Boards of Canada: Classic or Dud?

Boards of Canada = Near Classic; depends on what they do next.

re: the "british sound" as mentioned above: stirmonster (v. occasional glaswegan ILM poster) once mentioned elsewhere [heavy paraphrase ahead] that he found the prettiness of BoC's music a sharp contrast to the dreadful starkness of the north coast of scotland.

Not in the north of Scotland though, just next to Edinburgh. The Pale Saints recorded some of their records near there.

anyhow, classic, "geogaddi" included.

in some ways i think much of their back catalogue is a bit tainted by the beats. as in, they seem unnecessarily leaden. they certainly date the records to a particular time period (its less apparent on geogaddi i guess). i like pretty much everything still, but the beats detract for me, or, at least, are the worst parts of most of their stuff

i can't think of many examples of tracks where the beat seems a real problem to be honest - anyone have any specific examples? it seems like a bit of a shot in the dark otherwise. i can think of many examples where the heaviness of beat compliments what else is going on - 'Whitewater' from 'Boc Maxima' for example - but i can see what is meant by the suggestion that more could've been done with the beats - they just come in and seem to trundle from A to B without varying much of the time, but somehow they manage to seem quite deft rather than leaden (Orange Romeda! Amo Bishop Roden!). it may just be the tempo of most BOC songs that makes the beats seem leaden rather than the sounds used to construct them (muffled, dirty, retro - to match the overall sound).

i think the drums on something like Mort Garson's Plantasia would have been a better approach

i nearly always find the beats a welcome addition, and BOC always seem to have valued electronic rhythm to a fair extent and they tend to prefer it heavy. it's usually one of the last things to come in, which can give the impression the track has been built to support the beat rather than the other way round, no? which is an understandable criticism if true, only i don't hear it as a big problem myself - i don't think it would make a significant difference to how i hear BOC. 'ROYGBIV' seems as good an example as any of the beat being useful, if only for the bit where the bassdrum drops out again just for 4 bars - that's possibly the best bit, but it couldn't work without the beat beforehand.

how about Autechre or Biopshere? do their beats sound better because they're complex or 'modern', or 'lighter'?

what are the drums on 'Plantasia' like (hint)?

It’s pretty coincidental; I listened to Music again last night and it didn’t work for me as well as it usually does. (I believe) I too felt the beats slightly lacking. But hey, some of my favourite moments are things happening to the beats. There is a wonderful bit in ‘Kid For Today’ where the heavier beat enters and plays two snares in a row (so that one is on the spot of a bass drum). And the lo-fi drums at the end of ‘Aquarius’. And the fantastic beat fucking in ‘Pete Standing Alone’. And the sonically beautiful drums in ‘Roygbiv’, ‘Turquoise Hexagon Sun’, ‘Last Walk Around Mirror Lake’... yeah, they’re not so bad after all.

as for BoC, they're like one of those artist everyone Loves and is influenced by, but justifiably. I Love Boards Of Canada, and I don't care what anyone thinks.

But I'll say that some of their tunes stick in the head alarmingly well for 'ambient' music. Is there a reason I haven't gone and re-investigated them since? Yes, it's that I actually find their music a little creepy and disturbing.

Yeah, this is one of the greatest things ever.

anyone heard this Cardamar remix of ROYGBIV?

nopeeeeeeeeeeeeeeeeeeeeee

i think this is one of those bands that more than others, sometimes they are just EXACTLY WHAT YOU NEED

I need a new album from these guys

Classic. I'm pretty sure they're aware at this point how they keep rehashing their sound in every album since MHTRTC, and will probably pull something out of the park... being a little optimistic, but BoC just doesn't strike me as a band that doesn't care about it's legacy.

Have you heard Walls on Kompakt? They don't sound the same but have a comparable aesthetic.

And, well, I like both of them.

They've got a ST album coming out soon and an amazing single out already called Burned Sienna.

http://www.myspace.com/wallsjams

Anyone know anything about "Chameleon"? Just popped up on iTunes, with the copyright listed as BoC's own Music70, not Warp...

https://www.youtube.com/watch?v=IIadksm7wjE

xxp in the track it’s eerie and disembodied, but to see the people makes it terribly sad to me.

^^yes

i think i genuinely love how this manages to sound extremely menacing but also very clean, like a vision of hell in total focus

― ivy., Saturday, May 30, 2026

Naraka feels maybe more resolute than the previous tracks and more ominous but it also has the same very clearly defined cinematic quality

I love that it's followed by the murk and buzzing flies and birds and dark intimations of menace on the short track Acts of Magic... and also then with a cardiac monitor, sighing voices and a sense of resignation on Memory Death. Not sure what it all means

i think i genuinely love how this manages to sound extremely menacing but also very clean, like a vision of hell in total focus

― ivy., Saturday, May 30, 2026

Naraka feels maybe more resolute than the previous tracks and more ominous but it also has the same very clearly defined cinematic quality

I love that it's followed by the murk and buzzing flies and birds and dark intimations of menace on the short track Acts of Magic... and also then with a cardiac monitor, sighing voices and a sense of resignation on Memory Death. Not sure what it all means

I only posted that once, sorry

uh, let's see, I've lost track

I love that it's followed by the murk and buzzing flies and birds and dark intimations of menace on the short track Acts of Magic... and also then with a cardiac monitor, sighing voices and a sense of resignation on Memory Death. Not sure what it all means

― Dan S, June 22. 2026

This section brings to my mind those crazy "synchronizer" session sequences in Boorman's Exorcist II.

I thought it was a bit odd that people found the religious theme of the album to be too 'on the nose' for them or whatever, as far as I know none of their stuff references mainstream religion much. the Hare Krishna part is something they never would've done in the past. it makes this album spooky in a different way.

also interesting they didn't use any kid voices on this one. obviously there weren't any on Tomorrows Harvest either but it comes off different here since there are plenty of other voices on it. you do faintly hear one on one of the last tracks though, the bit where it sounds like the universe folding onto itself

anyway right now I do think this is the best BoC album

I don’t know maybe we have different interpretations of what “on the nose“ means. To me in the past any sort of societal critique by board of Canada seems to have been subsumed under oblique references, like the Branch Davidian references that most people would only understand if you read the internet obsessively, (even in the artwork of A Beautiful Place Out In The Country). where here, and I’m including the album artwork, it’s rather out in the open.

I don't mean things I'm reading here I mean the initial reaction I heard from some people, "oh, another album about God and religion"...I don't think any of their albums have really been about that

ah