what was the last 'classic album' you got and were knocked out by?

i more or less have all of his records and i have the feeling otb is his best studio album. it's the most intense of his folky/soft songwriter albums. there are no real standouts except the first song which i knew from decade. it's all pretty much made of one stone. by the way neil did many shit and average albums. most of his 90s (except ragged glory, dead man was ok) and a lot of his 80s releases (trans, reactor, landing on water etc., hawks + doves was ace) should be mentioned here.

oh and Kinda Kinks

Before that, probably Galaxie 500 - On Fire.

and

The Hangman's Beautiful Daughter

...although What's Going On is still in its shrink-wrap, so that may surprise me yet.

Dylan's Planet Waves too.

ELO's Greatest Hits (is that classic?)

Another Green World too, though it wasn't immediate, and I'm still not into all of it.

Also John Prine's first, Graham Nash's Songs for Beginners, and a bunch of Eno

Me neither... On the other hand there are definitely some classics which still knock me out on the rare occasions where I dig them out and put them on again. I think the last ones I did that with were Marquee Moon and Van Halen's first record, in the wake of this thread.

judee sill - heart food. so so so so good

Played Patti Smith lp "Horses".

I bought a cheap 2cd set some years ago, never much liked the album but I really enjoyed the live version on cd2.

Today, I enjoyed my blue Arista label version very much.

Funny, the record looks much like my Showaddywaddy lp from ages back.

xp Heart Food is so perfect and beautiful

Listened to Wire's Send for the first time tonight. It has 11 tracks, six of which originally appeared on the first two Read & Burn EPs, both of which I own. (I feel like Read & Burn 02 was only sold at live shows? Am I misremembering that?) Anyway, I feel like the six tracks from the EPs appear on Send in different mixes. Am I wrong about that, too?

judee sill - heart food. so so so so good

otm. Beguiling. What a massive talent.

I recently finally listened to early Scritti Politti. I like the whole evolution of Green Gartside’s thing.

Re: Wire comments. I got R&B 2 directly from the lads via their website. And I think the mixes on "Send" are all the same except for a longer version of "Nice Streets Above".

The Blasters S/T. Goddamn what a good time

Man. When I found Heart Food it soundtracked my whole life for like three months. It deserves to be as well known as Blue or On The Beach

Luna - Penthouse has been running through my head constantly the last week, ever since Shasta posted one of their songs on Is NYC Dead thread (I think). I love the guitar sounds! Never heard a note of them or Galaxie 500 before. I think I bought a Damon & Naomi CD 20 years ago based on them being big-upped on the RMBB, but it never took. I'm looking forward to listening to that CD when I pull them out of storage later this year with the benefit of being 20 years further on my music journey.

galaxie are so good. i envy someone getting to hear those albums for the first time.

imo Damon & Naomi don't sound that much like Luna, or Galaxie 500.

My only complaint about Penthouse is that 23 Minutes in Brussels isn't 23 minutes long.

Is the title a reference to the infamous Suicide bootleg?

https://www.youtube.com/watch?v=MZZ4Wzqdeok

Oh man, Elvis rated Beatles VI and Budo channeled a lot of it---I used to take that thing to off-campus parties in the late 70s, and play it between Never Mind The Bollocks and In The City---Lennon was such a screamer, and the whole cobbleset was so intensely precise, like it might come lose, and it did fly around some---take it wiki!

Beatles VI includes two tracks featuring searing John Lennon vocals, recorded specifically for the North American market:[6] "Bad Boy" and "Dizzy Miss Lizzy", both covers of Larry Williams songs, and both recorded on Williams' birthday (10 May 1965), marking perhaps the only time that the Beatles recorded material especially for North America. "Dizzy Miss Lizzy" was part of the set of their 1965 US concerts and was soon included on the British release of the Help! album, but "Bad Boy" was not released in the United Kingdom or anywhere else in the world until 1966, when it appeared on the compilation A Collection of Beatles Oldies. These two songs, along with "Act Naturally" the following month, were the last cover songs recorded and released by the Beatles until "Maggie Mae" appeared on the Let It Be album in 1970.

Beatles VI also included:

the remaining six tracks from Beatles for Sale (i.e., those left off Beatles '65, although two such songs had been released on a single in February 1965).
"Yes It Is", the B-side to the single "Ticket to Ride". This is a "duophonic" stereo remix from the original mono track, with additional echo and reverb.
two other tracks from the forthcoming UK release of Help!: "You Like Me Too Much" and "Tell Me What You See".
As on Beatles for Sale, the "Kansas City"/"Hey-Hey-Hey-Hey!" medley was originally listed only as "Kansas City". After attorneys for Venice Music notified Capitol of its error, the record label was soon corrected, although the album cover never was.

Track listing
All tracks are written by Lennon–McCartney, except where noted.

Side one
No. Title Lead vocals Length
1. "Kansas City"/"Hey, Hey, Hey, Hey" (Jerry Leiber, Mike Stoller/Richard Penniman) McCartney 2:30
2. "Eight Days a Week" Lennon with McCartney 2:43
3. "You Like Me Too Much" (George Harrison) Harrison 2:34
4. "Bad Boy" (Larry Williams) Lennon 2:17
5. "I Don't Want to Spoil the Party" Lennon with McCartney 2:33
6. "Words of Love" (Buddy Holly) Lennon and McCartney 2:10
Total length: 14:47
Side two
No. Title Lead vocals Length
1. "What You're Doing" McCartney 2:30
2. "Yes It Is" Lennon with Harrison and McCartney 2:40
3. "Dizzy Miss Lizzy" (Williams) Lennon 2:51
4. "Tell Me What You See" McCartney with Lennon 2:35
5. "Every Little Thing" Lennon with McCartney 2:01

Hard To Earn

I am just finally sort of mellowing out to be able to really ride with guru’s whole thing. and I love all the annoying high pitch sounds

I was listening to Step In The Arena last week, and that might be a flawless album.