No doubt I've said this in 20 other threads, but his work with the Carla Bley/Mike Mantler nexus is generally superb - Mantler's The Hapless Child (prog-goth-isolationist adaptation of Edward Gorey poems) is tremendous, as is Nick Mason's Fictitious Sports, released under Mason's name but really a C Bley record.― Marcello Carlin (nostudium), Wednesday, July 13, 2005
from Rolling Jazz---I mostly listened to these because of Wyatt (and Coyne):
Michael Mantler:
The Hapless Child
Watt/4
words by Edward Gorey
(from 'Amphigorey')
Robert Wyatt (voice)
Terje Rypdal (guitar)
Carla Bley (piano, clavinet, synthesizer)
Steve Swallow (bass)
Jack DeJohnette (drums)
recorded July 1975 through January 1976
Willow, NY, and England
A whirlwind right out of the gate, and I knew from later all-instrumental versions how strong some of these frameworks would be---did not expect the excellent and unusual studio effects on some of Wyatt's vocal turns---but eventually, when the words are more upfront, can seem overly emphatic---Gorey's dank little narratives work better with his spare, black white & grey drawings or etchings or whatever they be. Also, c'mon, it's Gorey---think I'll go on to the settings of Beckett and Pinter.
― dow, Thursday, May 17, 2018 9:18 PM (three days ago) Bookmark Flag Post Permalink
That is, the *overall* effect, the ensemble onslaught, not primarily Wyatt's vocals, can seem overly emphatic here.
― dow, Thursday, May 17, 2018 9:21 PM (three days ago) Bookmark Flag Post Permalink
Mantler again: Silence(1976)---the overemphasis here is confined to some of MM's heavier handling of Pinter's words, and Chris Spedding's often repeated use of sustain etc., drawing a note out and curving it around 'til it's a needle in my earphones ---but it can hurt so good, and the voices are strong and distinctive, Carla Bley holding her on with Kevin Coyne and Robert Wyatt---and sometimes everybody follows Wyatt's dustdevil percussion, without ever missing their cues (it's a play with a small cast/combo, compressed, maybe condensed, into a single LP's worth of songs).
― dow, Friday, May 18, 2018 6:10 PM (two days ago) Bookmark Flag Post Permalink
The text itself may grow on me, but so far doesn't seem up to several Pinter plays I'm more familiar with, though Mantler can highlight the weak spots in his literary sources, maybe by blurring some of the plot points.
― dow, Friday, May 18, 2018
― dow, Sunday, May 20, 2018 4:14 PM (six years ago) bookmarkflaglink
Pretty sure I would have bought these in the 70s if had come across them (was mailorderphobic, opp extreme in 80s), and as a Wyatt fan would have been fairly satisfied.
― dow, Sunday, May 20, 2018 4:18 PM (six years ago) bookmarkflaglink
never even heard of these, thanks.
― akm, Sunday, May 20, 2018 4:58 PM (six years ago) bookmarkflaglink
wowowow this rules!!
― kurt schwitterz, Monday, May 21, 2018 3:11 PM (six years ago) bookmarkflaglink
That "Playa de Formentor" clip; wow, just wow! Thanks so much for that.
― stirmonster, Monday, May 21, 2018 4:34 PM (six years ago) bookmarkflaglink
Some atrocious acting from young Robert there, he looks at the camera, the last thing you should do as an extra. Daevid is good though.
― Poisoned by Johan's pea soup. (Tom D.), Monday, May 21, 2018 6:25 PM (six years ago) bookmarkflaglink
Yup, Daevid is good. Incredible seeing him so young with it all ahead of him.
― stirmonster, Monday, May 21, 2018
― dow, Sunday, 2 February 2025 23:40 (one year ago)