xp ^ lol yea
aphex twin mythos vs. autechre mythos, rdj wins hands down
― diamonddave85, Wednesday, 9 May 2012 15:04 (twelve years ago) link
The Analord stuff is okay, but it's not breaking ground in the same way that nearly all his work up until Windowlicker did. Not that that's a problem - good music is good music - but it seems RDJ is now more at ease with expanding on and deconstructing old acid and rave tropes than pioneering new ideas like he used to.
― Scary Move 4 (dog latin), Wednesday, 9 May 2012 15:04 (twelve years ago) link
the analord tracks are really good, the best of them are as good as anything else he's done really
― silverfish, Wednesday, 9 May 2012 15:06 (twelve years ago) link
maybe releasing it all the Analord stuff on expensive, limited vinyl wasn't a smart move? because I would agree, that stuff is plenty good
"Chosen Lords", in my opinion, doesn't really capture the best stuff, from what I've heard. The thing is that it's really the same stuff he's always done as AFX, neat acid junk that really has the mark of a man who composes like 250 tracks a year and doesn't have much time to work on them, but I prefer the Analords to the Analogue Bubblebaths (which have awesome tracks but as a whole are kinda...eh)
― frogbs, Wednesday, 9 May 2012 15:09 (twelve years ago) link
Autechre's image makes people ignore the fact they do jam around a whole lot. How they physically do it in the studio I don't know but Untilted is basically a jam session, there's funk and sweat and freak-outs and it sounds pretty free-form (even if it was planned to sound free). This should've been a more natural critical approach to their music, considering hip-hop roots and all, than it has been. They're fun guys, they just don't look it.
There's no lack of great, emotional melodies in either career, by the way.
― abcfsk, Wednesday, 9 May 2012 15:10 (twelve years ago) link
About 8 or 9 years ago I read an interview with Aphex where he said he'd thrown out a whole bunch of four-on-the-floor records saying they were useless (or somesuch). Two years ago I saw him play a set of straight-up techno bangers. Guy's pretty inconsistent in interviews, but that made me laugh a bit.
― Scary Move 4 (dog latin), Wednesday, 9 May 2012 15:10 (twelve years ago) link
i think your definition of breaking ground is different to mine. i mean he's always taken an older style and put his spin on it. the analord stuff takes established dance forms but beefs everything up with fat analogue synths, and it's not like he's just got a 303 or a pro-1 and a few drum machines, the sound design is pretty unique to him. he's also pushing the boundaries of the form in typical aphex style. hyper dense, challenging music. the same as he's always done. and on top of all that, it bangs like a daddy.
― Crackle Box, Wednesday, 9 May 2012 15:13 (twelve years ago) link
IIRC he claimed he made RDJ album short because he thought long albums were boring, despite having already released SAWII, pretty much the epitome of "long and tedious" (as brilliant as it is!)
― frogbs, Wednesday, 9 May 2012 15:13 (twelve years ago) link
maybe releasing it all the Analord stuff on expensive, limited vinyl wasn't a smart move? because I would agree, that stuff is plenty good"Chosen Lords", in my opinion, doesn't really capture the best stuff, from what I've heard. The thing is that it's really the same stuff he's always done as AFX, neat acid junk that really has the mark of a man who composes like 250 tracks a year and doesn't have much time to work on them, but I prefer the Analords to the Analogue Bubblebaths (which have awesome tracks but as a whole are kinda...eh)― frogbs, Wednesday, 9 May 2012 16:09 (1 minute ago) Bookmark Flag Post Permalink
― frogbs, Wednesday, 9 May 2012 16:09 (1 minute ago) Bookmark Flag Post Permalink
This. I lost patience with the series as I haven't had a record player (or storage for records) until recently. Plus it's a mammoth collection to sift through. Think the series was good for obsessives, but a terrible commercial mis-step. I'm sure he doesn't give a hoot, but it completely wrongsided fans like me who'd been disappointed by Druqks and would have preferred an approach like ICBYD.
― Scary Move 4 (dog latin), Wednesday, 9 May 2012 15:15 (twelve years ago) link
I'm not sure how much he cares about commercial success, but is he really still just living off money from his 1996-1998 heyday? It's not like he tours much.
― frogbs, Wednesday, 9 May 2012 15:17 (twelve years ago) link
probably.
― Scary Move 4 (dog latin), Wednesday, 9 May 2012 15:18 (twelve years ago) link
radiohead fans
― Crackle Box, Wednesday, 9 May 2012 15:22 (twelve years ago) link
He must make a fair amount of dosh each time there's a TV documentary about the paranormal.
― Scary Move 4 (dog latin), Wednesday, 9 May 2012 15:26 (twelve years ago) link
plus I guess pretty much everything from SAWII was licensed out
IIRC they used "4" in some kind of anti-drug advert which struck me as really odd
― frogbs, Wednesday, 9 May 2012 15:28 (twelve years ago) link
Orange (?) probably paid a fair few for To Cure A Weakling Child too.
― Scary Move 4 (dog latin), Wednesday, 9 May 2012 15:33 (twelve years ago) link
didn't that series "Jam" use a ton of Aphex music
― frogbs, Wednesday, 9 May 2012 15:34 (twelve years ago) link
aphex still plays too and probably makes mad $$$ every time he does
afaict lots of retired or semi-retired electronica dudes make a lot of scratch hush-hush on the side doing uncredited sound design for tv, commercials, movies, video games, etc
not sure if aphex is doing that or not but i know a lot of other people are
― the late great, Wednesday, 9 May 2012 15:35 (twelve years ago) link
like who
― Crackle Box, Wednesday, 9 May 2012 15:38 (twelve years ago) link
i know richard devine's stuff is everywhere but he's hardly retired or anything
― Crackle Box, Wednesday, 9 May 2012 15:46 (twelve years ago) link
xxpost I know a handful of local producers who do this - it's very common and good money. Wouldn't be surprised if that's how a lot of ex-popular musicians get their beer money.
― Scary Move 4 (dog latin), Wednesday, 9 May 2012 15:47 (twelve years ago) link
i encounter loads of people that say they do this, but in reality they sit around smoking spliffs and maybe do a job or two a year for like an iphone game that never gets released. and there are libraries and companies that specialise in this stuff now.
― Crackle Box, Wednesday, 9 May 2012 15:56 (twelve years ago) link
That's probably what I'd be doing too if I was a washed up bedroom producer. Sounds great.
― Scary Move 4 (dog latin), Wednesday, 9 May 2012 16:04 (twelve years ago) link
good autechre article for the geeks
http://www.soundonsound.com/sos/apr04/articles/autechre.htm
<3
"The worst things are the timeline sequencers where you can see on the screen what's coming up. That really f**ks with your head when you're listening."
― Crackle Box, Wednesday, 9 May 2012 16:07 (twelve years ago) link
one prominent example would be photek - that's basically what he was doing from 2000 to 2010
another two i know about by name are neil landstrumm, who did sound for playstation games iirc, and gold chains, who basically quit recording to do sound design for mtv promo spots
― the late great, Wednesday, 9 May 2012 16:19 (twelve years ago) link
http://oi45.tinypic.com/289m0e8.jpg
― am0n, Wednesday, 9 May 2012 16:40 (twelve years ago) link
ae PWND AGANE by afx
http://www.synthgear.com/wp-content/uploads/2010/02/aphex_face.png
― the late great, Wednesday, 9 May 2012 17:08 (twelve years ago) link
tlg PWND AGANE by SYNTHGEAR
worth a click through though
― the late great, Wednesday, 9 May 2012 17:10 (twelve years ago) link
http://www.bastwood.com/?page_id=10
― the late great, Wednesday, 9 May 2012 17:11 (twelve years ago) link
i remember that. the venetian snares one cracked me up
― am0n, Wednesday, 9 May 2012 17:31 (twelve years ago) link
yeah i remember hearing about that and thinking it was photoshopped, but sure enough
― frogbs, Wednesday, 9 May 2012 20:15 (twelve years ago) link
that face is great. and it sounds otherworldly.
the live face recognition / remapping thing also fantastic.
but i still voted ae.
― koogs, Wednesday, 9 May 2012 22:34 (twelve years ago) link
Is it just me, or is "Clipper" (and I guess other bits of "Tri Repetae") the closes Autechre came to sounding a lot like Aphex, or at least not dissimilar?
Not to me. I always thought that Amber was their most Aphexy album.
― Pot Leeedom (Leee), Thursday, 10 May 2012 03:54 (twelve years ago) link
In fact, I still think that "Nil" sounds an awful lot like "Schottkey 7th Path."
― Pot Leeedom (Leee), Thursday, 10 May 2012 03:56 (twelve years ago) link
Keynell
― hot slag (lukas), Thursday, 10 May 2012 05:11 (twelve years ago) link
... is awesome
― Touché Gödel (ledge), Thursday, 10 May 2012 08:41 (twelve years ago) link
really like the lego feet EPs, probably more than any gescom except the immortal detroit techno masterpiece that is TWO OF
― the late great, Thursday, 10 May 2012 14:34 (twelve years ago) link
Hah, listened to Confield for the first time in ages, and sure, I can see why folks might think that one is taking the piss.
― Josh in Chicago, Thursday, 10 May 2012 14:35 (twelve years ago) link
oi mates some granular synthesis is all over me bloody techno lp im going to make me an orrible post about it to me ilxor chums
― tebow kortwa (nakhchivan), Thursday, 10 May 2012 14:37 (twelve years ago) link