in the Wire where she said she was friends with Laurel Halo and Nite Jewel and that they'd released some of her favourite albums of the year. Would love to see a collab.

there is this Holter and Nite Jewel collaboration - http://youtu.be/wKchvpb_VPg

also this coming up: http://www.kaufmanmusiccenter.org/mch/event/ecstatic-music-festival-daniel-wohl-laurel-halo-julia-holter-with-transit

well i'll be

when's the roll-out starting again? just wondering cos i have to make up work for yesterday's lackadaisicaliality.

I'll be starting in about 60-90 mins.

grand

Sweet

3... 2... 1...

http://i.imgur.com/3c6nGy3.png

60. DIRTY PROJECTORS Swing Lo Magellan (254 Points, 8 Votes) Spotify

Damn, going to miss this part of the results as I'm in Australia at the moment and it's a little late here. I'm starting to give up hope of my precious iamamiwhoami placing. If it doesn't appear in the next few albums it's probably not going to make it.

despised everything about them so much that i avoided this completely (proud achievement!) but if i'm not mistaken this is way down from where the last one placed? ilm coming 2 its senses <3

The only song I've really liked that I've heard by Dirty Projectors was Stillness Is The Move. I found a lot of their last album a bit cloying and ultimately trying too hard and failing at something they probably shouldn't have attempted in the first place (the guy can't pull off those Eastern / R'n'B-influenced melismas all that well to my ears). Should I listen to this?

So far, we've knocked out GAPDYX.

pretty sure the xx will be way down from their debut too

i literally can't even remember what P was!

Stillness Is the Move is the only song I ever need from Dirty Projectors. I gave this album half a listen when it showed up, but I couldn't make it through the whole thing.

There's no P or Y for last year either so there's only the XX left. Who will probably do pretty well but still worse than last time.

I was trying to remember P last night, and drew a blank as well.

Phoenix wasn't it?

Oh right!

Loved the last album, didn't hear a single track from this. Same thing with Animal Collective. There definitely seems to be a massive fall from grace of these guys, which kind of makes me want to give them more of a fair shout, but there was too much other interesting stuff going on this year.

P = Phoenix

Yes, it was a stupidly lumped together bunch of bands who don't sound anything like each other.

xxp

http://www.wearephoenix.com/

was the Y Yeah Yeah Yeahs?

Yeah.

They were lumped together because they appeared on all the lists, often within the top 20. igi

That happens every year, of course. Whiney was particularly surly in 2009 I guess.

God, who listens to that Phoenix album really?

Yes, I realise that. However, it was billed as some sort of 'GAPDYX continuum' or 'GAPDYX phenomenon' or 'GAPDYX is what is wrong with music' -> impossible unless you're charting a musical similarity as well as critical acclaim.

xxp again.

I still listen to Lizstomania all the time, but yeah...I haven't played the whole thing in forever.

There definitely seems to be a massive fall from grace of these guys

yeah it's curious that it's happening to them all, just wondering why - change of direction? same direction but so substandard that even fans of the last one weren't satisfied? whims of fashion?

(in the case of the xx, whom i love, it's probably same-but-substandard)

Anyway, yeah freak-folk-ish indie of the last decade (AC, DP, GrizBear and that sort of stuff) has definitely met its match this year. I guess Tame Impala might count, but they're actually a lot more tenacious and rockin' than people give them credit for.

I saw Tame Impala's 'Feels Like We Only Go Backwards' vid yesterday - it's what music videos were made for. I'm surprised more pop artists don't just release whole video albums these days. It would make sense.

Pheonix and Yeah Yeah Yeahs are the only two I care about from that list, both have new albums in April. Wouldn't be surprised if XX place really soon.

http://i.imgur.com/QLMAPwT.png

59. SHACKLETON Music for the Quiet Hour/The Drawbar Organ EPs (258 Points, 7 Votes, 3 First Place Votes)

I listen to the Phoenix album a fair amount but mainly I just want to watch that PS22 kids Chorus doing Lizstomania on Youtube.

yeah it's curious that it's happening to them all, just wondering why - change of direction? same direction but so substandard that even fans of the last one weren't satisfied? whims of fashion?

You'll almost certainly disagree with me here, but I think there's an inherent psychological effect of "new decade, need to leave behind the old stuff" in listeners, critics, music marketeers. If scenes are built around a tide of promotional push -> sustain -> release -> decline, it kind of makes some sense that the second year into a decade is when listeners start to look around for new sounds rather than latching on to existing factions. Just a theory though...

I don't even know what or who a Shackleton is, but three people voted it #1.

three first place votes, one of them was mine iirc

I'm surprised more pop artists don't just release whole video albums these days. It would make sense.

I think this may well come, though I imagine it'll be one-off promotional techniques rather than standard (adding video production costs to music production costs in order to put up your album on youtube i.e. give it away for free? Not a particularly sound business plan - unless of course you fan-source services for free... hey, AFP, here's an idea).

v pleased about shackleton placing - i only heard this in january (maybe because it was being nominated for the ILM poll) but it's superb. into the drawbar organ eps half a bit more than music for the quiet hour but it's all pretty great. fantastic use of organ. if i'd heard it sooner i might have voted for it.

"seven present tenses" is insane

Okay yeah, I like that.

Hm, the Shackleton stuff I'd heard before I'd not been keen on, but that 'Seven Present Tenses' *is* really good. Nice sounds going on.

This was a really fucking long album, which took me months to get my head round. Very snakey bass music that is just loaded with mysteries. it's in two halves, Drawbar Organ is the more immediate and my favourite part, Music for the Quiet Hour is rather more ambient. Some of it reminds me a bit of NWW and I kind of like the symmetry of Sam Shackleton being the Steve Stapleton of um, whatever this post-dubstep music is called.

Best song is Katyusha btw

2am here in NZ, let's see how much of this rollout I'll see.

Had a friend w/a bunch of '12ish Shackleton vinyl, IIRC it was way more Terry Riley-ish than I'd expected?

I'm another #1 Shackleton voter. Loved the immenseness of both of these. Music to get lost in.