Orbital - Wonky

"Spare Parts Express" / "Know Where To Run" / "Nothing Left 1" / "Nothing Left 2" for me.

"Middle of Nowhere" is very fine too and I actually really like "Style", but the other tracks are next level.

lol I think I'm the only person on Earth who really digs "Otono"

I like "Otono", but it's definitely third tier on that album.

Always wanted to hear the Pooka albums actually, I actually have the single for "City Sick" somewhere for some reason, and I remember a friend told me their second album was fantastic.

This Pooka? Shift is pretty interesting, especially for its time (2001), esp the track "One in a Million". My understanding is the sometimes IDMish backing is very much an outlier in Pooka's catalog.

Wonky is on US spotify today; cracking it open now!

one big moment is LOVELY, totally vintage

I just picked up green, brown, and snivilisation w/in the past month or two and they're all v good! It's strange that I have five (!) of their albums now and yet still feel like I'm just getting into them

total first world problems but can I say how irritated I am that the US domestic release of this is an iTunes exclusive

^^^^ otm, super annoying

If you guys want to paypal me I can post you CDs from the UK?

hmm, maybe? let me check how much ordering from amazon.co.uk would be

ha the special edition from amazon.co.uk will cost me $20 with shipping, so I'm gonna go that route; thanks though!

I think "Wonky" is my favorite song of the year so far

It had been bugging me for ages what 'Wonky' reminded me of and it's actually 'Jump And Shout' by Basement Jaxx, the combination of insane build and an MC who's simultaneously on top of the build and part of it.

when are Orbital and Underworld going to synch up their schedules and do a joint tour that I can fly over to the UK to see

mmm hmm

This is extremely enjoyable. I like the experimentation with more analoguey noises.

kind of hard to believe that "Stringy Acid" didn't exist before this album came out, i'm already retroactively inserting it in my mid-late 90s memories

apparently it was an outtake from those days

I'd like to qualify my earlier endorsement by saying that the brostep track is dreadful. All other tracks are good, I particularly like New Fance and Where is it Going?

This album was pretty cool first time I heard it, but I'm just not drawn in enough to really love it. everything's in place, but i dunno.....

saw them on Saturday and they were incredible, seemed to have slashed much of the new stuff out of the set for Australia sadly - though what was there sounds very much of a piece with the old material in that setting.

SO MANY forty-somethings off their faces around us!

I want them to release a real live album so badly

like the UW 3-disc Live in Tokyo set if possible, something more than just an hour

those screeching synths in the end of "One Big Moment" would sound so massive live, c'mon boys

This album was pretty cool first time I heard it, but I'm just not drawn in enough to really love it. everything's in place, but i dunno.....

― Scary Move 4 (dog latin), Tuesday, May 8, 2012 6:33 PM (3 days ago) Bookmark Flag Post Permalink

yep

album is a con that makes me doubt all of my orbital love ever, but this remix has a nice bit in the middle

https://soundcloud.com/orbital-4/where-is-it-going-steve-mac

credited to steve mac and phil

3 months pass...

huh

What do you mean by "album is a con"?

i don't hear a lot of spontaneous life in most of these tracks, which is especially jarring given what they're trying to do. doesn't even sound rote, sounds contrived. not going to be a convincing argument if these tracks actually create joy for you.

i like "never" though.

I'm increasingly feeling that this album is content rather than music. I still quite like it, and think its their best since Middle of Nowhere, but I don't love it.

>album is a con that makes me doubt all of my orbital love ever

If you'd said this about 90% of The Altogether I might have understood, but wrong target with this one - the great tracks on here still sound great to me, and I've *hammered* this album.

I'm with Bill, this album still sounds pretty f great to me

yeah, it holds up good for me too.

I'm increasingly feeling that this album is content rather than music

This is a meaningless statement.

Only cos I didn't add context; my feeling is actually drawn partly, I think, from the same feeling that caused you to say that New France was "so obviously there for the radio", which you may not have meant as a pejorative, but which I inferred as such.

Yo this album is great!!

Yeah, finally (at last) heard it today myself and love it.

Sorry Nick I still don't know what "content rather than music" means.

Sorry Nick I still don't know what "content rather than music" means.

Did some scribbling to try and explain. http://sickmouthy.com/2012/08/27/four-tet-and-some-thoughts-on-music-as-content/

Ah, I read this as you complaining that it's too functional (within the parameters of how Orbital's music functions).

This strikes me as a particularly odd criticism to make of Orbital (and also Talabot) - I hope I don't sound condescending when I say it sounds like a criticism made by a person who doesn't listen to (or appreciate) much actual dance music.

It's not so much "how dare you complain that music is too functional" - more that I think when you listen to a lot of music that is pretty explicitly functional in that manner then its functionalism no longer exists at the opposite end of a continuum from art/creativity/etc. for its own sake - hence saying "it's too functional to be art" begins to seem as nonsensical as saying "it has too many beats to be art".

More generally I think the idea of wanting music to "transcend its purpose" is a really bad one, not because music should not transcend its purpose but because the idea that it can and should is only propogated by people who are wary of (and hence do not have a good handle on) the alleged purpose to begin with.

What I would say, and I think it gets at roughly the same ballpark feeling, is that Wonky feels like an album purposely designed to "tick all the boxes" for an Orbital box except the box of "creates at least one new box". Its problem is that it's precisely as functional as Middle of Nowhere, and as such feels like a retreat into safe territory.

More specifically the entire idea of transcension here is really saying "I think this purpose is better than that one."

Oh I don't dance these days and I don't DJ and I'm the first to acknowledge that (and there's nowhere round here where I could dance to this kind of music anyway); that's not been a barrier to me enjoying huge amounts of dance music, though, and especially and particularly Orbital in the past (and also plenty of stuff that was compared to Talabot when Fin came out, which piqued my interest). I'm not saying one "purpose" is better than any other, just that one isn't mine, and there's not enough "whatever it is" to quite satisfy what my purpose might be.

Yeah that's fine, I just think the content vs music opposition makes it seem like you're drawing a more concrete distinction than that.

Yeah it was a bit flippant putting them as opposite ends of a dichotomy; the Cistene Chapel ceiling was a commission and arguably "content", and huge, huge reams of other great art of all mediums and genres and stripes.

Maybe you're just expecting something out of it that others aren't; I for one am happy to get nothing more than just a pile of great tunes

Orbital, at least for me, has a specific feeling of being composed, more so than most sequenced, functional dance music. It's a ridiculous statement on its face, to feel more composed than the next act with quantized beats and layers of samples that build up and roll off like clockwork, but it's the most succinct way of expressing that quality of their music.

This isn't a problem when it works - I appreciate Tim's point about it being a continuum, rather than an opposition. It applies just as much to the Orbital albums I love as those I don't. But when it doesn't hit, that feeling of functional composition is grating.

hot slag otm.

And I love them so much, too, that when something doesn't quite work, it feels like an affront. Which I know is ridiculous on any kind of "artist owes you nothing" perspective, but fandom doesn't work like that.

I don't see Orbital lapsing back into making "just" dance music (at least not from Snivilisation onwards) - pretty much all of their stuff retains the "composed" feeling, it's just that some tunes sound more rote or uninspired than others. So I think trying to equate Orbital's less inspired moments with non-Orbital dance music is a misnomer.

Unless you're applying some qualitative threshold to the application of "composed", which I think would be a kinda dodgy step really. Especially when it's being used so vaguely.

A good example of this is "Are We Here?" - an amazing tune and one of my favourites by Orbital. But by removing almost all of the melodic information and focusing on jungle rhythms it also revealed how much of Orbital's "signature sound" relies on their melodic (and harmonic) sensibility; there's nothing about it that is categorically different from A Guy Called Gerald or Neil Trix (the two jungle producers I could imagine doing something similar had they wanted to) - each sound as"composed" as Orbital when all three are working in the same style.

This is not to say that there's nothing special about Orbital, but that what is special is not some kind of magical, transcendent distinction from other dance music techniques, so much as a kind of sensibility that regularly pushes their music into territory that others pass through any fleetingly. And it's really only across an entire album (or their oeuvre as a whole) that this sensibility becomes obviously their key distinguishing feature.

But that sensibility remains the motivating factor on Wonky and even The Altogether. The fact that the former is largely content to repeat past glories and the latter is for the most part awful doesn't change that.