Jessie Ware - 110% (and everything else she's done)

the run from sweet talk through to the end is just sublime

^^^ EXACTLY RIGHT!

i've also been grappling w/ the fact that they released all the best songs before the album dropped

that's not all that out of the ordinary surely? esp for pop albums?

'Night Light' is better than most of the pre-release songs.

yeah that's one of the best and wasn't leaked

with the 2 bonus tracks, i have a ratio of 9 great songs out of 13.

I didn't know of her before the album dropped. Besides being sucked in with "Sweet Talk" and immediately downloading the rest, I hadn't heard anything.

Yeah Sweet Talk is great, it's got a bounce to it that's absent in most of the rest of the album.

Still Love Me is the real clunker here I think. That and No To Love coming one after another so early in the record really messes with the album's flow.

the album dramatically improved for me once i realised that those two were the ones to just skip

it took me ages to get round to hearing the singles so the timing, in that they were just clicking with me as i got to hear the full album, worked out perfectly

I like both those songs a lot, esp "No To Love"

"Night Light" hit me like a ton of bricks on the way home from work today. Arrangment, production, melody...shit is HEAVY DUTY.

feel like the singles are the stand outs and there's lot of filler on here. Still relatively enjoyable though. Amazing voice

i find the diversity of opinion re: the quality of the singles compared to the rest of the tracks interesting

five of 11 tracks have been singles now, right? six if you include "strangest feeling".

All these so-called post-dubsteppers, RnB-deconstructivists, indie-beatmakers etc., it's all really some form of (neo)trip-hop, don't you think? Or is that reductionist? It's not meant as an insult.. I like many of these artists, Jessie Ware among them.

To my ears Ware hovers outside trip-hop, closer to Blue Lines-era Massive Attack

I've always considered Blue Lines trip-hop (because of after the fact-categorization, probably, I was 7 in '91) so I guess we agree on Ware, then.

Something about the poses she strikes reminds me of Shara Nelson: mechanized soul with space for a billowy presence.

I really like the title track, can't get enough of it. Incidentally, some of the harmonic stuff and the arpeggio effects going on in it reminds me a lot of "Bloom" by Radiohead.

it's all totally trip-hop revival. it confused me the first time i saw someone use that as an insult.

If so, we're still at the early, warm, Wild Bunch bit of trip-hop, rather than the dead-eyed Sneaker Pimps 1998 zombie incarnation. The latter bit would be the insult.

i actually liked that sneaker pimps album at the time

Having lived with this album for a month or so now I'm pretty sure that most of its faults come from the presence of the dude from The Invisible. There's a sort of damp and dusty worthiness to some of the production.

Ooof, not very good on Later.

Love the album 111% though.

It's like an X-Factor cover, maybe she's just nervous though.

Later last night was the first time I'd heard her. I thought that song sounded a bit like Roxette.

she was better at Maida Vale -

http://www.bbc.co.uk/radio1/sessions/2012-10-18_jessieware

i listen to this album all the time. I wouldn't really think to slot it anywhere near Blue Lines, it seems much more straightforward R&B to me. but it's very good.

I'm in love with the Ewan Pearson remix of No to Love

http://soundcloud.com/jessieware/sets/no-to-love-remixes/

Brownstone cover (produced by Japanese teenagers - ?!), Kate Moross video

https://www.youtube.com/watch?v=yXJl5Gf05zg

I love both of these things

i didnt think i liked the todd mix but it's v beautiful once it gets going

almost tempted to do a ware remixes poll but meh

https://www.youtube.com/watch?v=RkF7PZhVlNw

<3 this one

"Taking In Water" has become my jam .

it's my favorite from the album

well other than maybe "sweet talk"

or "110%"

as great as this album is, (still top 5 of the year for me) the remixes that have emerged for songs from it have been fucking great. the joe goddard "night light" remix is RIDICULOUS

https://www.youtube.com/watch?v=GZrThWeqmzs

This "sweet talk" remix too!

https://www.youtube.com/watch?v=kvOQHC4Muxs

love that "Night Light" remix

Finally got around to hearing this after months of loving "Wildest Moments." Good album, though I find that with the exception of the song I already liked (which is terrific both melodically and lyrically), the songs tend to live or die depending on the strength of the drum programming, which is odd.

I've not really wanted to go back to this that much of late but I might have a go at making a remix comp this evening.

"Still Love Me" sounds too much like Annie Lennox for me

the joe goddard remix of "night light" >>>>>>>>>>>>>>>>

There's been some very smart remix commissioning by Jessie Ware's people, in contrast to Lana Del Rey's label, which seems to have commissioned so many that even the good ones (eg Lindstrom, Photek, AlunaGeorge) have got lost in the pile.

That makes sense though, Jessie Ware is embedded in a scene and building a profile in the dance world as well as the pop world, in a way that Lana Del Rey isn't.

Oh sure, it definitely makes sense, but there seems to be no rhyme or reason to the LDR remixes. You can't even buy most of them - they're just floating about.

Haha I thought that "just floating about" was the default state for pop/indie remixes. The idea that anyone might actually pay money for most of them never really occurred to me.

I like paying when I can (eg Ewan Pearson's Ware remix) because it helps the remixer get more work. But I'm old and like paying for music so there's that.

Aeroplane told me that major labels deliberately overcommission remixes on spec, knowing that the ones they turn down and refuse to pay for will end up online anyway via the remixer and get them free publicity and kudos. That's what happened with their MGMT remix. It's a lousy trick, although we benefit either way.